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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A65450 it is the complementary color #59ABAF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A65450. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A65450 shade: #AB544B, #BC665E, #CD7871, #DE8A84 and #EF9C97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A65450. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A65450 shade: #A65450, #95423D, #84302A, #731E17 and #620C04

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A65450 shade: #A5534F and #A54F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A65450 shade: #A5534F, #A56A4F, #A5814F, #A5984F and #9AA54F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A65450 shade matches the following richer shades: #A5534F, #B9413B, #CC2F27, #E01D14 and #F40B00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A65450 shade: #A5534F, #916563, #7D7777, #69898A and #569B9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A65450 shade: #A54F7A, #A54F63, #A5524F, #A5694F and #A5804F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A65450 shade: #6D3734, #894542, #A5534F, #B66B67 and #C38683

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A65450 shade: #A65450, #91A54F and #4F6EA5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A65450 shade: #A65450, #4FA552 and #524FA5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A65450 shade: #A65450, #91A54F, #4FA2A5 and #634FA5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A65450 shade: #A65450, #77A54F, #4FA2A5 and #7D4FA5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 52 / 35

HEX #A65450

RGB 166 84 80

HSL 2.79, 0.35%, 0.48%

LAB 45.67, 33.27, 17.88

 

Complementary color

CMYK 49 / 2 / 0 / 31

HEX #59ABAF

RGB 89 171 175

HSL 182.79, 0.35%, 0.52%

LAB 65.24, -23.84, -9.79

 

CMYK 0 / 51 / 56 / 33

HEX #AB544B

RGB 171 84 75

HSL 5.63, 0.39%, 0.48%

LAB 46.32, 34.77, 21.87

 

CMYK 0 / 46 / 50 / 26

HEX #BC665E

RGB 188 102 94

HSL 5.11, 0.41%, 0.55%

LAB 52.95, 33.54, 19.91

 

CMYK 0 / 41 / 45 / 20

HEX #CD7871

RGB 205 120 113

HSL 4.57, 0.48%, 0.62%

LAB 59.53, 32.39, 18.24

 

CMYK 0 / 38 / 41 / 13

HEX #DE8A84

RGB 222 138 132

HSL 4, 0.58%, 0.69%

LAB 66.04, 31.35, 16.78

 

CMYK 0 / 35 / 37 / 6

HEX #EF9C97

RGB 239 156 151

HSL 3.41, 0.73%, 0.76%

LAB 72.47, 30.39, 15.47

 

CMYK 0 / 49 / 52 / 35

HEX #A65450

RGB 166 84 80

HSL 2.79, 0.35%, 0.48%

LAB 45.67, 33.27, 17.88

 

CMYK 0 / 56 / 59 / 42

HEX #95423D

RGB 149 66 61

HSL 3.41, 0.42%, 0.41%

LAB 38.94, 34.51, 20.06

 

CMYK 0 / 64 / 68 / 48

HEX #84302A

RGB 132 48 42

HSL 4, 0.52%, 0.34%

LAB 32.23, 35.71, 22.76

 

CMYK 0 / 74 / 80 / 55

HEX #731E17

RGB 115 30 23

HSL 4.57, 0.67%, 0.27%

LAB 25.67, 36.64, 26.13

 

CMYK 0 / 88 / 96 / 62

HEX #620C04

RGB 98 12 4

HSL 5.11, 0.92%, 0.2%

LAB 19.51, 36.64, 27.99

 

CMYK 0 / 50 / 52 / 35

HEX #A5534F

RGB 165 83 79

HSL 2.79, 0.35%, 0.48%

LAB 45.29, 33.32, 17.95

 

CMYK 0 / 52 / 52 / 35

HEX #A54F4F

RGB 165 79 79

HSL 0, 0.35%, 0.48%

LAB 44.46, 35.44, 16.82

 

CMYK 0 / 50 / 52 / 35

HEX #A5534F

RGB 165 83 79

HSL 2.79, 0.35%, 0.48%

LAB 45.29, 33.32, 17.95

 

CMYK 0 / 36 / 52 / 35

HEX #A56A4F

RGB 165 106 79

HSL 18.84, 0.35%, 0.48%

LAB 50.54, 20.58, 24.86

 

CMYK 0 / 22 / 52 / 35

HEX #A5814F

RGB 165 129 79

HSL 34.88, 0.35%, 0.48%

LAB 56.35, 7.55, 32.24

 

CMYK 0 / 8 / 52 / 35

HEX #A5984F

RGB 165 152 79

HSL 50.93, 0.35%, 0.48%

LAB 62.52, -5.16, 39.76

 

CMYK 7 / 0 / 52 / 35

HEX #9AA54F

RGB 154 165 79

HSL 67.67, 0.35%, 0.48%

LAB 65.24, -16.7, 42.75

 

CMYK 0 / 50 / 52 / 35

HEX #A5534F

RGB 165 83 79

HSL 2.79, 0.35%, 0.48%

LAB 45.29, 33.32, 17.95

 

CMYK 0 / 65 / 68 / 27

HEX #B9413B

RGB 185 65 59

HSL 2.86, 0.52%, 0.48%

LAB 44.82, 48.02, 29.94

 

CMYK 0 / 77 / 81 / 20

HEX #CC2F27

RGB 204 47 39

HSL 2.91, 0.68%, 0.48%

LAB 45.66, 59.99, 43.12

 

CMYK 0 / 87 / 91 / 12

HEX #E01D14

RGB 224 29 20

HSL 2.65, 0.84%, 0.48%

LAB 47.98, 69.54, 55.42

 

CMYK 0 / 95 / 100 / 4

HEX #F40B00

RGB 244 11 0

HSL 2.7, 1%, 0.48%

LAB 51.24, 76.68, 65.11

 

CMYK 0 / 50 / 52 / 35

HEX #A5534F

RGB 165 83 79

HSL 2.79, 0.35%, 0.48%

LAB 45.29, 33.32, 17.95

 

CMYK 0 / 30 / 32 / 43

HEX #916563

RGB 145 101 99

HSL 2.61, 0.19%, 0.48%

LAB 47.27, 17.47, 8.25

 

CMYK 0 / 5 / 5 / 51

HEX #7D7777

RGB 125 119 119

HSL 0, 0.02%, 0.48%

LAB 50.55, 2.29, 0.81

 

CMYK 24 / 1 / 0 / 46

HEX #69898A

RGB 105 137 138

HSL 181.82, 0.14%, 0.48%

LAB 54.79, -10.96, -4.23

 

CMYK 46 / 2 / 0 / 38

HEX #569B9E

RGB 86 155 158

HSL 182.5, 0.3%, 0.48%

LAB 59.79, -20.94, -8.37

 

CMYK 0 / 52 / 26 / 35

HEX #A54F7A

RGB 165 79 122

HSL 330, 0.35%, 0.48%

LAB 45.63, 40.54, -7.73

 

CMYK 0 / 52 / 40 / 35

HEX #A54F63

RGB 165 79 99

HSL 346.05, 0.35%, 0.48%

LAB 44.93, 37.54, 5.28

 

CMYK 0 / 50 / 52 / 35

HEX #A5524F

RGB 165 82 79

HSL 2.09, 0.35%, 0.48%

LAB 45.08, 33.85, 17.66

 

CMYK 0 / 36 / 52 / 35

HEX #A5694F

RGB 165 105 79

HSL 18.14, 0.35%, 0.48%

LAB 50.3, 21.15, 24.55

 

CMYK 0 / 22 / 52 / 35

HEX #A5804F

RGB 165 128 79

HSL 34.19, 0.35%, 0.48%

LAB 56.09, 8.11, 31.91

 

CMYK 0 / 50 / 52 / 57

HEX #6D3734

RGB 109 55 52

HSL 3.16, 0.35%, 0.32%

LAB 29.99, 23.53, 12.73

 

CMYK 0 / 50 / 52 / 46

HEX #894542

RGB 137 69 66

HSL 2.54, 0.35%, 0.4%

LAB 37.78, 28.58, 15.09

 

CMYK 0 / 50 / 52 / 35

HEX #A5534F

RGB 165 83 79

HSL 2.79, 0.35%, 0.48%

LAB 45.29, 33.32, 17.95

 

CMYK 0 / 41 / 43 / 29

HEX #B66B67

RGB 182 107 103

HSL 3.04, 0.35%, 0.56%

LAB 53.43, 29.42, 15.17

 

CMYK 0 / 31 / 33 / 24

HEX #C38683

RGB 195 134 131

HSL 2.81, 0.35%, 0.64%

LAB 61.9, 23.02, 11.09

 

CMYK 0 / 49 / 52 / 35

HEX #A65450

RGB 166 84 80

HSL 2.79, 0.35%, 0.48%

LAB 45.67, 33.27, 17.88

 

CMYK 12 / 0 / 52 / 35

HEX #91A54F

RGB 145 165 79

HSL 73.95, 0.35%, 0.48%

LAB 64.56, -20.42, 41.79

 

CMYK 52 / 33 / 0 / 35

HEX #4F6EA5

RGB 79 110 165

HSL 218.37, 0.35%, 0.48%

LAB 46.35, 4.95, -33.03

 

CMYK 0 / 49 / 52 / 35

HEX #A65450

RGB 166 84 80

HSL 2.79, 0.35%, 0.48%

LAB 45.67, 33.27, 17.88

 

CMYK 52 / 0 / 50 / 35

HEX #4FA552

RGB 79 165 82

HSL 122.09, 0.35%, 0.48%

LAB 60.94, -43.44, 35.05

 

CMYK 50 / 52 / 0 / 35

HEX #524FA5

RGB 82 79 165

HSL 242.09, 0.35%, 0.48%

LAB 38.03, 25.19, -46.24

 

CMYK 0 / 49 / 52 / 35

HEX #A65450

RGB 166 84 80

HSL 2.79, 0.35%, 0.48%

LAB 45.67, 33.27, 17.88

 

CMYK 12 / 0 / 52 / 35

HEX #91A54F

RGB 145 165 79

HSL 73.95, 0.35%, 0.48%

LAB 64.56, -20.42, 41.79

 

CMYK 52 / 2 / 0 / 35

HEX #4FA2A5

RGB 79 162 165

HSL 182.09, 0.35%, 0.48%

LAB 61.84, -24.24, -9.29

 

CMYK 40 / 52 / 0 / 35

HEX #634FA5

RGB 99 79 165

HSL 253.95, 0.35%, 0.48%

LAB 39.52, 29.3, -43.77

 

CMYK 0 / 49 / 52 / 35

HEX #A65450

RGB 166 84 80

HSL 2.79, 0.35%, 0.48%

LAB 45.67, 33.27, 17.88

 

CMYK 28 / 0 / 52 / 35

HEX #77A54F

RGB 119 165 79

HSL 92.09, 0.35%, 0.48%

LAB 62.84, -30.65, 39.32

 

CMYK 52 / 2 / 0 / 35

HEX #4FA2A5

RGB 79 162 165

HSL 182.09, 0.35%, 0.48%

LAB 61.84, -24.24, -9.29

 

CMYK 24 / 52 / 0 / 35

HEX #7D4FA5

RGB 125 79 165

HSL 272.09, 0.35%, 0.48%

LAB 42.26, 36.25, -39.23

 

Description

Color code: HEX #A65450 | qconv.com Color code: HEX #A65450 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 84 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 84 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 52 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 52% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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