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Color name
HEX #A67802

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A67802 it is the complementary color #5987FD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A67802. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A67802 shade: #AB7800, #BC8A10, #CD9C23, #DEAE36 and #EFC049

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A67802. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A67802 shade: #A67802, #956600, #845400, #734200 and #623000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A67802 shade: #A67801, #A64B01, #A61F01 and #A60101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A67802 shade: #A67801, #A6A401, #7BA601, #4FA601 and #22A601

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A67802 shade matches the following richer shades: #A67801

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A67802 shade: #A67801, #99720F, #8B6C1C, #7D662A and #706038

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A67802 shade: #A61F01, #A64B01, #A67701, #A6A301 and #7DA601

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A67802 shade: #543D00, #7D5A01, #A67801, #CF9502 and #F8B302

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A67802 shade: #A67802, #0FA601 and #3501A6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A67802 shade: #A67802, #01A677 and #7701A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A67802 shade: #A67802, #0FA601, #0130A6 and #9801A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A67802 shade: #A67802, #01A625, #0130A6 and #A60182

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 99 / 35

HEX #A67802

RGB 166 120 2

HSL 43.17, 0.98%, 0.33%

LAB 53.54, 9.35, 59.27

 

Complementary color

CMYK 65 / 47 / 0 / 1

HEX #5987FD

RGB 89 135 253

HSL 223.17, 0.98%, 0.67%

LAB 58.55, 21.03, -63.54

 

CMYK 0 / 30 / 100 / 33

HEX #AB7800

RGB 171 120 0

HSL 42.11, 1%, 0.34%

LAB 54.12, 11.61, 60.33

 

CMYK 0 / 27 / 91 / 26

HEX #BC8A10

RGB 188 138 16

HSL 42.56, 0.84%, 0.4%

LAB 60.7, 9.54, 63.13

 

CMYK 0 / 24 / 83 / 20

HEX #CD9C23

RGB 205 156 35

HSL 42.71, 0.71%, 0.47%

LAB 67.18, 7.74, 64.31

 

CMYK 0 / 22 / 76 / 13

HEX #DEAE36

RGB 222 174 54

HSL 42.86, 0.72%, 0.54%

LAB 73.59, 6.19, 64.35

 

CMYK 0 / 20 / 69 / 6

HEX #EFC049

RGB 239 192 73

HSL 43.01, 0.84%, 0.61%

LAB 79.92, 4.86, 63.75

 

CMYK 0 / 28 / 99 / 35

HEX #A67802

RGB 166 120 2

HSL 43.17, 0.98%, 0.33%

LAB 53.54, 9.35, 59.27

 

CMYK 0 / 32 / 100 / 42

HEX #956600

RGB 149 102 0

HSL 41.07, 1%, 0.29%

LAB 46.83, 11.68, 54.16

 

CMYK 0 / 36 / 100 / 48

HEX #845400

RGB 132 84 0

HSL 38.18, 1%, 0.26%

LAB 39.99, 14.18, 48.57

 

CMYK 0 / 43 / 100 / 55

HEX #734200

RGB 115 66 0

HSL 34.43, 1%, 0.23%

LAB 33.01, 16.81, 42.89

 

CMYK 0 / 51 / 100 / 62

HEX #623000

RGB 98 48 0

HSL 29.39, 1%, 0.19%

LAB 25.89, 19.54, 36.23

 

CMYK 0 / 28 / 99 / 35

HEX #A67801

RGB 166 120 1

HSL 43.27, 0.99%, 0.33%

LAB 53.54, 9.33, 59.46

 

CMYK 0 / 55 / 99 / 35

HEX #A64B01

RGB 166 75 1

HSL 26.91, 0.99%, 0.33%

LAB 42.98, 34.24, 52.66

 

CMYK 0 / 81 / 99 / 35

HEX #A61F01

RGB 166 31 1

HSL 10.91, 0.99%, 0.33%

LAB 36.16, 52.54, 49.06

 

CMYK 0 / 99 / 99 / 35

HEX #A60101

RGB 166 1 1

HSL 0, 0.99%, 0.33%

LAB 34.25, 57.97, 48.07

 

CMYK 0 / 28 / 99 / 35

HEX #A67801

RGB 166 120 1

HSL 43.27, 0.99%, 0.33%

LAB 53.54, 9.33, 59.46

 

CMYK 0 / 1 / 99 / 35

HEX #A6A401

RGB 166 164 1

HSL 59.27, 0.99%, 0.33%

LAB 65.48, -14.59, 67.97

 

CMYK 26 / 0 / 99 / 35

HEX #7BA601

RGB 123 166 1

HSL 75.64, 0.99%, 0.33%

LAB 62.92, -34.04, 64.65

 

CMYK 52 / 0 / 99 / 35

HEX #4FA601

RGB 79 166 1

HSL 91.64, 0.99%, 0.33%

LAB 60.73, -49.74, 62

 

CMYK 80 / 0 / 99 / 35

HEX #22A601

RGB 34 166 1

HSL 108, 0.99%, 0.33%

LAB 59.54, -59.66, 60.56

 

CMYK 0 / 28 / 99 / 35

HEX #A67801

RGB 166 120 1

HSL 43.27, 0.99%, 0.33%

LAB 53.54, 9.33, 59.46

 

CMYK 0 / 28 / 99 / 35

HEX #A67801

RGB 166 120 1

HSL 43.27, 0.99%, 0.33%

LAB 53.54, 9.33, 59.46

 

CMYK 0 / 25 / 90 / 40

HEX #99720F

RGB 153 114 15

HSL 43.04, 0.82%, 0.33%

LAB 50.5, 6.94, 53.75

 

CMYK 0 / 22 / 80 / 45

HEX #8B6C1C

RGB 139 108 28

HSL 43.24, 0.66%, 0.33%

LAB 47.36, 4.22, 46.33

 

CMYK 0 / 18 / 66 / 51

HEX #7D662A

RGB 125 102 42

HSL 43.37, 0.5%, 0.33%

LAB 44.28, 1.88, 36.45

 

CMYK 0 / 14 / 50 / 56

HEX #706038

RGB 112 96 56

HSL 42.86, 0.33%, 0.33%

LAB 41.37, 0.59, 25.13

 

CMYK 0 / 81 / 99 / 35

HEX #A61F01

RGB 166 31 1

HSL 10.91, 0.99%, 0.33%

LAB 36.16, 52.54, 49.06

 

CMYK 0 / 55 / 99 / 35

HEX #A64B01

RGB 166 75 1

HSL 26.91, 0.99%, 0.33%

LAB 42.98, 34.24, 52.66

 

CMYK 0 / 28 / 99 / 35

HEX #A67701

RGB 166 119 1

HSL 42.91, 0.99%, 0.33%

LAB 53.28, 9.9, 59.28

 

CMYK 0 / 2 / 99 / 35

HEX #A6A301

RGB 166 163 1

HSL 58.91, 0.99%, 0.33%

LAB 65.2, -14.07, 67.77

 

CMYK 25 / 0 / 99 / 35

HEX #7DA601

RGB 125 166 1

HSL 74.91, 0.99%, 0.33%

LAB 63.04, -33.23, 64.8

 

CMYK 0 / 27 / 100 / 67

HEX #543D00

RGB 84 61 0

HSL 43.57, 1%, 0.16%

LAB 27.36, 4.43, 36.77

 

CMYK 0 / 28 / 99 / 51

HEX #7D5A01

RGB 125 90 1

HSL 43.06, 0.98%, 0.25%

LAB 40.69, 7.29, 48.32

 

CMYK 0 / 28 / 99 / 35

HEX #A67801

RGB 166 120 1

HSL 43.27, 0.99%, 0.33%

LAB 53.54, 9.33, 59.46

 

CMYK 0 / 28 / 99 / 19

HEX #CF9502

RGB 207 149 2

HSL 43.02, 0.98%, 0.41%

LAB 65.57, 11.83, 69.76

 

CMYK 0 / 28 / 99 / 3

HEX #F8B302

RGB 248 179 2

HSL 43.17, 0.98%, 0.49%

LAB 77.4, 13.67, 80

 

CMYK 0 / 28 / 99 / 35

HEX #A67802

RGB 166 120 2

HSL 43.17, 0.98%, 0.33%

LAB 53.54, 9.35, 59.27

 

CMYK 91 / 0 / 99 / 35

HEX #0FA601

RGB 15 166 1

HSL 114.91, 0.99%, 0.33%

LAB 59.32, -61.62, 60.29

 

CMYK 68 / 99 / 0 / 35

HEX #3501A6

RGB 53 1 166

HSL 258.91, 0.99%, 0.33%

LAB 22.06, 58.33, -73.08

 

CMYK 0 / 28 / 99 / 35

HEX #A67802

RGB 166 120 2

HSL 43.17, 0.98%, 0.33%

LAB 53.54, 9.35, 59.27

 

CMYK 99 / 0 / 28 / 35

HEX #01A677

RGB 1 166 119

HSL 162.91, 0.99%, 0.33%

LAB 60.44, -47.87, 14.29

 

CMYK 28 / 99 / 0 / 35

HEX #7701A6

RGB 119 1 166

HSL 282.91, 0.99%, 0.33%

LAB 31.11, 64.13, -57.85

 

CMYK 0 / 28 / 99 / 35

HEX #A67802

RGB 166 120 2

HSL 43.17, 0.98%, 0.33%

LAB 53.54, 9.35, 59.27

 

CMYK 91 / 0 / 99 / 35

HEX #0FA601

RGB 15 166 1

HSL 114.91, 0.99%, 0.33%

LAB 59.32, -61.62, 60.29

 

CMYK 99 / 71 / 0 / 35

HEX #0130A6

RGB 1 48 166

HSL 222.91, 0.99%, 0.33%

LAB 26.37, 36.05, -66

 

CMYK 8 / 99 / 0 / 35

HEX #9801A6

RGB 152 1 166

HSL 294.91, 0.99%, 0.33%

LAB 36.84, 68.87, -48.28

 

CMYK 0 / 28 / 99 / 35

HEX #A67802

RGB 166 120 2

HSL 43.17, 0.98%, 0.33%

LAB 53.54, 9.35, 59.27

 

CMYK 99 / 0 / 78 / 35

HEX #01A625

RGB 1 166 37

HSL 133.09, 0.99%, 0.33%

LAB 59.35, -60.85, 52.55

 

CMYK 99 / 71 / 0 / 35

HEX #0130A6

RGB 1 48 166

HSL 222.91, 0.99%, 0.33%

LAB 26.37, 36.05, -66

 

CMYK 0 / 99 / 22 / 35

HEX #A60182

RGB 166 1 130

HSL 313.09, 0.99%, 0.33%

LAB 37.37, 66.18, -25.26

 

Description

Color code: HEX #A67802 | qconv.com Color code: HEX #A67802 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 120 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 120 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 99 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 99% 35% C M Y K

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Provide designers and agencies with accurate color values.

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