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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A6C0E2 it is the complementary color #593F1D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A6C0E2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A6C0E2 shade: #ABC0DD, #BCD2F0, #CDE4FF, #DEF6FF and #EFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A6C0E2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A6C0E2 shade: #A6C0E2, #95AECF, #849CBC, #738AA9 and #627896

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A6C0E2 shade: #A6C0E2, #A6B0E2, #ACA6E2, #BCA6E2 and #CDA6E2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A6C0E2 shade: #A6C0E2, #A6B0E2 and #A6A6E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A6C0E2 shade matches the following richer shades: #A6C0E2, #9CBFEB, #93BDF5 and #89BCFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A6C0E2 shade: #A6C0E2, #AFC1D8, #B9C2CF, #C2C4C5 and #CCC5BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A6C0E2 shade: #A6E0E2, #A6D0E2, #A6C0E2, #A6B0E2 and #ACA6E2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A6C0E2 shade: #6894CE, #87AAD8, #A6C0E2, #C5D6EC and #E4ECF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A6C0E2 shade: #A6C0E2, #D4A6E2 and #D8E2A6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A6C0E2 shade: #A6C0E2, #E2A6C0 and #C0E2A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A6C0E2 shade: #A6C0E2, #D4A6E2, #E2C8A6 and #B4E2A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A6C0E2 shade: #A6C0E2, #E2A6DE, #E2C8A6 and #A6E2AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 15 / 0 / 11

HEX #A6C0E2

RGB 166 192 226

HSL 214, 0.51%, 0.77%

LAB 76.86, -1.24, -19.85

 

Complementary color

CMYK 0 / 29 / 67 / 65

HEX #593F1D

RGB 89 63 29

HSL 34, 0.51%, 0.23%

LAB 28.82, 7.21, 24.92

 

CMYK 23 / 13 / 0 / 13

HEX #ABC0DD

RGB 171 192 221

HSL 214.8, 0.42%, 0.77%

LAB 77.03, -0.9, -16.86

 

CMYK 22 / 13 / 0 / 6

HEX #BCD2F0

RGB 188 210 240

HSL 214.62, 0.63%, 0.84%

LAB 83.48, -1.05, -17.2

 

CMYK 20 / 11 / 0 / 0

HEX #CDE4FF

RGB 205 228 255

HSL 212.4, 1%, 0.9%

LAB 89.71, -2.05, -15.63

 

CMYK 13 / 4 / 0 / 0

HEX #DEF6FF

RGB 222 246 255

HSL 196.36, 1%, 0.94%

LAB 95.44, -6.04, -6.98

 

CMYK 6 / 0 / 0 / 0

HEX #EFFFFF

RGB 239 255 255

HSL 180, 1%, 0.97%

LAB 98.86, -5.2, -1.81

 

CMYK 27 / 15 / 0 / 11

HEX #A6C0E2

RGB 166 192 226

HSL 214, 0.51%, 0.77%

LAB 76.86, -1.24, -19.85

 

CMYK 28 / 16 / 0 / 19

HEX #95AECF

RGB 149 174 207

HSL 214.14, 0.38%, 0.7%

LAB 70.29, -1.06, -19.56

 

CMYK 30 / 17 / 0 / 26

HEX #849CBC

RGB 132 156 188

HSL 214.29, 0.29%, 0.63%

LAB 63.6, -0.86, -19.3

 

CMYK 32 / 18 / 0 / 34

HEX #738AA9

RGB 115 138 169

HSL 214.44, 0.24%, 0.56%

LAB 56.77, -0.64, -19.04

 

CMYK 35 / 20 / 0 / 41

HEX #627896

RGB 98 120 150

HSL 214.62, 0.21%, 0.49%

LAB 49.78, -0.38, -18.82

 

CMYK 27 / 15 / 0 / 11

HEX #A6C0E2

RGB 166 192 226

HSL 214, 0.51%, 0.77%

LAB 76.86, -1.24, -19.85

 

CMYK 27 / 22 / 0 / 11

HEX #A6B0E2

RGB 166 176 226

HSL 230, 0.51%, 0.77%

LAB 72.66, 7.48, -26.24

 

CMYK 24 / 27 / 0 / 11

HEX #ACA6E2

RGB 172 166 226

HSL 246, 0.51%, 0.77%

LAB 70.55, 14.84, -29.45

 

CMYK 17 / 27 / 0 / 11

HEX #BCA6E2

RGB 188 166 226

HSL 262, 0.51%, 0.77%

LAB 71.86, 19.74, -27.32

 

CMYK 9 / 27 / 0 / 11

HEX #CDA6E2

RGB 205 166 226

HSL 279, 0.51%, 0.77%

LAB 73.38, 25.1, -24.86

 

CMYK 27 / 15 / 0 / 11

HEX #A6C0E2

RGB 166 192 226

HSL 214, 0.51%, 0.77%

LAB 76.86, -1.24, -19.85

 

CMYK 27 / 22 / 0 / 11

HEX #A6B0E2

RGB 166 176 226

HSL 230, 0.51%, 0.77%

LAB 72.66, 7.48, -26.24

 

CMYK 27 / 27 / 0 / 11

HEX #A6A6E2

RGB 166 166 226

HSL 240, 0.51%, 0.77%

LAB 70.09, 13.05, -30.2

 

CMYK 27 / 15 / 0 / 11

HEX #A6C0E2

RGB 166 192 226

HSL 214, 0.51%, 0.77%

LAB 76.86, -1.24, -19.85

 

CMYK 34 / 19 / 0 / 8

HEX #9CBFEB

RGB 156 191 235

HSL 213.42, 0.66%, 0.77%

LAB 76.27, -1.39, -25.66

 

CMYK 40 / 23 / 0 / 4

HEX #93BDF5

RGB 147 189 245

HSL 214.29, 0.83%, 0.77%

LAB 75.57, -0.12, -32.17

 

CMYK 46 / 26 / 0 / 0

HEX #89BCFE

RGB 137 188 254

HSL 213.85, 0.98%, 0.77%

LAB 75.1, 0.42, -37.77

 

CMYK 27 / 15 / 0 / 11

HEX #A6C0E2

RGB 166 192 226

HSL 214, 0.51%, 0.77%

LAB 76.86, -1.24, -19.85

 

CMYK 19 / 11 / 0 / 15

HEX #AFC1D8

RGB 175 193 216

HSL 213.66, 0.34%, 0.77%

LAB 77.41, -1.31, -13.56

 

CMYK 11 / 6 / 0 / 19

HEX #B9C2CF

RGB 185 194 207

HSL 215.45, 0.19%, 0.77%

LAB 78.11, -0.52, -7.57

 

CMYK 2 / 1 / 0 / 23

HEX #C2C4C5

RGB 194 196 197

HSL 200, 0.03%, 0.77%

LAB 79.03, -0.5, -0.75

 

CMYK 0 / 3 / 8 / 20

HEX #CCC5BC

RGB 204 197 188

HSL 33.75, 0.14%, 0.77%

LAB 79.84, 0.87, 5.37

 

CMYK 27 / 1 / 0 / 11

HEX #A6E0E2

RGB 166 224 226

HSL 182, 0.51%, 0.77%

LAB 85.46, -17.88, -6.97

 

CMYK 27 / 8 / 0 / 11

HEX #A6D0E2

RGB 166 208 226

HSL 198, 0.51%, 0.77%

LAB 81.13, -9.71, -13.41

 

CMYK 27 / 15 / 0 / 11

HEX #A6C0E2

RGB 166 192 226

HSL 214, 0.51%, 0.77%

LAB 76.86, -1.24, -19.85

 

CMYK 27 / 22 / 0 / 11

HEX #A6B0E2

RGB 166 176 226

HSL 230, 0.51%, 0.77%

LAB 72.66, 7.48, -26.24

 

CMYK 24 / 27 / 0 / 11

HEX #ACA6E2

RGB 172 166 226

HSL 246, 0.51%, 0.77%

LAB 70.55, 14.84, -29.45

 

CMYK 50 / 28 / 0 / 19

HEX #6894CE

RGB 104 148 206

HSL 214.12, 0.51%, 0.61%

LAB 60.41, 1.11, -34.44

 

CMYK 38 / 21 / 0 / 15

HEX #87AAD8

RGB 135 170 216

HSL 214.07, 0.51%, 0.69%

LAB 68.65, -0.57, -27.1

 

CMYK 27 / 15 / 0 / 11

HEX #A6C0E2

RGB 166 192 226

HSL 214, 0.51%, 0.77%

LAB 76.86, -1.24, -19.85

 

CMYK 17 / 9 / 0 / 7

HEX #C5D6EC

RGB 197 214 236

HSL 213.85, 0.51%, 0.85%

LAB 85.01, -1.25, -12.72

 

CMYK 7 / 4 / 0 / 4

HEX #E4ECF6

RGB 228 236 246

HSL 213.33, 0.5%, 0.93%

LAB 93.08, -0.79, -5.76

 

CMYK 27 / 15 / 0 / 11

HEX #A6C0E2

RGB 166 192 226

HSL 214, 0.51%, 0.77%

LAB 76.86, -1.24, -19.85

 

CMYK 6 / 27 / 0 / 11

HEX #D4A6E2

RGB 212 166 226

HSL 286, 0.51%, 0.77%

LAB 74.04, 27.34, -23.8

 

CMYK 4 / 0 / 27 / 11

HEX #D8E2A6

RGB 216 226 166

HSL 70, 0.51%, 0.77%

LAB 87.85, -13.05, 28.29

 

CMYK 27 / 15 / 0 / 11

HEX #A6C0E2

RGB 166 192 226

HSL 214, 0.51%, 0.77%

LAB 76.86, -1.24, -19.85

 

CMYK 0 / 27 / 15 / 11

HEX #E2A6C0

RGB 226 166 192

HSL 334, 0.51%, 0.77%

LAB 74.35, 26, -4.58

 

CMYK 15 / 0 / 27 / 11

HEX #C0E2A6

RGB 192 226 166

HSL 94, 0.51%, 0.77%

LAB 86.18, -21.73, 25.75

 

CMYK 27 / 15 / 0 / 11

HEX #A6C0E2

RGB 166 192 226

HSL 214, 0.51%, 0.77%

LAB 76.86, -1.24, -19.85

 

CMYK 6 / 27 / 0 / 11

HEX #D4A6E2

RGB 212 166 226

HSL 286, 0.51%, 0.77%

LAB 74.04, 27.34, -23.8

 

CMYK 0 / 12 / 27 / 11

HEX #E2C8A6

RGB 226 200 166

HSL 34, 0.51%, 0.77%

LAB 81.96, 4.03, 20.37

 

CMYK 20 / 0 / 27 / 11

HEX #B4E2A6

RGB 180 226 166

HSL 106, 0.51%, 0.77%

LAB 85.43, -25.9, 24.6

 

CMYK 27 / 15 / 0 / 11

HEX #A6C0E2

RGB 166 192 226

HSL 214, 0.51%, 0.77%

LAB 76.86, -1.24, -19.85

 

CMYK 0 / 27 / 2 / 11

HEX #E2A6DE

RGB 226 166 222

HSL 304, 0.51%, 0.77%

LAB 75.27, 31.13, -19.61

 

CMYK 0 / 12 / 27 / 11

HEX #E2C8A6

RGB 226 200 166

HSL 34, 0.51%, 0.77%

LAB 81.96, 4.03, 20.37

 

CMYK 27 / 0 / 25 / 11

HEX #A6E2AA

RGB 166 226 170

HSL 124, 0.51%, 0.77%

LAB 84.69, -29.91, 21.38

 

Description

Color code: HEX #A6C0E2 | qconv.com Color code: HEX #A6C0E2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 192 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 192 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 15 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 15% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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