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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A6CF8F it is the complementary color #593070. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A6CF8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A6CF8F shade: #ABCF8A, #BCE19D, #CDF3B0, #DEFFC3 and #EFFFD6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A6CF8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A6CF8F shade: #A6CF8F, #95BD7C, #84AB69, #739956 and #628743

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A6CF8F shade: #A7CF90, #B8CF90, #C9CF90, #CFC490 and #CFB390

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A6CF8F shade: #A7CF90, #96CF90, #90CF9B, #90CFAC and #90CFBD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A6CF8F shade matches the following richer shades: #A7CF90, #A3DC83, #9FE976 and #9CF569

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A6CF8F shade: #A7CF90, #AAC29D, #AEB5A9, #B1A9B6 and #B59CC3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A6CF8F shade: #C9CF90, #B8CF90, #A7CF90, #96CF90 and #90CF9A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A6CF8F shade: #79B656, #90C373, #A7CF90, #BEDBAD and #D4E8CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A6CF8F shade: #A6CF8F, #90CFC5 and #CF90C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A6CF8F shade: #A6CF8F, #90A7CF and #CF90A7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A6CF8F shade: #A6CF8F, #90CFC5, #B890CF and #CF909A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A6CF8F shade: #A6CF8F, #90C7CF, #B890CF and #CF9890

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 31 / 19

HEX #A6CF8F

RGB 166 207 143

HSL 98.44, 0.4%, 0.69%

LAB 78.88, -25.13, 27.52

 

Complementary color

CMYK 21 / 57 / 0 / 56

HEX #593070

RGB 89 48 112

HSL 278.44, 0.4%, 0.31%

LAB 27.87, 30.97, -29.79

 

CMYK 17 / 0 / 33 / 19

HEX #ABCF8A

RGB 171 207 138

HSL 91.3, 0.42%, 0.68%

LAB 79.11, -24.06, 30.48

 

CMYK 16 / 0 / 30 / 12

HEX #BCE19D

RGB 188 225 157

HSL 92.65, 0.53%, 0.75%

LAB 85.49, -23.99, 29.41

 

CMYK 16 / 0 / 28 / 5

HEX #CDF3B0

RGB 205 243 176

HSL 94.03, 0.74%, 0.82%

LAB 91.78, -23.91, 28.38

 

CMYK 13 / 0 / 24 / 0

HEX #DEFFC3

RGB 222 255 195

HSL 93, 1%, 0.88%

LAB 96.41, -20.97, 25.23

 

CMYK 6 / 0 / 16 / 0

HEX #EFFFD6

RGB 239 255 214

HSL 83.41, 1%, 0.92%

LAB 97.92, -12.19, 17.85

 

CMYK 20 / 0 / 31 / 19

HEX #A6CF8F

RGB 166 207 143

HSL 98.44, 0.4%, 0.69%

LAB 78.88, -25.13, 27.52

 

CMYK 21 / 0 / 34 / 26

HEX #95BD7C

RGB 149 189 124

HSL 96.92, 0.33%, 0.61%

LAB 72.39, -25.25, 28.63

 

CMYK 23 / 0 / 39 / 33

HEX #84AB69

RGB 132 171 105

HSL 95.45, 0.28%, 0.54%

LAB 65.79, -25.37, 29.79

 

CMYK 25 / 0 / 44 / 40

HEX #739956

RGB 115 153 86

HSL 94.03, 0.28%, 0.47%

LAB 59.07, -25.47, 31.01

 

CMYK 27 / 0 / 50 / 47

HEX #628743

RGB 98 135 67

HSL 92.65, 0.34%, 0.4%

LAB 52.21, -25.53, 32.26

 

CMYK 19 / 0 / 30 / 19

HEX #A7CF90

RGB 167 207 144

HSL 98.1, 0.4%, 0.69%

LAB 78.96, -24.62, 27.12

 

CMYK 11 / 0 / 30 / 19

HEX #B8CF90

RGB 184 207 144

HSL 81.9, 0.4%, 0.69%

LAB 80.08, -18.45, 28.83

 

CMYK 3 / 0 / 30 / 19

HEX #C9CF90

RGB 201 207 144

HSL 65.71, 0.4%, 0.69%

LAB 81.32, -12.04, 30.7

 

CMYK 0 / 5 / 30 / 19

HEX #CFC490

RGB 207 196 144

HSL 49.52, 0.4%, 0.69%

LAB 78.9, -4.08, 27.55

 

CMYK 0 / 14 / 30 / 19

HEX #CFB390

RGB 207 179 144

HSL 33.33, 0.4%, 0.69%

LAB 74.52, 4.89, 21.61

 

CMYK 19 / 0 / 30 / 19

HEX #A7CF90

RGB 167 207 144

HSL 98.1, 0.4%, 0.69%

LAB 78.96, -24.62, 27.12

 

CMYK 28 / 0 / 30 / 19

HEX #96CF90

RGB 150 207 144

HSL 114.29, 0.4%, 0.69%

LAB 77.95, -30.49, 25.58

 

CMYK 30 / 0 / 25 / 19

HEX #90CF9B

RGB 144 207 155

HSL 130.48, 0.4%, 0.69%

LAB 77.83, -30.58, 19.58

 

CMYK 30 / 0 / 17 / 19

HEX #90CFAC

RGB 144 207 172

HSL 146.67, 0.4%, 0.69%

LAB 78.19, -27.4, 11.04

 

CMYK 30 / 0 / 9 / 19

HEX #90CFBD

RGB 144 207 189

HSL 162.86, 0.4%, 0.69%

LAB 78.6, -23.9, 2.53

 

CMYK 19 / 0 / 30 / 19

HEX #A7CF90

RGB 167 207 144

HSL 98.1, 0.4%, 0.69%

LAB 78.96, -24.62, 27.12

 

CMYK 26 / 0 / 40 / 14

HEX #A3DC83

RGB 163 220 131

HSL 98.43, 0.56%, 0.69%

LAB 82.17, -34.04, 37.95

 

CMYK 32 / 0 / 49 / 9

HEX #9FE976

RGB 159 233 118

HSL 98.61, 0.72%, 0.69%

LAB 85.48, -42.86, 48.39

 

CMYK 36 / 0 / 57 / 4

HEX #9CF569

RGB 156 245 105

HSL 98.14, 0.88%, 0.69%

LAB 88.63, -50.33, 58.01

 

CMYK 19 / 0 / 30 / 19

HEX #A7CF90

RGB 167 207 144

HSL 98.1, 0.4%, 0.69%

LAB 78.96, -24.62, 27.12

 

CMYK 12 / 0 / 19 / 24

HEX #AAC29D

RGB 170 194 157

HSL 98.92, 0.23%, 0.69%

LAB 75.8, -14.99, 15.93

 

CMYK 4 / 0 / 7 / 29

HEX #AEB5A9

RGB 174 181 169

HSL 95, 0.08%, 0.69%

LAB 72.83, -4.68, 5.26

 

CMYK 3 / 7 / 0 / 29

HEX #B1A9B6

RGB 177 169 182

HSL 276.92, 0.08%, 0.69%

LAB 70.25, 5.31, -5.64

 

CMYK 7 / 20 / 0 / 24

HEX #B59CC3

RGB 181 156 195

HSL 278.46, 0.25%, 0.69%

LAB 67.68, 16.47, -16.65

 

CMYK 3 / 0 / 30 / 19

HEX #C9CF90

RGB 201 207 144

HSL 65.71, 0.4%, 0.69%

LAB 81.32, -12.04, 30.7

 

CMYK 11 / 0 / 30 / 19

HEX #B8CF90

RGB 184 207 144

HSL 81.9, 0.4%, 0.69%

LAB 80.08, -18.45, 28.83

 

CMYK 19 / 0 / 30 / 19

HEX #A7CF90

RGB 167 207 144

HSL 98.1, 0.4%, 0.69%

LAB 78.96, -24.62, 27.12

 

CMYK 28 / 0 / 30 / 19

HEX #96CF90

RGB 150 207 144

HSL 114.29, 0.4%, 0.69%

LAB 77.95, -30.49, 25.58

 

CMYK 30 / 0 / 26 / 19

HEX #90CF9A

RGB 144 207 154

HSL 129.52, 0.4%, 0.69%

LAB 77.81, -30.76, 20.08

 

CMYK 34 / 0 / 53 / 29

HEX #79B656

RGB 121 182 86

HSL 98.13, 0.4%, 0.53%

LAB 68.16, -36.98, 42.3

 

CMYK 26 / 0 / 41 / 24

HEX #90C373

RGB 144 195 115

HSL 98.25, 0.4%, 0.61%

LAB 73.67, -31.2, 34.92

 

CMYK 19 / 0 / 30 / 19

HEX #A7CF90

RGB 167 207 144

HSL 98.1, 0.4%, 0.69%

LAB 78.96, -24.62, 27.12

 

CMYK 13 / 0 / 21 / 14

HEX #BEDBAD

RGB 190 219 173

HSL 97.83, 0.39%, 0.77%

LAB 84.29, -17.89, 19.49

 

CMYK 9 / 0 / 13 / 9

HEX #D4E8CA

RGB 212 232 202

HSL 100, 0.39%, 0.85%

LAB 89.85, -11.99, 12.36

 

CMYK 20 / 0 / 31 / 19

HEX #A6CF8F

RGB 166 207 143

HSL 98.44, 0.4%, 0.69%

LAB 78.88, -25.13, 27.52

 

CMYK 30 / 0 / 5 / 19

HEX #90CFC5

RGB 144 207 197

HSL 170.48, 0.4%, 0.69%

LAB 78.8, -22.16, -1.46

 

CMYK 0 / 30 / 7 / 19

HEX #CF90C0

RGB 207 144 192

HSL 314.29, 0.4%, 0.69%

LAB 67.29, 31.32, -15.32

 

CMYK 20 / 0 / 31 / 19

HEX #A6CF8F

RGB 166 207 143

HSL 98.44, 0.4%, 0.69%

LAB 78.88, -25.13, 27.52

 

CMYK 30 / 19 / 0 / 19

HEX #90A7CF

RGB 144 167 207

HSL 218.1, 0.4%, 0.69%

LAB 68.07, 1.32, -22.97

 

CMYK 0 / 30 / 19 / 19

HEX #CF90A7

RGB 207 144 167

HSL 338.1, 0.4%, 0.69%

LAB 66.52, 27.19, -2.45

 

CMYK 20 / 0 / 31 / 19

HEX #A6CF8F

RGB 166 207 143

HSL 98.44, 0.4%, 0.69%

LAB 78.88, -25.13, 27.52

 

CMYK 30 / 0 / 5 / 19

HEX #90CFC5

RGB 144 207 197

HSL 170.48, 0.4%, 0.69%

LAB 78.8, -22.16, -1.46

 

CMYK 11 / 30 / 0 / 19

HEX #B890CF

RGB 184 144 207

HSL 278.1, 0.4%, 0.69%

LAB 65.47, 26.64, -26.68

 

CMYK 0 / 30 / 26 / 19

HEX #CF909A

RGB 207 144 154

HSL 350.48, 0.4%, 0.69%

LAB 66.17, 25.25, 4.35

 

CMYK 20 / 0 / 31 / 19

HEX #A6CF8F

RGB 166 207 143

HSL 98.44, 0.4%, 0.69%

LAB 78.88, -25.13, 27.52

 

CMYK 30 / 4 / 0 / 19

HEX #90C7CF

RGB 144 199 207

HSL 187.62, 0.4%, 0.69%

LAB 76.85, -15.82, -9.73

 

CMYK 11 / 30 / 0 / 19

HEX #B890CF

RGB 184 144 207

HSL 278.1, 0.4%, 0.69%

LAB 65.47, 26.64, -26.68

 

CMYK 0 / 27 / 30 / 19

HEX #CF9890

RGB 207 152 144

HSL 7.62, 0.4%, 0.69%

LAB 67.83, 19.51, 12.31

 

Description

Color code: HEX #A6CF8F | qconv.com Color code: HEX #A6CF8F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 207 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 207 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 31 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 31% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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