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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A661DA it is the complementary color #599E25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A661DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A661DA shade: #AB61D5, #BC73E8, #CD85FB, #DE97FF and #EFA9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A661DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A661DA shade: #A661DA, #954FC7, #843DB4, #732BA1 and #62198E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A661DA shade: #A662DA, #C662DA, #DA62CD, #DA62AC and #DA628C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A661DA shade: #A662DA, #8662DA, #6562DA and #6262DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A661DA shade matches the following richer shades: #A662DA, #A852E9 and #AA42F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A661DA shade: #A662DA, #A471CA, #A281BA, #9F91AB and #9DA09B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A661DA shade: #6662DA, #8662DA, #A662DA, #C662DA and #DA62CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A661DA shade: #7F2CBD, #9340D2, #A662DA, #B983E2 and #CCA4E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A661DA shade: #A661DA, #DA627E and #62DA76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A661DA shade: #A661DA, #DAA662 and #62DAA6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A661DA shade: #A661DA, #DA627E, #96DA62 and #62DABE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A661DA shade: #A661DA, #DA6A62, #96DA62 and #62D2DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 56 / 0 / 15

HEX #A661DA

RGB 166 97 218

HSL 274.21, 0.62%, 0.62%

LAB 53.73, 49.65, -51.4

 

Complementary color

CMYK 44 / 0 / 77 / 38

HEX #599E25

RGB 89 158 37

HSL 94.21, 0.62%, 0.38%

LAB 58.71, -42.07, 52.58

 

CMYK 20 / 54 / 0 / 16

HEX #AB61D5

RGB 171 97 213

HSL 278.28, 0.58%, 0.61%

LAB 54.04, 49.81, -48.04

 

CMYK 19 / 50 / 0 / 9

HEX #BC73E8

RGB 188 115 232

HSL 277.44, 0.72%, 0.68%

LAB 60.59, 49.01, -48.21

 

CMYK 18 / 47 / 0 / 2

HEX #CD85FB

RGB 205 133 251

HSL 276.61, 0.94%, 0.75%

LAB 67.07, 48.2, -48.34

 

CMYK 13 / 41 / 0 / 0

HEX #DE97FF

RGB 222 151 255

HSL 280.96, 1%, 0.8%

LAB 72.81, 44.28, -41.37

 

CMYK 6 / 34 / 0 / 0

HEX #EFA9FF

RGB 239 169 255

HSL 288.84, 1%, 0.83%

LAB 78.43, 39.8, -32.53

 

CMYK 24 / 56 / 0 / 15

HEX #A661DA

RGB 166 97 218

HSL 274.21, 0.62%, 0.62%

LAB 53.73, 49.65, -51.4

 

CMYK 25 / 60 / 0 / 22

HEX #954FC7

RGB 149 79 199

HSL 275, 0.52%, 0.55%

LAB 47.11, 50.44, -51.23

 

CMYK 27 / 66 / 0 / 29

HEX #843DB4

RGB 132 61 180

HSL 275.8, 0.49%, 0.47%

LAB 40.47, 51.09, -50.92

 

CMYK 29 / 73 / 0 / 37

HEX #732BA1

RGB 115 43 161

HSL 276.61, 0.58%, 0.4%

LAB 33.87, 51.39, -50.36

 

CMYK 31 / 82 / 0 / 44

HEX #62198E

RGB 98 25 142

HSL 277.44, 0.7%, 0.33%

LAB 27.42, 50.96, -49.31

 

CMYK 24 / 55 / 0 / 15

HEX #A662DA

RGB 166 98 218

HSL 274, 0.62%, 0.62%

LAB 53.93, 49.12, -51.09

 

CMYK 9 / 55 / 0 / 15

HEX #C662DA

RGB 198 98 218

HSL 290, 0.62%, 0.62%

LAB 57.85, 57.35, -44.61

 

CMYK 0 / 55 / 6 / 15

HEX #DA62CD

RGB 218 98 205

HSL 306.5, 0.62%, 0.62%

LAB 59.93, 60.37, -33.81

 

CMYK 0 / 55 / 21 / 15

HEX #DA62AC

RGB 218 98 172

HSL 323, 0.62%, 0.62%

LAB 58.62, 55.31, -16.96

 

CMYK 0 / 55 / 36 / 15

HEX #DA628C

RGB 218 98 140

HSL 339, 0.62%, 0.62%

LAB 57.59, 51.18, 0.1

 

CMYK 24 / 55 / 0 / 15

HEX #A662DA

RGB 166 98 218

HSL 274, 0.62%, 0.62%

LAB 53.93, 49.12, -51.09

 

CMYK 39 / 55 / 0 / 15

HEX #8662DA

RGB 134 98 218

HSL 258, 0.62%, 0.62%

LAB 50.53, 41.33, -56.71

 

CMYK 54 / 55 / 0 / 15

HEX #6562DA

RGB 101 98 218

HSL 241.5, 0.62%, 0.62%

LAB 47.71, 34.2, -61.41

 

CMYK 55 / 55 / 0 / 15

HEX #6262DA

RGB 98 98 218

HSL 240, 0.62%, 0.62%

LAB 47.49, 33.62, -61.77

 

CMYK 24 / 55 / 0 / 15

HEX #A662DA

RGB 166 98 218

HSL 274, 0.62%, 0.62%

LAB 53.93, 49.12, -51.09

 

CMYK 28 / 65 / 0 / 9

HEX #A852E9

RGB 168 82 233

HSL 274.17, 0.77%, 0.62%

LAB 52.11, 60.92, -62.44

 

CMYK 32 / 73 / 0 / 2

HEX #AA42F9

RGB 170 66 249

HSL 274.1, 0.94%, 0.62%

LAB 51.02, 71.64, -73.17

 

CMYK 24 / 55 / 0 / 15

HEX #A662DA

RGB 166 98 218

HSL 274, 0.62%, 0.62%

LAB 53.93, 49.12, -51.09

 

CMYK 19 / 44 / 0 / 21

HEX #A471CA

RGB 164 113 202

HSL 274.38, 0.46%, 0.62%

LAB 56.05, 36.8, -38.66

 

CMYK 13 / 31 / 0 / 27

HEX #A281BA

RGB 162 129 186

HSL 274.74, 0.29%, 0.62%

LAB 58.91, 23.56, -25.14

 

CMYK 7 / 15 / 0 / 33

HEX #9F91AB

RGB 159 145 171

HSL 272.31, 0.13%, 0.62%

LAB 62.14, 10.22, -11.74

 

CMYK 2 / 0 / 3 / 37

HEX #9DA09B

RGB 157 160 155

HSL 96, 0.03%, 0.62%

LAB 65.5, -2.03, 2.22

 

CMYK 53 / 55 / 0 / 15

HEX #6662DA

RGB 102 98 218

HSL 242, 0.62%, 0.62%

LAB 47.78, 34.4, -61.28

 

CMYK 39 / 55 / 0 / 15

HEX #8662DA

RGB 134 98 218

HSL 258, 0.62%, 0.62%

LAB 50.53, 41.33, -56.71

 

CMYK 24 / 55 / 0 / 15

HEX #A662DA

RGB 166 98 218

HSL 274, 0.62%, 0.62%

LAB 53.93, 49.12, -51.09

 

CMYK 9 / 55 / 0 / 15

HEX #C662DA

RGB 198 98 218

HSL 290, 0.62%, 0.62%

LAB 57.85, 57.35, -44.61

 

CMYK 0 / 55 / 6 / 15

HEX #DA62CE

RGB 218 98 206

HSL 306, 0.62%, 0.62%

LAB 59.98, 60.54, -34.31

 

CMYK 33 / 77 / 0 / 26

HEX #7F2CBD

RGB 127 44 189

HSL 274.34, 0.62%, 0.46%

LAB 37.82, 59.54, -60.55

 

CMYK 30 / 70 / 0 / 18

HEX #9340D2

RGB 147 64 210

HSL 274.11, 0.62%, 0.54%

LAB 44.97, 59.66, -61.03

 

CMYK 24 / 55 / 0 / 15

HEX #A662DA

RGB 166 98 218

HSL 274, 0.62%, 0.62%

LAB 53.93, 49.12, -51.09

 

CMYK 18 / 42 / 0 / 11

HEX #B983E2

RGB 185 131 226

HSL 274.11, 0.62%, 0.7%

LAB 63.37, 38.26, -40.5

 

CMYK 12 / 30 / 0 / 9

HEX #CCA4E9

RGB 204 164 233

HSL 274.78, 0.61%, 0.78%

LAB 73.07, 27.32, -29.16

 

CMYK 24 / 56 / 0 / 15

HEX #A661DA

RGB 166 97 218

HSL 274.21, 0.62%, 0.62%

LAB 53.73, 49.65, -51.4

 

CMYK 0 / 55 / 42 / 15

HEX #DA627E

RGB 218 98 126

HSL 346, 0.62%, 0.62%

LAB 57.22, 49.64, 7.75

 

CMYK 55 / 0 / 46 / 15

HEX #62DA76

RGB 98 218 118

HSL 130, 0.62%, 0.62%

LAB 78.49, -54.52, 39.13

 

CMYK 24 / 56 / 0 / 15

HEX #A661DA

RGB 166 97 218

HSL 274.21, 0.62%, 0.62%

LAB 53.73, 49.65, -51.4

 

CMYK 0 / 24 / 55 / 15

HEX #DAA662

RGB 218 166 98

HSL 34, 0.62%, 0.62%

LAB 71.6, 11.42, 42.27

 

CMYK 55 / 0 / 24 / 15

HEX #62DAA6

RGB 98 218 166

HSL 154, 0.62%, 0.62%

LAB 79.32, -45.83, 15.56

 

CMYK 24 / 56 / 0 / 15

HEX #A661DA

RGB 166 97 218

HSL 274.21, 0.62%, 0.62%

LAB 53.73, 49.65, -51.4

 

CMYK 0 / 55 / 42 / 15

HEX #DA627E

RGB 218 98 126

HSL 346, 0.62%, 0.62%

LAB 57.22, 49.64, 7.75

 

CMYK 31 / 0 / 55 / 15

HEX #96DA62

RGB 150 218 98

HSL 94, 0.62%, 0.62%

LAB 80.46, -41.56, 51.59

 

CMYK 55 / 0 / 13 / 15

HEX #62DABE

RGB 98 218 190

HSL 166, 0.62%, 0.62%

LAB 79.87, -40.43, 3.61

 

CMYK 24 / 56 / 0 / 15

HEX #A661DA

RGB 166 97 218

HSL 274.21, 0.62%, 0.62%

LAB 53.73, 49.65, -51.4

 

CMYK 0 / 51 / 55 / 15

HEX #DA6A62

RGB 218 106 98

HSL 4, 0.62%, 0.62%

LAB 58.13, 43.16, 25.25

 

CMYK 31 / 0 / 55 / 15

HEX #96DA62

RGB 150 218 98

HSL 94, 0.62%, 0.62%

LAB 80.46, -41.56, 51.59

 

CMYK 55 / 4 / 0 / 15

HEX #62D2DA

RGB 98 210 218

HSL 184, 0.62%, 0.62%

LAB 78.32, -29.55, -13.67

 

Description

Color code: HEX #A661DA | qconv.com Color code: HEX #A661DA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 97 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 97 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 56 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 56% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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