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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A6A89D it is the complementary color #595762. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A6A89D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A6A89D shade: #ABA898, #BCBAAB, #CDCCBE, #DEDED1 and #EFF0E4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A6A89D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A6A89D shade: #A6A89D, #95968A, #848477, #737264 and #626051

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A6A89D shade: #A6A89D, #A8A79D, #A8A49D, #A8A19D and #A89E9D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A6A89D shade: #A6A89D, #A3A89D, #A0A89D, #9DA89D and #9DA8A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A6A89D shade matches the following richer shades: #A6A89D, #B0B78E, #B9C67F, #C3D571 and #CCE462

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A6A89D shade: #A6A89D, #9D99AC, #938BBB, #8A7CCA and #806DD9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A6A89D shade: #A8A49D, #A8A79D, #A6A89D, #A3A89D and #A0A89D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A6A89D shade: #7E8172, #929587, #A6A89D, #BABCB3 and #CECFC9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A6A89D shade: #A6A89D, #9DA8A1 and #A69DA8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A6A89D shade: #A6A89D, #9DA6A8 and #A89DA6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A6A89D shade: #A6A89D, #9DA8A1, #9F9DA8 and #A89DA4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A6A89D shade: #A6A89D, #9DA8A5, #9F9DA8 and #A89DA1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 7 / 34

HEX #A6A89D

RGB 166 168 157

HSL 70.91, 0.06%, 0.64%

LAB 68.42, -2.75, 5.42

 

Complementary color

CMYK 9 / 11 / 0 / 62

HEX #595762

RGB 89 87 98

HSL 250.91, 0.06%, 0.36%

LAB 37.52, 3.23, -6.05

 

CMYK 0 / 2 / 11 / 33

HEX #ABA898

RGB 171 168 152

HSL 50.53, 0.1%, 0.63%

LAB 68.7, -1.78, 8.64

 

CMYK 0 / 1 / 9 / 26

HEX #BCBAAB

RGB 188 186 171

HSL 52.94, 0.11%, 0.7%

LAB 75.3, -1.95, 7.85

 

CMYK 0 / 0 / 7 / 20

HEX #CDCCBE

RGB 205 204 190

HSL 56, 0.13%, 0.77%

LAB 81.77, -2.12, 7.09

 

CMYK 0 / 0 / 6 / 13

HEX #DEDED1

RGB 222 222 209

HSL 60, 0.16%, 0.85%

LAB 88.15, -2.27, 6.36

 

CMYK 0 / 0 / 5 / 6

HEX #EFF0E4

RGB 239 240 228

HSL 65, 0.29%, 0.92%

LAB 94.43, -2.41, 5.67

 

CMYK 1 / 0 / 7 / 34

HEX #A6A89D

RGB 166 168 157

HSL 70.91, 0.06%, 0.64%

LAB 68.42, -2.75, 5.42

 

CMYK 1 / 0 / 8 / 41

HEX #95968A

RGB 149 150 138

HSL 65, 0.05%, 0.56%

LAB 61.69, -2.61, 6.2

 

CMYK 0 / 0 / 10 / 48

HEX #848477

RGB 132 132 119

HSL 60, 0.05%, 0.49%

LAB 54.8, -2.45, 7.02

 

CMYK 0 / 1 / 13 / 55

HEX #737264

RGB 115 114 100

HSL 56, 0.07%, 0.42%

LAB 47.75, -2.28, 7.9

 

CMYK 0 / 2 / 17 / 62

HEX #626051

RGB 98 96 81

HSL 52.94, 0.09%, 0.35%

LAB 40.5, -2.08, 8.87

 

CMYK 1 / 0 / 7 / 34

HEX #A6A89D

RGB 166 168 157

HSL 70.91, 0.06%, 0.64%

LAB 68.42, -2.75, 5.42

 

CMYK 0 / 1 / 7 / 34

HEX #A8A79D

RGB 168 167 157

HSL 54.55, 0.06%, 0.64%

LAB 68.31, -1.47, 5.29

 

CMYK 0 / 2 / 7 / 34

HEX #A8A49D

RGB 168 164 157

HSL 38.18, 0.06%, 0.64%

LAB 67.51, 0.16, 4.13

 

CMYK 0 / 4 / 7 / 34

HEX #A8A19D

RGB 168 161 157

HSL 21.82, 0.06%, 0.64%

LAB 66.71, 1.8, 2.97

 

CMYK 0 / 6 / 7 / 34

HEX #A89E9D

RGB 168 158 157

HSL 5.45, 0.06%, 0.64%

LAB 65.91, 3.46, 1.82

 

CMYK 1 / 0 / 7 / 34

HEX #A6A89D

RGB 166 168 157

HSL 70.91, 0.06%, 0.64%

LAB 68.42, -2.75, 5.42

 

CMYK 3 / 0 / 7 / 34

HEX #A3A89D

RGB 163 168 157

HSL 87.27, 0.06%, 0.64%

LAB 68.19, -3.84, 5.06

 

CMYK 5 / 0 / 7 / 34

HEX #A0A89D

RGB 160 168 157

HSL 103.64, 0.06%, 0.64%

LAB 67.96, -4.92, 4.69

 

CMYK 7 / 0 / 7 / 34

HEX #9DA89D

RGB 157 168 157

HSL 120, 0.06%, 0.64%

LAB 67.73, -6, 4.34

 

CMYK 7 / 0 / 5 / 34

HEX #9DA8A0

RGB 157 168 160

HSL 136.36, 0.06%, 0.64%

LAB 67.81, -5.43, 2.79

 

CMYK 1 / 0 / 7 / 34

HEX #A6A89D

RGB 166 168 157

HSL 70.91, 0.06%, 0.64%

LAB 68.42, -2.75, 5.42

 

CMYK 4 / 0 / 22 / 28

HEX #B0B78E

RGB 176 183 142

HSL 70.24, 0.22%, 0.64%

LAB 72.92, -9.48, 20.08

 

CMYK 7 / 0 / 36 / 22

HEX #B9C67F

RGB 185 198 127

HSL 70.99, 0.38%, 0.64%

LAB 77.42, -15.79, 34.13

 

CMYK 8 / 0 / 47 / 16

HEX #C3D571

RGB 195 213 113

HSL 70.8, 0.54%, 0.64%

LAB 82.05, -20.93, 47.1

 

CMYK 11 / 0 / 57 / 11

HEX #CCE462

RGB 204 228 98

HSL 71.08, 0.71%, 0.64%

LAB 86.61, -25.99, 59.51

 

CMYK 1 / 0 / 7 / 34

HEX #A6A89D

RGB 166 168 157

HSL 70.91, 0.06%, 0.64%

LAB 68.42, -2.75, 5.42

 

CMYK 9 / 11 / 0 / 33

HEX #9D99AC

RGB 157 153 172

HSL 252.63, 0.1%, 0.64%

LAB 64.1, 5.23, -9.37

 

CMYK 21 / 26 / 0 / 27

HEX #938BBB

RGB 147 139 187

HSL 250, 0.26%, 0.64%

LAB 60.12, 13.22, -23.95

 

CMYK 32 / 39 / 0 / 21

HEX #8A7CCA

RGB 138 124 202

HSL 250.77, 0.42%, 0.64%

LAB 56.17, 22.99, -38.65

 

CMYK 41 / 50 / 0 / 15

HEX #806DD9

RGB 128 109 217

HSL 250.56, 0.59%, 0.64%

LAB 52.44, 33.27, -53.12

 

CMYK 0 / 2 / 7 / 34

HEX #A8A49D

RGB 168 164 157

HSL 38.18, 0.06%, 0.64%

LAB 67.51, 0.16, 4.13

 

CMYK 0 / 1 / 7 / 34

HEX #A8A79D

RGB 168 167 157

HSL 54.55, 0.06%, 0.64%

LAB 68.31, -1.47, 5.29

 

CMYK 1 / 0 / 7 / 34

HEX #A6A89D

RGB 166 168 157

HSL 70.91, 0.06%, 0.64%

LAB 68.42, -2.75, 5.42

 

CMYK 3 / 0 / 7 / 34

HEX #A3A89D

RGB 163 168 157

HSL 87.27, 0.06%, 0.64%

LAB 68.19, -3.84, 5.06

 

CMYK 5 / 0 / 7 / 34

HEX #A0A89D

RGB 160 168 157

HSL 103.64, 0.06%, 0.64%

LAB 67.96, -4.92, 4.69

 

CMYK 2 / 0 / 12 / 49

HEX #7E8172

RGB 126 129 114

HSL 72, 0.06%, 0.48%

LAB 53.33, -3.99, 7.75

 

CMYK 2 / 0 / 9 / 42

HEX #929587

RGB 146 149 135

HSL 72.86, 0.06%, 0.56%

LAB 61.09, -3.72, 7.01

 

CMYK 1 / 0 / 7 / 34

HEX #A6A89D

RGB 166 168 157

HSL 70.91, 0.06%, 0.64%

LAB 68.42, -2.75, 5.42

 

CMYK 1 / 0 / 5 / 26

HEX #BABCB3

RGB 186 188 179

HSL 73.33, 0.06%, 0.72%

LAB 75.86, -2.34, 4.3

 

CMYK 0 / 0 / 3 / 19

HEX #CECFC9

RGB 206 207 201

HSL 70, 0.06%, 0.8%

LAB 82.89, -1.42, 2.85

 

CMYK 1 / 0 / 7 / 34

HEX #A6A89D

RGB 166 168 157

HSL 70.91, 0.06%, 0.64%

LAB 68.42, -2.75, 5.42

 

CMYK 7 / 0 / 4 / 34

HEX #9DA8A1

RGB 157 168 161

HSL 141.82, 0.06%, 0.64%

LAB 67.83, -5.23, 2.27

 

CMYK 1 / 7 / 0 / 34

HEX #A69DA8

RGB 166 157 168

HSL 289.09, 0.06%, 0.64%

LAB 65.79, 5.35, -4.55

 

CMYK 1 / 0 / 7 / 34

HEX #A6A89D

RGB 166 168 157

HSL 70.91, 0.06%, 0.64%

LAB 68.42, -2.75, 5.42

 

CMYK 7 / 1 / 0 / 34

HEX #9DA6A8

RGB 157 166 168

HSL 190.91, 0.06%, 0.64%

LAB 67.48, -2.77, -2.14

 

CMYK 0 / 7 / 1 / 34

HEX #A89DA6

RGB 168 157 166

HSL 310.91, 0.06%, 0.64%

LAB 65.9, 5.68, -3.24

 

CMYK 1 / 0 / 7 / 34

HEX #A6A89D

RGB 166 168 157

HSL 70.91, 0.06%, 0.64%

LAB 68.42, -2.75, 5.42

 

CMYK 7 / 0 / 4 / 34

HEX #9DA8A1

RGB 157 168 161

HSL 141.82, 0.06%, 0.64%

LAB 67.83, -5.23, 2.27

 

CMYK 5 / 7 / 0 / 34

HEX #9F9DA8

RGB 159 157 168

HSL 250.91, 0.06%, 0.64%

LAB 65.21, 2.88, -5.46

 

CMYK 0 / 7 / 2 / 34

HEX #A89DA4

RGB 168 157 164

HSL 321.82, 0.06%, 0.64%

LAB 65.84, 5.3, -2.21

 

CMYK 1 / 0 / 7 / 34

HEX #A6A89D

RGB 166 168 157

HSL 70.91, 0.06%, 0.64%

LAB 68.42, -2.75, 5.42

 

CMYK 7 / 0 / 2 / 34

HEX #9DA8A5

RGB 157 168 165

HSL 163.64, 0.06%, 0.64%

LAB 67.94, -4.46, 0.2

 

CMYK 5 / 7 / 0 / 34

HEX #9F9DA8

RGB 159 157 168

HSL 250.91, 0.06%, 0.64%

LAB 65.21, 2.88, -5.46

 

CMYK 0 / 7 / 4 / 34

HEX #A89DA1

RGB 168 157 161

HSL 338.18, 0.06%, 0.64%

LAB 65.76, 4.74, -0.65

 

Description

Color code: HEX #A6A89D | qconv.com Color code: HEX #A6A89D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 168 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 168 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 7 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 7% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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