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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A68DB2 it is the complementary color #59724D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A68DB2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A68DB2 shade: #AB8DAD, #BC9FC0, #CDB1D3, #DEC3E6 and #EFD5F9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A68DB2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A68DB2 shade: #A68DB2, #957B9F, #84698C, #735779 and #624566

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A68DB2 shade: #A68EB2, #B08EB2, #B28EAA, #B28EA1 and #B28E97

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A68DB2 shade: #A68EB2, #9D8EB2, #938EB2 and #8E8EB2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A68DB2 shade matches the following richer shades: #A68EB2, #AC7FC1, #B170D1, #B760E0 and #BC51EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A68DB2 shade: #A68EB2, #A19DA3, #9CAD94, #96BC84 and #91CB75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A68DB2 shade: #938EB2, #9D8EB2, #A68EB2, #B08EB2 and #B28EAB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A68DB2 shade: #7F608E, #9376A1, #A68EB2, #BAA7C3 and #CDBFD3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A68DB2 shade: #A68DB2, #B28E93 and #8EB298

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A68DB2 shade: #A68DB2, #B2A68E and #8EB2A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A68DB2 shade: #A68DB2, #B28E93, #9AB28E and #8EB2AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A68DB2 shade: #A68DB2, #B2948E, #9AB28E and #8EACB2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 21 / 0 / 30

HEX #A68DB2

RGB 166 141 178

HSL 280.54, 0.19%, 0.63%

LAB 61.97, 16.35, -15.88

 

Complementary color

CMYK 22 / 0 / 32 / 55

HEX #59724D

RGB 89 114 77

HSL 100.54, 0.19%, 0.37%

LAB 45.21, -16.72, 17.61

 

CMYK 1 / 18 / 0 / 32

HEX #AB8DAD

RGB 171 141 173

HSL 296.25, 0.16%, 0.62%

LAB 62.27, 17.07, -12.55

 

CMYK 2 / 17 / 0 / 25

HEX #BC9FC0

RGB 188 159 192

HSL 292.73, 0.21%, 0.69%

LAB 68.96, 16.58, -12.99

 

CMYK 3 / 16 / 0 / 17

HEX #CDB1D3

RGB 205 177 211

HSL 289.41, 0.28%, 0.76%

LAB 75.53, 16.13, -13.42

 

CMYK 3 / 15 / 0 / 10

HEX #DEC3E6

RGB 222 195 230

HSL 286.29, 0.41%, 0.83%

LAB 81.99, 15.71, -13.85

 

CMYK 4 / 14 / 0 / 2

HEX #EFD5F9

RGB 239 213 249

HSL 283.33, 0.75%, 0.91%

LAB 88.34, 15.33, -14.27

 

CMYK 7 / 21 / 0 / 30

HEX #A68DB2

RGB 166 141 178

HSL 280.54, 0.19%, 0.63%

LAB 61.97, 16.35, -15.88

 

CMYK 6 / 23 / 0 / 38

HEX #957B9F

RGB 149 123 159

HSL 283.33, 0.16%, 0.55%

LAB 55.13, 16.86, -15.52

 

CMYK 6 / 25 / 0 / 45

HEX #84698C

RGB 132 105 140

HSL 286.29, 0.14%, 0.48%

LAB 48.14, 17.44, -15.16

 

CMYK 5 / 28 / 0 / 53

HEX #735779

RGB 115 87 121

HSL 289.41, 0.16%, 0.41%

LAB 40.96, 18.08, -14.79

 

CMYK 4 / 32 / 0 / 60

HEX #624566

RGB 98 69 102

HSL 292.73, 0.19%, 0.34%

LAB 33.59, 18.81, -14.41

 

CMYK 7 / 20 / 0 / 30

HEX #A68EB2

RGB 166 142 178

HSL 280, 0.19%, 0.63%

LAB 62.23, 15.78, -15.5

 

CMYK 1 / 20 / 0 / 30

HEX #B08EB2

RGB 176 142 178

HSL 296.67, 0.19%, 0.63%

LAB 63.17, 19.22, -13.98

 

CMYK 0 / 20 / 4 / 30

HEX #B28EAA

RGB 178 142 170

HSL 313.33, 0.19%, 0.63%

LAB 63.11, 18.39, -9.54

 

CMYK 0 / 20 / 10 / 30

HEX #B28EA1

RGB 178 142 161

HSL 328.33, 0.19%, 0.63%

LAB 62.83, 16.76, -4.85

 

CMYK 0 / 20 / 15 / 30

HEX #B28E97

RGB 178 142 151

HSL 345, 0.19%, 0.63%

LAB 62.55, 15.05, 0.41

 

CMYK 7 / 20 / 0 / 30

HEX #A68EB2

RGB 166 142 178

HSL 280, 0.19%, 0.63%

LAB 62.23, 15.78, -15.5

 

CMYK 12 / 20 / 0 / 30

HEX #9D8EB2

RGB 157 142 178

HSL 265, 0.19%, 0.63%

LAB 61.42, 12.73, -16.8

 

CMYK 17 / 20 / 0 / 30

HEX #938EB2

RGB 147 142 178

HSL 248.33, 0.19%, 0.63%

LAB 60.57, 9.4, -18.16

 

CMYK 20 / 20 / 0 / 30

HEX #8E8EB2

RGB 142 142 178

HSL 240, 0.19%, 0.63%

LAB 60.17, 7.77, -18.81

 

CMYK 7 / 20 / 0 / 30

HEX #A68EB2

RGB 166 142 178

HSL 280, 0.19%, 0.63%

LAB 62.23, 15.78, -15.5

 

CMYK 11 / 34 / 0 / 24

HEX #AC7FC1

RGB 172 127 193

HSL 280.91, 0.35%, 0.63%

LAB 59.71, 29.4, -27.79

 

CMYK 15 / 46 / 0 / 18

HEX #B170D1

RGB 177 112 209

HSL 280.21, 0.51%, 0.63%

LAB 57.6, 42.63, -40.1

 

CMYK 18 / 57 / 0 / 12

HEX #B760E0

RGB 183 96 224

HSL 280.78, 0.67%, 0.63%

LAB 55.9, 55.71, -51.2

 

CMYK 21 / 66 / 0 / 6

HEX #BC51EF

RGB 188 81 239

HSL 280.63, 0.83%, 0.63%

LAB 54.87, 66.88, -61.23

 

CMYK 7 / 20 / 0 / 30

HEX #A68EB2

RGB 166 142 178

HSL 280, 0.19%, 0.63%

LAB 62.23, 15.78, -15.5

 

CMYK 1 / 4 / 0 / 36

HEX #A19DA3

RGB 161 157 163

HSL 280, 0.03%, 0.63%

LAB 65.23, 2.6, -2.62

 

CMYK 10 / 0 / 14 / 32

HEX #9CAD94

RGB 156 173 148

HSL 100.8, 0.13%, 0.63%

LAB 68.82, -10.66, 10.86

 

CMYK 20 / 0 / 30 / 26

HEX #96BC84

RGB 150 188 132

HSL 100.71, 0.29%, 0.63%

LAB 72.31, -23.19, 24.29

 

CMYK 29 / 0 / 42 / 20

HEX #91CB75

RGB 145 203 117

HSL 100.47, 0.45%, 0.63%

LAB 76.08, -34.31, 36.99

 

CMYK 17 / 20 / 0 / 30

HEX #938EB2

RGB 147 142 178

HSL 248.33, 0.19%, 0.63%

LAB 60.57, 9.4, -18.16

 

CMYK 12 / 20 / 0 / 30

HEX #9D8EB2

RGB 157 142 178

HSL 265, 0.19%, 0.63%

LAB 61.42, 12.73, -16.8

 

CMYK 7 / 20 / 0 / 30

HEX #A68EB2

RGB 166 142 178

HSL 280, 0.19%, 0.63%

LAB 62.23, 15.78, -15.5

 

CMYK 1 / 20 / 0 / 30

HEX #B08EB2

RGB 176 142 178

HSL 296.67, 0.19%, 0.63%

LAB 63.17, 19.22, -13.98

 

CMYK 0 / 20 / 4 / 30

HEX #B28EAB

RGB 178 142 171

HSL 311.67, 0.19%, 0.63%

LAB 63.14, 18.58, -10.05

 

CMYK 11 / 32 / 0 / 44

HEX #7F608E

RGB 127 96 142

HSL 280.43, 0.19%, 0.47%

LAB 45.4, 21.5, -20.58

 

CMYK 9 / 27 / 0 / 37

HEX #9376A1

RGB 147 118 161

HSL 280.47, 0.19%, 0.55%

LAB 53.74, 19.51, -18.81

 

CMYK 7 / 20 / 0 / 30

HEX #A68EB2

RGB 166 142 178

HSL 280, 0.19%, 0.63%

LAB 62.23, 15.78, -15.5

 

CMYK 5 / 14 / 0 / 24

HEX #BAA7C3

RGB 186 167 195

HSL 280.71, 0.19%, 0.71%

LAB 70.88, 12.06, -11.79

 

CMYK 3 / 9 / 0 / 17

HEX #CDBFD3

RGB 205 191 211

HSL 282, 0.19%, 0.79%

LAB 79.01, 8.56, -8.23

 

CMYK 7 / 21 / 0 / 30

HEX #A68DB2

RGB 166 141 178

HSL 280.54, 0.19%, 0.63%

LAB 61.97, 16.35, -15.88

 

CMYK 0 / 20 / 17 / 30

HEX #B28E93

RGB 178 142 147

HSL 351.67, 0.19%, 0.63%

LAB 62.44, 14.39, 2.52

 

CMYK 20 / 0 / 15 / 30

HEX #8EB298

RGB 142 178 152

HSL 136.67, 0.19%, 0.63%

LAB 69.37, -17.46, 9.31

 

CMYK 7 / 21 / 0 / 30

HEX #A68DB2

RGB 166 141 178

HSL 280.54, 0.19%, 0.63%

LAB 61.97, 16.35, -15.88

 

CMYK 0 / 7 / 20 / 30

HEX #B2A68E

RGB 178 166 142

HSL 40, 0.19%, 0.63%

LAB 68.53, 0.35, 14

 

CMYK 20 / 0 / 7 / 30

HEX #8EB2A6

RGB 142 178 166

HSL 160, 0.19%, 0.63%

LAB 69.71, -14.67, 2.11

 

CMYK 7 / 21 / 0 / 30

HEX #A68DB2

RGB 166 141 178

HSL 280.54, 0.19%, 0.63%

LAB 61.97, 16.35, -15.88

 

CMYK 0 / 20 / 17 / 30

HEX #B28E93

RGB 178 142 147

HSL 351.67, 0.19%, 0.63%

LAB 62.44, 14.39, 2.52

 

CMYK 13 / 0 / 20 / 30

HEX #9AB28E

RGB 154 178 142

HSL 100, 0.19%, 0.63%

LAB 69.94, -15.04, 15.7

 

CMYK 20 / 0 / 3 / 30

HEX #8EB2AD

RGB 142 178 173

HSL 171.67, 0.19%, 0.63%

LAB 69.9, -13.19, -1.47

 

CMYK 7 / 21 / 0 / 30

HEX #A68DB2

RGB 166 141 178

HSL 280.54, 0.19%, 0.63%

LAB 61.97, 16.35, -15.88

 

CMYK 0 / 17 / 20 / 30

HEX #B2948E

RGB 178 148 142

HSL 10, 0.19%, 0.63%

LAB 63.83, 10.24, 7.36

 

CMYK 13 / 0 / 20 / 30

HEX #9AB28E

RGB 154 178 142

HSL 100, 0.19%, 0.63%

LAB 69.94, -15.04, 15.7

 

CMYK 20 / 3 / 0 / 30

HEX #8EACB2

RGB 142 172 178

HSL 190, 0.19%, 0.63%

LAB 68.37, -8.91, -6.5

 

Description

Color code: HEX #A68DB2 | qconv.com Color code: HEX #A68DB2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 141 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 141 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 21 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 21% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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