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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A67135 it is the complementary color #598ECA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A67135. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A67135 shade: #AB7130, #BC8343, #CD9556, #DEA769 and #EFB97C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A67135. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A67135 shade: #A67135, #955F22, #844D0F, #733B00 and #622900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A67135 shade: #A67134, #A65234 and #A63434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A67135 shade: #A67134, #A68F34, #9EA634, #7FA634 and #61A634

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A67135 shade matches the following richer shades: #A67134, #B87222 and #CA7311

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A67135 shade: #A67134, #947046, #836E58, #716D69 and #5F6C7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A67135 shade: #A63436, #A65134, #A66F34, #A68D34 and #A0A634

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A67135 shade: #674620, #875B2A, #A67134, #C38641 and #CD9A60

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A67135 shade: #A67135, #54A634 and #4134A6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A67135 shade: #A67135, #34A66F and #6F34A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A67135 shade: #A67135, #54A634, #346BA6 and #8634A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A67135 shade: #A67135, #34A636, #346BA6 and #A634A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 68 / 35

HEX #A67135

RGB 166 113 53

HSL 31.86, 0.52%, 0.43%

LAB 52.03, 15.01, 40.82

 

Complementary color

CMYK 56 / 30 / 0 / 21

HEX #598ECA

RGB 89 142 202

HSL 211.86, 0.52%, 0.57%

LAB 57.78, -0.03, -36.35

 

CMYK 0 / 34 / 72 / 33

HEX #AB7130

RGB 171 113 48

HSL 31.71, 0.56%, 0.43%

LAB 52.6, 16.94, 44.06

 

CMYK 0 / 30 / 64 / 26

HEX #BC8343

RGB 188 131 67

HSL 31.74, 0.47%, 0.5%

LAB 59.28, 15.46, 42.63

 

CMYK 0 / 27 / 58 / 20

HEX #CD9556

RGB 205 149 86

HSL 31.76, 0.54%, 0.57%

LAB 65.86, 14.2, 41.15

 

CMYK 0 / 25 / 53 / 13

HEX #DEA769

RGB 222 167 105

HSL 31.79, 0.64%, 0.64%

LAB 72.35, 13.13, 39.71

 

CMYK 0 / 23 / 48 / 6

HEX #EFB97C

RGB 239 185 124

HSL 31.83, 0.78%, 0.71%

LAB 78.75, 12.19, 38.33

 

CMYK 0 / 32 / 68 / 35

HEX #A67135

RGB 166 113 53

HSL 31.86, 0.52%, 0.43%

LAB 52.03, 15.01, 40.82

 

CMYK 0 / 36 / 77 / 42

HEX #955F22

RGB 149 95 34

HSL 31.83, 0.63%, 0.36%

LAB 45.21, 16.65, 42.15

 

CMYK 0 / 42 / 89 / 48

HEX #844D0F

RGB 132 77 15

HSL 31.79, 0.8%, 0.29%

LAB 38.28, 18.62, 42.79

 

CMYK 0 / 49 / 100 / 55

HEX #733B00

RGB 115 59 0

HSL 30.78, 1%, 0.23%

LAB 31.28, 20.96, 41.75

 

CMYK 0 / 58 / 100 / 62

HEX #622900

RGB 98 41 0

HSL 25.1, 1%, 0.19%

LAB 24.27, 23.63, 34.69

 

CMYK 0 / 32 / 69 / 35

HEX #A67134

RGB 166 113 52

HSL 32.11, 0.52%, 0.43%

LAB 52.02, 14.95, 41.31

 

CMYK 0 / 51 / 69 / 35

HEX #A65234

RGB 166 82 52

HSL 15.79, 0.52%, 0.43%

LAB 44.79, 32.19, 33.16

 

CMYK 0 / 69 / 69 / 35

HEX #A63434

RGB 166 52 52

HSL 0, 0.52%, 0.43%

LAB 39.26, 46.66, 26.6

 

CMYK 0 / 32 / 69 / 35

HEX #A67134

RGB 166 113 52

HSL 32.11, 0.52%, 0.43%

LAB 52.02, 14.95, 41.31

 

CMYK 0 / 14 / 69 / 35

HEX #A68F34

RGB 166 143 52

HSL 47.89, 0.52%, 0.43%

LAB 59.89, -1.83, 49.69

 

CMYK 5 / 0 / 69 / 35

HEX #9EA634

RGB 158 166 52

HSL 64.21, 0.52%, 0.43%

LAB 65.58, -17.56, 55.29

 

CMYK 23 / 0 / 69 / 35

HEX #7FA634

RGB 127 166 52

HSL 80.53, 0.52%, 0.43%

LAB 63.37, -30.49, 52.32

 

CMYK 42 / 0 / 69 / 35

HEX #61A634

RGB 97 166 52

HSL 96.32, 0.52%, 0.43%

LAB 61.71, -41.64, 50.07

 

CMYK 0 / 32 / 69 / 35

HEX #A67134

RGB 166 113 52

HSL 32.11, 0.52%, 0.43%

LAB 52.02, 14.95, 41.31

 

CMYK 0 / 38 / 82 / 28

HEX #B87222

RGB 184 114 34

HSL 32, 0.69%, 0.43%

LAB 54.39, 21.49, 52.46

 

CMYK 0 / 43 / 92 / 21

HEX #CA7311

RGB 202 115 17

HSL 31.78, 0.84%, 0.43%

LAB 56.94, 28.26, 60.88

 

CMYK 0 / 32 / 69 / 35

HEX #A67134

RGB 166 113 52

HSL 32.11, 0.52%, 0.43%

LAB 52.02, 14.95, 41.31

 

CMYK 0 / 24 / 53 / 42

HEX #947046

RGB 148 112 70

HSL 32.31, 0.36%, 0.43%

LAB 49.89, 8.92, 28.72

 

CMYK 0 / 16 / 33 / 49

HEX #836E58

RGB 131 110 88

HSL 30.7, 0.2%, 0.43%

LAB 47.86, 4.79, 15.36

 

CMYK 0 / 4 / 7 / 56

HEX #716D69

RGB 113 109 105

HSL 30, 0.04%, 0.43%

LAB 46.27, 0.77, 2.78

 

CMYK 23 / 12 / 0 / 52

HEX #5F6C7B

RGB 95 108 123

HSL 212.14, 0.13%, 0.43%

LAB 45.06, -1.33, -9.97

 

CMYK 0 / 69 / 67 / 35

HEX #A63436

RGB 166 52 54

HSL 358.95, 0.52%, 0.43%

LAB 39.29, 46.77, 25.41

 

CMYK 0 / 51 / 69 / 35

HEX #A65134

RGB 166 81 52

HSL 15.26, 0.52%, 0.43%

LAB 44.57, 32.73, 32.91

 

CMYK 0 / 33 / 69 / 35

HEX #A66F34

RGB 166 111 52

HSL 31.05, 0.52%, 0.43%

LAB 51.52, 16.09, 40.76

 

CMYK 0 / 15 / 69 / 35

HEX #A68D34

RGB 166 141 52

HSL 46.84, 0.52%, 0.43%

LAB 59.35, -0.74, 49.13

 

CMYK 4 / 0 / 69 / 35

HEX #A0A634

RGB 160 166 52

HSL 63.16, 0.52%, 0.43%

LAB 65.74, -16.69, 55.5

 

CMYK 0 / 32 / 69 / 60

HEX #674620

RGB 103 70 32

HSL 32.11, 0.53%, 0.26%

LAB 32.63, 9.91, 28.05

 

CMYK 0 / 33 / 69 / 47

HEX #875B2A

RGB 135 91 42

HSL 31.61, 0.53%, 0.35%

LAB 42.46, 13.02, 34.78

 

CMYK 0 / 32 / 69 / 35

HEX #A67134

RGB 166 113 52

HSL 32.11, 0.52%, 0.43%

LAB 52.02, 14.95, 41.31

 

CMYK 0 / 31 / 67 / 24

HEX #C38641

RGB 195 134 65

HSL 31.85, 0.52%, 0.51%

LAB 60.81, 16.7, 45.57

 

CMYK 0 / 25 / 53 / 20

HEX #CD9A60

RGB 205 154 96

HSL 31.93, 0.52%, 0.59%

LAB 67.23, 12.31, 37.63

 

CMYK 0 / 32 / 68 / 35

HEX #A67135

RGB 166 113 53

HSL 31.86, 0.52%, 0.43%

LAB 52.03, 15.01, 40.82

 

CMYK 49 / 0 / 69 / 35

HEX #54A634

RGB 84 166 52

HSL 103.16, 0.52%, 0.43%

LAB 61.14, -45.83, 49.3

 

CMYK 61 / 69 / 0 / 35

HEX #4134A6

RGB 65 52 166

HSL 246.84, 0.52%, 0.43%

LAB 30.24, 39.01, -59.54

 

CMYK 0 / 32 / 68 / 35

HEX #A67135

RGB 166 113 53

HSL 31.86, 0.52%, 0.43%

LAB 52.03, 15.01, 40.82

 

CMYK 69 / 0 / 33 / 35

HEX #34A66F

RGB 52 166 111

HSL 151.05, 0.52%, 0.43%

LAB 60.91, -44.81, 19.45

 

CMYK 33 / 69 / 0 / 35

HEX #6F34A6

RGB 111 52 166

HSL 271.05, 0.52%, 0.43%

LAB 35.18, 47.58, -51.28

 

CMYK 0 / 32 / 68 / 35

HEX #A67135

RGB 166 113 53

HSL 31.86, 0.52%, 0.43%

LAB 52.03, 15.01, 40.82

 

CMYK 49 / 0 / 69 / 35

HEX #54A634

RGB 84 166 52

HSL 103.16, 0.52%, 0.43%

LAB 61.14, -45.83, 49.3

 

CMYK 69 / 36 / 0 / 35

HEX #346BA6

RGB 52 107 166

HSL 211.05, 0.52%, 0.43%

LAB 44.23, 1.63, -37.04

 

CMYK 19 / 69 / 0 / 35

HEX #8634A6

RGB 134 52 166

HSL 283.16, 0.52%, 0.43%

LAB 38.34, 52.62, -46.03

 

CMYK 0 / 32 / 68 / 35

HEX #A67135

RGB 166 113 53

HSL 31.86, 0.52%, 0.43%

LAB 52.03, 15.01, 40.82

 

CMYK 69 / 0 / 67 / 35

HEX #34A636

RGB 52 166 54

HSL 121.05, 0.52%, 0.43%

LAB 60.13, -53.7, 47.08

 

CMYK 69 / 36 / 0 / 35

HEX #346BA6

RGB 52 107 166

HSL 211.05, 0.52%, 0.43%

LAB 44.23, 1.63, -37.04

 

CMYK 0 / 69 / 1 / 35

HEX #A634A4

RGB 166 52 164

HSL 301.05, 0.52%, 0.43%

LAB 43.13, 59.65, -36.9

 

Description

Color code: HEX #A67135 | qconv.com Color code: HEX #A67135 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 113 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 113 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 68 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 68% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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