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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A66270 it is the complementary color #599D8F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A66270. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A66270 shade: #AB626B, #BC747E, #CD8691, #DE98A4 and #EFAAB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A66270. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A66270 shade: #A66270, #95505D, #843E4A, #732C37 and #621A24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A66270 shade: #A66270 and #A66262

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A66270 shade: #A66270, #A66282, #A66295, #A562A6 and #9362A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A66270 shade matches the following richer shades: #A66270, #BA4E64, #CE3A59, #E2264D and #F61341

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A66270 shade: #A66270, #93767C, #7F8987, #6B9D93 and #57B19F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A66270 shade: #A66295, #A66283, #A66271, #A66562 and #A67862

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A66270 shade: #74414C, #8F505D, #A66270, #B57C88 and #C497A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A66270 shade: #A66270, #A6A562 and #628CA6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A66270 shade: #A66270, #71A662 and #6271A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A66270 shade: #A66270, #A6A562, #62A698 and #6263A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A66270 shade: #A66270, #93A662, #62A698 and #7562A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 33 / 35

HEX #A66270

RGB 166 98 112

HSL 347.65, 0.28%, 0.52%

LAB 49.51, 29.29, 4.02

 

Complementary color

CMYK 43 / 0 / 9 / 38

HEX #599D8F

RGB 89 157 143

HSL 167.65, 0.28%, 0.48%

LAB 60.09, -25.05, 0.58

 

CMYK 0 / 43 / 37 / 33

HEX #AB626B

RGB 171 98 107

HSL 352.6, 0.3%, 0.53%

LAB 50.04, 30.55, 7.85

 

CMYK 0 / 38 / 33 / 26

HEX #BC747E

RGB 188 116 126

HSL 351.67, 0.35%, 0.6%

LAB 56.77, 29.58, 6.56

 

CMYK 0 / 35 / 29 / 20

HEX #CD8691

RGB 205 134 145

HSL 350.7, 0.42%, 0.66%

LAB 63.4, 28.69, 5.43

 

CMYK 0 / 32 / 26 / 13

HEX #DE98A4

RGB 222 152 164

HSL 349.71, 0.51%, 0.73%

LAB 69.94, 27.88, 4.41

 

CMYK 0 / 29 / 23 / 6

HEX #EFAAB7

RGB 239 170 183

HSL 348.7, 0.68%, 0.8%

LAB 76.39, 27.14, 3.49

 

CMYK 0 / 41 / 33 / 35

HEX #A66270

RGB 166 98 112

HSL 347.65, 0.28%, 0.52%

LAB 49.51, 29.29, 4.02

 

CMYK 0 / 46 / 38 / 42

HEX #95505D

RGB 149 80 93

HSL 348.7, 0.3%, 0.45%

LAB 42.64, 30.28, 5.37

 

CMYK 0 / 53 / 44 / 48

HEX #843E4A

RGB 132 62 74

HSL 349.71, 0.36%, 0.38%

LAB 35.68, 31.32, 7.02

 

CMYK 0 / 62 / 52 / 55

HEX #732C37

RGB 115 44 55

HSL 350.7, 0.45%, 0.31%

LAB 28.7, 32.32, 9.16

 

CMYK 0 / 73 / 63 / 62

HEX #621A24

RGB 98 26 36

HSL 351.67, 0.58%, 0.24%

LAB 21.81, 33.02, 12.11

 

CMYK 0 / 41 / 33 / 35

HEX #A66270

RGB 166 98 112

HSL 347.65, 0.28%, 0.52%

LAB 49.51, 29.29, 4.02

 

CMYK 0 / 41 / 41 / 35

HEX #A66262

RGB 166 98 98

HSL 0, 0.28%, 0.52%

LAB 49.16, 27.51, 11.88

 

CMYK 0 / 41 / 33 / 35

HEX #A66270

RGB 166 98 112

HSL 347.65, 0.28%, 0.52%

LAB 49.51, 29.29, 4.02

 

CMYK 0 / 41 / 22 / 35

HEX #A66282

RGB 166 98 130

HSL 331.76, 0.28%, 0.52%

LAB 50.04, 31.9, -5.95

 

CMYK 0 / 41 / 10 / 35

HEX #A66295

RGB 166 98 149

HSL 315, 0.28%, 0.52%

LAB 50.7, 35.05, -16.23

 

CMYK 1 / 41 / 0 / 35

HEX #A562A6

RGB 165 98 166

HSL 299.12, 0.28%, 0.52%

LAB 51.25, 37.85, -25.38

 

CMYK 11 / 41 / 0 / 35

HEX #9362A6

RGB 147 98 166

HSL 283.24, 0.28%, 0.52%

LAB 49.12, 32.16, -28.86

 

CMYK 0 / 41 / 33 / 35

HEX #A66270

RGB 166 98 112

HSL 347.65, 0.28%, 0.52%

LAB 49.51, 29.29, 4.02

 

CMYK 0 / 58 / 46 / 27

HEX #BA4E64

RGB 186 78 100

HSL 347.78, 0.44%, 0.52%

LAB 48.02, 45.59, 9.5

 

CMYK 0 / 72 / 57 / 19

HEX #CE3A59

RGB 206 58 89

HSL 347.43, 0.6%, 0.52%

LAB 48.09, 59.44, 16.82

 

CMYK 0 / 83 / 66 / 11

HEX #E2264D

RGB 226 38 77

HSL 347.55, 0.76%, 0.52%

LAB 49.61, 70.04, 26.8

 

CMYK 0 / 92 / 74 / 4

HEX #F61341

RGB 246 19 65

HSL 347.84, 0.93%, 0.52%

LAB 52.33, 77.63, 38.15

 

CMYK 0 / 41 / 33 / 35

HEX #A66270

RGB 166 98 112

HSL 347.65, 0.28%, 0.52%

LAB 49.51, 29.29, 4.02

 

CMYK 0 / 20 / 16 / 42

HEX #93767C

RGB 147 118 124

HSL 347.59, 0.12%, 0.52%

LAB 52.53, 12.32, 1

 

CMYK 7 / 0 / 1 / 46

HEX #7F8987

RGB 127 137 135

HSL 168, 0.04%, 0.52%

LAB 56.24, -4.05, -0.19

 

CMYK 32 / 0 / 6 / 38

HEX #6B9D93

RGB 107 157 147

HSL 168, 0.2%, 0.52%

LAB 61.09, -18.95, -0.11

 

CMYK 51 / 0 / 10 / 31

HEX #57B19F

RGB 87 177 159

HSL 168, 0.37%, 0.52%

LAB 66.5, -31.4, 0.96

 

CMYK 0 / 41 / 10 / 35

HEX #A66295

RGB 166 98 149

HSL 315, 0.28%, 0.52%

LAB 50.7, 35.05, -16.23

 

CMYK 0 / 41 / 21 / 35

HEX #A66283

RGB 166 98 131

HSL 330.88, 0.28%, 0.52%

LAB 50.07, 32.06, -6.5

 

CMYK 0 / 41 / 32 / 35

HEX #A66271

RGB 166 98 113

HSL 346.76, 0.28%, 0.52%

LAB 49.54, 29.42, 3.46

 

CMYK 0 / 39 / 41 / 35

HEX #A66562

RGB 166 101 98

HSL 2.65, 0.28%, 0.52%

LAB 49.85, 25.84, 12.84

 

CMYK 0 / 28 / 41 / 35

HEX #A67862

RGB 166 120 98

HSL 19.41, 0.28%, 0.52%

LAB 54.47, 15.09, 19.17

 

CMYK 0 / 44 / 34 / 55

HEX #74414C

RGB 116 65 76

HSL 347.06, 0.28%, 0.35%

LAB 34.01, 23.55, 3.04

 

CMYK 0 / 44 / 35 / 44

HEX #8F505D

RGB 143 80 93

HSL 347.62, 0.28%, 0.44%

LAB 41.79, 27.95, 4.05

 

CMYK 0 / 41 / 33 / 35

HEX #A66270

RGB 166 98 112

HSL 347.65, 0.28%, 0.52%

LAB 49.51, 29.29, 4.02

 

CMYK 0 / 31 / 25 / 29

HEX #B57C88

RGB 181 124 136

HSL 347.37, 0.28%, 0.6%

LAB 58.05, 23.9, 2.5

 

CMYK 0 / 23 / 18 / 23

HEX #C497A0

RGB 196 151 160

HSL 348, 0.28%, 0.68%

LAB 66.83, 18.22, 1.79

 

CMYK 0 / 41 / 33 / 35

HEX #A66270

RGB 166 98 112

HSL 347.65, 0.28%, 0.52%

LAB 49.51, 29.29, 4.02

 

CMYK 0 / 1 / 41 / 35

HEX #A6A562

RGB 166 165 98

HSL 59.12, 0.28%, 0.52%

LAB 66.44, -9.76, 34.81

 

CMYK 41 / 16 / 0 / 35

HEX #628CA6

RGB 98 140 166

HSL 202.94, 0.28%, 0.52%

LAB 56.19, -7.49, -18.3

 

CMYK 0 / 41 / 33 / 35

HEX #A66270

RGB 166 98 112

HSL 347.65, 0.28%, 0.52%

LAB 49.51, 29.29, 4.02

 

CMYK 32 / 0 / 41 / 35

HEX #71A662

RGB 113 166 98

HSL 106.76, 0.28%, 0.52%

LAB 63.07, -30.8, 29.75

 

CMYK 41 / 32 / 0 / 35

HEX #6271A6

RGB 98 113 166

HSL 226.76, 0.28%, 0.52%

LAB 48.46, 8.35, -30.22

 

CMYK 0 / 41 / 33 / 35

HEX #A66270

RGB 166 98 112

HSL 347.65, 0.28%, 0.52%

LAB 49.51, 29.29, 4.02

 

CMYK 0 / 1 / 41 / 35

HEX #A6A562

RGB 166 165 98

HSL 59.12, 0.28%, 0.52%

LAB 66.44, -9.76, 34.81

 

CMYK 41 / 0 / 8 / 35

HEX #62A698

RGB 98 166 152

HSL 167.65, 0.28%, 0.52%

LAB 63.46, -24.96, 0.48

 

CMYK 41 / 40 / 0 / 35

HEX #6263A6

RGB 98 99 166

HSL 239.12, 0.28%, 0.52%

LAB 44.62, 16.95, -36.25

 

CMYK 0 / 41 / 33 / 35

HEX #A66270

RGB 166 98 112

HSL 347.65, 0.28%, 0.52%

LAB 49.51, 29.29, 4.02

 

CMYK 11 / 0 / 41 / 35

HEX #93A662

RGB 147 166 98

HSL 76.76, 0.28%, 0.52%

LAB 65.25, -18, 32.98

 

CMYK 41 / 0 / 8 / 35

HEX #62A698

RGB 98 166 152

HSL 167.65, 0.28%, 0.52%

LAB 63.46, -24.96, 0.48

 

CMYK 30 / 41 / 0 / 35

HEX #7562A6

RGB 117 98 166

HSL 256.76, 0.28%, 0.52%

LAB 46, 22.97, -33.97

 

Description

Color code: HEX #A66270 | qconv.com Color code: HEX #A66270 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 98 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 98 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 33 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 33% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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