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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A67D7A it is the complementary color #598285. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A67D7A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A67D7A shade: #AB7D75, #BC8F88, #CDA19B, #DEB3AE and #EFC5C1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A67D7A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A67D7A shade: #A67D7A, #956B67, #845954, #734741 and #62352E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A67D7A shade: #A57B78 and #A57878

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A67D7A shade: #A57B78, #A58778, #A59378, #A59F78 and #9EA578

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A67D7A shade matches the following richer shades: #A57B78, #B76B66, #C95C54, #DB4C41 and #ED3C2F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A67D7A shade: #A57B78, #938B8A, #809A9C, #6EAAAE and #5CBAC0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A67D7A shade: #A5788D, #A57881, #A57B78, #A58778 and #A59378

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A67D7A shade: #795451, #926561, #A57B78, #B59391 and #C6ABA9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A67D7A shade: #A67D7A, #99A578 and #7887A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A67D7A shade: #A67D7A, #78A57B and #7B78A5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A67D7A shade: #A67D7A, #99A578, #78A2A5 and #8478A5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A67D7A shade: #A67D7A, #8BA578, #78A2A5 and #9178A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 27 / 35

HEX #A67D7A

RGB 166 125 122

HSL 4.09, 0.2%, 0.56%

LAB 56.27, 15.44, 7.81

 

Complementary color

CMYK 33 / 2 / 0 / 48

HEX #598285

RGB 89 130 133

HSL 184.09, 0.2%, 0.44%

LAB 51.59, -13.34, -6.17

 

CMYK 0 / 27 / 32 / 33

HEX #AB7D75

RGB 171 125 117

HSL 8.89, 0.24%, 0.56%

LAB 56.69, 16.72, 11.38

 

CMYK 0 / 24 / 28 / 26

HEX #BC8F88

RGB 188 143 136

HSL 8.08, 0.28%, 0.64%

LAB 63.44, 16, 10.32

 

CMYK 0 / 21 / 24 / 20

HEX #CDA19B

RGB 205 161 155

HSL 7.2, 0.33%, 0.71%

LAB 70.06, 15.36, 9.34

 

CMYK 0 / 19 / 22 / 13

HEX #DEB3AE

RGB 222 179 174

HSL 6.25, 0.42%, 0.78%

LAB 76.57, 14.8, 8.44

 

CMYK 0 / 18 / 19 / 6

HEX #EFC5C1

RGB 239 197 193

HSL 5.22, 0.59%, 0.85%

LAB 82.98, 14.28, 7.6

 

CMYK 0 / 25 / 27 / 35

HEX #A67D7A

RGB 166 125 122

HSL 4.09, 0.2%, 0.56%

LAB 56.27, 15.44, 7.81

 

CMYK 0 / 28 / 31 / 42

HEX #956B67

RGB 149 107 103

HSL 5.22, 0.18%, 0.49%

LAB 49.36, 16.19, 8.88

 

CMYK 0 / 33 / 36 / 48

HEX #845954

RGB 132 89 84

HSL 6.25, 0.22%, 0.42%

LAB 42.29, 17.05, 10.08

 

CMYK 0 / 38 / 43 / 55

HEX #734741

RGB 115 71 65

HSL 7.2, 0.28%, 0.35%

LAB 35.07, 18.08, 11.5

 

CMYK 0 / 46 / 53 / 62

HEX #62352E

RGB 98 53 46

HSL 8.08, 0.36%, 0.28%

LAB 27.68, 19.31, 13.23

 

CMYK 0 / 25 / 27 / 35

HEX #A57B78

RGB 165 123 120

HSL 4, 0.2%, 0.56%

LAB 55.61, 15.89, 8.01

 

CMYK 0 / 27 / 27 / 35

HEX #A57878

RGB 165 120 120

HSL 0, 0.2%, 0.56%

LAB 54.85, 17.6, 6.94

 

CMYK 0 / 25 / 27 / 35

HEX #A57B78

RGB 165 123 120

HSL 4, 0.2%, 0.56%

LAB 55.61, 15.89, 8.01

 

CMYK 0 / 18 / 27 / 35

HEX #A58778

RGB 165 135 120

HSL 20, 0.2%, 0.56%

LAB 58.68, 9.09, 12.36

 

CMYK 0 / 11 / 27 / 35

HEX #A59378

RGB 165 147 120

HSL 36, 0.2%, 0.56%

LAB 61.85, 2.38, 16.76

 

CMYK 0 / 4 / 27 / 35

HEX #A59F78

RGB 165 159 120

HSL 52, 0.2%, 0.56%

LAB 65.08, -4.19, 21.19

 

CMYK 4 / 0 / 27 / 35

HEX #9EA578

RGB 158 165 120

HSL 69.33, 0.2%, 0.56%

LAB 66.16, -10.18, 22.55

 

CMYK 0 / 25 / 27 / 35

HEX #A57B78

RGB 165 123 120

HSL 4, 0.2%, 0.56%

LAB 55.61, 15.89, 8.01

 

CMYK 0 / 42 / 44 / 28

HEX #B76B66

RGB 183 107 102

HSL 3.7, 0.36%, 0.56%

LAB 53.54, 29.7, 15.92

 

CMYK 0 / 54 / 58 / 21

HEX #C95C54

RGB 201 92 84

HSL 4.1, 0.52%, 0.56%

LAB 52.63, 42.76, 25.67

 

CMYK 0 / 65 / 70 / 14

HEX #DB4C41

RGB 219 76 65

HSL 4.29, 0.68%, 0.56%

LAB 52.52, 55.19, 37.06

 

CMYK 0 / 75 / 80 / 7

HEX #ED3C2F

RGB 237 60 47

HSL 4.11, 0.84%, 0.56%

LAB 53.43, 66, 48.69

 

CMYK 0 / 25 / 27 / 35

HEX #A57B78

RGB 165 123 120

HSL 4, 0.2%, 0.56%

LAB 55.61, 15.89, 8.01

 

CMYK 0 / 5 / 6 / 42

HEX #938B8A

RGB 147 139 138

HSL 6.67, 0.04%, 0.56%

LAB 58.51, 2.79, 1.59

 

CMYK 18 / 1 / 0 / 39

HEX #809A9C

RGB 128 154 156

HSL 184.29, 0.12%, 0.56%

LAB 61.74, -8.62, -4.09

 

CMYK 37 / 2 / 0 / 32

HEX #6EAAAE

RGB 110 170 174

HSL 183.75, 0.28%, 0.56%

LAB 65.84, -18.32, -8.22

 

CMYK 52 / 3 / 0 / 25

HEX #5CBAC0

RGB 92 186 192

HSL 183.6, 0.44%, 0.56%

LAB 70.32, -26.08, -11.58

 

CMYK 0 / 27 / 15 / 35

HEX #A5788D

RGB 165 120 141

HSL 332, 0.2%, 0.56%

LAB 55.44, 20.94, -4.44

 

CMYK 0 / 27 / 22 / 35

HEX #A57881

RGB 165 120 129

HSL 348, 0.2%, 0.56%

LAB 55.09, 18.97, 2.04

 

CMYK 0 / 25 / 27 / 35

HEX #A57B78

RGB 165 123 120

HSL 4, 0.2%, 0.56%

LAB 55.61, 15.89, 8.01

 

CMYK 0 / 18 / 27 / 35

HEX #A58778

RGB 165 135 120

HSL 20, 0.2%, 0.56%

LAB 58.68, 9.09, 12.36

 

CMYK 0 / 11 / 27 / 35

HEX #A59378

RGB 165 147 120

HSL 36, 0.2%, 0.56%

LAB 61.85, 2.38, 16.76

 

CMYK 0 / 31 / 33 / 53

HEX #795451

RGB 121 84 81

HSL 4.5, 0.2%, 0.4%

LAB 39.58, 14.98, 7.92

 

CMYK 0 / 31 / 34 / 43

HEX #926561

RGB 146 101 97

HSL 4.9, 0.2%, 0.48%

LAB 47.34, 17.6, 9.56

 

CMYK 0 / 25 / 27 / 35

HEX #A57B78

RGB 165 123 120

HSL 4, 0.2%, 0.56%

LAB 55.61, 15.89, 8.01

 

CMYK 0 / 19 / 20 / 29

HEX #B59391

RGB 181 147 145

HSL 3.33, 0.2%, 0.64%

LAB 63.95, 12.42, 5.87

 

CMYK 0 / 14 / 15 / 22

HEX #C6ABA9

RGB 198 171 169

HSL 4.14, 0.2%, 0.72%

LAB 72.23, 9.45, 4.64

 

CMYK 0 / 25 / 27 / 35

HEX #A67D7A

RGB 166 125 122

HSL 4.09, 0.2%, 0.56%

LAB 56.27, 15.44, 7.81

 

CMYK 7 / 0 / 27 / 35

HEX #99A578

RGB 153 165 120

HSL 76, 0.2%, 0.56%

LAB 65.78, -12.13, 21.97

 

CMYK 27 / 18 / 0 / 35

HEX #7887A5

RGB 120 135 165

HSL 220, 0.2%, 0.56%

LAB 56.13, 1.6, -17.7

 

CMYK 0 / 25 / 27 / 35

HEX #A67D7A

RGB 166 125 122

HSL 4.09, 0.2%, 0.56%

LAB 56.27, 15.44, 7.81

 

CMYK 27 / 0 / 25 / 35

HEX #78A57B

RGB 120 165 123

HSL 124, 0.2%, 0.56%

LAB 63.62, -23.78, 17.01

 

CMYK 25 / 27 / 0 / 35

HEX #7B78A5

RGB 123 120 165

HSL 244, 0.2%, 0.56%

LAB 52.24, 11.33, -23.63

 

CMYK 0 / 25 / 27 / 35

HEX #A67D7A

RGB 166 125 122

HSL 4.09, 0.2%, 0.56%

LAB 56.27, 15.44, 7.81

 

CMYK 7 / 0 / 27 / 35

HEX #99A578

RGB 153 165 120

HSL 76, 0.2%, 0.56%

LAB 65.78, -12.13, 21.97

 

CMYK 27 / 2 / 0 / 35

HEX #78A2A5

RGB 120 162 165

HSL 184, 0.2%, 0.56%

LAB 63.8, -13.41, -6.18

 

CMYK 20 / 27 / 0 / 35

HEX #8478A5

RGB 132 120 165

HSL 256, 0.2%, 0.56%

LAB 53.01, 14.23, -22.38

 

CMYK 0 / 25 / 27 / 35

HEX #A67D7A

RGB 166 125 122

HSL 4.09, 0.2%, 0.56%

LAB 56.27, 15.44, 7.81

 

CMYK 16 / 0 / 27 / 35

HEX #8BA578

RGB 139 165 120

HSL 94.67, 0.2%, 0.56%

LAB 64.77, -17.47, 20.43

 

CMYK 27 / 2 / 0 / 35

HEX #78A2A5

RGB 120 162 165

HSL 184, 0.2%, 0.56%

LAB 63.8, -13.41, -6.18

 

CMYK 12 / 27 / 0 / 35

HEX #9178A5

RGB 145 120 165

HSL 273.33, 0.2%, 0.56%

LAB 54.21, 18.53, -20.44

 

Description

Color code: HEX #A67D7A | qconv.com Color code: HEX #A67D7A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 125 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 125 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 27 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 27% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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