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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A688CE it is the complementary color #597731. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A688CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A688CE shade: #AB88C9, #BC9ADC, #CDACEF, #DEBEFF and #EFD0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A688CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A688CE shade: #A688CE, #9576BB, #8464A8, #735295 and #624082

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A688CE shade: #A587CE, #B887CE, #CB87CE, #CE87BD and #CE87AA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A688CE shade: #A587CE, #9287CE and #8787CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A688CE shade matches the following richer shades: #A587CE, #A379DB, #A16CE9 and #9F5EF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A688CE shade: #A587CE, #A795C0, #A9A2B2, #ABB0A5 and #ADBD97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A688CE shade: #878FCE, #9287CE, #A487CE, #B787CE and #CA87CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A688CE shade: #7A4CB6, #8F6AC2, #A587CE, #BBA4DA and #D1C2E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A688CE shade: #A688CE, #CE87A2 and #87CE88

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A688CE shade: #A688CE, #CEA487 and #87CEA4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A688CE shade: #A688CE, #CE87A2, #B0CE87 and #87CEB3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A688CE shade: #A688CE, #CE878D, #B0CE87 and #87CEC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 34 / 0 / 19

HEX #A688CE

RGB 166 136 206

HSL 265.71, 0.42%, 0.67%

LAB 61.8, 25.3, -31.93

 

Complementary color

CMYK 25 / 0 / 59 / 53

HEX #597731

RGB 89 119 49

HSL 85.71, 0.42%, 0.33%

LAB 46.36, -23.16, 34.45

 

CMYK 15 / 32 / 0 / 21

HEX #AB88C9

RGB 171 136 201

HSL 272.31, 0.38%, 0.66%

LAB 62.07, 25.73, -28.67

 

CMYK 15 / 30 / 0 / 14

HEX #BC9ADC

RGB 188 154 220

HSL 270.91, 0.49%, 0.73%

LAB 68.73, 25.1, -28.84

 

CMYK 14 / 28 / 0 / 6

HEX #CDACEF

RGB 205 172 239

HSL 269.55, 0.68%, 0.81%

LAB 75.27, 24.51, -29.02

 

CMYK 13 / 25 / 0 / 0

HEX #DEBEFF

RGB 222 190 255

HSL 269.54, 1%, 0.87%

LAB 81.61, 23.35, -27.79

 

CMYK 6 / 18 / 0 / 0

HEX #EFD0FF

RGB 239 208 255

HSL 279.57, 1%, 0.91%

LAB 87.33, 19.1, -18.96

 

CMYK 19 / 34 / 0 / 19

HEX #A688CE

RGB 166 136 206

HSL 265.71, 0.42%, 0.67%

LAB 61.8, 25.3, -31.93

 

CMYK 20 / 37 / 0 / 27

HEX #9576BB

RGB 149 118 187

HSL 266.96, 0.34%, 0.6%

LAB 55, 26.01, -31.85

 

CMYK 21 / 40 / 0 / 34

HEX #8464A8

RGB 132 100 168

HSL 268.24, 0.28%, 0.53%

LAB 48.07, 26.8, -31.8

 

CMYK 23 / 45 / 0 / 42

HEX #735295

RGB 115 82 149

HSL 269.55, 0.29%, 0.45%

LAB 40.98, 27.66, -31.77

 

CMYK 25 / 51 / 0 / 49

HEX #624082

RGB 98 64 130

HSL 270.91, 0.34%, 0.38%

LAB 33.72, 28.6, -31.75

 

CMYK 20 / 34 / 0 / 19

HEX #A587CE

RGB 165 135 206

HSL 265.35, 0.42%, 0.67%

LAB 61.47, 25.57, -32.46

 

CMYK 11 / 34 / 0 / 19

HEX #B887CE

RGB 184 135 206

HSL 281.41, 0.42%, 0.67%

LAB 63.32, 31.45, -29.43

 

CMYK 1 / 34 / 0 / 19

HEX #CB87CE

RGB 203 135 206

HSL 297.46, 0.42%, 0.67%

LAB 65.34, 37.44, -26.15

 

CMYK 0 / 34 / 8 / 19

HEX #CE87BD

RGB 206 135 189

HSL 314.37, 0.42%, 0.67%

LAB 65.06, 35.34, -17.02

 

CMYK 0 / 34 / 17 / 19

HEX #CE87AA

RGB 206 135 170

HSL 330.42, 0.42%, 0.67%

LAB 64.44, 32.19, -7.22

 

CMYK 20 / 34 / 0 / 19

HEX #A587CE

RGB 165 135 206

HSL 265.35, 0.42%, 0.67%

LAB 61.47, 25.57, -32.46

 

CMYK 29 / 34 / 0 / 19

HEX #9287CE

RGB 146 135 206

HSL 249.3, 0.42%, 0.67%

LAB 59.79, 19.9, -35.19

 

CMYK 34 / 34 / 0 / 19

HEX #8787CE

RGB 135 135 206

HSL 240, 0.42%, 0.67%

LAB 58.91, 16.75, -36.63

 

CMYK 20 / 34 / 0 / 19

HEX #A587CE

RGB 165 135 206

HSL 265.35, 0.42%, 0.67%

LAB 61.47, 25.57, -32.46

 

CMYK 26 / 45 / 0 / 14

HEX #A379DB

RGB 163 121 219

HSL 265.71, 0.58%, 0.67%

LAB 58.58, 35.99, -44.29

 

CMYK 31 / 54 / 0 / 9

HEX #A16CE9

RGB 161 108 233

HSL 265.44, 0.74%, 0.67%

LAB 56.27, 46.07, -55.81

 

CMYK 36 / 62 / 0 / 3

HEX #9F5EF7

RGB 159 94 247

HSL 265.49, 0.91%, 0.67%

LAB 54.12, 56.43, -67.08

 

CMYK 20 / 34 / 0 / 19

HEX #A587CE

RGB 165 135 206

HSL 265.35, 0.42%, 0.67%

LAB 61.47, 25.57, -32.46

 

CMYK 13 / 22 / 0 / 25

HEX #A795C0

RGB 167 149 192

HSL 265.12, 0.25%, 0.67%

LAB 64.58, 15.11, -19.8

 

CMYK 5 / 9 / 0 / 30

HEX #A9A2B2

RGB 169 162 178

HSL 266.25, 0.09%, 0.67%

LAB 67.64, 5.6, -7.35

 

CMYK 3 / 0 / 6 / 31

HEX #ABB0A5

RGB 171 176 165

HSL 87.27, 0.07%, 0.67%

LAB 71.16, -3.8, 5.01

 

CMYK 8 / 0 / 20 / 26

HEX #ADBD97

RGB 173 189 151

HSL 85.26, 0.22%, 0.67%

LAB 74.52, -12.32, 17.4

 

CMYK 34 / 31 / 0 / 19

HEX #878FCE

RGB 135 143 206

HSL 233.24, 0.42%, 0.67%

LAB 61, 12.09, -33.37

 

CMYK 29 / 34 / 0 / 19

HEX #9287CE

RGB 146 135 206

HSL 249.3, 0.42%, 0.67%

LAB 59.79, 19.9, -35.19

 

CMYK 20 / 34 / 0 / 19

HEX #A487CE

RGB 164 135 206

HSL 264.51, 0.42%, 0.67%

LAB 61.37, 25.26, -32.61

 

CMYK 11 / 34 / 0 / 19

HEX #B787CE

RGB 183 135 206

HSL 280.56, 0.42%, 0.67%

LAB 63.22, 31.13, -29.6

 

CMYK 2 / 34 / 0 / 19

HEX #CA87CE

RGB 202 135 206

HSL 296.62, 0.42%, 0.67%

LAB 65.23, 37.12, -26.33

 

CMYK 33 / 58 / 0 / 29

HEX #7A4CB6

RGB 122 76 182

HSL 266.04, 0.42%, 0.51%

LAB 42.28, 41.41, -49.26

 

CMYK 26 / 45 / 0 / 24

HEX #8F6AC2

RGB 143 106 194

HSL 265.23, 0.42%, 0.59%

LAB 51.89, 32.88, -40.8

 

CMYK 20 / 34 / 0 / 19

HEX #A587CE

RGB 165 135 206

HSL 265.35, 0.42%, 0.67%

LAB 61.47, 25.57, -32.46

 

CMYK 14 / 25 / 0 / 15

HEX #BBA4DA

RGB 187 164 218

HSL 265.56, 0.42%, 0.75%

LAB 70.99, 18.79, -24.27

 

CMYK 9 / 16 / 0 / 10

HEX #D1C2E6

RGB 209 194 230

HSL 265, 0.42%, 0.83%

LAB 80.66, 11.98, -15.96

 

CMYK 19 / 34 / 0 / 19

HEX #A688CE

RGB 166 136 206

HSL 265.71, 0.42%, 0.67%

LAB 61.8, 25.3, -31.93

 

CMYK 0 / 34 / 21 / 19

HEX #CE87A2

RGB 206 135 162

HSL 337.18, 0.42%, 0.67%

LAB 64.21, 30.95, -3.04

 

CMYK 34 / 0 / 34 / 19

HEX #87CE88

RGB 135 206 136

HSL 120.85, 0.42%, 0.67%

LAB 76.72, -36.21, 27.97

 

CMYK 19 / 34 / 0 / 19

HEX #A688CE

RGB 166 136 206

HSL 265.71, 0.42%, 0.67%

LAB 61.8, 25.3, -31.93

 

CMYK 0 / 20 / 34 / 19

HEX #CEA487

RGB 206 164 135

HSL 24.51, 0.42%, 0.67%

LAB 70.47, 11.42, 20.93

 

CMYK 34 / 0 / 20 / 19

HEX #87CEA4

RGB 135 206 164

HSL 144.51, 0.42%, 0.67%

LAB 77.27, -31.21, 13.94

 

CMYK 19 / 34 / 0 / 19

HEX #A688CE

RGB 166 136 206

HSL 265.71, 0.42%, 0.67%

LAB 61.8, 25.3, -31.93

 

CMYK 0 / 34 / 21 / 19

HEX #CE87A2

RGB 206 135 162

HSL 337.18, 0.42%, 0.67%

LAB 64.21, 30.95, -3.04

 

CMYK 15 / 0 / 34 / 19

HEX #B0CE87

RGB 176 206 135

HSL 85.35, 0.42%, 0.67%

LAB 79.11, -22.15, 32.1

 

CMYK 34 / 0 / 13 / 19

HEX #87CEB3

RGB 135 206 179

HSL 157.18, 0.42%, 0.67%

LAB 77.61, -28.16, 6.4

 

CMYK 19 / 34 / 0 / 19

HEX #A688CE

RGB 166 136 206

HSL 265.71, 0.42%, 0.67%

LAB 61.8, 25.3, -31.93

 

CMYK 0 / 34 / 32 / 19

HEX #CE878D

RGB 206 135 141

HSL 354.93, 0.42%, 0.67%

LAB 63.65, 27.99, 8.06

 

CMYK 15 / 0 / 34 / 19

HEX #B0CE87

RGB 176 206 135

HSL 85.35, 0.42%, 0.67%

LAB 79.11, -22.15, 32.1

 

CMYK 34 / 0 / 3 / 19

HEX #87CEC8

RGB 135 206 200

HSL 174.93, 0.42%, 0.67%

LAB 78.15, -23.5, -4.09

 

Description

Color code: HEX #A688CE | qconv.com Color code: HEX #A688CE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 136 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 136 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 34 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 34% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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