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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A65D49 it is the complementary color #59A2B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A65D49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A65D49 shade: #AB5D44, #BC6F57, #CD816A, #DE937D and #EFA590

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A65D49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A65D49 shade: #A65D49, #954B36, #843923, #732710 and #621500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A65D49 shade: #A65D49 and #A64949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A65D49 shade: #A65D49, #A67649, #A68F49, #A4A649 and #8BA649

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A65D49 shade matches the following richer shades: #A65D49, #B95235, #CD4722 and #E03C0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A65D49 shade: #A65D49, #93685C, #7F736F, #6C7E83 and #598996

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A65D49 shade: #A64968, #A6494F, #A65B49, #A67449 and #A68D49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A65D49 shade: #6D3D2F, #894D3C, #A65D49, #B9735F and #C58C7C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A65D49 shade: #A65D49, #81A649 and #495BA6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A65D49 shade: #A65D49, #49A65B and #5B49A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A65D49 shade: #A65D49, #81A649, #4993A6 and #6E49A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A65D49 shade: #A65D49, #65A649, #4993A6 and #8A49A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 56 / 35

HEX #A65D49

RGB 166 93 73

HSL 12.9, 0.39%, 0.47%

LAB 47.52, 27.74, 24.46

 

Complementary color

CMYK 51 / 11 / 0 / 29

HEX #59A2B6

RGB 89 162 182

HSL 192.9, 0.39%, 0.53%

LAB 62.8, -17.22, -17.37

 

CMYK 0 / 46 / 60 / 33

HEX #AB5D44

RGB 171 93 68

HSL 14.56, 0.43%, 0.47%

LAB 48.14, 29.38, 28.29

 

CMYK 0 / 41 / 54 / 26

HEX #BC6F57

RGB 188 111 87

HSL 14.26, 0.43%, 0.54%

LAB 54.81, 28.04, 26.4

 

CMYK 0 / 37 / 48 / 20

HEX #CD816A

RGB 205 129 106

HSL 13.94, 0.5%, 0.61%

LAB 61.41, 26.84, 24.74

 

CMYK 0 / 34 / 44 / 13

HEX #DE937D

RGB 222 147 125

HSL 13.61, 0.6%, 0.68%

LAB 67.93, 25.78, 23.26

 

CMYK 0 / 31 / 40 / 6

HEX #EFA590

RGB 239 165 144

HSL 13.26, 0.75%, 0.75%

LAB 74.37, 24.83, 21.92

 

CMYK 0 / 44 / 56 / 35

HEX #A65D49

RGB 166 93 73

HSL 12.9, 0.39%, 0.47%

LAB 47.52, 27.74, 24.46

 

CMYK 0 / 50 / 64 / 42

HEX #954B36

RGB 149 75 54

HSL 13.26, 0.47%, 0.4%

LAB 40.72, 29.15, 26.53

 

CMYK 0 / 57 / 73 / 48

HEX #843923

RGB 132 57 35

HSL 13.61, 0.58%, 0.33%

LAB 33.89, 30.71, 28.93

 

CMYK 0 / 66 / 86 / 55

HEX #732710

RGB 115 39 16

HSL 13.94, 0.76%, 0.26%

LAB 27.11, 32.28, 31.55

 

CMYK 0 / 79 / 100 / 62

HEX #621500

RGB 98 21 0

HSL 12.86, 1%, 0.19%

LAB 20.57, 33.46, 30.81

 

CMYK 0 / 44 / 56 / 35

HEX #A65D49

RGB 166 93 73

HSL 12.9, 0.39%, 0.47%

LAB 47.52, 27.74, 24.46

 

CMYK 0 / 56 / 56 / 35

HEX #A64949

RGB 166 73 73

HSL 0, 0.39%, 0.47%

LAB 43.29, 38.38, 18.94

 

CMYK 0 / 44 / 56 / 35

HEX #A65D49

RGB 166 93 73

HSL 12.9, 0.39%, 0.47%

LAB 47.52, 27.74, 24.46

 

CMYK 0 / 29 / 56 / 35

HEX #A67649

RGB 166 118 73

HSL 29.03, 0.39%, 0.47%

LAB 53.54, 13.66, 32.05

 

CMYK 0 / 14 / 56 / 35

HEX #A68F49

RGB 166 143 73

HSL 45.16, 0.39%, 0.47%

LAB 60.1, -0.34, 39.95

 

CMYK 1 / 0 / 56 / 35

HEX #A4A649

RGB 164 166 73

HSL 61.29, 0.39%, 0.47%

LAB 66.25, -13.53, 47.01

 

CMYK 16 / 0 / 56 / 35

HEX #8BA649

RGB 139 166 73

HSL 77.42, 0.39%, 0.47%

LAB 64.36, -23.94, 44.35

 

CMYK 0 / 44 / 56 / 35

HEX #A65D49

RGB 166 93 73

HSL 12.9, 0.39%, 0.47%

LAB 47.52, 27.74, 24.46

 

CMYK 0 / 56 / 71 / 27

HEX #B95235

RGB 185 82 53

HSL 13.18, 0.55%, 0.47%

LAB 47.76, 39.74, 36.79

 

CMYK 0 / 65 / 83 / 20

HEX #CD4722

RGB 205 71 34

HSL 12.98, 0.72%, 0.47%

LAB 49.01, 51.37, 48.8

 

CMYK 0 / 73 / 94 / 12

HEX #E03C0E

RGB 224 60 14

HSL 13.14, 0.88%, 0.47%

LAB 50.82, 61.4, 59.17

 

CMYK 0 / 44 / 56 / 35

HEX #A65D49

RGB 166 93 73

HSL 12.9, 0.39%, 0.47%

LAB 47.52, 27.74, 24.46

 

CMYK 0 / 29 / 37 / 42

HEX #93685C

RGB 147 104 92

HSL 13.09, 0.23%, 0.47%

LAB 48.1, 15.61, 13.62

 

CMYK 0 / 9 / 13 / 50

HEX #7F736F

RGB 127 115 111

HSL 15, 0.07%, 0.47%

LAB 49.4, 3.91, 3.89

 

CMYK 18 / 4 / 0 / 49

HEX #6C7E83

RGB 108 126 131

HSL 193.04, 0.1%, 0.47%

LAB 51.55, -5.42, -4.93

 

CMYK 41 / 9 / 0 / 41

HEX #598996

RGB 89 137 150

HSL 192.79, 0.26%, 0.47%

LAB 54.26, -12.7, -12.07

 

CMYK 0 / 56 / 37 / 35

HEX #A64968

RGB 166 73 104

HSL 340, 0.39%, 0.47%

LAB 44.05, 41.55, 0.96

 

CMYK 0 / 56 / 52 / 35

HEX #A6494F

RGB 166 73 79

HSL 356.13, 0.39%, 0.47%

LAB 43.41, 38.9, 15.44

 

CMYK 0 / 45 / 56 / 35

HEX #A65B49

RGB 166 91 73

HSL 11.61, 0.39%, 0.47%

LAB 47.07, 28.84, 23.88

 

CMYK 0 / 30 / 56 / 35

HEX #A67449

RGB 166 116 73

HSL 27.74, 0.39%, 0.47%

LAB 53.04, 14.79, 31.42

 

CMYK 0 / 15 / 56 / 35

HEX #A68D49

RGB 166 141 73

HSL 43.87, 0.39%, 0.47%

LAB 59.56, 0.76, 39.31

 

CMYK 0 / 44 / 57 / 57

HEX #6D3D2F

RGB 109 61 47

HSL 13.55, 0.4%, 0.31%

LAB 31.33, 19.47, 17.7

 

CMYK 0 / 44 / 56 / 46

HEX #894D3C

RGB 137 77 60

HSL 13.25, 0.39%, 0.39%

LAB 39.5, 23.48, 21.04

 

CMYK 0 / 44 / 56 / 35

HEX #A65D49

RGB 166 93 73

HSL 12.9, 0.39%, 0.47%

LAB 47.52, 27.74, 24.46

 

CMYK 0 / 38 / 49 / 27

HEX #B9735F

RGB 185 115 95

HSL 13.33, 0.39%, 0.55%

LAB 55.48, 25.38, 22.65

 

CMYK 0 / 29 / 37 / 23

HEX #C58C7C

RGB 197 140 124

HSL 13.15, 0.39%, 0.63%

LAB 63.41, 19.62, 17.18

 

CMYK 0 / 44 / 56 / 35

HEX #A65D49

RGB 166 93 73

HSL 12.9, 0.39%, 0.47%

LAB 47.52, 27.74, 24.46

 

CMYK 22 / 0 / 56 / 35

HEX #81A649

RGB 129 166 73

HSL 83.87, 0.39%, 0.47%

LAB 63.69, -27.93, 43.4

 

CMYK 56 / 45 / 0 / 35

HEX #495BA6

RGB 73 91 166

HSL 228.39, 0.39%, 0.47%

LAB 40.66, 15.83, -42.66

 

CMYK 0 / 44 / 56 / 35

HEX #A65D49

RGB 166 93 73

HSL 12.9, 0.39%, 0.47%

LAB 47.52, 27.74, 24.46

 

CMYK 56 / 0 / 45 / 35

HEX #49A65B

RGB 73 166 91

HSL 131.61, 0.39%, 0.47%

LAB 61.17, -44.06, 30.65

 

CMYK 45 / 56 / 0 / 35

HEX #5B49A6

RGB 91 73 166

HSL 251.61, 0.39%, 0.47%

LAB 37.38, 31.32, -47.84

 

CMYK 0 / 44 / 56 / 35

HEX #A65D49

RGB 166 93 73

HSL 12.9, 0.39%, 0.47%

LAB 47.52, 27.74, 24.46

 

CMYK 22 / 0 / 56 / 35

HEX #81A649

RGB 129 166 73

HSL 83.87, 0.39%, 0.47%

LAB 63.69, -27.93, 43.4

 

CMYK 56 / 11 / 0 / 35

HEX #4993A6

RGB 73 147 166

HSL 192.26, 0.39%, 0.47%

LAB 57.11, -17.42, -17.01

 

CMYK 34 / 56 / 0 / 35

HEX #6E49A6

RGB 110 73 166

HSL 263.87, 0.39%, 0.47%

LAB 39.3, 35.96, -44.65

 

CMYK 0 / 44 / 56 / 35

HEX #A65D49

RGB 166 93 73

HSL 12.9, 0.39%, 0.47%

LAB 47.52, 27.74, 24.46

 

CMYK 39 / 0 / 56 / 35

HEX #65A649

RGB 101 166 73

HSL 101.94, 0.39%, 0.47%

LAB 62.1, -38.23, 41.14

 

CMYK 56 / 11 / 0 / 35

HEX #4993A6

RGB 73 147 166

HSL 192.26, 0.39%, 0.47%

LAB 57.11, -17.42, -17.01

 

CMYK 17 / 56 / 0 / 35

HEX #8A49A6

RGB 138 73 166

HSL 281.94, 0.39%, 0.47%

LAB 42.64, 43.36, -39.12

 

Description

Color code: HEX #A65D49 | qconv.com Color code: HEX #A65D49 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 93 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 93 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 56 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 56% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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