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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A65D70 it is the complementary color #59A28F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A65D70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A65D70 shade: #AB5D6B, #BC6F7E, #CD8191, #DE93A4 and #EFA5B7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A65D70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A65D70 shade: #A65D70, #954B5D, #84394A, #732737 and #621524

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A65D70 shade: #A65D70 and #A65D5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A65D70 shade: #A65D70, #A65D84, #A65D97, #A15DA6 and #8D5DA6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A65D70 shade matches the following richer shades: #A65D70, #BA4966, #CE355D, #E22153 and #F70C49

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A65D70 shade: #A65D70, #92727A, #7D8684, #699A8D and #55AE97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A65D70 shade: #A65D97, #A65D84, #A65D71, #A65D5D and #A6715D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A65D70 shade: #723F4C, #8D4D5E, #A65D70, #B47888 and #C3939F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A65D70 shade: #A65D70, #A6A15D and #5D8EA6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A65D70 shade: #A65D70, #71A65D and #5D71A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A65D70 shade: #A65D70, #A6A15D, #5DA692 and #5D62A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A65D70 shade: #A65D70, #95A65D, #5DA692 and #6E5DA6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 33 / 35

HEX #A65D70

RGB 166 93 112

HSL 344.38, 0.29%, 0.51%

LAB 48.39, 32.05, 2.4

 

Complementary color

CMYK 45 / 0 / 12 / 36

HEX #59A28F

RGB 89 162 143

HSL 164.38, 0.29%, 0.49%

LAB 61.61, -27.54, 2.79

 

CMYK 0 / 46 / 37 / 33

HEX #AB5D6B

RGB 171 93 107

HSL 349.23, 0.32%, 0.52%

LAB 48.94, 33.28, 6.29

 

CMYK 0 / 41 / 33 / 26

HEX #BC6F7E

RGB 188 111 126

HSL 348.31, 0.36%, 0.59%

LAB 55.65, 32.31, 4.95

 

CMYK 0 / 37 / 29 / 20

HEX #CD8191

RGB 205 129 145

HSL 347.37, 0.43%, 0.65%

LAB 62.27, 31.4, 3.8

 

CMYK 0 / 34 / 26 / 13

HEX #DE93A4

RGB 222 147 164

HSL 346.4, 0.53%, 0.72%

LAB 68.81, 30.56, 2.77

 

CMYK 0 / 31 / 23 / 6

HEX #EFA5B7

RGB 239 165 183

HSL 345.41, 0.7%, 0.79%

LAB 75.25, 29.79, 1.85

 

CMYK 0 / 44 / 33 / 35

HEX #A65D70

RGB 166 93 112

HSL 344.38, 0.29%, 0.51%

LAB 48.39, 32.05, 2.4

 

CMYK 0 / 50 / 38 / 42

HEX #954B5D

RGB 149 75 93

HSL 345.41, 0.33%, 0.44%

LAB 41.55, 33.02, 3.81

 

CMYK 0 / 57 / 44 / 48

HEX #84394A

RGB 132 57 74

HSL 346.4, 0.4%, 0.37%

LAB 34.65, 33.99, 5.56

 

CMYK 0 / 66 / 52 / 55

HEX #732737

RGB 115 39 55

HSL 347.37, 0.49%, 0.3%

LAB 27.77, 34.81, 7.87

 

CMYK 0 / 79 / 63 / 62

HEX #621524

RGB 98 21 36

HSL 348.31, 0.65%, 0.23%

LAB 21.06, 35.1, 11.11

 

CMYK 0 / 44 / 33 / 35

HEX #A65D70

RGB 166 93 112

HSL 344.38, 0.29%, 0.51%

LAB 48.39, 32.05, 2.4

 

CMYK 0 / 44 / 44 / 35

HEX #A65D5D

RGB 166 93 93

HSL 0, 0.29%, 0.51%

LAB 47.91, 29.71, 13.13

 

CMYK 0 / 44 / 33 / 35

HEX #A65D70

RGB 166 93 112

HSL 344.38, 0.29%, 0.51%

LAB 48.39, 32.05, 2.4

 

CMYK 0 / 44 / 20 / 35

HEX #A65D84

RGB 166 93 132

HSL 327.95, 0.29%, 0.51%

LAB 49.01, 34.96, -8.68

 

CMYK 0 / 44 / 9 / 35

HEX #A65D97

RGB 166 93 151

HSL 312.33, 0.29%, 0.51%

LAB 49.7, 38.13, -18.93

 

CMYK 3 / 44 / 0 / 35

HEX #A15DA6

RGB 161 93 166

HSL 295.89, 0.29%, 0.51%

LAB 49.69, 39.32, -27.85

 

CMYK 15 / 44 / 0 / 35

HEX #8D5DA6

RGB 141 93 166

HSL 279.45, 0.29%, 0.51%

LAB 47.29, 33.16, -31.76

 

CMYK 0 / 44 / 33 / 35

HEX #A65D70

RGB 166 93 112

HSL 344.38, 0.29%, 0.51%

LAB 48.39, 32.05, 2.4

 

CMYK 0 / 61 / 45 / 27

HEX #BA4966

RGB 186 73 102

HSL 344.6, 0.45%, 0.51%

LAB 47.19, 48.13, 7.12

 

CMYK 0 / 74 / 55 / 19

HEX #CE355D

RGB 206 53 93

HSL 344.31, 0.61%, 0.51%

LAB 47.57, 61.44, 13.66

 

CMYK 0 / 85 / 63 / 11

HEX #E22153

RGB 226 33 83

HSL 344.46, 0.77%, 0.51%

LAB 49.35, 71.39, 22.83

 

CMYK 0 / 95 / 70 / 3

HEX #F70C49

RGB 247 12 73

HSL 344.43, 0.94%, 0.51%

LAB 52.42, 78.82, 33.6

 

CMYK 0 / 44 / 33 / 35

HEX #A65D70

RGB 166 93 112

HSL 344.38, 0.29%, 0.51%

LAB 48.39, 32.05, 2.4

 

CMYK 0 / 22 / 16 / 43

HEX #92727A

RGB 146 114 122

HSL 345, 0.13%, 0.51%

LAB 51.33, 13.91, 0.42

 

CMYK 7 / 0 / 1 / 47

HEX #7D8684

RGB 125 134 132

HSL 166.67, 0.04%, 0.51%

LAB 55.15, -3.71, -0.07

 

CMYK 32 / 0 / 8 / 40

HEX #699A8D

RGB 105 154 141

HSL 164.08, 0.2%, 0.51%

LAB 59.92, -19.38, 1.57

 

CMYK 51 / 0 / 13 / 32

HEX #55AE97

RGB 85 174 151

HSL 164.49, 0.35%, 0.51%

LAB 65.31, -32.4, 3.66

 

CMYK 0 / 44 / 9 / 35

HEX #A65D97

RGB 166 93 151

HSL 312.33, 0.29%, 0.51%

LAB 49.7, 38.13, -18.93

 

CMYK 0 / 44 / 20 / 35

HEX #A65D84

RGB 166 93 132

HSL 327.95, 0.29%, 0.51%

LAB 49.01, 34.96, -8.68

 

CMYK 0 / 44 / 32 / 35

HEX #A65D71

RGB 166 93 113

HSL 343.56, 0.29%, 0.51%

LAB 48.42, 32.18, 1.84

 

CMYK 0 / 44 / 44 / 35

HEX #A65D5D

RGB 166 93 93

HSL 0, 0.29%, 0.51%

LAB 47.91, 29.71, 13.13

 

CMYK 0 / 32 / 44 / 35

HEX #A6715D

RGB 166 113 93

HSL 16.44, 0.29%, 0.51%

LAB 52.63, 18.48, 19.57

 

CMYK 0 / 45 / 33 / 55

HEX #723F4C

RGB 114 63 76

HSL 344.71, 0.29%, 0.35%

LAB 33.25, 23.92, 1.9

 

CMYK 0 / 45 / 33 / 45

HEX #8D4D5E

RGB 141 77 94

HSL 344.06, 0.29%, 0.43%

LAB 40.86, 29.01, 2.05

 

CMYK 0 / 44 / 33 / 35

HEX #A65D70

RGB 166 93 112

HSL 344.38, 0.29%, 0.51%

LAB 48.39, 32.05, 2.4

 

CMYK 0 / 33 / 24 / 29

HEX #B47888

RGB 180 120 136

HSL 344, 0.29%, 0.59%

LAB 56.99, 25.75, 0.94

 

CMYK 0 / 25 / 18 / 24

HEX #C3939F

RGB 195 147 159

HSL 345, 0.29%, 0.67%

LAB 65.73, 19.9, 0.74

 

CMYK 0 / 44 / 33 / 35

HEX #A65D70

RGB 166 93 112

HSL 344.38, 0.29%, 0.51%

LAB 48.39, 32.05, 2.4

 

CMYK 0 / 3 / 44 / 35

HEX #A6A15D

RGB 166 161 93

HSL 55.89, 0.29%, 0.51%

LAB 65.27, -8.18, 35.94

 

CMYK 44 / 14 / 0 / 35

HEX #5D8EA6

RGB 93 142 166

HSL 199.73, 0.29%, 0.51%

LAB 56.51, -9.94, -17.84

 

CMYK 0 / 44 / 33 / 35

HEX #A65D70

RGB 166 93 112

HSL 344.38, 0.29%, 0.51%

LAB 48.39, 32.05, 2.4

 

CMYK 32 / 0 / 44 / 35

HEX #71A65D

RGB 113 166 93

HSL 103.56, 0.29%, 0.51%

LAB 62.99, -31.52, 32.28

 

CMYK 44 / 32 / 0 / 35

HEX #5D71A6

RGB 93 113 166

HSL 223.56, 0.29%, 0.51%

LAB 48.12, 6.99, -30.78

 

CMYK 0 / 44 / 33 / 35

HEX #A65D70

RGB 166 93 112

HSL 344.38, 0.29%, 0.51%

LAB 48.39, 32.05, 2.4

 

CMYK 0 / 3 / 44 / 35

HEX #A6A15D

RGB 166 161 93

HSL 55.89, 0.29%, 0.51%

LAB 65.27, -8.18, 35.94

 

CMYK 44 / 0 / 12 / 35

HEX #5DA692

RGB 93 166 146

HSL 163.56, 0.29%, 0.51%

LAB 63.07, -27.73, 3.25

 

CMYK 44 / 41 / 0 / 35

HEX #5D62A6

RGB 93 98 166

HSL 235.89, 0.29%, 0.51%

LAB 43.97, 16.24, -37.31

 

CMYK 0 / 44 / 33 / 35

HEX #A65D70

RGB 166 93 112

HSL 344.38, 0.29%, 0.51%

LAB 48.39, 32.05, 2.4

 

CMYK 10 / 0 / 44 / 35

HEX #95A65D

RGB 149 166 93

HSL 73.97, 0.29%, 0.51%

LAB 65.32, -17.8, 35.71

 

CMYK 44 / 0 / 12 / 35

HEX #5DA692

RGB 93 166 146

HSL 163.56, 0.29%, 0.51%

LAB 63.07, -27.73, 3.25

 

CMYK 34 / 44 / 0 / 35

HEX #6E5DA6

RGB 110 93 166

HSL 253.97, 0.29%, 0.51%

LAB 44.08, 23.98, -37.03

 

Description

Color code: HEX #A65D70 | qconv.com Color code: HEX #A65D70 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 93 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 93 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 33 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 33% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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