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Color name
HEX #A65A67

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A65A67 it is the complementary color #59A598. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A65A67. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A65A67 shade: #AB5A62, #BC6C75, #CD7E88, #DE909B and #EFA2AE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A65A67. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A65A67 shade: #A65A67, #954854, #843641, #73242E and #62121B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A65A67 shade: #A55966 and #A55959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A65A67 shade: #A55966, #A5597A, #A5598F, #A559A4 and #9259A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A65A67 shade matches the following richer shades: #A55966, #BA4458, #CF2F4B, #E31B3D and #F80630

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A65A67 shade: #A55966, #916D73, #7C8281, #67978F and #53AB9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A65A67 shade: #A55990, #A5597B, #A55967, #A55F59 and #A57459

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A65A67 shade: #703C45, #8A4A55, #A55966, #B4747F and #C28E97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A65A67 shade: #A65A67, #A4A559 and #5985A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A65A67 shade: #A65A67, #67A559 and #5967A5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A65A67 shade: #A65A67, #A4A559, #59A597 and #5A59A5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A65A67 shade: #A65A67, #8DA559, #59A597 and #7159A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 38 / 35

HEX #A65A67

RGB 166 90 103

HSL 349.74, 0.3%, 0.5%

LAB 47.49, 32.53, 6.53

 

Complementary color

CMYK 46 / 0 / 8 / 35

HEX #59A598

RGB 89 165 152

HSL 169.74, 0.3%, 0.5%

LAB 62.76, -26.82, -0.58

 

CMYK 0 / 47 / 43 / 33

HEX #AB5A62

RGB 171 90 98

HSL 354.07, 0.33%, 0.51%

LAB 48.07, 33.84, 10.46

 

CMYK 0 / 43 / 38 / 26

HEX #BC6C75

RGB 188 108 117

HSL 353.25, 0.37%, 0.58%

LAB 54.76, 32.8, 8.95

 

CMYK 0 / 39 / 34 / 20

HEX #CD7E88

RGB 205 126 136

HSL 352.41, 0.44%, 0.65%

LAB 61.38, 31.83, 7.65

 

CMYK 0 / 35 / 30 / 13

HEX #DE909B

RGB 222 144 155

HSL 351.54, 0.54%, 0.72%

LAB 67.9, 30.95, 6.51

 

CMYK 0 / 32 / 27 / 6

HEX #EFA2AE

RGB 239 162 174

HSL 350.65, 0.71%, 0.79%

LAB 74.35, 30.13, 5.48

 

CMYK 0 / 46 / 38 / 35

HEX #A65A67

RGB 166 90 103

HSL 349.74, 0.3%, 0.5%

LAB 47.49, 32.53, 6.53

 

CMYK 0 / 52 / 44 / 42

HEX #954854

RGB 149 72 84

HSL 350.65, 0.35%, 0.43%

LAB 40.68, 33.56, 8.15

 

CMYK 0 / 59 / 51 / 48

HEX #843641

RGB 132 54 65

HSL 351.54, 0.42%, 0.36%

LAB 33.83, 34.58, 10.19

 

CMYK 0 / 69 / 60 / 55

HEX #73242E

RGB 115 36 46

HSL 352.41, 0.52%, 0.3%

LAB 27.03, 35.41, 12.87

 

CMYK 0 / 82 / 72 / 62

HEX #62121B

RGB 98 18 27

HSL 353.25, 0.69%, 0.23%

LAB 20.47, 35.61, 16.6

 

CMYK 0 / 46 / 38 / 35

HEX #A55966

RGB 165 89 102

HSL 349.74, 0.3%, 0.5%

LAB 47.11, 32.57, 6.57

 

CMYK 0 / 46 / 46 / 35

HEX #A55959

RGB 165 89 89

HSL 0, 0.3%, 0.5%

LAB 46.8, 31.08, 13.97

 

CMYK 0 / 46 / 38 / 35

HEX #A55966

RGB 165 89 102

HSL 349.74, 0.3%, 0.5%

LAB 47.11, 32.57, 6.57

 

CMYK 0 / 46 / 26 / 35

HEX #A5597A

RGB 165 89 122

HSL 333.95, 0.3%, 0.5%

LAB 47.69, 35.26, -4.67

 

CMYK 0 / 46 / 13 / 35

HEX #A5598F

RGB 165 89 143

HSL 317.37, 0.3%, 0.5%

LAB 48.42, 38.56, -16.15

 

CMYK 0 / 46 / 1 / 35

HEX #A559A4

RGB 165 89 164

HSL 300.79, 0.3%, 0.5%

LAB 49.28, 42.31, -27.26

 

CMYK 12 / 46 / 0 / 35

HEX #9259A5

RGB 146 89 165

HSL 285, 0.3%, 0.5%

LAB 46.94, 36.72, -31.69

 

CMYK 0 / 46 / 38 / 35

HEX #A55966

RGB 165 89 102

HSL 349.74, 0.3%, 0.5%

LAB 47.11, 32.57, 6.57

 

CMYK 0 / 63 / 53 / 27

HEX #BA4458

RGB 186 68 88

HSL 349.83, 0.46%, 0.5%

LAB 46.01, 49.08, 14.02

 

CMYK 0 / 77 / 64 / 19

HEX #CF2F4B

RGB 207 47 75

HSL 349.5, 0.63%, 0.5%

LAB 46.72, 62.42, 23.57

 

CMYK 0 / 88 / 73 / 11

HEX #E31B3D

RGB 227 27 61

HSL 349.8, 0.79%, 0.5%

LAB 48.82, 71.7, 35.45

 

CMYK 0 / 98 / 81 / 3

HEX #F80630

RGB 248 6 48

HSL 349.59, 0.95%, 0.5%

LAB 52.17, 78.67, 47.67

 

CMYK 0 / 46 / 38 / 35

HEX #A55966

RGB 165 89 102

HSL 349.74, 0.3%, 0.5%

LAB 47.11, 32.57, 6.57

 

CMYK 0 / 25 / 21 / 43

HEX #916D73

RGB 145 109 115

HSL 350, 0.14%, 0.5%

LAB 49.73, 15.26, 2.23

 

CMYK 5 / 0 / 1 / 49

HEX #7C8281

RGB 124 130 129

HSL 170, 0.02%, 0.5%

LAB 53.85, -2.42, -0.24

 

CMYK 32 / 0 / 5 / 41

HEX #67978F

RGB 103 151 143

HSL 170, 0.19%, 0.5%

LAB 58.97, -17.96, -0.96

 

CMYK 51 / 0 / 9 / 33

HEX #53AB9C

RGB 83 171 156

HSL 169.77, 0.35%, 0.5%

LAB 64.46, -30.19, -0.37

 

CMYK 0 / 46 / 13 / 35

HEX #A55990

RGB 165 89 144

HSL 316.58, 0.3%, 0.5%

LAB 48.46, 38.73, -16.69

 

CMYK 0 / 46 / 25 / 35

HEX #A5597B

RGB 165 89 123

HSL 333.16, 0.3%, 0.5%

LAB 47.72, 35.41, -5.22

 

CMYK 0 / 46 / 38 / 35

HEX #A55967

RGB 165 89 103

HSL 348.95, 0.3%, 0.5%

LAB 47.14, 32.69, 6

 

CMYK 0 / 42 / 46 / 35

HEX #A55F59

RGB 165 95 89

HSL 4.74, 0.3%, 0.5%

LAB 48.14, 27.77, 15.81

 

CMYK 0 / 30 / 46 / 35

HEX #A57459

RGB 165 116 89

HSL 21.32, 0.3%, 0.5%

LAB 53.18, 15.92, 22.59

 

CMYK 0 / 46 / 38 / 56

HEX #703C45

RGB 112 60 69

HSL 349.62, 0.3%, 0.34%

LAB 32.05, 23.89, 4.64

 

CMYK 0 / 46 / 38 / 46

HEX #8A4A55

RGB 138 74 85

HSL 349.69, 0.3%, 0.42%

LAB 39.51, 28.34, 5.64

 

CMYK 0 / 46 / 38 / 35

HEX #A55966

RGB 165 89 102

HSL 349.74, 0.3%, 0.5%

LAB 47.11, 32.57, 6.57

 

CMYK 0 / 36 / 29 / 29

HEX #B4747F

RGB 180 116 127

HSL 349.69, 0.3%, 0.58%

LAB 55.81, 26.68, 4.47

 

CMYK 0 / 27 / 22 / 24

HEX #C28E97

RGB 194 142 151

HSL 349.62, 0.3%, 0.66%

LAB 64.2, 21.05, 3.02

 

CMYK 0 / 46 / 38 / 35

HEX #A65A67

RGB 166 90 103

HSL 349.74, 0.3%, 0.5%

LAB 47.49, 32.53, 6.53

 

CMYK 1 / 0 / 46 / 35

HEX #A4A559

RGB 164 165 89

HSL 60.79, 0.3%, 0.5%

LAB 66.15, -11.55, 39.05

 

CMYK 46 / 19 / 0 / 35

HEX #5985A5

RGB 89 133 165

HSL 205.26, 0.3%, 0.5%

LAB 53.62, -6.19, -21.71

 

CMYK 0 / 46 / 38 / 35

HEX #A65A67

RGB 166 90 103

HSL 349.74, 0.3%, 0.5%

LAB 47.49, 32.53, 6.53

 

CMYK 38 / 0 / 46 / 35

HEX #67A559

RGB 103 165 89

HSL 108.95, 0.3%, 0.5%

LAB 62.1, -35.06, 33.12

 

CMYK 46 / 38 / 0 / 35

HEX #5967A5

RGB 89 103 165

HSL 228.95, 0.3%, 0.5%

LAB 45, 11.77, -35.11

 

CMYK 0 / 46 / 38 / 35

HEX #A65A67

RGB 166 90 103

HSL 349.74, 0.3%, 0.5%

LAB 47.49, 32.53, 6.53

 

CMYK 1 / 0 / 46 / 35

HEX #A4A559

RGB 164 165 89

HSL 60.79, 0.3%, 0.5%

LAB 66.15, -11.55, 39.05

 

CMYK 46 / 0 / 8 / 35

HEX #59A597

RGB 89 165 151

HSL 168.95, 0.3%, 0.5%

LAB 62.73, -27.07, -0.06

 

CMYK 45 / 46 / 0 / 35

HEX #5A59A5

RGB 90 89 165

HSL 240.79, 0.3%, 0.5%

LAB 41.27, 20.8, -41.01

 

CMYK 0 / 46 / 38 / 35

HEX #A65A67

RGB 166 90 103

HSL 349.74, 0.3%, 0.5%

LAB 47.49, 32.53, 6.53

 

CMYK 15 / 0 / 46 / 35

HEX #8DA559

RGB 141 165 89

HSL 78.95, 0.3%, 0.5%

LAB 64.4, -20.96, 36.5

 

CMYK 46 / 0 / 8 / 35

HEX #59A597

RGB 89 165 151

HSL 168.95, 0.3%, 0.5%

LAB 62.73, -27.07, -0.06

 

CMYK 32 / 46 / 0 / 35

HEX #7159A5

RGB 113 89 165

HSL 258.95, 0.3%, 0.5%

LAB 43.32, 26.99, -37.63

 

Description

Color code: HEX #A65A67 | qconv.com Color code: HEX #A65A67 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 90 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 90 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 38 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 38% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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