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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A65425 it is the complementary color #59ABDA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A65425. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A65425 shade: #AB5420, #BC6633, #CD7846, #DE8A59 and #EF9C6C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A65425. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A65425 shade: #A65425, #954212, #843000, #731E00 and #620C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A65425 shade: #A75424, #A73124 and #A72424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A65425 shade: #A75424, #A77724, #A79A24, #90A724 and #6DA724

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A65425 shade matches the following richer shades: #A75424, #B74F14 and #C84B03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A65425 shade: #A75424, #965835, #865D45, #756156 and #656666

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A65425 shade: #A7243C, #A72F24, #A75224, #A77524 and #A79824

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A65425 shade: #633215, #85431D, #A75424, #C9652C and #D67B47

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A65425 shade: #A65425, #5FA724 and #242BA7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A65425 shade: #A65425, #24A752 and #5224A7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A65425 shade: #A65425, #5FA724, #2479A7 and #6C24A7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A65425 shade: #A65425, #38A724, #2479A7 and #9324A7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 78 / 35

HEX #A65425

RGB 166 84 37

HSL 21.86, 0.64%, 0.4%

LAB 45.06, 30.36, 41.37

 

Complementary color

CMYK 59 / 22 / 0 / 15

HEX #59ABDA

RGB 89 171 218

HSL 201.86, 0.64%, 0.6%

LAB 66.76, -11.29, -31.3

 

CMYK 0 / 51 / 81 / 33

HEX #AB5420

RGB 171 84 32

HSL 22.45, 0.68%, 0.4%

LAB 45.77, 32.24, 44.69

 

CMYK 0 / 46 / 73 / 26

HEX #BC6633

RGB 188 102 51

HSL 22.34, 0.57%, 0.47%

LAB 52.32, 30.44, 42.98

 

CMYK 0 / 41 / 66 / 20

HEX #CD7846

RGB 205 120 70

HSL 22.22, 0.57%, 0.54%

LAB 58.84, 28.83, 41.15

 

CMYK 0 / 38 / 60 / 13

HEX #DE8A59

RGB 222 138 89

HSL 22.11, 0.67%, 0.61%

LAB 65.3, 27.41, 39.39

 

CMYK 0 / 35 / 55 / 6

HEX #EF9C6C

RGB 239 156 108

HSL 21.98, 0.8%, 0.68%

LAB 71.7, 26.14, 37.74

 

CMYK 0 / 49 / 78 / 35

HEX #A65425

RGB 166 84 37

HSL 21.86, 0.64%, 0.4%

LAB 45.06, 30.36, 41.37

 

CMYK 0 / 56 / 88 / 42

HEX #954212

RGB 149 66 18

HSL 21.98, 0.78%, 0.33%

LAB 38.43, 32.27, 42.85

 

CMYK 0 / 64 / 100 / 48

HEX #843000

RGB 132 48 0

HSL 21.82, 1%, 0.26%

LAB 31.85, 34.21, 43.51

 

CMYK 0 / 74 / 100 / 55

HEX #731E00

RGB 115 30 0

HSL 15.65, 1%, 0.23%

LAB 25.48, 35.98, 36.99

 

CMYK 0 / 88 / 100 / 62

HEX #620C00

RGB 98 12 0

HSL 7.35, 1%, 0.19%

LAB 19.47, 36.53, 29.58

 

CMYK 0 / 50 / 78 / 35

HEX #A75424

RGB 167 84 36

HSL 21.98, 0.65%, 0.4%

LAB 45.2, 30.73, 42.05

 

CMYK 0 / 71 / 78 / 35

HEX #A73124

RGB 167 49 36

HSL 5.95, 0.65%, 0.4%

LAB 38.79, 47.47, 35.52

 

CMYK 0 / 78 / 78 / 35

HEX #A72424

RGB 167 36 36

HSL 0, 0.65%, 0.4%

LAB 37.12, 52.1, 33.76

 

CMYK 0 / 50 / 78 / 35

HEX #A75424

RGB 167 84 36

HSL 21.98, 0.65%, 0.4%

LAB 45.2, 30.73, 42.05

 

CMYK 0 / 29 / 78 / 35

HEX #A77724

RGB 167 119 36

HSL 38.02, 0.65%, 0.4%

LAB 53.53, 11.2, 50.12

 

CMYK 0 / 8 / 78 / 35

HEX #A79A24

RGB 167 154 36

HSL 54.05, 0.65%, 0.4%

LAB 62.89, -8.1, 58.76

 

CMYK 14 / 0 / 78 / 35

HEX #90A724

RGB 144 167 36

HSL 70.53, 0.65%, 0.4%

LAB 64.72, -24.86, 59.74

 

CMYK 35 / 0 / 78 / 35

HEX #6DA724

RGB 109 167 36

HSL 86.56, 0.65%, 0.4%

LAB 62.52, -38.87, 56.9

 

CMYK 0 / 50 / 78 / 35

HEX #A75424

RGB 167 84 36

HSL 21.98, 0.65%, 0.4%

LAB 45.2, 30.73, 42.05

 

CMYK 0 / 57 / 89 / 28

HEX #B74F14

RGB 183 79 20

HSL 21.72, 0.8%, 0.4%

LAB 46.59, 39.29, 50.99

 

CMYK 0 / 63 / 99 / 22

HEX #C84B03

RGB 200 75 3

HSL 21.93, 0.97%, 0.4%

LAB 48.66, 47.33, 58.36

 

CMYK 0 / 50 / 78 / 35

HEX #A75424

RGB 167 84 36

HSL 21.98, 0.65%, 0.4%

LAB 45.2, 30.73, 42.05

 

CMYK 0 / 41 / 65 / 41

HEX #965835

RGB 150 88 53

HSL 21.65, 0.48%, 0.4%

LAB 43.83, 22.22, 30.89

 

CMYK 0 / 31 / 49 / 47

HEX #865D45

RGB 134 93 69

HSL 22.15, 0.32%, 0.4%

LAB 43.25, 13.72, 20.46

 

CMYK 0 / 17 / 26 / 54

HEX #756156

RGB 117 97 86

HSL 21.29, 0.15%, 0.4%

LAB 42.77, 6.21, 9.28

 

CMYK 1 / 0 / 0 / 60

HEX #656666

RGB 101 102 102

HSL 180, 0%, 0.4%

LAB 43.11, -0.39, -0.14

 

CMYK 0 / 78 / 64 / 35

HEX #A7243C

RGB 167 36 60

HSL 349.01, 0.65%, 0.4%

LAB 37.49, 53.26, 19.42

 

CMYK 0 / 72 / 78 / 35

HEX #A72F24

RGB 167 47 36

HSL 5.04, 0.65%, 0.4%

LAB 38.51, 48.25, 35.22

 

CMYK 0 / 51 / 78 / 35

HEX #A75224

RGB 167 82 36

HSL 21.07, 0.65%, 0.4%

LAB 44.77, 31.81, 41.62

 

CMYK 0 / 30 / 78 / 35

HEX #A77524

RGB 167 117 36

HSL 37.1, 0.65%, 0.4%

LAB 53.02, 12.33, 49.63

 

CMYK 0 / 9 / 78 / 35

HEX #A79824

RGB 167 152 36

HSL 53.13, 0.65%, 0.4%

LAB 62.34, -7.03, 58.26

 

CMYK 0 / 49 / 79 / 61

HEX #633215

RGB 99 50 21

HSL 22.31, 0.65%, 0.24%

LAB 26.7, 19.59, 27.52

 

CMYK 0 / 50 / 78 / 48

HEX #85431D

RGB 133 67 29

HSL 21.92, 0.64%, 0.32%

LAB 36.16, 25.34, 34.72

 

CMYK 0 / 50 / 78 / 35

HEX #A75424

RGB 167 84 36

HSL 21.98, 0.65%, 0.4%

LAB 45.2, 30.73, 42.05

 

CMYK 0 / 50 / 78 / 21

HEX #C9652C

RGB 201 101 44

HSL 21.78, 0.64%, 0.48%

LAB 53.93, 35.95, 48.6

 

CMYK 0 / 43 / 67 / 16

HEX #D67B47

RGB 214 123 71

HSL 21.82, 0.64%, 0.56%

LAB 60.71, 30.96, 43.09

 

CMYK 0 / 49 / 78 / 35

HEX #A65425

RGB 166 84 37

HSL 21.86, 0.64%, 0.4%

LAB 45.06, 30.36, 41.37

 

CMYK 43 / 0 / 78 / 35

HEX #5FA724

RGB 95 167 36

HSL 92.98, 0.65%, 0.4%

LAB 61.82, -43.83, 56

 

CMYK 78 / 74 / 0 / 35

HEX #242BA7

RGB 36 43 167

HSL 236.79, 0.65%, 0.4%

LAB 26.43, 41.3, -66.48

 

CMYK 0 / 49 / 78 / 35

HEX #A65425

RGB 166 84 37

HSL 21.86, 0.64%, 0.4%

LAB 45.06, 30.36, 41.37

 

CMYK 78 / 0 / 51 / 35

HEX #24A752

RGB 36 167 82

HSL 141.07, 0.65%, 0.4%

LAB 60.45, -53.03, 34.19

 

CMYK 51 / 78 / 0 / 35

HEX #5224A7

RGB 82 36 167

HSL 261.07, 0.65%, 0.4%

LAB 29.02, 50.24, -62.07

 

CMYK 0 / 49 / 78 / 35

HEX #A65425

RGB 166 84 37

HSL 21.86, 0.64%, 0.4%

LAB 45.06, 30.36, 41.37

 

CMYK 43 / 0 / 78 / 35

HEX #5FA724

RGB 95 167 36

HSL 92.98, 0.65%, 0.4%

LAB 61.82, -43.83, 56

 

CMYK 78 / 28 / 0 / 35

HEX #2479A7

RGB 36 121 167

HSL 201.07, 0.65%, 0.4%

LAB 48.06, -8.7, -31.64

 

CMYK 35 / 78 / 0 / 35

HEX #6C24A7

RGB 108 36 167

HSL 272.98, 0.65%, 0.4%

LAB 32.35, 54.34, -56.5

 

CMYK 0 / 49 / 78 / 35

HEX #A65425

RGB 166 84 37

HSL 21.86, 0.64%, 0.4%

LAB 45.06, 30.36, 41.37

 

CMYK 66 / 0 / 78 / 35

HEX #38A724

RGB 56 167 36

HSL 110.84, 0.65%, 0.4%

LAB 60.43, -54.71, 54.18

 

CMYK 78 / 28 / 0 / 35

HEX #2479A7

RGB 36 121 167

HSL 201.07, 0.65%, 0.4%

LAB 48.06, -8.7, -31.64

 

CMYK 12 / 78 / 0 / 35

HEX #9324A7

RGB 147 36 167

HSL 290.84, 0.65%, 0.4%

LAB 38.3, 61.56, -46.58

 

Description

Color code: HEX #A65425 | qconv.com Color code: HEX #A65425 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 84 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 84 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 78 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 78% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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