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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A6BA49 it is the complementary color #5945B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A6BA49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A6BA49 shade: #ABBA44, #BCCC57, #CDDE6A, #DEF07D and #EFFF90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A6BA49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A6BA49 shade: #A6BA49, #95A836, #849623, #738410 and #627200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A6BA49 shade: #A6BA49, #BAAF49, #BA9149, #BA7349 and #BA5449

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A6BA49 shade: #A6BA49, #88BA49, #69BA49, #4BBA49 and #49BA66

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A6BA49 shade matches the following richer shades: #A6BA49, #B3CE35, #C0E221 and #CDF60D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A6BA49 shade: #A6BA49, #99A65E, #8C9172, #7F7D86 and #72699A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A6BA49 shade: #BA9149, #BAAF49, #A7BA49, #89BA49 and #6BBA49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A6BA49 shade: #728030, #8D9E3C, #A6BA49, #B5C567 and #C3D085

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A6BA49 shade: #A6BA49, #49BA73 and #A049BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A6BA49 shade: #A6BA49, #49A7BA and #BA49A7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A6BA49 shade: #A6BA49, #49BA73, #5C49BA and #BA4991

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A6BA49 shade: #A6BA49, #49BA94, #5C49BA and #BA496F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 61 / 27

HEX #A6BA49

RGB 166 186 73

HSL 70.62, 0.45%, 0.51%

LAB 72.03, -22.82, 53.49

 

Complementary color

CMYK 51 / 62 / 0 / 29

HEX #5945B6

RGB 89 69 182

HSL 250.62, 0.45%, 0.49%

LAB 37.4, 38.15, -57.3

 

CMYK 8 / 0 / 63 / 27

HEX #ABBA44

RGB 171 186 68

HSL 67.63, 0.46%, 0.5%

LAB 72.36, -21.12, 56.1

 

CMYK 8 / 0 / 57 / 20

HEX #BCCC57

RGB 188 204 87

HSL 68.21, 0.53%, 0.57%

LAB 78.79, -21.64, 55.26

 

CMYK 8 / 0 / 52 / 13

HEX #CDDE6A

RGB 205 222 106

HSL 68.79, 0.64%, 0.64%

LAB 85.13, -22.05, 54.25

 

CMYK 8 / 0 / 48 / 6

HEX #DEF07D

RGB 222 240 125

HSL 69.39, 0.79%, 0.72%

LAB 91.38, -22.38, 53.16

 

CMYK 6 / 0 / 44 / 0

HEX #EFFF90

RGB 239 255 144

HSL 68.65, 1%, 0.78%

LAB 96.77, -21.21, 51.08

 

CMYK 11 / 0 / 61 / 27

HEX #A6BA49

RGB 166 186 73

HSL 70.62, 0.45%, 0.51%

LAB 72.03, -22.82, 53.49

 

CMYK 11 / 0 / 68 / 34

HEX #95A836

RGB 149 168 54

HSL 70, 0.51%, 0.44%

LAB 65.48, -22.29, 54.17

 

CMYK 12 / 0 / 77 / 41

HEX #849623

RGB 132 150 35

HSL 69.39, 0.62%, 0.36%

LAB 58.83, -21.58, 54.29

 

CMYK 13 / 0 / 88 / 48

HEX #738410

RGB 115 132 16

HSL 68.79, 0.78%, 0.29%

LAB 52.05, -20.63, 53.28

 

CMYK 14 / 0 / 100 / 55

HEX #627200

RGB 98 114 0

HSL 68.42, 1%, 0.22%

LAB 45.13, -19.41, 50.57

 

CMYK 11 / 0 / 61 / 27

HEX #A6BA49

RGB 166 186 73

HSL 70.62, 0.45%, 0.51%

LAB 72.03, -22.82, 53.49

 

CMYK 0 / 6 / 61 / 27

HEX #BAAF49

RGB 186 175 73

HSL 54.16, 0.45%, 0.51%

LAB 70.58, -8.83, 52.36

 

CMYK 0 / 22 / 61 / 27

HEX #BA9149

RGB 186 145 73

HSL 38.23, 0.45%, 0.51%

LAB 62.65, 7.28, 43.44

 

CMYK 0 / 38 / 61 / 27

HEX #BA7349

RGB 186 115 73

HSL 22.3, 0.45%, 0.51%

LAB 55.26, 23.88, 34.71

 

CMYK 0 / 55 / 61 / 27

HEX #BA5449

RGB 186 84 73

HSL 5.84, 0.45%, 0.51%

LAB 48.59, 40.35, 26.43

 

CMYK 11 / 0 / 61 / 27

HEX #A6BA49

RGB 166 186 73

HSL 70.62, 0.45%, 0.51%

LAB 72.03, -22.82, 53.49

 

CMYK 27 / 0 / 61 / 27

HEX #88BA49

RGB 136 186 73

HSL 86.55, 0.45%, 0.51%

LAB 70.06, -34.67, 50.76

 

CMYK 44 / 0 / 61 / 27

HEX #69BA49

RGB 105 186 73

HSL 103.01, 0.45%, 0.51%

LAB 68.46, -45.47, 48.53

 

CMYK 60 / 0 / 61 / 27

HEX #4BBA49

RGB 75 186 73

HSL 118.94, 0.45%, 0.51%

LAB 67.35, -53.84, 46.97

 

CMYK 61 / 0 / 45 / 27

HEX #49BA66

RGB 73 186 102

HSL 135.4, 0.45%, 0.51%

LAB 67.65, -50.3, 33.22

 

CMYK 11 / 0 / 61 / 27

HEX #A6BA49

RGB 166 186 73

HSL 70.62, 0.45%, 0.51%

LAB 72.03, -22.82, 53.49

 

CMYK 13 / 0 / 74 / 19

HEX #B3CE35

RGB 179 206 53

HSL 70.59, 0.61%, 0.51%

LAB 78.45, -28.4, 68.01

 

CMYK 15 / 0 / 85 / 11

HEX #C0E221

RGB 192 226 33

HSL 70.57, 0.77%, 0.51%

LAB 84.85, -33.2, 79.26

 

CMYK 17 / 0 / 95 / 4

HEX #CDF60D

RGB 205 246 13

HSL 70.56, 0.93%, 0.51%

LAB 91.2, -37.46, 87.5

 

CMYK 11 / 0 / 61 / 27

HEX #A6BA49

RGB 166 186 73

HSL 70.62, 0.45%, 0.51%

LAB 72.03, -22.82, 53.49

 

CMYK 8 / 0 / 43 / 35

HEX #99A65E

RGB 153 166 94

HSL 70.83, 0.29%, 0.51%

LAB 65.63, -16.06, 35.65

 

CMYK 3 / 0 / 21 / 43

HEX #8C9172

RGB 140 145 114

HSL 69.68, 0.12%, 0.51%

LAB 59.01, -7.4, 15.88

 

CMYK 5 / 7 / 0 / 47

HEX #7F7D86

RGB 127 125 134

HSL 253.33, 0.04%, 0.51%

LAB 52.84, 2.59, -4.61

 

CMYK 26 / 32 / 0 / 40

HEX #72699A

RGB 114 105 154

HSL 251.02, 0.2%, 0.51%

LAB 46.99, 14.67, -25.36

 

CMYK 0 / 22 / 61 / 27

HEX #BA9149

RGB 186 145 73

HSL 38.23, 0.45%, 0.51%

LAB 62.65, 7.28, 43.44

 

CMYK 0 / 6 / 61 / 27

HEX #BAAF49

RGB 186 175 73

HSL 54.16, 0.45%, 0.51%

LAB 70.58, -8.83, 52.36

 

CMYK 10 / 0 / 61 / 27

HEX #A7BA49

RGB 167 186 73

HSL 70.09, 0.45%, 0.51%

LAB 72.1, -22.41, 53.59

 

CMYK 26 / 0 / 61 / 27

HEX #89BA49

RGB 137 186 73

HSL 86.02, 0.45%, 0.51%

LAB 70.12, -34.29, 50.84

 

CMYK 42 / 0 / 61 / 27

HEX #6BBA49

RGB 107 186 73

HSL 101.95, 0.45%, 0.51%

LAB 68.55, -44.84, 48.65

 

CMYK 11 / 0 / 63 / 50

HEX #728030

RGB 114 128 48

HSL 70.5, 0.45%, 0.35%

LAB 50.95, -17.25, 40.59

 

CMYK 11 / 0 / 62 / 38

HEX #8D9E3C

RGB 141 158 60

HSL 70.41, 0.45%, 0.43%

LAB 62.03, -20.21, 47.79

 

CMYK 11 / 0 / 61 / 27

HEX #A6BA49

RGB 166 186 73

HSL 70.62, 0.45%, 0.51%

LAB 72.03, -22.82, 53.49

 

CMYK 8 / 0 / 48 / 23

HEX #B5C567

RGB 181 197 103

HSL 70.21, 0.45%, 0.59%

LAB 76.52, -19.56, 45

 

CMYK 6 / 0 / 36 / 18

HEX #C3D085

RGB 195 208 133

HSL 70.4, 0.44%, 0.67%

LAB 80.96, -16.23, 35.8

 

CMYK 11 / 0 / 61 / 27

HEX #A6BA49

RGB 166 186 73

HSL 70.62, 0.45%, 0.51%

LAB 72.03, -22.82, 53.49

 

CMYK 61 / 0 / 38 / 27

HEX #49BA73

RGB 73 186 115

HSL 142.3, 0.45%, 0.51%

LAB 67.85, -48.05, 26.72

 

CMYK 14 / 61 / 0 / 27

HEX #A049BA

RGB 160 73 186

HSL 286.19, 0.45%, 0.51%

LAB 46.69, 53.29, -44.28

 

CMYK 11 / 0 / 61 / 27

HEX #A6BA49

RGB 166 186 73

HSL 70.62, 0.45%, 0.51%

LAB 72.03, -22.82, 53.49

 

CMYK 61 / 10 / 0 / 27

HEX #49A7BA

RGB 73 167 186

HSL 190.09, 0.45%, 0.51%

LAB 63.83, -21.93, -18.09

 

CMYK 0 / 61 / 10 / 27

HEX #BA49A7

RGB 186 73 167

HSL 310.09, 0.45%, 0.51%

LAB 49.49, 56.66, -28.48

 

CMYK 11 / 0 / 61 / 27

HEX #A6BA49

RGB 166 186 73

HSL 70.62, 0.45%, 0.51%

LAB 72.03, -22.82, 53.49

 

CMYK 61 / 0 / 38 / 27

HEX #49BA73

RGB 73 186 115

HSL 142.3, 0.45%, 0.51%

LAB 67.85, -48.05, 26.72

 

CMYK 51 / 61 / 0 / 27

HEX #5C49BA

RGB 92 73 186

HSL 250.09, 0.45%, 0.51%

LAB 38.87, 37.58, -57.26

 

CMYK 0 / 61 / 22 / 27

HEX #BA4991

RGB 186 73 145

HSL 321.77, 0.45%, 0.51%

LAB 48.57, 53.35, -16.84

 

CMYK 11 / 0 / 61 / 27

HEX #A6BA49

RGB 166 186 73

HSL 70.62, 0.45%, 0.51%

LAB 72.03, -22.82, 53.49

 

CMYK 61 / 0 / 20 / 27

HEX #49BA94

RGB 73 186 148

HSL 159.82, 0.45%, 0.51%

LAB 68.51, -41.16, 9.85

 

CMYK 51 / 61 / 0 / 27

HEX #5C49BA

RGB 92 73 186

HSL 250.09, 0.45%, 0.51%

LAB 38.87, 37.58, -57.26

 

CMYK 0 / 61 / 40 / 27

HEX #BA496F

RGB 186 73 111

HSL 339.82, 0.45%, 0.51%

LAB 47.43, 49.07, 1.99

 

Description

Color code: HEX #A6BA49 | qconv.com Color code: HEX #A6BA49 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 186 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 186 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 61 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 61% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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