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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A65FB9 it is the complementary color #59A046. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A65FB9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A65FB9 shade: #AB5FB4, #BC71C7, #CD83DA, #DE95ED and #EFA7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A65FB9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A65FB9 shade: #A65FB9, #954DA6, #843B93, #732980 and #62176D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A65FB9 shade: #A65FB9, #B95FB3, #B95F9B, #B95F83 and #B95F6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A65FB9 shade: #A65FB9, #8D5FB9, #755FB9 and #5F5FB9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A65FB9 shade matches the following richer shades: #A65FB9, #B04CCB, #BB3ADE and #C627F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A65FB9 shade: #A65FB9, #9B72A6, #908493, #859781 and #7BA96E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A65FB9 shade: #755FB9, #8D5FB9, #A55FB9, #B95FB4 and #B95F9C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A65FB9 shade: #793C89, #9248A6, #A65FB9, #B67CC5 and #C698D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A65FB9 shade: #A65FB9, #B95F60 and #5FB981

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A65FB9 shade: #A65FB9, #B9A55F and #5FB9A5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A65FB9 shade: #A65FB9, #B95F60, #72B95F and #5FB9B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A65FB9 shade: #A65FB9, #B9785F, #72B95F and #5F9FB9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 49 / 0 / 27

HEX #A65FB9

RGB 166 95 185

HSL 287.33, 0.39%, 0.55%

LAB 51.6, 43.56, -35.88

 

Complementary color

CMYK 44 / 0 / 56 / 37

HEX #59A046

RGB 89 160 70

HSL 107.33, 0.39%, 0.45%

LAB 59.62, -39.92, 39.54

 

CMYK 5 / 47 / 0 / 29

HEX #AB5FB4

RGB 171 95 180

HSL 293.65, 0.36%, 0.54%

LAB 51.99, 44.02, -32.33

 

CMYK 6 / 43 / 0 / 22

HEX #BC71C7

RGB 188 113 199

HSL 292.33, 0.43%, 0.61%

LAB 58.63, 43.27, -32.73

 

CMYK 6 / 40 / 0 / 15

HEX #CD83DA

RGB 205 131 218

HSL 291.03, 0.54%, 0.68%

LAB 65.18, 42.51, -33.08

 

CMYK 6 / 37 / 0 / 7

HEX #DE95ED

RGB 222 149 237

HSL 289.77, 0.71%, 0.76%

LAB 71.65, 41.76, -33.39

 

CMYK 6 / 35 / 0 / 0

HEX #EFA7FF

RGB 239 167 255

HSL 289.09, 1%, 0.83%

LAB 78, 40.85, -33.19

 

CMYK 10 / 49 / 0 / 27

HEX #A65FB9

RGB 166 95 185

HSL 287.33, 0.39%, 0.55%

LAB 51.6, 43.56, -35.88

 

CMYK 10 / 54 / 0 / 35

HEX #954DA6

RGB 149 77 166

HSL 288.54, 0.37%, 0.48%

LAB 44.87, 44.29, -35.5

 

CMYK 10 / 60 / 0 / 42

HEX #843B93

RGB 132 59 147

HSL 289.77, 0.43%, 0.4%

LAB 38.09, 44.9, -34.97

 

CMYK 10 / 68 / 0 / 50

HEX #732980

RGB 115 41 128

HSL 291.03, 0.51%, 0.33%

LAB 31.32, 45.17, -34.17

 

CMYK 10 / 79 / 0 / 57

HEX #62176D

RGB 98 23 109

HSL 292.33, 0.65%, 0.26%

LAB 24.68, 44.71, -32.86

 

CMYK 10 / 49 / 0 / 27

HEX #A65FB9

RGB 166 95 185

HSL 287.33, 0.39%, 0.55%

LAB 51.6, 43.56, -35.88

 

CMYK 0 / 49 / 3 / 27

HEX #B95FB3

RGB 185 95 179

HSL 304, 0.39%, 0.55%

LAB 53.76, 47.98, -28.85

 

CMYK 0 / 49 / 16 / 27

HEX #B95F9B

RGB 185 95 155

HSL 320, 0.39%, 0.55%

LAB 52.8, 43.93, -16.33

 

CMYK 0 / 49 / 29 / 27

HEX #B95F83

RGB 185 95 131

HSL 336, 0.39%, 0.55%

LAB 51.99, 40.4, -3.37

 

CMYK 0 / 49 / 42 / 27

HEX #B95F6B

RGB 185 95 107

HSL 352, 0.39%, 0.55%

LAB 51.34, 37.44, 9.96

 

CMYK 10 / 49 / 0 / 27

HEX #A65FB9

RGB 166 95 185

HSL 287.33, 0.39%, 0.55%

LAB 51.6, 43.56, -35.88

 

CMYK 24 / 49 / 0 / 27

HEX #8D5FB9

RGB 141 95 185

HSL 270.67, 0.39%, 0.55%

LAB 48.7, 36.43, -40.66

 

CMYK 37 / 49 / 0 / 27

HEX #755FB9

RGB 117 95 185

HSL 254.67, 0.39%, 0.55%

LAB 46.27, 29.9, -44.66

 

CMYK 49 / 49 / 0 / 27

HEX #5F5FB9

RGB 95 95 185

HSL 240, 0.39%, 0.55%

LAB 44.4, 24.45, -47.75

 

CMYK 10 / 49 / 0 / 27

HEX #A65FB9

RGB 166 95 185

HSL 287.33, 0.39%, 0.55%

LAB 51.6, 43.56, -35.88

 

CMYK 13 / 63 / 0 / 20

HEX #B04CCB

RGB 176 76 203

HSL 287.24, 0.55%, 0.55%

LAB 50.35, 59.19, -48.17

 

CMYK 16 / 74 / 0 / 13

HEX #BB3ADE

RGB 187 58 222

HSL 287.2, 0.71%, 0.55%

LAB 50.53, 72.27, -58.64

 

CMYK 18 / 84 / 0 / 6

HEX #C627F0

RGB 198 39 240

HSL 287.46, 0.87%, 0.55%

LAB 51.55, 82.72, -67.08

 

CMYK 10 / 49 / 0 / 27

HEX #A65FB9

RGB 166 95 185

HSL 287.33, 0.39%, 0.55%

LAB 51.6, 43.56, -35.88

 

CMYK 7 / 31 / 0 / 35

HEX #9B72A6

RGB 155 114 166

HSL 287.31, 0.23%, 0.55%

LAB 53.77, 25.58, -21.61

 

CMYK 2 / 10 / 0 / 42

HEX #908493

RGB 144 132 147

HSL 288, 0.06%, 0.55%

LAB 56.62, 7.41, -6.39

 

CMYK 12 / 0 / 15 / 41

HEX #859781

RGB 133 151 129

HSL 109.09, 0.1%, 0.55%

LAB 60.52, -10.75, 9.45

 

CMYK 27 / 0 / 35 / 34

HEX #7BA96E

RGB 123 169 110

HSL 106.78, 0.26%, 0.55%

LAB 64.73, -26.9, 25.64

 

CMYK 37 / 49 / 0 / 27

HEX #755FB9

RGB 117 95 185

HSL 254.67, 0.39%, 0.55%

LAB 46.27, 29.9, -44.66

 

CMYK 24 / 49 / 0 / 27

HEX #8D5FB9

RGB 141 95 185

HSL 270.67, 0.39%, 0.55%

LAB 48.7, 36.43, -40.66

 

CMYK 11 / 49 / 0 / 27

HEX #A55FB9

RGB 165 95 185

HSL 286.67, 0.39%, 0.55%

LAB 51.48, 43.27, -36.08

 

CMYK 0 / 49 / 3 / 27

HEX #B95FB4

RGB 185 95 180

HSL 303.33, 0.39%, 0.55%

LAB 53.81, 48.16, -29.37

 

CMYK 0 / 49 / 16 / 27

HEX #B95F9C

RGB 185 95 156

HSL 319.33, 0.39%, 0.55%

LAB 52.84, 44.09, -16.87

 

CMYK 12 / 56 / 0 / 46

HEX #793C89

RGB 121 60 137

HSL 287.53, 0.39%, 0.39%

LAB 36.18, 39.24, -31.98

 

CMYK 12 / 57 / 0 / 35

HEX #9248A6

RGB 146 72 166

HSL 287.23, 0.39%, 0.47%

LAB 43.51, 46.04, -37.69

 

CMYK 10 / 49 / 0 / 27

HEX #A65FB9

RGB 166 95 185

HSL 287.33, 0.39%, 0.55%

LAB 51.6, 43.56, -35.88

 

CMYK 8 / 37 / 0 / 23

HEX #B67CC5

RGB 182 124 197

HSL 287.67, 0.39%, 0.63%

LAB 60.24, 35.06, -29.15

 

CMYK 6 / 28 / 0 / 18

HEX #C698D2

RGB 198 152 210

HSL 287.59, 0.39%, 0.71%

LAB 68.83, 27.32, -23.07

 

CMYK 10 / 49 / 0 / 27

HEX #A65FB9

RGB 166 95 185

HSL 287.33, 0.39%, 0.55%

LAB 51.6, 43.56, -35.88

 

CMYK 0 / 49 / 48 / 27

HEX #B95F60

RGB 185 95 96

HSL 359.33, 0.39%, 0.55%

LAB 51.09, 36.29, 16.14

 

CMYK 49 / 0 / 30 / 27

HEX #5FB981

RGB 95 185 129

HSL 142.67, 0.39%, 0.55%

LAB 68.54, -39.71, 20.32

 

CMYK 10 / 49 / 0 / 27

HEX #A65FB9

RGB 166 95 185

HSL 287.33, 0.39%, 0.55%

LAB 51.6, 43.56, -35.88

 

CMYK 0 / 11 / 49 / 27

HEX #B9A55F

RGB 185 165 95

HSL 46.67, 0.39%, 0.55%

LAB 68.06, -2.14, 38.74

 

CMYK 49 / 0 / 11 / 27

HEX #5FB9A5

RGB 95 185 165

HSL 166.67, 0.39%, 0.55%

LAB 69.36, -31.87, 1.85

 

CMYK 10 / 49 / 0 / 27

HEX #A65FB9

RGB 166 95 185

HSL 287.33, 0.39%, 0.55%

LAB 51.6, 43.56, -35.88

 

CMYK 0 / 49 / 48 / 27

HEX #B95F60

RGB 185 95 96

HSL 359.33, 0.39%, 0.55%

LAB 51.09, 36.29, 16.14

 

CMYK 38 / 0 / 49 / 27

HEX #72B95F

RGB 114 185 95

HSL 107.33, 0.39%, 0.55%

LAB 68.82, -39.58, 38.59

 

CMYK 49 / 0 / 1 / 27

HEX #5FB9B7

RGB 95 185 183

HSL 178.67, 0.39%, 0.55%

LAB 69.86, -27.34, -7.3

 

CMYK 10 / 49 / 0 / 27

HEX #A65FB9

RGB 166 95 185

HSL 287.33, 0.39%, 0.55%

LAB 51.6, 43.56, -35.88

 

CMYK 0 / 35 / 49 / 27

HEX #B9785F

RGB 185 120 95

HSL 16.67, 0.39%, 0.55%

LAB 56.66, 22.61, 24.2

 

CMYK 38 / 0 / 49 / 27

HEX #72B95F

RGB 114 185 95

HSL 107.33, 0.39%, 0.55%

LAB 68.82, -39.58, 38.59

 

CMYK 49 / 14 / 0 / 27

HEX #5F9FB9

RGB 95 159 185

HSL 197.33, 0.39%, 0.55%

LAB 62.28, -13.37, -19.81

 

Description

Color code: HEX #A65FB9 | qconv.com Color code: HEX #A65FB9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 95 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 95 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 49 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 49% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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