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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A64492 it is the complementary color #59BB6D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A64492. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A64492 shade: #AB448D, #BC56A0, #CD68B3, #DE7AC6 and #EF8CD9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A64492. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A64492 shade: #A64492, #95327F, #84206C, #730E59 and #620046

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A64492 shade: #A64492, #A64477, #A6445D and #A64444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A64492 shade: #A64492, #A044A6, #8544A6, #6A44A6 and #5044A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A64492 shade matches the following richer shades: #A64492, #B9319D, #CC1EA8 and #DF0BB4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A64492 shade: #A64492, #935787, #80697B, #6D7C70 and #5A8F65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A64492 shade: #8544A6, #9F44A6, #A64492, #A64478 and #A6445E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A64492 shade: #6B2C5E, #893878, #A64492, #BB58A7 and #C776B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A64492 shade: #A64492, #A66B44 and #44A692

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A64492 shade: #A64492, #92A644 and #4492A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A64492 shade: #A64492, #A66B44, #44A657 and #447FA6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A64492 shade: #A64492, #A68944, #44A657 and #4461A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 12 / 35

HEX #A64492

RGB 166 68 146

HSL 312.24, 0.42%, 0.46%

LAB 44.68, 49.93, -23.68

 

Complementary color

CMYK 52 / 0 / 42 / 27

HEX #59BB6D

RGB 89 187 109

HSL 132.24, 0.42%, 0.54%

LAB 68.58, -45.72, 30.92

 

CMYK 0 / 60 / 18 / 33

HEX #AB448D

RGB 171 68 141

HSL 317.48, 0.43%, 0.47%

LAB 45.24, 50.6, -19.74

 

CMYK 0 / 54 / 15 / 26

HEX #BC56A0

RGB 188 86 160

HSL 316.47, 0.43%, 0.54%

LAB 51.71, 50.14, -20.91

 

CMYK 0 / 49 / 13 / 20

HEX #CD68B3

RGB 205 104 179

HSL 315.45, 0.5%, 0.61%

LAB 58.16, 49.52, -21.85

 

CMYK 0 / 45 / 11 / 13

HEX #DE7AC6

RGB 222 122 198

HSL 314.4, 0.6%, 0.67%

LAB 64.58, 48.82, -22.63

 

CMYK 0 / 41 / 9 / 6

HEX #EF8CD9

RGB 239 140 217

HSL 313.33, 0.76%, 0.74%

LAB 70.95, 48.08, -23.31

 

CMYK 0 / 59 / 12 / 35

HEX #A64492

RGB 166 68 146

HSL 312.24, 0.42%, 0.46%

LAB 44.68, 49.93, -23.68

 

CMYK 0 / 66 / 15 / 42

HEX #95327F

RGB 149 50 127

HSL 313.33, 0.5%, 0.39%

LAB 38.2, 50.08, -22.34

 

CMYK 0 / 76 / 18 / 48

HEX #84206C

RGB 132 32 108

HSL 314.4, 0.61%, 0.32%

LAB 31.86, 49.61, -20.49

 

CMYK 0 / 88 / 23 / 55

HEX #730E59

RGB 115 14 89

HSL 315.45, 0.78%, 0.25%

LAB 25.8, 47.97, -17.79

 

CMYK 0 / 100 / 29 / 62

HEX #620046

RGB 98 0 70

HSL 317.14, 1%, 0.19%

LAB 20.2, 44.62, -13.94

 

CMYK 0 / 59 / 12 / 35

HEX #A64492

RGB 166 68 146

HSL 312.24, 0.42%, 0.46%

LAB 44.68, 49.93, -23.68

 

CMYK 0 / 59 / 28 / 35

HEX #A64477

RGB 166 68 119

HSL 328.78, 0.42%, 0.46%

LAB 43.61, 45.9, -8.9

 

CMYK 0 / 59 / 44 / 35

HEX #A6445D

RGB 166 68 93

HSL 344.69, 0.42%, 0.46%

LAB 42.81, 42.75, 5.97

 

CMYK 0 / 59 / 59 / 35

HEX #A64444

RGB 166 68 68

HSL 0, 0.42%, 0.46%

LAB 42.24, 40.46, 20.61

 

CMYK 0 / 59 / 12 / 35

HEX #A64492

RGB 166 68 146

HSL 312.24, 0.42%, 0.46%

LAB 44.68, 49.93, -23.68

 

CMYK 4 / 59 / 0 / 35

HEX #A044A6

RGB 160 68 166

HSL 296.33, 0.42%, 0.46%

LAB 44.75, 51.75, -35.6

 

CMYK 20 / 59 / 0 / 35

HEX #8544A6

RGB 133 68 166

HSL 279.8, 0.42%, 0.46%

LAB 41.02, 44.65, -41.75

 

CMYK 36 / 59 / 0 / 35

HEX #6A44A6

RGB 106 68 166

HSL 263.27, 0.42%, 0.46%

LAB 37.76, 37.86, -47.15

 

CMYK 52 / 59 / 0 / 35

HEX #5044A6

RGB 80 68 166

HSL 247.35, 0.42%, 0.46%

LAB 35.19, 31.98, -51.42

 

CMYK 0 / 59 / 12 / 35

HEX #A64492

RGB 166 68 146

HSL 312.24, 0.42%, 0.46%

LAB 44.68, 49.93, -23.68

 

CMYK 0 / 74 / 15 / 27

HEX #B9319D

RGB 185 49 157

HSL 312.35, 0.58%, 0.46%

LAB 45.56, 64.12, -28.68

 

CMYK 0 / 85 / 18 / 20

HEX #CC1EA8

RGB 204 30 168

HSL 312.41, 0.74%, 0.46%

LAB 47.74, 74.65, -31.57

 

CMYK 0 / 95 / 19 / 13

HEX #DF0BB4

RGB 223 11 180

HSL 312.17, 0.91%, 0.46%

LAB 50.95, 82.31, -33.38

 

CMYK 0 / 59 / 12 / 35

HEX #A64492

RGB 166 68 146

HSL 312.24, 0.42%, 0.46%

LAB 44.68, 49.93, -23.68

 

CMYK 0 / 41 / 8 / 42

HEX #935787

RGB 147 87 135

HSL 312, 0.26%, 0.46%

LAB 45.32, 32.18, -16.31

 

CMYK 0 / 18 / 4 / 50

HEX #80697B

RGB 128 105 123

HSL 313.04, 0.1%, 0.46%

LAB 47.13, 12.47, -6.57

 

CMYK 12 / 0 / 10 / 51

HEX #6D7C70

RGB 109 124 112

HSL 132, 0.06%, 0.46%

LAB 50.5, -8.04, 4.68

 

CMYK 37 / 0 / 29 / 44

HEX #5A8F65

RGB 90 143 101

HSL 132.45, 0.23%, 0.46%

LAB 54.82, -26.98, 16.92

 

CMYK 20 / 59 / 0 / 35

HEX #8544A6

RGB 133 68 166

HSL 279.8, 0.42%, 0.46%

LAB 41.02, 44.65, -41.75

 

CMYK 4 / 59 / 0 / 35

HEX #9F44A6

RGB 159 68 166

HSL 295.71, 0.42%, 0.46%

LAB 44.6, 51.48, -35.83

 

CMYK 0 / 59 / 12 / 35

HEX #A64492

RGB 166 68 146

HSL 312.24, 0.42%, 0.46%

LAB 44.68, 49.93, -23.68

 

CMYK 0 / 59 / 28 / 35

HEX #A64478

RGB 166 68 120

HSL 328.16, 0.42%, 0.46%

LAB 43.65, 46.04, -9.46

 

CMYK 0 / 59 / 43 / 35

HEX #A6445E

RGB 166 68 94

HSL 344.08, 0.42%, 0.46%

LAB 42.84, 42.86, 5.38

 

CMYK 0 / 59 / 12 / 58

HEX #6B2C5E

RGB 107 44 94

HSL 312.38, 0.42%, 0.3%

LAB 28.73, 34.94, -16.65

 

CMYK 0 / 59 / 12 / 46

HEX #893878

RGB 137 56 120

HSL 312.59, 0.42%, 0.38%

LAB 36.93, 42.76, -20.11

 

CMYK 0 / 59 / 12 / 35

HEX #A64492

RGB 166 68 146

HSL 312.24, 0.42%, 0.46%

LAB 44.68, 49.93, -23.68

 

CMYK 0 / 53 / 11 / 27

HEX #BB58A7

RGB 187 88 167

HSL 312.12, 0.42%, 0.54%

LAB 52.21, 50, -24.25

 

CMYK 0 / 41 / 9 / 22

HEX #C776B6

RGB 199 118 182

HSL 312.59, 0.42%, 0.62%

LAB 60.32, 40.92, -20.34

 

CMYK 0 / 59 / 12 / 35

HEX #A64492

RGB 166 68 146

HSL 312.24, 0.42%, 0.46%

LAB 44.68, 49.93, -23.68

 

CMYK 0 / 36 / 59 / 35

HEX #A66B44

RGB 166 107 68

HSL 23.88, 0.42%, 0.46%

LAB 50.73, 19.48, 31.35

 

CMYK 59 / 0 / 12 / 35

HEX #44A692

RGB 68 166 146

HSL 167.76, 0.42%, 0.46%

LAB 62.15, -33.58, 1.8

 

CMYK 0 / 59 / 12 / 35

HEX #A64492

RGB 166 68 146

HSL 312.24, 0.42%, 0.46%

LAB 44.68, 49.93, -23.68

 

CMYK 12 / 0 / 59 / 35

HEX #92A644

RGB 146 166 68

HSL 72.24, 0.42%, 0.46%

LAB 64.8, -21.51, 47.33

 

CMYK 59 / 12 / 0 / 35

HEX #4492A6

RGB 68 146 166

HSL 192.24, 0.42%, 0.46%

LAB 56.62, -17.91, -17.77

 

CMYK 0 / 59 / 12 / 35

HEX #A64492

RGB 166 68 146

HSL 312.24, 0.42%, 0.46%

LAB 44.68, 49.93, -23.68

 

CMYK 0 / 36 / 59 / 35

HEX #A66B44

RGB 166 107 68

HSL 23.88, 0.42%, 0.46%

LAB 50.73, 19.48, 31.35

 

CMYK 59 / 0 / 48 / 35

HEX #44A657

RGB 68 166 87

HSL 131.63, 0.42%, 0.46%

LAB 60.95, -45.93, 32.41

 

CMYK 59 / 23 / 0 / 35

HEX #447FA6

RGB 68 127 166

HSL 203.88, 0.42%, 0.46%

LAB 50.87, -7.34, -26.6

 

CMYK 0 / 59 / 12 / 35

HEX #A64492

RGB 166 68 146

HSL 312.24, 0.42%, 0.46%

LAB 44.68, 49.93, -23.68

 

CMYK 0 / 17 / 59 / 35

HEX #A68944

RGB 166 137 68

HSL 42.24, 0.42%, 0.46%

LAB 58.43, 2.57, 40.53

 

CMYK 59 / 0 / 48 / 35

HEX #44A657

RGB 68 166 87

HSL 131.63, 0.42%, 0.46%

LAB 60.95, -45.93, 32.41

 

CMYK 59 / 42 / 0 / 35

HEX #4461A6

RGB 68 97 166

HSL 222.24, 0.42%, 0.46%

LAB 42.05, 10.93, -40.46

 

Description

Color code: HEX #A64492 | qconv.com Color code: HEX #A64492 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 68 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 68 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 12 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 12% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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