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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A6D995 it is the complementary color #59266A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A6D995. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A6D995 shade: #ABD990, #BCEBA3, #CDFDB6, #DEFFC9 and #EFFFDC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A6D995. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A6D995 shade: #A6D995, #95C782, #84B56F, #73A35C and #629149

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A6D995 shade: #A6D996, #B8D996, #CBD996, #D9D596 and #D9C396

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A6D995 shade: #A6D996, #96D997, #96D9A9, #96D9BB and #96D9CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A6D995 shade matches the following richer shades: #A6D996, #A1E48A, #9BF07E and #95FB73

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A6D995 shade: #A6D996, #ACCDA1, #B2C2AD, #B8B6B8 and #BDAAC4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A6D995 shade: #CAD996, #B8D996, #A6D996, #96D997 and #96D9A9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A6D995 shade: #73C359, #8DCE77, #A6D996, #C0E4B4 and #D9EFD2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A6D995 shade: #A6D995, #96D9D5 and #D996C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A6D995 shade: #A6D995, #96A6D9 and #D996A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A6D995 shade: #A6D995, #96D9D5, #C896D9 and #D99699

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A6D995 shade: #A6D995, #96C8D9, #C896D9 and #D9A696

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 31 / 15

HEX #A6D995

RGB 166 217 149

HSL 105, 0.47%, 0.72%

LAB 81.79, -29.03, 28.31

 

Complementary color

CMYK 16 / 64 / 0 / 58

HEX #59266A

RGB 89 38 106

HSL 285, 0.47%, 0.28%

LAB 25.41, 35.13, -29.84

 

CMYK 21 / 0 / 34 / 15

HEX #ABD990

RGB 171 217 144

HSL 97.81, 0.49%, 0.71%

LAB 82, -28.03, 31.23

 

CMYK 20 / 0 / 31 / 8

HEX #BCEBA3

RGB 188 235 163

HSL 99.17, 0.64%, 0.78%

LAB 88.33, -27.91, 30.15

 

CMYK 19 / 0 / 28 / 1

HEX #CDFDB6

RGB 205 253 182

HSL 100.56, 0.95%, 0.85%

LAB 94.57, -27.78, 29.12

 

CMYK 13 / 0 / 21 / 0

HEX #DEFFC9

RGB 222 255 201

HSL 96.67, 1%, 0.89%

LAB 96.52, -20.05, 22.34

 

CMYK 6 / 0 / 14 / 0

HEX #EFFFDC

RGB 239 255 220

HSL 87.43, 1%, 0.93%

LAB 98.05, -11.24, 14.96

 

CMYK 24 / 0 / 31 / 15

HEX #A6D995

RGB 166 217 149

HSL 105, 0.47%, 0.72%

LAB 81.79, -29.03, 28.31

 

CMYK 25 / 0 / 35 / 22

HEX #95C782

RGB 149 199 130

HSL 103.48, 0.38%, 0.65%

LAB 75.36, -29.2, 29.42

 

CMYK 27 / 0 / 39 / 29

HEX #84B56F

RGB 132 181 111

HSL 102, 0.32%, 0.57%

LAB 68.82, -29.37, 30.58

 

CMYK 29 / 0 / 44 / 36

HEX #73A35C

RGB 115 163 92

HSL 100.56, 0.28%, 0.5%

LAB 62.18, -29.52, 31.8

 

CMYK 32 / 0 / 50 / 43

HEX #629149

RGB 98 145 73

HSL 99.17, 0.33%, 0.43%

LAB 55.41, -29.64, 33.05

 

CMYK 24 / 0 / 31 / 15

HEX #A6D996

RGB 166 217 150

HSL 105.67, 0.47%, 0.72%

LAB 81.8, -28.88, 27.82

 

CMYK 15 / 0 / 31 / 15

HEX #B8D996

RGB 184 217 150

HSL 89.55, 0.47%, 0.72%

LAB 82.92, -22.54, 29.52

 

CMYK 6 / 0 / 31 / 15

HEX #CBD996

RGB 203 217 150

HSL 72.54, 0.47%, 0.72%

LAB 84.24, -15.54, 31.5

 

CMYK 0 / 2 / 31 / 15

HEX #D9D596

RGB 217 213 150

HSL 56.42, 0.47%, 0.72%

LAB 84.25, -8.21, 31.71

 

CMYK 0 / 10 / 31 / 15

HEX #D9C396

RGB 217 195 150

HSL 40.3, 0.47%, 0.72%

LAB 79.6, 1.09, 25.48

 

CMYK 24 / 0 / 31 / 15

HEX #A6D996

RGB 166 217 150

HSL 105.67, 0.47%, 0.72%

LAB 81.8, -28.88, 27.82

 

CMYK 31 / 0 / 30 / 15

HEX #96D997

RGB 150 217 151

HSL 120.9, 0.47%, 0.72%

LAB 80.93, -34.03, 25.97

 

CMYK 31 / 0 / 22 / 15

HEX #96D9A9

RGB 150 217 169

HSL 137.01, 0.47%, 0.72%

LAB 81.28, -30.9, 17.03

 

CMYK 31 / 0 / 14 / 15

HEX #96D9BB

RGB 150 217 187

HSL 153.13, 0.47%, 0.72%

LAB 81.67, -27.42, 8.07

 

CMYK 31 / 0 / 6 / 15

HEX #96D9CD

RGB 150 217 205

HSL 169.25, 0.47%, 0.72%

LAB 82.12, -23.62, -0.85

 

CMYK 24 / 0 / 31 / 15

HEX #A6D996

RGB 166 217 150

HSL 105.67, 0.47%, 0.72%

LAB 81.8, -28.88, 27.82

 

CMYK 29 / 0 / 39 / 11

HEX #A1E48A

RGB 161 228 138

HSL 104.67, 0.63%, 0.72%

LAB 84.43, -37.43, 37.35

 

CMYK 35 / 0 / 48 / 6

HEX #9BF07E

RGB 155 240 126

HSL 104.74, 0.79%, 0.72%

LAB 87.39, -46.23, 46.89

 

CMYK 41 / 0 / 54 / 2

HEX #95FB73

RGB 149 251 115

HSL 105, 0.94%, 0.72%

LAB 90.15, -53.94, 55.26

 

CMYK 24 / 0 / 31 / 15

HEX #A6D996

RGB 166 217 150

HSL 105.67, 0.47%, 0.72%

LAB 81.8, -28.88, 27.82

 

CMYK 16 / 0 / 21 / 20

HEX #ACCDA1

RGB 172 205 161

HSL 105, 0.31%, 0.72%

LAB 79.05, -19.18, 18.34

 

CMYK 8 / 0 / 11 / 24

HEX #B2C2AD

RGB 178 194 173

HSL 105.71, 0.15%, 0.72%

LAB 76.72, -9.39, 8.7

 

CMYK 0 / 1 / 0 / 28

HEX #B8B6B8

RGB 184 182 184

HSL 300, 0.01%, 0.72%

LAB 74.26, 1.08, -0.77

 

CMYK 4 / 13 / 0 / 23

HEX #BDAAC4

RGB 189 170 196

HSL 283.85, 0.18%, 0.72%

LAB 71.93, 11.63, -10.75

 

CMYK 7 / 0 / 31 / 15

HEX #CAD996

RGB 202 217 150

HSL 73.43, 0.47%, 0.72%

LAB 84.17, -15.91, 31.4

 

CMYK 15 / 0 / 31 / 15

HEX #B8D996

RGB 184 217 150

HSL 89.55, 0.47%, 0.72%

LAB 82.92, -22.54, 29.52

 

CMYK 24 / 0 / 31 / 15

HEX #A6D996

RGB 166 217 150

HSL 105.67, 0.47%, 0.72%

LAB 81.8, -28.88, 27.82

 

CMYK 31 / 0 / 30 / 15

HEX #96D997

RGB 150 217 151

HSL 120.9, 0.47%, 0.72%

LAB 80.93, -34.03, 25.97

 

CMYK 31 / 0 / 22 / 15

HEX #96D9A9

RGB 150 217 169

HSL 137.01, 0.47%, 0.72%

LAB 81.28, -30.9, 17.03

 

CMYK 41 / 0 / 54 / 24

HEX #73C359

RGB 115 195 89

HSL 105.28, 0.47%, 0.56%

LAB 71.82, -44.32, 45.16

 

CMYK 32 / 0 / 42 / 19

HEX #8DCE77

RGB 141 206 119

HSL 104.83, 0.47%, 0.64%

LAB 76.76, -36.79, 36.81

 

CMYK 24 / 0 / 31 / 15

HEX #A6D996

RGB 166 217 150

HSL 105.67, 0.47%, 0.72%

LAB 81.8, -28.88, 27.82

 

CMYK 16 / 0 / 21 / 11

HEX #C0E4B4

RGB 192 228 180

HSL 105, 0.47%, 0.8%

LAB 86.99, -20.51, 19.61

 

CMYK 9 / 0 / 12 / 6

HEX #D9EFD2

RGB 217 239 210

HSL 105.52, 0.48%, 0.88%

LAB 92.19, -12.43, 11.59

 

CMYK 24 / 0 / 31 / 15

HEX #A6D995

RGB 166 217 149

HSL 105, 0.47%, 0.72%

LAB 81.79, -29.03, 28.31

 

CMYK 31 / 0 / 2 / 15

HEX #96D9D5

RGB 150 217 213

HSL 176.42, 0.47%, 0.72%

LAB 82.33, -21.84, -4.79

 

CMYK 0 / 31 / 11 / 15

HEX #D996C1

RGB 217 150 193

HSL 321.49, 0.47%, 0.72%

LAB 69.76, 31.65, -12.05

 

CMYK 24 / 0 / 31 / 15

HEX #A6D995

RGB 166 217 149

HSL 105, 0.47%, 0.72%

LAB 81.79, -29.03, 28.31

 

CMYK 31 / 24 / 0 / 15

HEX #96A6D9

RGB 150 166 217

HSL 225.67, 0.47%, 0.72%

LAB 68.58, 6.14, -27.67

 

CMYK 0 / 31 / 24 / 15

HEX #D996A6

RGB 217 150 166

HSL 345.67, 0.47%, 0.72%

LAB 68.98, 27.41, 1.84

 

CMYK 24 / 0 / 31 / 15

HEX #A6D995

RGB 166 217 149

HSL 105, 0.47%, 0.72%

LAB 81.79, -29.03, 28.31

 

CMYK 31 / 0 / 2 / 15

HEX #96D9D5

RGB 150 217 213

HSL 176.42, 0.47%, 0.72%

LAB 82.33, -21.84, -4.79

 

CMYK 8 / 31 / 0 / 15

HEX #C896D9

RGB 200 150 217

HSL 284.78, 0.47%, 0.72%

LAB 68.82, 30.46, -26.94

 

CMYK 0 / 31 / 29 / 15

HEX #D99699

RGB 217 150 153

HSL 357.31, 0.47%, 0.72%

LAB 68.65, 25.6, 8.62

 

CMYK 24 / 0 / 31 / 15

HEX #A6D995

RGB 166 217 149

HSL 105, 0.47%, 0.72%

LAB 81.79, -29.03, 28.31

 

CMYK 31 / 8 / 0 / 15

HEX #96C8D9

RGB 150 200 217

HSL 195.22, 0.47%, 0.72%

LAB 77.76, -12.26, -13.73

 

CMYK 8 / 31 / 0 / 15

HEX #C896D9

RGB 200 150 217

HSL 284.78, 0.47%, 0.72%

LAB 68.82, 30.46, -26.94

 

CMYK 0 / 24 / 31 / 15

HEX #D9A696

RGB 217 166 150

HSL 14.33, 0.47%, 0.72%

LAB 72.38, 16.55, 15.54

 

Description

Color code: HEX #A6D995 | qconv.com Color code: HEX #A6D995 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 217 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 217 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 31 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 31% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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