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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A67C71 it is the complementary color #59838E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A67C71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A67C71 shade: #AB7C6C, #BC8E7F, #CDA092, #DEB2A5 and #EFC4B8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A67C71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A67C71 shade: #A67C71, #956A5E, #84584B, #734638 and #623425

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A67C71 shade: #A67C71 and #A67171

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A67C71 shade: #A67C71, #A68B71, #A69971, #A5A671 and #97A671

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A67C71 shade matches the following richer shades: #A67C71, #B9715F, #CB674C, #DE5C3A and #F05127

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A67C71 shade: #A67C71, #948784, #819296, #6E9DA9 and #5CA8BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A67C71 shade: #A67183, #A67175, #A67C71, #A68A71 and #A69871

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A67C71 shade: #79554C, #93675C, #A67C71, #B6948B and #C6ABA4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A67C71 shade: #A67C71, #91A671 and #717CA6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A67C71 shade: #A67C71, #71A67C and #7C71A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A67C71 shade: #A67C71, #91A671, #719CA6 and #8671A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A67C71 shade: #A67C71, #81A671, #719CA6 and #9671A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 32 / 35

HEX #A67C71

RGB 166 124 113

HSL 12.45, 0.23%, 0.55%

LAB 55.8, 14.73, 12.36

 

Complementary color

CMYK 37 / 8 / 0 / 44

HEX #59838E

RGB 89 131 142

HSL 192.45, 0.23%, 0.45%

LAB 52.19, -11.54, -10.54

 

CMYK 0 / 27 / 37 / 33

HEX #AB7C6C

RGB 171 124 108

HSL 15.24, 0.27%, 0.55%

LAB 56.24, 16.1, 15.94

HEX #AB7C6C

CMYK 0 / 24 / 32 / 26

HEX #BC8E7F

RGB 188 142 127

HSL 14.75, 0.31%, 0.62%

LAB 62.99, 15.32, 14.76

HEX #BC8E7F

CMYK 0 / 22 / 29 / 20

HEX #CDA092

RGB 205 160 146

HSL 14.24, 0.37%, 0.69%

LAB 69.61, 14.64, 13.68

HEX #CDA092

CMYK 0 / 20 / 26 / 13

HEX #DEB2A5

RGB 222 178 165

HSL 13.68, 0.46%, 0.76%

LAB 76.12, 14.04, 12.69

HEX #DEB2A5

CMYK 0 / 18 / 23 / 6

HEX #EFC4B8

RGB 239 196 184

HSL 13.09, 0.63%, 0.83%

LAB 82.54, 13.5, 11.77

HEX #EFC4B8

CMYK 0 / 25 / 32 / 35

HEX #A67C71

RGB 166 124 113

HSL 12.45, 0.23%, 0.55%

LAB 55.8, 14.73, 12.36

 

CMYK 0 / 29 / 37 / 42

HEX #956A5E

RGB 149 106 94

HSL 13.09, 0.23%, 0.48%

LAB 48.89, 15.54, 13.56

 

CMYK 0 / 33 / 43 / 48

HEX #84584B

RGB 132 88 75

HSL 13.68, 0.28%, 0.41%

LAB 41.83, 16.49, 14.93

 

CMYK 0 / 39 / 51 / 55

HEX #734638

RGB 115 70 56

HSL 14.24, 0.35%, 0.34%

LAB 34.62, 17.64, 16.53

 

CMYK 0 / 47 / 62 / 62

HEX #623425

RGB 98 52 37

HSL 14.75, 0.45%, 0.26%

LAB 27.26, 19.04, 18.48

 

CMYK 0 / 25 / 32 / 35

HEX #A67C71

RGB 166 124 113

HSL 12.45, 0.23%, 0.55%

LAB 55.8, 14.73, 12.36

 

CMYK 0 / 32 / 32 / 35

HEX #A67171

RGB 166 113 113

HSL 0, 0.23%, 0.55%

LAB 53.07, 20.98, 8.51

 

CMYK 0 / 25 / 32 / 35

HEX #A67C71

RGB 166 124 113

HSL 12.45, 0.23%, 0.55%

LAB 55.8, 14.73, 12.36

 

CMYK 0 / 16 / 32 / 35

HEX #A68B71

RGB 166 139 113

HSL 29.43, 0.23%, 0.55%

LAB 59.68, 6.26, 17.72

 

CMYK 0 / 8 / 32 / 35

HEX #A69971

RGB 166 153 113

HSL 45.28, 0.23%, 0.55%

LAB 63.41, -1.48, 22.79

 

CMYK 1 / 0 / 32 / 35

HEX #A5A671

RGB 165 166 113

HSL 61.13, 0.23%, 0.55%

LAB 66.87, -8.89, 27.39

 

CMYK 9 / 0 / 32 / 35

HEX #97A671

RGB 151 166 113

HSL 76.98, 0.23%, 0.55%

LAB 65.78, -14.44, 25.75

 

CMYK 0 / 25 / 32 / 35

HEX #A67C71

RGB 166 124 113

HSL 12.45, 0.23%, 0.55%

LAB 55.8, 14.73, 12.36

 

CMYK 0 / 39 / 49 / 27

HEX #B9715F

RGB 185 113 95

HSL 12, 0.39%, 0.55%

LAB 55.02, 26.48, 22.03

 

CMYK 0 / 49 / 63 / 20

HEX #CB674C

RGB 203 103 76

HSL 12.76, 0.55%, 0.55%

LAB 54.99, 37.38, 33.26

 

CMYK 0 / 59 / 74 / 13

HEX #DE5C3A

RGB 222 92 58

HSL 12.44, 0.71%, 0.55%

LAB 55.57, 48.9, 44.41

 

CMYK 0 / 66 / 84 / 6

HEX #F05127

RGB 240 81 39

HSL 12.54, 0.87%, 0.55%

LAB 56.64, 59.21, 55.63

 

CMYK 0 / 25 / 32 / 35

HEX #A67C71

RGB 166 124 113

HSL 12.45, 0.23%, 0.55%

LAB 55.8, 14.73, 12.36

 

CMYK 0 / 9 / 11 / 42

HEX #948784

RGB 148 135 132

HSL 11.25, 0.07%, 0.55%

LAB 57.36, 4.34, 3.37

 

CMYK 14 / 3 / 0 / 41

HEX #819296

RGB 129 146 150

HSL 191.43, 0.09%, 0.55%

LAB 59.37, -5.2, -4.18

 

CMYK 35 / 7 / 0 / 34

HEX #6E9DA9

RGB 110 157 169

HSL 192.2, 0.26%, 0.55%

LAB 61.91, -12.7, -11.3

 

CMYK 51 / 11 / 0 / 26

HEX #5CA8BC

RGB 92 168 188

HSL 192.5, 0.42%, 0.55%

LAB 64.89, -18, -17.53

 

CMYK 0 / 32 / 21 / 35

HEX #A67183

RGB 166 113 131

HSL 339.62, 0.23%, 0.55%

LAB 53.55, 23.64, -1.36

 

CMYK 0 / 32 / 30 / 35

HEX #A67175

RGB 166 113 117

HSL 355.47, 0.23%, 0.55%

LAB 53.17, 21.54, 6.31

 

CMYK 0 / 25 / 32 / 35

HEX #A67C71

RGB 166 124 113

HSL 12.45, 0.23%, 0.55%

LAB 55.8, 14.73, 12.36

 

CMYK 0 / 17 / 32 / 35

HEX #A68A71

RGB 166 138 113

HSL 28.3, 0.23%, 0.55%

LAB 59.41, 6.82, 17.36

 

CMYK 0 / 8 / 32 / 35

HEX #A69871

RGB 166 152 113

HSL 44.15, 0.23%, 0.55%

LAB 63.14, -0.94, 22.43

 

CMYK 0 / 30 / 37 / 53

HEX #79554C

RGB 121 85 76

HSL 12, 0.23%, 0.39%

LAB 39.72, 13.67, 11.2

 

CMYK 0 / 30 / 37 / 42

HEX #93675C

RGB 147 103 92

HSL 12, 0.23%, 0.47%

LAB 47.85, 16.19, 13.27

 

CMYK 0 / 25 / 32 / 35

HEX #A67C71

RGB 166 124 113

HSL 12.45, 0.23%, 0.55%

LAB 55.8, 14.73, 12.36

 

CMYK 0 / 19 / 24 / 29

HEX #B6948B

RGB 182 148 139

HSL 12.56, 0.23%, 0.63%

LAB 64.15, 11.33, 9.55

 

CMYK 0 / 14 / 17 / 22

HEX #C6ABA4

RGB 198 171 164

HSL 12.35, 0.23%, 0.71%

LAB 72.1, 8.65, 7.21

 

CMYK 0 / 25 / 32 / 35

HEX #A67C71

RGB 166 124 113

HSL 12.45, 0.23%, 0.55%

LAB 55.8, 14.73, 12.36

 

CMYK 13 / 0 / 32 / 35

HEX #91A671

RGB 145 166 113

HSL 83.77, 0.23%, 0.55%

LAB 65.35, -16.77, 25.09

 

CMYK 32 / 25 / 0 / 35

HEX #717CA6

RGB 113 124 166

HSL 227.55, 0.23%, 0.55%

LAB 52.6, 6.12, -23.73

 

CMYK 0 / 25 / 32 / 35

HEX #A67C71

RGB 166 124 113

HSL 12.45, 0.23%, 0.55%

LAB 55.8, 14.73, 12.36

 

CMYK 32 / 0 / 25 / 35

HEX #71A67C

RGB 113 166 124

HSL 132.45, 0.23%, 0.55%

LAB 63.54, -26.44, 16.29

 

CMYK 25 / 32 / 0 / 35

HEX #7C71A6

RGB 124 113 166

HSL 252.45, 0.23%, 0.55%

LAB 50.51, 16.07, -26.88

 

CMYK 0 / 25 / 32 / 35

HEX #A67C71

RGB 166 124 113

HSL 12.45, 0.23%, 0.55%

LAB 55.8, 14.73, 12.36

 

CMYK 13 / 0 / 32 / 35

HEX #91A671

RGB 145 166 113

HSL 83.77, 0.23%, 0.55%

LAB 65.35, -16.77, 25.09

 

CMYK 32 / 6 / 0 / 35

HEX #719CA6

RGB 113 156 166

HSL 191.32, 0.23%, 0.55%

LAB 61.69, -12.04, -9.92

 

CMYK 19 / 32 / 0 / 35

HEX #8671A6

RGB 134 113 166

HSL 263.77, 0.23%, 0.55%

LAB 51.42, 19.25, -25.4

 

CMYK 0 / 25 / 32 / 35

HEX #A67C71

RGB 166 124 113

HSL 12.45, 0.23%, 0.55%

LAB 55.8, 14.73, 12.36

 

CMYK 22 / 0 / 32 / 35

HEX #81A671

RGB 129 166 113

HSL 101.89, 0.23%, 0.55%

LAB 64.27, -22.78, 23.46

 

CMYK 32 / 6 / 0 / 35

HEX #719CA6

RGB 113 156 166

HSL 191.32, 0.23%, 0.55%

LAB 61.69, -12.04, -9.92

 

CMYK 10 / 32 / 0 / 35

HEX #9671A6

RGB 150 113 166

HSL 281.89, 0.23%, 0.55%

LAB 53, 24.49, -22.83

 

Description

Color code: HEX #A67C71 | qconv.com Color code: HEX #A67C71 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 124 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 124 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 32 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 32% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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