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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A6A01B it is the complementary color #595FE4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A6A01B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A6A01B shade: #ABA016, #BCB229, #CDC43C, #DED64F and #EFE862

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A6A01B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A6A01B shade: #A6A01B, #958E08, #847C00, #736A00 and #625800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A6A01B shade: #A6A01B, #A67B1B, #A6551B, #A62F1B and #A61B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A6A01B shade: #A6A01B, #87A61B, #61A61B, #3BA61B and #1BA620

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A6A01B shade matches the following richer shades: #A6A01B and #B6AE0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A6A01B shade: #A6A01B, #96922A, #87833A, #77754A and #676759

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A6A01B shade: #A6551B, #A67A1B, #A69F1B, #88A61B and #63A61B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A6A01B shade: #5F5C0F, #837E15, #A6A01B, #CAC220 and #DED736

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A6A01B shade: #A6A01B, #1BA630 and #671BA6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A6A01B shade: #A6A01B, #1BA69F and #9F1BA6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A6A01B shade: #A6A01B, #1BA630, #1B22A6 and #A61B91

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A6A01B shade: #A6A01B, #1BA659, #1B22A6 and #A61B67

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 84 / 35

HEX #A6A01B

RGB 166 160 27

HSL 57.41, 0.72%, 0.38%

LAB 64.43, -12.02, 62.69

 

Complementary color

CMYK 61 / 58 / 0 / 11

HEX #595FE4

RGB 89 95 228

HSL 237.41, 0.72%, 0.62%

LAB 46.86, 37.06, -68.49

 

CMYK 0 / 6 / 87 / 33

HEX #ABA016

RGB 171 160 22

HSL 55.57, 0.77%, 0.38%

LAB 64.85, -9.92, 64.41

 

CMYK 0 / 5 / 78 / 26

HEX #BCB229

RGB 188 178 41

HSL 55.92, 0.64%, 0.45%

LAB 71.35, -11.21, 65.51

 

CMYK 0 / 4 / 71 / 20

HEX #CDC43C

RGB 205 196 60

HSL 56.28, 0.59%, 0.52%

LAB 77.75, -12.29, 65.6

 

CMYK 0 / 4 / 64 / 13

HEX #DED64F

RGB 222 214 79

HSL 56.64, 0.68%, 0.59%

LAB 84.06, -13.19, 65.13

 

CMYK 0 / 3 / 59 / 6

HEX #EFE862

RGB 239 232 98

HSL 57.02, 0.82%, 0.66%

LAB 90.3, -13.95, 64.34

 

CMYK 0 / 4 / 84 / 35

HEX #A6A01B

RGB 166 160 27

HSL 57.41, 0.72%, 0.38%

LAB 64.43, -12.02, 62.69

 

CMYK 0 / 5 / 95 / 42

HEX #958E08

RGB 149 142 8

HSL 57.02, 0.9%, 0.31%

LAB 57.8, -10.6, 60.56

 

CMYK 0 / 6 / 100 / 48

HEX #847C00

RGB 132 124 0

HSL 56.36, 1%, 0.26%

LAB 51.06, -8.88, 56.25

 

CMYK 0 / 8 / 100 / 55

HEX #736A00

RGB 115 106 0

HSL 55.3, 1%, 0.23%

LAB 44.17, -6.95, 50.54

 

CMYK 0 / 10 / 100 / 62

HEX #625800

RGB 98 88 0

HSL 53.88, 1%, 0.19%

LAB 37.07, -4.92, 44.66

 

CMYK 0 / 4 / 84 / 35

HEX #A6A01B

RGB 166 160 27

HSL 57.41, 0.72%, 0.38%

LAB 64.43, -12.02, 62.69

 

CMYK 0 / 26 / 84 / 35

HEX #A67B1B

RGB 166 123 27

HSL 41.44, 0.72%, 0.38%

LAB 54.4, 8.17, 54.13

 

CMYK 0 / 49 / 84 / 35

HEX #A6551B

RGB 166 85 27

HSL 25.04, 0.72%, 0.38%

LAB 45.2, 29.45, 46.06

 

CMYK 0 / 72 / 84 / 35

HEX #A62F1B

RGB 166 47 27

HSL 8.63, 0.72%, 0.38%

LAB 38.23, 47.62, 39.73

 

CMYK 0 / 84 / 84 / 35

HEX #A61B1B

RGB 166 27 27

HSL 0, 0.72%, 0.38%

LAB 35.93, 54.06, 37.58

 

CMYK 0 / 4 / 84 / 35

HEX #A6A01B

RGB 166 160 27

HSL 57.41, 0.72%, 0.38%

LAB 64.43, -12.02, 62.69

 

CMYK 19 / 0 / 84 / 35

HEX #87A61B

RGB 135 166 27

HSL 73.38, 0.72%, 0.38%

LAB 63.76, -28.51, 61.17

 

CMYK 42 / 0 / 84 / 35

HEX #61A61B

RGB 97 166 27

HSL 89.78, 0.72%, 0.38%

LAB 61.56, -43.18, 58.4

 

CMYK 64 / 0 / 84 / 35

HEX #3BA61B

RGB 59 166 27

HSL 106.19, 0.72%, 0.38%

LAB 60.14, -54.22, 56.59

 

CMYK 84 / 0 / 81 / 35

HEX #1BA620

RGB 27 166 32

HSL 122.16, 0.72%, 0.38%

LAB 59.53, -59.35, 54.38

 

CMYK 0 / 4 / 84 / 35

HEX #A6A01B

RGB 166 160 27

HSL 57.41, 0.72%, 0.38%

LAB 64.43, -12.02, 62.69

 

CMYK 0 / 4 / 94 / 29

HEX #B6AE0B

RGB 182 174 11

HSL 57.19, 0.89%, 0.38%

LAB 69.64, -12.52, 70.44

 

CMYK 0 / 4 / 84 / 35

HEX #A6A01B

RGB 166 160 27

HSL 57.41, 0.72%, 0.38%

LAB 64.43, -12.02, 62.69

 

CMYK 0 / 3 / 72 / 41

HEX #96922A

RGB 150 146 42

HSL 57.78, 0.56%, 0.38%

LAB 59.17, -11.18, 52.59

 

CMYK 0 / 3 / 57 / 47

HEX #87833A

RGB 135 131 58

HSL 56.88, 0.4%, 0.38%

LAB 53.7, -8.72, 39.31

 

CMYK 0 / 2 / 38 / 53

HEX #77754A

RGB 119 117 74

HSL 57.33, 0.23%, 0.38%

LAB 48.43, -6.31, 24.02

 

CMYK 0 / 0 / 14 / 60

HEX #676759

RGB 103 103 89

HSL 60, 0.07%, 0.38%

LAB 43.22, -2.72, 7.91

 

CMYK 0 / 49 / 84 / 35

HEX #A6551B

RGB 166 85 27

HSL 25.04, 0.72%, 0.38%

LAB 45.2, 29.45, 46.06

 

CMYK 0 / 27 / 84 / 35

HEX #A67A1B

RGB 166 122 27

HSL 41.01, 0.72%, 0.38%

LAB 54.14, 8.73, 53.91

 

CMYK 0 / 4 / 84 / 35

HEX #A69F1B

RGB 166 159 27

HSL 56.98, 0.72%, 0.38%

LAB 64.15, -11.5, 62.46

 

CMYK 18 / 0 / 84 / 35

HEX #88A61B

RGB 136 166 27

HSL 72.95, 0.72%, 0.38%

LAB 63.82, -28.1, 61.26

 

CMYK 40 / 0 / 84 / 35

HEX #63A61B

RGB 99 166 27

HSL 88.92, 0.72%, 0.38%

LAB 61.66, -42.48, 58.52

 

CMYK 0 / 3 / 84 / 63

HEX #5F5C0F

RGB 95 92 15

HSL 57.75, 0.73%, 0.22%

LAB 38.06, -8.26, 40.87

 

CMYK 0 / 4 / 84 / 49

HEX #837E15

RGB 131 126 21

HSL 57.27, 0.72%, 0.3%

LAB 51.61, -9.96, 52.16

 

CMYK 0 / 4 / 84 / 35

HEX #A6A01B

RGB 166 160 27

HSL 57.41, 0.72%, 0.38%

LAB 64.43, -12.02, 62.69

 

CMYK 0 / 4 / 84 / 21

HEX #CAC220

RGB 202 194 32

HSL 57.18, 0.73%, 0.46%

LAB 76.83, -13.59, 73.11

 

CMYK 0 / 3 / 76 / 13

HEX #DED736

RGB 222 215 54

HSL 57.5, 0.72%, 0.54%

LAB 84.17, -14.89, 74.19

 

CMYK 0 / 4 / 84 / 35

HEX #A6A01B

RGB 166 160 27

HSL 57.41, 0.72%, 0.38%

LAB 64.43, -12.02, 62.69

 

CMYK 84 / 0 / 71 / 35

HEX #1BA630

RGB 27 166 48

HSL 129.06, 0.72%, 0.38%

LAB 59.63, -58.1, 48.87

 

CMYK 38 / 84 / 0 / 35

HEX #671BA6

RGB 103 27 166

HSL 272.81, 0.72%, 0.38%

LAB 30.45, 56.53, -59.02

 

CMYK 0 / 4 / 84 / 35

HEX #A6A01B

RGB 166 160 27

HSL 57.41, 0.72%, 0.38%

LAB 64.43, -12.02, 62.69

 

CMYK 84 / 0 / 4 / 35

HEX #1BA69F

RGB 27 166 159

HSL 176.98, 0.72%, 0.38%

LAB 61.66, -35.65, -6.32

 

CMYK 4 / 84 / 0 / 35

HEX #9F1BA6

RGB 159 27 166

HSL 296.98, 0.72%, 0.38%

LAB 39.43, 66.09, -44.06

 

CMYK 0 / 4 / 84 / 35

HEX #A6A01B

RGB 166 160 27

HSL 57.41, 0.72%, 0.38%

LAB 64.43, -12.02, 62.69

 

CMYK 84 / 0 / 71 / 35

HEX #1BA630

RGB 27 166 48

HSL 129.06, 0.72%, 0.38%

LAB 59.63, -58.1, 48.87

 

CMYK 84 / 80 / 0 / 35

HEX #1B22A6

RGB 27 34 166

HSL 236.98, 0.72%, 0.38%

LAB 24.1, 45.44, -69.75

 

CMYK 0 / 84 / 13 / 35

HEX #A61B91

RGB 166 27 145

HSL 309.06, 0.72%, 0.38%

LAB 39.47, 64.26, -31.21

 

CMYK 0 / 4 / 84 / 35

HEX #A6A01B

RGB 166 160 27

HSL 57.41, 0.72%, 0.38%

LAB 64.43, -12.02, 62.69

 

CMYK 84 / 0 / 46 / 35

HEX #1BA659

RGB 27 166 89

HSL 146.76, 0.72%, 0.38%

LAB 60.09, -52.54, 30.1

 

CMYK 84 / 80 / 0 / 35

HEX #1B22A6

RGB 27 34 166

HSL 236.98, 0.72%, 0.38%

LAB 24.1, 45.44, -69.75

 

CMYK 0 / 84 / 38 / 35

HEX #A61B67

RGB 166 27 103

HSL 327.19, 0.72%, 0.38%

LAB 37.61, 59.04, -7.93

 

Description

Color code: HEX #A6A01B | qconv.com Color code: HEX #A6A01B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 160 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 160 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 84 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 84% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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