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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A6653A it is the complementary color #599AC5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A6653A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A6653A shade: #AB6535, #BC7748, #CD895B, #DE9B6E and #EFAD81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A6653A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A6653A shade: #A6653A, #955327, #844114, #732F01 and #621D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A6653A shade: #A6653A, #A6483A and #A63A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A6653A shade: #A6653A, #A6823A, #A69F3A, #8FA63A and #72A63A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A6653A shade matches the following richer shades: #A6653A, #B86128, #CA5D16 and #DC5A03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A6653A shade: #A6653A, #93684C, #816C5E, #6F7070 and #5D7482

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A6653A shade: #A63A4A, #A6463A, #A6633A, #A6803A and #A69D3A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A6653A shade: #684024, #87522F, #A6653A, #BF784A and #CA8F68

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A6653A shade: #A6653A, #67A63A and #3A3CA6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A6653A shade: #A6653A, #3AA663 and #633AA6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A6653A shade: #A6653A, #67A63A, #3A7CA6 and #793AA6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A6653A shade: #A6653A, #46A63A, #3A7CA6 and #993AA6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 65 / 35

HEX #A6653A

RGB 166 101 58

HSL 23.89, 0.48%, 0.44%

LAB 49.15, 22.12, 34.94

 

Complementary color

CMYK 55 / 22 / 0 / 23

HEX #599AC5

RGB 89 154 197

HSL 203.89, 0.48%, 0.56%

LAB 61.02, -8.42, -28.51

 

CMYK 0 / 41 / 69 / 33

HEX #AB6535

RGB 171 101 53

HSL 24.41, 0.53%, 0.44%

LAB 49.76, 23.95, 38.48

 

CMYK 0 / 37 / 62 / 26

HEX #BC7748

RGB 188 119 72

HSL 24.31, 0.46%, 0.51%

LAB 56.44, 22.44, 36.73

 

CMYK 0 / 33 / 56 / 20

HEX #CD895B

RGB 205 137 91

HSL 24.21, 0.53%, 0.58%

LAB 63.03, 21.14, 35.07

 

CMYK 0 / 30 / 50 / 13

HEX #DE9B6E

RGB 222 155 110

HSL 24.11, 0.63%, 0.65%

LAB 69.54, 20.01, 33.53

 

CMYK 0 / 28 / 46 / 6

HEX #EFAD81

RGB 239 173 129

HSL 24, 0.77%, 0.72%

LAB 75.96, 19.02, 32.11

 

CMYK 0 / 39 / 65 / 35

HEX #A6653A

RGB 166 101 58

HSL 23.89, 0.48%, 0.44%

LAB 49.15, 22.12, 34.94

 

CMYK 0 / 44 / 74 / 42

HEX #955327

RGB 149 83 39

HSL 24, 0.59%, 0.37%

LAB 42.34, 23.76, 36.76

 

CMYK 0 / 51 / 85 / 48

HEX #844114

RGB 132 65 20

HSL 24.11, 0.74%, 0.3%

LAB 35.47, 25.67, 38.37

 

CMYK 0 / 59 / 99 / 55

HEX #732F01

RGB 115 47 1

HSL 24.21, 0.98%, 0.23%

LAB 28.59, 27.76, 39.3

 

CMYK 0 / 70 / 100 / 62

HEX #621D00

RGB 98 29 0

HSL 17.76, 1%, 0.19%

LAB 21.86, 29.95, 32.21

 

CMYK 0 / 39 / 65 / 35

HEX #A6653A

RGB 166 101 58

HSL 23.89, 0.48%, 0.44%

LAB 49.15, 22.12, 34.94

 

CMYK 0 / 57 / 65 / 35

HEX #A6483A

RGB 166 72 58

HSL 7.78, 0.48%, 0.44%

LAB 42.83, 37.76, 27.37

 

CMYK 0 / 65 / 65 / 35

HEX #A63A3A

RGB 166 58 58

HSL 0, 0.48%, 0.44%

LAB 40.31, 44.43, 24.24

 

CMYK 0 / 39 / 65 / 35

HEX #A6653A

RGB 166 101 58

HSL 23.89, 0.48%, 0.44%

LAB 49.15, 22.12, 34.94

 

CMYK 0 / 22 / 65 / 35

HEX #A6823A

RGB 166 130 58

HSL 40, 0.48%, 0.44%

LAB 56.46, 5.74, 43.25

 

CMYK 0 / 4 / 65 / 35

HEX #A69F3A

RGB 166 159 58

HSL 56.11, 0.48%, 0.44%

LAB 64.33, -10.08, 51.73

 

CMYK 14 / 0 / 65 / 35

HEX #8FA63A

RGB 143 166 58

HSL 72.78, 0.48%, 0.44%

LAB 64.5, -23.53, 51.36

 

CMYK 31 / 0 / 65 / 35

HEX #72A63A

RGB 114 166 58

HSL 88.89, 0.48%, 0.44%

LAB 62.64, -35.07, 48.81

 

CMYK 0 / 39 / 65 / 35

HEX #A6653A

RGB 166 101 58

HSL 23.89, 0.48%, 0.44%

LAB 49.15, 22.12, 34.94

 

CMYK 0 / 47 / 78 / 28

HEX #B86128

RGB 184 97 40

HSL 23.75, 0.64%, 0.44%

LAB 50.56, 30.98, 46.3

 

CMYK 0 / 54 / 89 / 21

HEX #CA5D16

RGB 202 93 22

HSL 23.67, 0.8%, 0.44%

LAB 52.33, 39.79, 56.05

 

CMYK 0 / 59 / 99 / 14

HEX #DC5A03

RGB 220 90 3

HSL 24.06, 0.97%, 0.44%

LAB 54.59, 47.82, 63.48

 

CMYK 0 / 39 / 65 / 35

HEX #A6653A

RGB 166 101 58

HSL 23.89, 0.48%, 0.44%

LAB 49.15, 22.12, 34.94

 

CMYK 0 / 29 / 48 / 42

HEX #93684C

RGB 147 104 76

HSL 23.66, 0.32%, 0.44%

LAB 47.78, 13.72, 22.59

 

CMYK 0 / 16 / 27 / 49

HEX #816C5E

RGB 129 108 94

HSL 24, 0.16%, 0.44%

LAB 47.24, 5.99, 10.93

 

CMYK 1 / 0 / 0 / 56

HEX #6F7070

RGB 111 112 112

HSL 180, 0%, 0.44%

LAB 47.15, -0.38, -0.14

 

CMYK 28 / 11 / 0 / 49

HEX #5D7482

RGB 93 116 130

HSL 202.7, 0.17%, 0.44%

LAB 47.53, -4.92, -10.45

 

CMYK 0 / 65 / 55 / 35

HEX #A63A4A

RGB 166 58 74

HSL 351.11, 0.48%, 0.44%

LAB 40.62, 45.59, 14.73

 

CMYK 0 / 58 / 65 / 35

HEX #A6463A

RGB 166 70 58

HSL 6.67, 0.48%, 0.44%

LAB 42.45, 38.76, 26.9

 

CMYK 0 / 40 / 65 / 35

HEX #A6633A

RGB 166 99 58

HSL 22.78, 0.48%, 0.44%

LAB 48.68, 23.24, 34.39

 

CMYK 0 / 23 / 65 / 35

HEX #A6803A

RGB 166 128 58

HSL 38.89, 0.48%, 0.44%

LAB 55.94, 6.87, 42.67

 

CMYK 0 / 5 / 65 / 35

HEX #A69D3A

RGB 166 157 58

HSL 55, 0.48%, 0.44%

LAB 63.78, -9.02, 51.15

 

CMYK 0 / 38 / 65 / 59

HEX #684024

RGB 104 64 36

HSL 24.71, 0.49%, 0.27%

LAB 31.2, 14.39, 24.12

 

CMYK 0 / 39 / 65 / 47

HEX #87522F

RGB 135 82 47

HSL 23.86, 0.48%, 0.36%

LAB 40.23, 18.64, 29.51

 

CMYK 0 / 39 / 65 / 35

HEX #A6653A

RGB 166 101 58

HSL 23.89, 0.48%, 0.44%

LAB 49.15, 22.12, 34.94

 

CMYK 0 / 37 / 61 / 25

HEX #BF784A

RGB 191 120 74

HSL 23.59, 0.48%, 0.52%

LAB 57.08, 23.3, 36.51

 

CMYK 0 / 29 / 49 / 21

HEX #CA8F68

RGB 202 143 104

HSL 23.88, 0.48%, 0.6%

LAB 64.32, 17.8, 29.6

 

CMYK 0 / 39 / 65 / 35

HEX #A6653A

RGB 166 101 58

HSL 23.89, 0.48%, 0.44%

LAB 49.15, 22.12, 34.94

 

CMYK 38 / 0 / 65 / 35

HEX #67A63A

RGB 103 166 58

HSL 95, 0.48%, 0.44%

LAB 62.05, -39.06, 48

 

CMYK 65 / 64 / 0 / 35

HEX #3A3CA6

RGB 58 60 166

HSL 238.89, 0.48%, 0.44%

LAB 31.54, 33.02, -57.43

 

CMYK 0 / 39 / 65 / 35

HEX #A6653A

RGB 166 101 58

HSL 23.89, 0.48%, 0.44%

LAB 49.15, 22.12, 34.94

 

CMYK 65 / 0 / 40 / 35

HEX #3AA663

RGB 58 166 99

HSL 142.78, 0.48%, 0.44%

LAB 60.85, -46.06, 25.89

 

CMYK 40 / 65 / 0 / 35

HEX #633AA6

RGB 99 58 166

HSL 262.78, 0.48%, 0.44%

LAB 34.87, 41.89, -51.85

 

CMYK 0 / 39 / 65 / 35

HEX #A6653A

RGB 166 101 58

HSL 23.89, 0.48%, 0.44%

LAB 49.15, 22.12, 34.94

 

CMYK 38 / 0 / 65 / 35

HEX #67A63A

RGB 103 166 58

HSL 95, 0.48%, 0.44%

LAB 62.05, -39.06, 48

 

CMYK 65 / 25 / 0 / 35

HEX #3A7CA6

RGB 58 124 166

HSL 203.33, 0.48%, 0.44%

LAB 49.58, -7.54, -28.64

 

CMYK 27 / 65 / 0 / 35

HEX #793AA6

RGB 121 58 166

HSL 275, 0.48%, 0.44%

LAB 37.56, 46.82, -47.37

 

CMYK 0 / 39 / 65 / 35

HEX #A6653A

RGB 166 101 58

HSL 23.89, 0.48%, 0.44%

LAB 49.15, 22.12, 34.94

 

CMYK 58 / 0 / 65 / 35

HEX #46A63A

RGB 70 166 58

HSL 113.33, 0.48%, 0.44%

LAB 60.68, -49.2, 46.11

 

CMYK 65 / 25 / 0 / 35

HEX #3A7CA6

RGB 58 124 166

HSL 203.33, 0.48%, 0.44%

LAB 49.58, -7.54, -28.64

 

CMYK 8 / 65 / 0 / 35

HEX #993AA6

RGB 153 58 166

HSL 292.78, 0.48%, 0.44%

LAB 42.08, 54.46, -39.88

 

Description

Color code: HEX #A6653A | qconv.com Color code: HEX #A6653A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 101 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 101 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 65 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 65% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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