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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A6DCEC it is the complementary color #592313. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A6DCEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A6DCEC shade: #ABDCE7, #BCEEFA, #CDFFFF, #DEFFFF and #EFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A6DCEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A6DCEC shade: #A6DCEC, #95CAD9, #84B8C6, #73A6B3 and #6294A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A6DCEC shade: #A6DCEC, #A6C9EC, #A6B6EC, #A9A6EC and #BCA6EC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A6DCEC shade: #A6DCEC, #A6C9EC, #A6B6EC and #A6A6EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A6DCEC shade matches the following richer shades: #A6DCEC, #9DE1F4 and #95E5FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A6DCEC shade: #A6DCEC, #AFD7E3, #B7D2DA, #C0CED2 and #C9C9C9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A6DCEC shade: #A6ECD6, #A6ECE8, #A6DDEC, #A6CAEC and #A6B8EC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A6DCEC shade: #62C1DD, #84CFE5, #A6DCEC, #C8E9F3 and #EAF7FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A6DCEC shade: #A6DCEC, #C3A6EC and #ECDFA6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A6DCEC shade: #A6DCEC, #ECA6DD and #DDECA6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A6DCEC shade: #A6DCEC, #C3A6EC, #ECB5A6 and #CFECA6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A6DCEC shade: #A6DCEC, #D8A6EC, #ECB5A6 and #BAECA6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 7 / 0 / 7

HEX #A6DCEC

RGB 166 220 236

HSL 193.71, 0.65%, 0.79%

LAB 84.66, -13.58, -13.44

 

Complementary color

CMYK 0 / 61 / 79 / 65

HEX #592313

RGB 89 35 19

HSL 13.71, 0.65%, 0.21%

LAB 21.48, 23.76, 22.57

 

CMYK 26 / 5 / 0 / 9

HEX #ABDCE7

RGB 171 220 231

HSL 191, 0.56%, 0.79%

LAB 84.8, -13.3, -10.56

 

CMYK 25 / 5 / 0 / 2

HEX #BCEEFA

RGB 188 238 250

HSL 191.61, 0.86%, 0.86%

LAB 91.12, -13.28, -11.03

 

CMYK 20 / 0 / 0 / 0

HEX #CDFFFF

RGB 205 255 255

HSL 180, 1%, 0.9%

LAB 96.71, -15.72, -5.23

 

CMYK 13 / 0 / 0 / 0

HEX #DEFFFF

RGB 222 255 255

HSL 180, 1%, 0.94%

LAB 97.74, -10.56, -3.59

 

CMYK 6 / 0 / 0 / 0

HEX #EFFFFF

RGB 239 255 255

HSL 180, 1%, 0.97%

LAB 98.86, -5.2, -1.81

 

CMYK 30 / 7 / 0 / 7

HEX #A6DCEC

RGB 166 220 236

HSL 193.71, 0.65%, 0.79%

LAB 84.66, -13.58, -13.44

 

CMYK 31 / 7 / 0 / 15

HEX #95CAD9

RGB 149 202 217

HSL 193.24, 0.47%, 0.72%

LAB 78.25, -13.58, -13

 

CMYK 33 / 7 / 0 / 22

HEX #84B8C6

RGB 132 184 198

HSL 192.73, 0.37%, 0.65%

LAB 71.73, -13.58, -12.55

 

CMYK 36 / 7 / 0 / 30

HEX #73A6B3

RGB 115 166 179

HSL 192.19, 0.3%, 0.58%

LAB 65.1, -13.56, -12.1

 

CMYK 39 / 7 / 0 / 37

HEX #6294A0

RGB 98 148 160

HSL 191.61, 0.25%, 0.51%

LAB 58.33, -13.54, -11.63

 

CMYK 30 / 7 / 0 / 7

HEX #A6DCEC

RGB 166 220 236

HSL 193.71, 0.65%, 0.79%

LAB 84.66, -13.58, -13.44

 

CMYK 30 / 15 / 0 / 7

HEX #A6C9EC

RGB 166 201 236

HSL 210, 0.65%, 0.79%

LAB 79.58, -3.68, -21.1

 

CMYK 30 / 23 / 0 / 7

HEX #A6B6EC

RGB 166 182 236

HSL 226.29, 0.65%, 0.79%

LAB 74.58, 6.6, -28.72

 

CMYK 28 / 30 / 0 / 7

HEX #A9A6EC

RGB 169 166 236

HSL 242.57, 0.65%, 0.79%

LAB 70.71, 16.36, -34.69

 

CMYK 20 / 30 / 0 / 7

HEX #BCA6EC

RGB 188 166 236

HSL 258.86, 0.65%, 0.79%

LAB 72.24, 21.97, -32.19

 

CMYK 30 / 7 / 0 / 7

HEX #A6DCEC

RGB 166 220 236

HSL 193.71, 0.65%, 0.79%

LAB 84.66, -13.58, -13.44

 

CMYK 30 / 15 / 0 / 7

HEX #A6C9EC

RGB 166 201 236

HSL 210, 0.65%, 0.79%

LAB 79.58, -3.68, -21.1

 

CMYK 30 / 23 / 0 / 7

HEX #A6B6EC

RGB 166 182 236

HSL 226.29, 0.65%, 0.79%

LAB 74.58, 6.6, -28.72

 

CMYK 30 / 30 / 0 / 7

HEX #A6A6EC

RGB 166 166 236

HSL 240, 0.65%, 0.79%

LAB 70.48, 15.5, -35.06

 

CMYK 30 / 7 / 0 / 7

HEX #A6DCEC

RGB 166 220 236

HSL 193.71, 0.65%, 0.79%

LAB 84.66, -13.58, -13.44

 

CMYK 36 / 8 / 0 / 4

HEX #9DE1F4

RGB 157 225 244

HSL 193.1, 0.8%, 0.79%

LAB 85.78, -16.67, -16.04

 

CMYK 41 / 9 / 0 / 1

HEX #95E5FD

RGB 149 229 253

HSL 193.85, 0.96%, 0.79%

LAB 86.76, -18.49, -19.34

 

CMYK 30 / 7 / 0 / 7

HEX #A6DCEC

RGB 166 220 236

HSL 193.71, 0.65%, 0.79%

LAB 84.66, -13.58, -13.44

 

CMYK 23 / 5 / 0 / 11

HEX #AFD7E3

RGB 175 215 227

HSL 193.85, 0.48%, 0.79%

LAB 83.58, -10.44, -10.23

 

CMYK 16 / 4 / 0 / 15

HEX #B7D2DA

RGB 183 210 218

HSL 193.71, 0.32%, 0.79%

LAB 82.5, -7.32, -6.99

 

CMYK 9 / 2 / 0 / 18

HEX #C0CED2

RGB 192 206 210

HSL 193.33, 0.17%, 0.79%

LAB 81.84, -3.95, -3.62

 

CMYK 0 / 0 / 0 / 21

HEX #C9C9C9

RGB 201 201 201

HSL 0, 0%, 0.79%

LAB 80.97, 0, -0.01

 

CMYK 30 / 0 / 9 / 7

HEX #A6ECD6

RGB 166 236 214

HSL 161.14, 0.65%, 0.79%

LAB 88.43, -26.35, 3.69

 

CMYK 30 / 0 / 2 / 7

HEX #A6ECE8

RGB 166 236 232

HSL 176.57, 0.65%, 0.79%

LAB 88.89, -22.5, -5.06

 

CMYK 30 / 6 / 0 / 7

HEX #A6DDEC

RGB 166 221 236

HSL 192.86, 0.65%, 0.79%

LAB 84.93, -14.09, -13.03

 

CMYK 30 / 14 / 0 / 7

HEX #A6CAEC

RGB 166 202 236

HSL 209.14, 0.65%, 0.79%

LAB 79.84, -4.21, -20.7

 

CMYK 30 / 22 / 0 / 7

HEX #A6B8EC

RGB 166 184 236

HSL 224.57, 0.65%, 0.79%

LAB 75.1, 5.5, -27.92

 

CMYK 56 / 13 / 0 / 13

HEX #62C1DD

RGB 98 193 221

HSL 193.66, 0.64%, 0.63%

LAB 73.52, -20.25, -22.54

 

CMYK 42 / 10 / 0 / 10

HEX #84CFE5

RGB 132 207 229

HSL 193.61, 0.65%, 0.71%

LAB 79.15, -17.65, -18.18

 

CMYK 30 / 7 / 0 / 7

HEX #A6DCEC

RGB 166 220 236

HSL 193.71, 0.65%, 0.79%

LAB 84.66, -13.58, -13.44

 

CMYK 18 / 4 / 0 / 5

HEX #C8E9F3

RGB 200 233 243

HSL 193.95, 0.64%, 0.87%

LAB 90.33, -8.67, -8.46

 

CMYK 6 / 1 / 0 / 2

HEX #EAF7FA

RGB 234 247 250

HSL 191.25, 0.62%, 0.95%

LAB 96.38, -3.7, -2.92

 

CMYK 30 / 7 / 0 / 7

HEX #A6DCEC

RGB 166 220 236

HSL 193.71, 0.65%, 0.79%

LAB 84.66, -13.58, -13.44

 

CMYK 17 / 30 / 0 / 7

HEX #C3A6EC

RGB 195 166 236

HSL 264.86, 0.65%, 0.79%

LAB 72.85, 24.09, -31.21

 

CMYK 0 / 6 / 30 / 7

HEX #ECDFA6

RGB 236 223 166

HSL 48.86, 0.65%, 0.79%

LAB 88.62, -4.06, 29.59

 

CMYK 30 / 7 / 0 / 7

HEX #A6DCEC

RGB 166 220 236

HSL 193.71, 0.65%, 0.79%

LAB 84.66, -13.58, -13.44

 

CMYK 0 / 30 / 6 / 7

HEX #ECA6DD

RGB 236 166 221

HSL 312.86, 0.65%, 0.79%

LAB 76.27, 34.24, -17.46

 

CMYK 6 / 0 / 30 / 7

HEX #DDECA6

RGB 221 236 166

HSL 72.86, 0.65%, 0.79%

LAB 90.83, -16.17, 32.36

 

CMYK 30 / 7 / 0 / 7

HEX #A6DCEC

RGB 166 220 236

HSL 193.71, 0.65%, 0.79%

LAB 84.66, -13.58, -13.44

 

CMYK 17 / 30 / 0 / 7

HEX #C3A6EC

RGB 195 166 236

HSL 264.86, 0.65%, 0.79%

LAB 72.85, 24.09, -31.21

 

CMYK 0 / 23 / 30 / 7

HEX #ECB5A6

RGB 236 181 166

HSL 12.86, 0.65%, 0.79%

LAB 78.25, 17.86, 15.34

 

CMYK 12 / 0 / 30 / 7

HEX #CFECA6

RGB 207 236 166

HSL 84.86, 0.65%, 0.79%

LAB 89.86, -21.26, 30.89

 

CMYK 30 / 7 / 0 / 7

HEX #A6DCEC

RGB 166 220 236

HSL 193.71, 0.65%, 0.79%

LAB 84.66, -13.58, -13.44

 

CMYK 8 / 30 / 0 / 7

HEX #D8A6EC

RGB 216 166 236

HSL 282.86, 0.65%, 0.79%

LAB 74.78, 30.59, -28.07

 

CMYK 0 / 23 / 30 / 7

HEX #ECB5A6

RGB 236 181 166

HSL 12.86, 0.65%, 0.79%

LAB 78.25, 17.86, 15.34

 

CMYK 21 / 0 / 30 / 7

HEX #BAECA6

RGB 186 236 166

HSL 102.86, 0.65%, 0.79%

LAB 88.54, -28.62, 28.88

 

Description

Color code: HEX #A6DCEC | qconv.com Color code: HEX #A6DCEC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 220 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 220 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 7 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 7% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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