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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A6655D it is the complementary color #599AA2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A6655D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A6655D shade: #AB6558, #BC776B, #CD897E, #DE9B91 and #EFADA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A6655D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A6655D shade: #A6655D, #95534A, #844137, #732F24 and #621D11

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A6655D shade: #A6655D and #A65D5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A6655D shade: #A6655D, #A6795D, #A68C5D, #A6A05D and #98A65D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A6655D shade matches the following richer shades: #A6655D, #BA5549, #CE4635, #E23621 and #F7260C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A6655D shade: #A6655D, #927572, #7D8586, #69959A and #55A4AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A6655D shade: #A65D7D, #A65D69, #A6655D, #A6785D and #A68B5D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A6655D shade: #72443F, #8D544D, #A6655D, #B47F78 and #C39893

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A6655D shade: #A6655D, #90A65D and #5D73A6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A6655D shade: #A6655D, #5DA665 and #655DA6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A6655D shade: #A6655D, #90A65D, #5D9FA6 and #735DA6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A6655D shade: #A6655D, #7AA65D, #5D9FA6 and #895DA6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 44 / 35

HEX #A6655D

RGB 166 101 93

HSL 6.58, 0.29%, 0.51%

LAB 49.74, 25.26, 15.65

 

Complementary color

CMYK 45 / 5 / 0 / 36

HEX #599AA2

RGB 89 154 162

HSL 186.58, 0.29%, 0.49%

LAB 59.75, -18.59, -10.69

 

CMYK 0 / 41 / 49 / 33

HEX #AB6558

RGB 171 101 88

HSL 9.4, 0.33%, 0.51%

LAB 50.3, 26.75, 19.46

 

CMYK 0 / 37 / 43 / 26

HEX #BC776B

RGB 188 119 107

HSL 8.89, 0.38%, 0.58%

LAB 57.02, 25.64, 17.9

 

CMYK 0 / 33 / 39 / 20

HEX #CD897E

RGB 205 137 126

HSL 8.35, 0.44%, 0.65%

LAB 63.65, 24.65, 16.53

 

CMYK 0 / 30 / 35 / 13

HEX #DE9B91

RGB 222 155 145

HSL 7.79, 0.54%, 0.72%

LAB 70.19, 23.77, 15.31

 

CMYK 0 / 28 / 31 / 6

HEX #EFADA4

RGB 239 173 164

HSL 7.2, 0.7%, 0.79%

LAB 76.63, 22.98, 14.19

 

CMYK 0 / 39 / 44 / 35

HEX #A6655D

RGB 166 101 93

HSL 6.58, 0.29%, 0.51%

LAB 49.74, 25.26, 15.65

 

CMYK 0 / 44 / 50 / 42

HEX #95534A

RGB 149 83 74

HSL 7.2, 0.34%, 0.44%

LAB 42.87, 26.43, 17.31

 

CMYK 0 / 51 / 58 / 48

HEX #844137

RGB 132 65 55

HSL 7.79, 0.41%, 0.37%

LAB 35.91, 27.74, 19.31

 

CMYK 0 / 59 / 69 / 55

HEX #732F24

RGB 115 47 36

HSL 8.35, 0.52%, 0.3%

LAB 28.92, 29.16, 21.78

 

CMYK 0 / 70 / 83 / 62

HEX #621D11

RGB 98 29 17

HSL 8.89, 0.7%, 0.23%

LAB 22, 30.5, 24.85

 

CMYK 0 / 39 / 44 / 35

HEX #A6655D

RGB 166 101 93

HSL 6.58, 0.29%, 0.51%

LAB 49.74, 25.26, 15.65

 

CMYK 0 / 44 / 44 / 35

HEX #A65D5D

RGB 166 93 93

HSL 0, 0.29%, 0.51%

LAB 47.91, 29.71, 13.13

 

CMYK 0 / 39 / 44 / 35

HEX #A6655D

RGB 166 101 93

HSL 6.58, 0.29%, 0.51%

LAB 49.74, 25.26, 15.65

 

CMYK 0 / 27 / 44 / 35

HEX #A6795D

RGB 166 121 93

HSL 23.01, 0.29%, 0.51%

LAB 54.63, 13.94, 22.24

 

CMYK 0 / 16 / 44 / 35

HEX #A68C5D

RGB 166 140 93

HSL 38.63, 0.29%, 0.51%

LAB 59.57, 3.26, 28.72

 

CMYK 0 / 4 / 44 / 35

HEX #A6A05D

RGB 166 160 93

HSL 55.07, 0.29%, 0.51%

LAB 64.99, -7.65, 35.6

 

CMYK 8 / 0 / 44 / 35

HEX #98A65D

RGB 152 166 93

HSL 71.51, 0.29%, 0.51%

LAB 65.54, -16.58, 36.04

 

CMYK 0 / 39 / 44 / 35

HEX #A6655D

RGB 166 101 93

HSL 6.58, 0.29%, 0.51%

LAB 49.74, 25.26, 15.65

 

CMYK 0 / 54 / 61 / 27

HEX #BA5549

RGB 186 85 73

HSL 6.37, 0.45%, 0.51%

LAB 48.78, 39.85, 26.68

 

CMYK 0 / 66 / 74 / 19

HEX #CE4635

RGB 206 70 53

HSL 6.67, 0.61%, 0.51%

LAB 49.2, 52.78, 39.37

 

CMYK 0 / 76 / 85 / 11

HEX #E23621

RGB 226 54 33

HSL 6.53, 0.77%, 0.51%

LAB 50.59, 64.25, 52.12

 

CMYK 0 / 85 / 95 / 3

HEX #F7260C

RGB 247 38 12

HSL 6.64, 0.94%, 0.51%

LAB 53.15, 73.84, 63.34

 

CMYK 0 / 39 / 44 / 35

HEX #A6655D

RGB 166 101 93

HSL 6.58, 0.29%, 0.51%

LAB 49.74, 25.26, 15.65

 

CMYK 0 / 20 / 22 / 43

HEX #927572

RGB 146 117 114

HSL 5.62, 0.13%, 0.51%

LAB 51.89, 10.84, 5.95

 

CMYK 7 / 1 / 0 / 47

HEX #7D8586

RGB 125 133 134

HSL 186.67, 0.04%, 0.51%

LAB 54.92, -2.73, -1.56

 

CMYK 32 / 3 / 0 / 40

HEX #69959A

RGB 105 149 154

HSL 186.12, 0.2%, 0.51%

LAB 58.82, -13.62, -7.44

 

CMYK 51 / 6 / 0 / 32

HEX #55A4AE

RGB 85 164 174

HSL 186.74, 0.35%, 0.51%

LAB 62.96, -21.43, -12.65

 

CMYK 0 / 44 / 25 / 35

HEX #A65D7D

RGB 166 93 125

HSL 333.7, 0.29%, 0.51%

LAB 48.78, 33.89, -4.83

 

CMYK 0 / 44 / 37 / 35

HEX #A65D69

RGB 166 93 105

HSL 350.14, 0.29%, 0.51%

LAB 48.2, 31.13, 6.34

 

CMYK 0 / 39 / 44 / 35

HEX #A6655D

RGB 166 101 93

HSL 6.58, 0.29%, 0.51%

LAB 49.74, 25.26, 15.65

 

CMYK 0 / 28 / 44 / 35

HEX #A6785D

RGB 166 120 93

HSL 22.19, 0.29%, 0.51%

LAB 54.38, 14.51, 21.91

 

CMYK 0 / 16 / 44 / 35

HEX #A68B5D

RGB 166 139 93

HSL 37.81, 0.29%, 0.51%

LAB 59.31, 3.81, 28.38

 

CMYK 0 / 40 / 45 / 55

HEX #72443F

RGB 114 68 63

HSL 5.88, 0.29%, 0.35%

LAB 34.13, 19.21, 11.45

 

CMYK 0 / 40 / 45 / 45

HEX #8D544D

RGB 141 84 77

HSL 6.56, 0.29%, 0.43%

LAB 42.06, 22.88, 14.21

 

CMYK 0 / 39 / 44 / 35

HEX #A6655D

RGB 166 101 93

HSL 6.58, 0.29%, 0.51%

LAB 49.74, 25.26, 15.65

 

CMYK 0 / 29 / 33 / 29

HEX #B47F78

RGB 180 127 120

HSL 7, 0.29%, 0.59%

LAB 58.26, 19.59, 12

 

CMYK 0 / 22 / 25 / 24

HEX #C39893

RGB 195 152 147

HSL 6.25, 0.29%, 0.67%

LAB 66.65, 15.31, 8.79

 

CMYK 0 / 39 / 44 / 35

HEX #A6655D

RGB 166 101 93

HSL 6.58, 0.29%, 0.51%

LAB 49.74, 25.26, 15.65

 

CMYK 13 / 0 / 44 / 35

HEX #90A65D

RGB 144 166 93

HSL 78.08, 0.29%, 0.51%

LAB 64.96, -19.81, 35.18

 

CMYK 44 / 31 / 0 / 35

HEX #5D73A6

RGB 93 115 166

HSL 221.92, 0.29%, 0.51%

LAB 48.69, 5.77, -29.9

 

CMYK 0 / 39 / 44 / 35

HEX #A6655D

RGB 166 101 93

HSL 6.58, 0.29%, 0.51%

LAB 49.74, 25.26, 15.65

 

CMYK 44 / 0 / 39 / 35

HEX #5DA665

RGB 93 166 101

HSL 126.58, 0.29%, 0.51%

LAB 62.12, -36.86, 26.72

 

CMYK 39 / 44 / 0 / 35

HEX #655DA6

RGB 101 93 166

HSL 246.58, 0.29%, 0.51%

LAB 43.28, 21.48, -38.35

 

CMYK 0 / 39 / 44 / 35

HEX #A6655D

RGB 166 101 93

HSL 6.58, 0.29%, 0.51%

LAB 49.74, 25.26, 15.65

 

CMYK 13 / 0 / 44 / 35

HEX #90A65D

RGB 144 166 93

HSL 78.08, 0.29%, 0.51%

LAB 64.96, -19.81, 35.18

 

CMYK 44 / 4 / 0 / 35

HEX #5D9FA6

RGB 93 159 166

HSL 185.75, 0.29%, 0.51%

LAB 61.55, -19.13, -10.24

 

CMYK 31 / 44 / 0 / 35

HEX #735DA6

RGB 115 93 166

HSL 258.08, 0.29%, 0.51%

LAB 44.56, 25.41, -36.26

 

CMYK 0 / 39 / 44 / 35

HEX #A6655D

RGB 166 101 93

HSL 6.58, 0.29%, 0.51%

LAB 49.74, 25.26, 15.65

 

CMYK 27 / 0 / 44 / 35

HEX #7AA65D

RGB 122 166 93

HSL 96.16, 0.29%, 0.51%

LAB 63.51, -28.27, 33.05

 

CMYK 44 / 4 / 0 / 35

HEX #5D9FA6

RGB 93 159 166

HSL 185.75, 0.29%, 0.51%

LAB 61.55, -19.13, -10.24

 

CMYK 17 / 44 / 0 / 35

HEX #895DA6

RGB 137 93 166

HSL 276.16, 0.29%, 0.51%

LAB 46.84, 31.94, -32.5

 

Description

Color code: HEX #A6655D | qconv.com Color code: HEX #A6655D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 101 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 101 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 44 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 44% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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