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Color name
HEX #A6C843

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A6C843 it is the complementary color #5937BC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A6C843. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A6C843 shade: #ABC83E, #BCDA51, #CDEC64, #DEFE77 and #EFFF8A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A6C843. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A6C843 shade: #A6C843, #95B630, #84A41D, #73920A and #628000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A6C843 shade: #A5C741, #C7C641, #C7A141, #C77D41 and #C75941

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A6C843 shade: #A5C741, #81C741, #5CC741, #41C749 and #41C76E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A6C843 shade matches the following richer shades: #A5C741, #AFDB2D and #B8EF19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A6C843 shade: #A5C741, #9BB455, #92A068, #888C7C and #7E7890

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A6C843 shade: #C7A141, #C7C541, #A6C741, #82C741 and #5EC741

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A6C843 shade: #738D29, #8EAD32, #A5C741, #B4D161 and #C3DA81

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A6C843 shade: #A6C843, #41C77D and #B341C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A6C843 shade: #A6C843, #41A6C7 and #C741A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A6C843 shade: #A6C843, #41C77D, #6241C7 and #C7418B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A6C843 shade: #A6C843, #41C7A6, #6241C7 and #C74162

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 67 / 22

HEX #A6C843

RGB 166 200 67

HSL 75.34, 0.55%, 0.52%

LAB 75.96, -30, 60.18

 

Complementary color

CMYK 53 / 71 / 0 / 26

HEX #5937BC

RGB 89 55 188

HSL 255.34, 0.55%, 0.48%

LAB 34.98, 47.82, -64.79

 

CMYK 15 / 0 / 69 / 22

HEX #ABC83E

RGB 171 200 62

HSL 72.61, 0.56%, 0.51%

LAB 76.26, -28.31, 62.52

 

CMYK 14 / 0 / 63 / 15

HEX #BCDA51

RGB 188 218 81

HSL 73.14, 0.65%, 0.59%

LAB 82.61, -28.82, 62.01

 

CMYK 13 / 0 / 58 / 7

HEX #CDEC64

RGB 205 236 100

HSL 73.68, 0.78%, 0.66%

LAB 88.87, -29.22, 61.2

 

CMYK 13 / 0 / 53 / 0

HEX #DEFE77

RGB 222 254 119

HSL 74.22, 0.99%, 0.73%

LAB 95.05, -29.53, 60.24

 

CMYK 6 / 0 / 46 / 0

HEX #EFFF8A

RGB 239 255 138

HSL 68.21, 1%, 0.77%

LAB 96.7, -21.81, 53.82

 

CMYK 17 / 0 / 67 / 22

HEX #A6C843

RGB 166 200 67

HSL 75.34, 0.55%, 0.52%

LAB 75.96, -30, 60.18

 

CMYK 18 / 0 / 74 / 29

HEX #95B630

RGB 149 182 48

HSL 74.78, 0.58%, 0.45%

LAB 69.51, -29.46, 60.42

 

CMYK 20 / 0 / 82 / 36

HEX #84A41D

RGB 132 164 29

HSL 74.22, 0.7%, 0.38%

LAB 62.97, -28.73, 59.88

 

CMYK 21 / 0 / 93 / 43

HEX #73920A

RGB 115 146 10

HSL 73.68, 0.87%, 0.31%

LAB 56.31, -27.76, 57.94

 

CMYK 23 / 0 / 100 / 50

HEX #628000

RGB 98 128 0

HSL 74.06, 1%, 0.25%

LAB 49.54, -26.5, 53.9

 

CMYK 17 / 0 / 67 / 22

HEX #A5C741

RGB 165 199 65

HSL 75.22, 0.54%, 0.52%

LAB 75.59, -30.06, 60.56

 

CMYK 0 / 1 / 67 / 22

HEX #C7C641

RGB 199 198 65

HSL 59.55, 0.54%, 0.52%

LAB 77.82, -15.58, 63.64

 

CMYK 0 / 19 / 67 / 22

HEX #C7A141

RGB 199 161 65

HSL 42.99, 0.54%, 0.52%

LAB 68.03, 3.71, 53.53

 

CMYK 0 / 37 / 67 / 22

HEX #C77D41

RGB 199 125 65

HSL 26.87, 0.54%, 0.52%

LAB 59.15, 23.33, 43.86

 

CMYK 0 / 55 / 67 / 22

HEX #C75941

RGB 199 89 65

HSL 10.75, 0.54%, 0.52%

LAB 51.46, 42.23, 35

 

CMYK 17 / 0 / 67 / 22

HEX #A5C741

RGB 165 199 65

HSL 75.22, 0.54%, 0.52%

LAB 75.59, -30.06, 60.56

 

CMYK 35 / 0 / 67 / 22

HEX #81C741

RGB 129 199 65

HSL 91.34, 0.54%, 0.52%

LAB 73.48, -43.63, 57.71

 

CMYK 54 / 0 / 67 / 22

HEX #5CC741

RGB 92 199 65

HSL 107.91, 0.54%, 0.52%

LAB 71.9, -55.16, 55.55

 

CMYK 67 / 0 / 63 / 22

HEX #41C749

RGB 65 199 73

HSL 123.58, 0.54%, 0.52%

LAB 71.18, -60.61, 51.22

 

CMYK 67 / 0 / 45 / 22

HEX #41C76E

RGB 65 199 110

HSL 140.15, 0.54%, 0.52%

LAB 71.62, -55.54, 34.19

 

CMYK 17 / 0 / 67 / 22

HEX #A5C741

RGB 165 199 65

HSL 75.22, 0.54%, 0.52%

LAB 75.59, -30.06, 60.56

 

CMYK 20 / 0 / 79 / 14

HEX #AFDB2D

RGB 175 219 45

HSL 75.17, 0.71%, 0.52%

LAB 81.82, -36.37, 73.39

 

CMYK 23 / 0 / 90 / 6

HEX #B8EF19

RGB 184 239 25

HSL 75.42, 0.87%, 0.52%

LAB 87.97, -42.33, 83

 

CMYK 17 / 0 / 67 / 22

HEX #A5C741

RGB 165 199 65

HSL 75.22, 0.54%, 0.52%

LAB 75.59, -30.06, 60.56

 

CMYK 14 / 0 / 53 / 29

HEX #9BB455

RGB 155 180 85

HSL 75.79, 0.39%, 0.52%

LAB 69.66, -23.29, 45.07

 

CMYK 9 / 0 / 35 / 37

HEX #92A068

RGB 146 160 104

HSL 75, 0.23%, 0.52%

LAB 63.55, -14.52, 27.59

 

CMYK 3 / 0 / 11 / 45

HEX #888C7C

RGB 136 140 124

HSL 75, 0.07%, 0.52%

LAB 57.51, -4.5, 8.04

 

CMYK 13 / 17 / 0 / 44

HEX #7E7890

RGB 126 120 144

HSL 255, 0.1%, 0.52%

LAB 51.7, 7.32, -12.17

 

CMYK 0 / 19 / 67 / 22

HEX #C7A141

RGB 199 161 65

HSL 42.99, 0.54%, 0.52%

LAB 68.03, 3.71, 53.53

 

CMYK 0 / 1 / 67 / 22

HEX #C7C541

RGB 199 197 65

HSL 59.1, 0.54%, 0.52%

LAB 77.55, -15.07, 63.37

 

CMYK 17 / 0 / 67 / 22

HEX #A6C741

RGB 166 199 65

HSL 74.78, 0.54%, 0.52%

LAB 75.66, -29.66, 60.65

 

CMYK 35 / 0 / 67 / 22

HEX #82C741

RGB 130 199 65

HSL 90.9, 0.54%, 0.52%

LAB 73.53, -43.27, 57.78

 

CMYK 53 / 0 / 67 / 22

HEX #5EC741

RGB 94 199 65

HSL 107.01, 0.54%, 0.52%

LAB 71.97, -54.61, 55.65

 

CMYK 18 / 0 / 71 / 45

HEX #738D29

RGB 115 141 41

HSL 75.6, 0.55%, 0.36%

LAB 54.92, -24.01, 47.84

 

CMYK 18 / 0 / 71 / 32

HEX #8EAD32

RGB 142 173 50

HSL 75.12, 0.55%, 0.44%

LAB 66.42, -27.9, 56.51

 

CMYK 17 / 0 / 67 / 22

HEX #A5C741

RGB 165 199 65

HSL 75.22, 0.54%, 0.52%

LAB 75.59, -30.06, 60.56

 

CMYK 14 / 0 / 54 / 18

HEX #B4D161

RGB 180 209 97

HSL 75.54, 0.55%, 0.6%

LAB 79.71, -26.39, 51.62

 

CMYK 11 / 0 / 41 / 15

HEX #C3DA81

RGB 195 218 129

HSL 75.51, 0.55%, 0.68%

LAB 83.62, -21.65, 41.21

 

CMYK 17 / 0 / 67 / 22

HEX #A6C843

RGB 166 200 67

HSL 75.34, 0.55%, 0.52%

LAB 75.96, -30, 60.18

 

CMYK 67 / 0 / 37 / 22

HEX #41C77D

RGB 65 199 125

HSL 146.87, 0.54%, 0.52%

LAB 71.86, -52.87, 26.77

 

CMYK 10 / 67 / 0 / 22

HEX #B341C7

RGB 179 65 199

HSL 291.04, 0.54%, 0.52%

LAB 48.87, 63.79, -48.19

 

CMYK 17 / 0 / 67 / 22

HEX #A6C843

RGB 166 200 67

HSL 75.34, 0.55%, 0.52%

LAB 75.96, -30, 60.18

 

CMYK 67 / 17 / 0 / 22

HEX #41A6C7

RGB 65 166 199

HSL 194.78, 0.54%, 0.52%

LAB 63.77, -18.74, -25.46

 

CMYK 0 / 67 / 17 / 22

HEX #C741A6

RGB 199 65 166

HSL 314.78, 0.54%, 0.52%

LAB 50.31, 63.21, -26.46

 

CMYK 17 / 0 / 67 / 22

HEX #A6C843

RGB 166 200 67

HSL 75.34, 0.55%, 0.52%

LAB 75.96, -30, 60.18

 

CMYK 67 / 0 / 37 / 22

HEX #41C77D

RGB 65 199 125

HSL 146.87, 0.54%, 0.52%

LAB 71.86, -52.87, 26.77

 

CMYK 51 / 67 / 0 / 22

HEX #6241C7

RGB 98 65 199

HSL 254.78, 0.54%, 0.52%

LAB 38.73, 47.12, -65.07

 

CMYK 0 / 67 / 30 / 22

HEX #C7418B

RGB 199 65 139

HSL 326.87, 0.54%, 0.52%

LAB 49.24, 59.63, -12.04

 

CMYK 17 / 0 / 67 / 22

HEX #A6C843

RGB 166 200 67

HSL 75.34, 0.55%, 0.52%

LAB 75.96, -30, 60.18

 

CMYK 67 / 0 / 17 / 22

HEX #41C7A6

RGB 65 199 166

HSL 165.22, 0.54%, 0.52%

LAB 72.71, -43.89, 6.04

 

CMYK 51 / 67 / 0 / 22

HEX #6241C7

RGB 98 65 199

HSL 254.78, 0.54%, 0.52%

LAB 38.73, 47.12, -65.07

 

CMYK 0 / 67 / 51 / 22

HEX #C74162

RGB 199 65 98

HSL 345.22, 0.54%, 0.52%

LAB 48.01, 55.38, 11.03

 

Description

Color code: HEX #A6C843 | qconv.com Color code: HEX #A6C843 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 200 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 200 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 67 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 67% 22% C M Y K

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Provide designers and agencies with accurate color values.

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