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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A693DB it is the complementary color #596C24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A693DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A693DB shade: #AB93D6, #BCA5E9, #CDB7FC, #DEC9FF and #EFDBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A693DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A693DB shade: #A693DB, #9581C8, #846FB5, #735DA2 and #624B8F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A693DB shade: #A693DB, #B993DB, #CD93DB, #DB93D6 and #DB93C2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A693DB shade: #A693DB and #9393DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A693DB shade matches the following richer shades: #A693DB, #A188E6, #9B7CF2 and #9671FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A693DB shade: #A693DB, #AC9FCF, #B1ABC4, #B7B6B8 and #BCC2AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A693DB shade: #93A8DB, #9395DB, #A593DB, #B893DB and #CB93DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A693DB shade: #7356C6, #8D74D0, #A693DB, #C0B2E5 and #D9D1EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A693DB shade: #A693DB, #DB93BB and #9EDB93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A693DB shade: #A693DB, #DBA593 and #93DBA5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A693DB shade: #A693DB, #DB93BB, #C9DB93 and #93DBB4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A693DB shade: #A693DB, #DB93A5, #C9DB93 and #93DBC9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 33 / 0 / 14

HEX #A693DB

RGB 166 147 219

HSL 255.83, 0.5%, 0.72%

LAB 65.03, 22.09, -34.16

 

Complementary color

CMYK 18 / 0 / 67 / 58

HEX #596C24

RGB 89 108 36

HSL 75.83, 0.5%, 0.28%

LAB 42.73, -18.67, 36.72

 

CMYK 20 / 31 / 0 / 16

HEX #AB93D6

RGB 171 147 214

HSL 261.49, 0.45%, 0.71%

LAB 65.26, 22.43, -31

 

CMYK 19 / 29 / 0 / 9

HEX #BCA5E9

RGB 188 165 233

HSL 260.29, 0.61%, 0.78%

LAB 71.88, 21.85, -31.11

 

CMYK 19 / 27 / 0 / 1

HEX #CDB7FC

RGB 205 183 252

HSL 259.13, 0.92%, 0.85%

LAB 78.39, 21.31, -31.24

 

CMYK 13 / 21 / 0 / 0

HEX #DEC9FF

RGB 222 201 255

HSL 263.33, 1%, 0.89%

LAB 84.24, 17.45, -23.78

 

CMYK 6 / 14 / 0 / 0

HEX #EFDBFF

RGB 239 219 255

HSL 273.33, 1%, 0.93%

LAB 89.97, 13.31, -14.99

 

CMYK 24 / 33 / 0 / 14

HEX #A693DB

RGB 166 147 219

HSL 255.83, 0.5%, 0.72%

LAB 65.03, 22.09, -34.16

 

CMYK 26 / 36 / 0 / 22

HEX #9581C8

RGB 149 129 200

HSL 256.9, 0.39%, 0.65%

LAB 58.28, 22.76, -34.14

 

CMYK 27 / 39 / 0 / 29

HEX #846FB5

RGB 132 111 181

HSL 258, 0.32%, 0.57%

LAB 51.39, 23.51, -34.16

 

CMYK 29 / 43 / 0 / 36

HEX #735DA2

RGB 115 93 162

HSL 259.13, 0.27%, 0.5%

LAB 44.35, 24.35, -34.22

 

CMYK 31 / 48 / 0 / 44

HEX #624B8F

RGB 98 75 143

HSL 260.29, 0.31%, 0.43%

LAB 37.14, 25.31, -34.32

 

CMYK 24 / 33 / 0 / 14

HEX #A693DB

RGB 166 147 219

HSL 255.83, 0.5%, 0.72%

LAB 65.03, 22.09, -34.16

 

CMYK 16 / 33 / 0 / 14

HEX #B993DB

RGB 185 147 219

HSL 271.67, 0.5%, 0.72%

LAB 66.75, 27.85, -31.37

 

CMYK 6 / 33 / 0 / 14

HEX #CD93DB

RGB 205 147 219

HSL 288.33, 0.5%, 0.72%

LAB 68.72, 34.08, -28.16

 

CMYK 0 / 33 / 2 / 14

HEX #DB93D6

RGB 219 147 214

HSL 304.17, 0.5%, 0.72%

LAB 70.02, 37.58, -23.27

 

CMYK 0 / 33 / 11 / 14

HEX #DB93C2

RGB 219 147 194

HSL 320.83, 0.5%, 0.72%

LAB 69.34, 34.11, -13.21

 

CMYK 24 / 33 / 0 / 14

HEX #A693DB

RGB 166 147 219

HSL 255.83, 0.5%, 0.72%

LAB 65.03, 22.09, -34.16

 

CMYK 33 / 33 / 0 / 14

HEX #9393DB

RGB 147 147 219

HSL 240, 0.5%, 0.72%

LAB 63.5, 16.59, -36.67

 

CMYK 24 / 33 / 0 / 14

HEX #A693DB

RGB 166 147 219

HSL 255.83, 0.5%, 0.72%

LAB 65.03, 22.09, -34.16

 

CMYK 30 / 41 / 0 / 10

HEX #A188E6

RGB 161 136 230

HSL 255.96, 0.65%, 0.72%

LAB 62.42, 29.62, -44.38

 

CMYK 36 / 49 / 0 / 5

HEX #9B7CF2

RGB 155 124 242

HSL 255.76, 0.82%, 0.72%

LAB 59.7, 37.96, -55.37

 

CMYK 41 / 55 / 0 / 1

HEX #9671FD

RGB 150 113 253

HSL 255.86, 0.97%, 0.72%

LAB 57.45, 45.88, -65.09

 

CMYK 24 / 33 / 0 / 14

HEX #A693DB

RGB 166 147 219

HSL 255.83, 0.5%, 0.72%

LAB 65.03, 22.09, -34.16

 

CMYK 17 / 23 / 0 / 19

HEX #AC9FCF

RGB 172 159 207

HSL 256.25, 0.33%, 0.72%

LAB 68.07, 14.4, -22.79

 

CMYK 10 / 13 / 0 / 23

HEX #B1ABC4

RGB 177 171 196

HSL 254.4, 0.17%, 0.72%

LAB 71.19, 7.02, -11.97

 

CMYK 1 / 1 / 0 / 28

HEX #B7B6B8

RGB 183 182 184

HSL 270, 0.01%, 0.72%

LAB 74.18, 0.73, -0.9

 

CMYK 3 / 0 / 11 / 24

HEX #BCC2AD

RGB 188 194 173

HSL 77.14, 0.15%, 0.72%

LAB 77.46, -5.83, 9.85

 

CMYK 33 / 23 / 0 / 14

HEX #93A8DB

RGB 147 168 219

HSL 222.5, 0.5%, 0.72%

LAB 68.98, 4.67, -28.17

 

CMYK 33 / 32 / 0 / 14

HEX #9395DB

RGB 147 149 219

HSL 238.33, 0.5%, 0.72%

LAB 64.01, 15.44, -35.87

 

CMYK 25 / 33 / 0 / 14

HEX #A593DB

RGB 165 147 219

HSL 255, 0.5%, 0.72%

LAB 64.95, 21.8, -34.3

 

CMYK 16 / 33 / 0 / 14

HEX #B893DB

RGB 184 147 219

HSL 270.83, 0.5%, 0.72%

LAB 66.65, 27.54, -31.53

 

CMYK 7 / 33 / 0 / 14

HEX #CB93DB

RGB 203 147 219

HSL 286.67, 0.5%, 0.72%

LAB 68.52, 33.45, -28.49

 

CMYK 42 / 57 / 0 / 22

HEX #7356C6

RGB 115 86 198

HSL 255.54, 0.5%, 0.56%

LAB 44.77, 38.36, -54.62

 

CMYK 32 / 44 / 0 / 18

HEX #8D74D0

RGB 141 116 208

HSL 256.3, 0.49%, 0.64%

LAB 54.77, 30.07, -44.24

 

CMYK 24 / 33 / 0 / 14

HEX #A693DB

RGB 166 147 219

HSL 255.83, 0.5%, 0.72%

LAB 65.03, 22.09, -34.16

 

CMYK 16 / 22 / 0 / 10

HEX #C0B2E5

RGB 192 178 229

HSL 256.47, 0.5%, 0.8%

LAB 75.27, 15.03, -23.71

 

CMYK 9 / 13 / 0 / 6

HEX #D9D1EF

RGB 217 209 239

HSL 256, 0.48%, 0.88%

LAB 85.29, 8.37, -13.73

 

CMYK 24 / 33 / 0 / 14

HEX #A693DB

RGB 166 147 219

HSL 255.83, 0.5%, 0.72%

LAB 65.03, 22.09, -34.16

 

CMYK 0 / 33 / 15 / 14

HEX #DB93BB

RGB 219 147 187

HSL 326.67, 0.5%, 0.72%

LAB 69.12, 32.96, -9.65

 

CMYK 28 / 0 / 33 / 14

HEX #9EDB93

RGB 158 219 147

HSL 110.83, 0.5%, 0.72%

LAB 81.86, -32.98, 29.36

 

CMYK 24 / 33 / 0 / 14

HEX #A693DB

RGB 166 147 219

HSL 255.83, 0.5%, 0.72%

LAB 65.03, 22.09, -34.16

 

CMYK 0 / 25 / 33 / 14

HEX #DBA593

RGB 219 165 147

HSL 15, 0.5%, 0.72%

LAB 72.28, 17.48, 17.07

 

CMYK 33 / 0 / 25 / 14

HEX #93DBA5

RGB 147 219 165

HSL 135, 0.5%, 0.72%

LAB 81.61, -33.49, 19.57

 

CMYK 24 / 33 / 0 / 14

HEX #A693DB

RGB 166 147 219

HSL 255.83, 0.5%, 0.72%

LAB 65.03, 22.09, -34.16

 

CMYK 0 / 33 / 15 / 14

HEX #DB93BB

RGB 219 147 187

HSL 326.67, 0.5%, 0.72%

LAB 69.12, 32.96, -9.65

 

CMYK 8 / 0 / 33 / 14

HEX #C9DB93

RGB 201 219 147

HSL 75, 0.5%, 0.72%

LAB 84.58, -17.67, 33.47

 

CMYK 33 / 0 / 18 / 14

HEX #93DBB4

RGB 147 219 180

HSL 147.5, 0.5%, 0.72%

LAB 81.93, -30.67, 12.12

 

CMYK 24 / 33 / 0 / 14

HEX #A693DB

RGB 166 147 219

HSL 255.83, 0.5%, 0.72%

LAB 65.03, 22.09, -34.16

 

CMYK 0 / 33 / 25 / 14

HEX #DB93A5

RGB 219 147 165

HSL 345, 0.5%, 0.72%

LAB 68.49, 29.61, 1.71

 

CMYK 8 / 0 / 33 / 14

HEX #C9DB93

RGB 201 219 147

HSL 75, 0.5%, 0.72%

LAB 84.58, -17.67, 33.47

 

CMYK 33 / 0 / 8 / 14

HEX #93DBC9

RGB 147 219 201

HSL 165, 0.5%, 0.72%

LAB 82.42, -26.32, 1.71

 

Description

Color code: HEX #A693DB | qconv.com Color code: HEX #A693DB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 147 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 147 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 33 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 33% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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