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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A67B21 it is the complementary color #5984DE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A67B21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A67B21 shade: #AB7B1C, #BC8D2F, #CD9F42, #DEB155 and #EFC368

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A67B21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A67B21 shade: #A67B21, #95690E, #845700, #734500 and #623300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A67B21 shade: #A67A20, #A65720, #A63320 and #A62020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A67B21 shade: #A67A20, #A69E20, #89A620, #65A620 and #41A620

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A67B21 shade matches the following richer shades: #A67A20, #B68010 and #C68600

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A67B21 shade: #A67A20, #957530, #856F41, #756951 and #656461

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A67B21 shade: #A63220, #A65620, #A67920, #A69D20 and #8BA620

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A67B21 shade: #614713, #83611A, #A67A20, #C89427 and #D9A740

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A67B21 shade: #A67B21, #32A620 and #4420A6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A67B21 shade: #A67B21, #20A679 and #7920A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A67B21 shade: #A67B21, #32A620, #204DA6 and #9420A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A67B21 shade: #A67B21, #20A637, #204DA6 and #A6208F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 80 / 35

HEX #A67B21

RGB 166 123 33

HSL 40.6, 0.67%, 0.39%

LAB 54.43, 8.37, 52.07

 

Complementary color

CMYK 60 / 41 / 0 / 13

HEX #5984DE

RGB 89 132 222

HSL 220.6, 0.67%, 0.61%

LAB 55.99, 12.42, -50.43

 

CMYK 0 / 28 / 84 / 33

HEX #AB7B1C

RGB 171 123 28

HSL 39.86, 0.72%, 0.39%

LAB 54.98, 10.48, 54.53

 

CMYK 0 / 25 / 75 / 26

HEX #BC8D2F

RGB 188 141 47

HSL 40, 0.6%, 0.46%

LAB 61.61, 8.83, 54.27

 

CMYK 0 / 22 / 68 / 20

HEX #CD9F42

RGB 205 159 66

HSL 40.14, 0.58%, 0.53%

LAB 68.14, 7.44, 53.39

 

CMYK 0 / 20 / 62 / 13

HEX #DEB155

RGB 222 177 85

HSL 40.29, 0.67%, 0.6%

LAB 74.59, 6.27, 52.25

 

CMYK 0 / 18 / 56 / 6

HEX #EFC368

RGB 239 195 104

HSL 40.44, 0.81%, 0.67%

LAB 80.95, 5.26, 51

 

CMYK 0 / 26 / 80 / 35

HEX #A67B21

RGB 166 123 33

HSL 40.6, 0.67%, 0.39%

LAB 54.43, 8.37, 52.07

 

CMYK 0 / 30 / 91 / 42

HEX #95690E

RGB 149 105 14

HSL 40.44, 0.83%, 0.32%

LAB 47.66, 10.21, 51.56

 

CMYK 0 / 34 / 100 / 48

HEX #845700

RGB 132 87 0

HSL 39.55, 1%, 0.26%

LAB 40.77, 12.41, 49.08

 

CMYK 0 / 40 / 100 / 55

HEX #734500

RGB 115 69 0

HSL 36, 1%, 0.23%

LAB 33.78, 15.01, 43.38

 

CMYK 0 / 48 / 100 / 62

HEX #623300

RGB 98 51 0

HSL 31.22, 1%, 0.19%

LAB 26.63, 17.74, 36.9

 

CMYK 0 / 27 / 81 / 35

HEX #A67A20

RGB 166 122 32

HSL 40.3, 0.68%, 0.39%

LAB 54.17, 8.9, 52.19

 

CMYK 0 / 48 / 81 / 35

HEX #A65720

RGB 166 87 32

HSL 24.63, 0.68%, 0.39%

LAB 45.67, 28.54, 44.32

 

CMYK 0 / 69 / 81 / 35

HEX #A63320

RGB 166 51 32

HSL 8.51, 0.68%, 0.39%

LAB 38.86, 46.18, 37.72

 

CMYK 0 / 81 / 81 / 35

HEX #A62020

RGB 166 32 32

HSL 0, 0.68%, 0.39%

LAB 36.45, 52.86, 35.3

 

CMYK 0 / 27 / 81 / 35

HEX #A67A20

RGB 166 122 32

HSL 40.3, 0.68%, 0.39%

LAB 54.17, 8.9, 52.19

 

CMYK 0 / 5 / 81 / 35

HEX #A69E20

RGB 166 158 32

HSL 56.42, 0.68%, 0.39%

LAB 63.89, -10.81, 60.86

 

CMYK 17 / 0 / 81 / 35

HEX #89A620

RGB 137 166 32

HSL 72.99, 0.68%, 0.39%

LAB 63.91, -27.49, 60.01

 

CMYK 39 / 0 / 81 / 35

HEX #65A620

RGB 101 166 32

HSL 89.1, 0.68%, 0.39%

LAB 61.78, -41.55, 57.28

 

CMYK 61 / 0 / 81 / 35

HEX #41A620

RGB 65 166 32

HSL 105.22, 0.68%, 0.39%

LAB 60.34, -52.53, 55.42

 

CMYK 0 / 27 / 81 / 35

HEX #A67A20

RGB 166 122 32

HSL 40.3, 0.68%, 0.39%

LAB 54.17, 8.9, 52.19

 

CMYK 0 / 30 / 91 / 29

HEX #B68010

RGB 182 128 16

HSL 40.48, 0.84%, 0.39%

LAB 57.48, 12.37, 60.38

 

CMYK 0 / 32 / 100 / 22

HEX #C68600

RGB 198 134 0

HSL 40.61, 1%, 0.39%

LAB 60.83, 15.99, 66.36

 

CMYK 0 / 27 / 81 / 35

HEX #A67A20

RGB 166 122 32

HSL 40.3, 0.68%, 0.39%

LAB 54.17, 8.9, 52.19

 

CMYK 0 / 21 / 68 / 42

HEX #957530

RGB 149 117 48

HSL 40.99, 0.51%, 0.39%

LAB 51.07, 4.75, 41.66

 

CMYK 0 / 17 / 51 / 48

HEX #856F41

RGB 133 111 65

HSL 40.59, 0.34%, 0.39%

LAB 47.93, 2.31, 28.7

 

CMYK 0 / 10 / 31 / 54

HEX #756951

RGB 117 105 81

HSL 40, 0.18%, 0.39%

LAB 44.91, 0.7, 15.25

 

CMYK 0 / 1 / 4 / 60

HEX #656461

RGB 101 100 97

HSL 45, 0.02%, 0.39%

LAB 42.38, -0.22, 1.83

 

CMYK 0 / 70 / 81 / 35

HEX #A63220

RGB 166 50 32

HSL 8.06, 0.68%, 0.39%

LAB 38.71, 46.59, 37.57

 

CMYK 0 / 48 / 81 / 35

HEX #A65620

RGB 166 86 32

HSL 24.18, 0.68%, 0.39%

LAB 45.45, 29.08, 44.11

 

CMYK 0 / 27 / 81 / 35

HEX #A67920

RGB 166 121 32

HSL 39.85, 0.68%, 0.39%

LAB 53.91, 9.46, 51.96

 

CMYK 0 / 5 / 81 / 35

HEX #A69D20

RGB 166 157 32

HSL 55.97, 0.68%, 0.39%

LAB 63.61, -10.28, 60.62

 

CMYK 16 / 0 / 81 / 35

HEX #8BA620

RGB 139 166 32

HSL 72.09, 0.68%, 0.39%

LAB 64.05, -26.65, 60.19

 

CMYK 0 / 27 / 80 / 62

HEX #614713

RGB 97 71 19

HSL 40, 0.67%, 0.23%

LAB 32.02, 5.55, 33.8

 

CMYK 0 / 26 / 80 / 49

HEX #83611A

RGB 131 97 26

HSL 40.57, 0.67%, 0.31%

LAB 43.43, 6.75, 43.12

 

CMYK 0 / 27 / 81 / 35

HEX #A67A20

RGB 166 122 32

HSL 40.3, 0.68%, 0.39%

LAB 54.17, 8.9, 52.19

 

CMYK 0 / 26 / 81 / 22

HEX #C89427

RGB 200 148 39

HSL 40.62, 0.67%, 0.47%

LAB 64.65, 9.99, 60.59

 

CMYK 0 / 23 / 71 / 15

HEX #D9A740

RGB 217 167 64

HSL 40.39, 0.67%, 0.55%

LAB 71.39, 8.22, 58.04

 

CMYK 0 / 26 / 80 / 35

HEX #A67B21

RGB 166 123 33

HSL 40.6, 0.67%, 0.39%

LAB 54.43, 8.37, 52.07

 

CMYK 70 / 0 / 81 / 35

HEX #32A620

RGB 50 166 32

HSL 111.94, 0.68%, 0.39%

LAB 59.94, -55.85, 54.91

 

CMYK 59 / 81 / 0 / 35

HEX #4420A6

RGB 68 32 166

HSL 256.12, 0.68%, 0.39%

LAB 26.78, 49.94, -65.22

 

CMYK 0 / 26 / 80 / 35

HEX #A67B21

RGB 166 123 33

HSL 40.6, 0.67%, 0.39%

LAB 54.43, 8.37, 52.07

 

CMYK 81 / 0 / 27 / 35

HEX #20A679

RGB 32 166 121

HSL 159.85, 0.68%, 0.39%

LAB 60.75, -45.37, 13.65

 

CMYK 27 / 81 / 0 / 35

HEX #7920A6

RGB 121 32 166

HSL 279.85, 0.68%, 0.39%

LAB 33.67, 57.8, -53.66

 

CMYK 0 / 26 / 80 / 35

HEX #A67B21

RGB 166 123 33

HSL 40.6, 0.67%, 0.39%

LAB 54.43, 8.37, 52.07

 

CMYK 70 / 0 / 81 / 35

HEX #32A620

RGB 50 166 32

HSL 111.94, 0.68%, 0.39%

LAB 59.94, -55.85, 54.91

 

CMYK 81 / 54 / 0 / 35

HEX #204DA6

RGB 32 77 166

HSL 219.85, 0.68%, 0.39%

LAB 34.74, 18.38, -52.28

 

CMYK 11 / 81 / 0 / 35

HEX #9420A6

RGB 148 32 166

HSL 291.94, 0.68%, 0.39%

LAB 37.99, 62.75, -46.47

 

CMYK 0 / 26 / 80 / 35

HEX #A67B21

RGB 166 123 33

HSL 40.6, 0.67%, 0.39%

LAB 54.43, 8.37, 52.07

 

CMYK 81 / 0 / 67 / 35

HEX #20A637

RGB 32 166 55

HSL 130.3, 0.68%, 0.39%

LAB 59.76, -56.81, 46.14

 

CMYK 81 / 54 / 0 / 35

HEX #204DA6

RGB 32 77 166

HSL 219.85, 0.68%, 0.39%

LAB 34.74, 18.38, -52.28

 

CMYK 0 / 81 / 14 / 35

HEX #A6208F

RGB 166 32 143

HSL 310.3, 0.68%, 0.39%

LAB 39.79, 62.77, -29.49

 

Description

Color code: HEX #A67B21 | qconv.com Color code: HEX #A67B21 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 123 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 123 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 80 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 80% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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