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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A6E641 it is the complementary color #5919BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A6E641. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A6E641 shade: #ABE63C, #BCF84F, #CDFF62, #DEFF75 and #EFFF88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A6E641. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A6E641 shade: #A6E641, #95D42E, #84C21B, #73B008 and #629E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A6E641 shade: #A6E641, #D2E641, #E6CD41, #E6A041 and #E67441

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A6E641 shade: #A6E641, #79E641, #4DE641, #41E661 and #41E68E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A6E641 shade matches the following richer shades: #A6E641 and #AAF730

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A6E641 shade: #A6E641, #A2D552, #9EC364, #9AB275 and #96A186

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A6E641 shade: #E6CD41, #D3E641, #A7E641, #7BE641 and #4FE641

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A6E641 shade: #7DBC18, #95E11D, #A6E641, #B7EB65 and #C8EF8A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A6E641 shade: #A6E641, #41E6A1 and #E341E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A6E641 shade: #A6E641, #41A7E6 and #E641A7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A6E641 shade: #A6E641, #41E6A1, #8041E6 and #E64186

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A6E641 shade: #A6E641, #41E6D3, #8041E6 and #E64154

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 72 / 10

HEX #A6E641

RGB 166 230 65

HSL 83.27, 0.77%, 0.58%

LAB 84.53, -43.67, 69.59

 

Complementary color

CMYK 53 / 87 / 0 / 25

HEX #5919BE

RGB 89 25 190

HSL 263.27, 0.77%, 0.42%

LAB 30.73, 61.14, -72.96

 

CMYK 26 / 0 / 74 / 10

HEX #ABE63C

RGB 171 230 60

HSL 80.82, 0.77%, 0.57%

LAB 84.78, -42.1, 71.6

 

CMYK 24 / 0 / 68 / 3

HEX #BCF84F

RGB 188 248 79

HSL 81.3, 0.92%, 0.64%

LAB 90.96, -42.56, 71.5

 

CMYK 20 / 0 / 62 / 0

HEX #CDFF62

RGB 205 255 98

HSL 79.11, 1%, 0.69%

LAB 94.05, -38.06, 67.75

 

CMYK 13 / 0 / 54 / 0

HEX #DEFF75

RGB 222 255 117

HSL 74.35, 1%, 0.73%

LAB 95.3, -30.17, 61.41

 

CMYK 6 / 0 / 47 / 0

HEX #EFFF88

RGB 239 255 136

HSL 68.07, 1%, 0.77%

LAB 96.68, -22, 54.72

 

CMYK 28 / 0 / 72 / 10

HEX #A6E641

RGB 166 230 65

HSL 83.27, 0.77%, 0.58%

LAB 84.53, -43.67, 69.59

 

CMYK 30 / 0 / 78 / 17

HEX #95D42E

RGB 149 212 46

HSL 82.77, 0.66%, 0.51%

LAB 78.27, -43.14, 69.32

 

CMYK 32 / 0 / 86 / 24

HEX #84C21B

RGB 132 194 27

HSL 82.28, 0.76%, 0.43%

LAB 71.94, -42.42, 68.14

 

CMYK 35 / 0 / 95 / 31

HEX #73B008

RGB 115 176 8

HSL 81.79, 0.91%, 0.36%

LAB 65.52, -41.46, 65.58

 

CMYK 38 / 0 / 100 / 38

HEX #629E00

RGB 98 158 0

HSL 82.78, 1%, 0.31%

LAB 59.02, -40.2, 61.18

 

CMYK 28 / 0 / 72 / 10

HEX #A6E641

RGB 166 230 65

HSL 83.27, 0.77%, 0.58%

LAB 84.53, -43.67, 69.59

 

CMYK 9 / 0 / 72 / 10

HEX #D2E641

RGB 210 230 65

HSL 67.27, 0.77%, 0.58%

LAB 87.33, -26.64, 73.27

 

CMYK 0 / 11 / 72 / 10

HEX #E6CD41

RGB 230 205 65

HSL 50.91, 0.77%, 0.58%

LAB 82.31, -6.03, 68.96

 

CMYK 0 / 30 / 72 / 10

HEX #E6A041

RGB 230 160 65

HSL 34.55, 0.77%, 0.58%

LAB 71.11, 17.54, 57.77

 

CMYK 0 / 50 / 72 / 10

HEX #E67441

RGB 230 116 65

HSL 18.55, 0.77%, 0.58%

LAB 61.39, 40.59, 47.51

 

CMYK 28 / 0 / 72 / 10

HEX #A6E641

RGB 166 230 65

HSL 83.27, 0.77%, 0.58%

LAB 84.53, -43.67, 69.59

 

CMYK 47 / 0 / 72 / 10

HEX #79E641

RGB 121 230 65

HSL 99.64, 0.77%, 0.58%

LAB 82.4, -58.61, 66.76

 

CMYK 67 / 0 / 72 / 10

HEX #4DE641

RGB 77 230 65

HSL 115.64, 0.77%, 0.58%

LAB 81.05, -69.34, 64.95

 

CMYK 72 / 0 / 58 / 10

HEX #41E661

RGB 65 230 97

HSL 131.64, 0.77%, 0.58%

LAB 81.06, -68.24, 51.98

 

CMYK 72 / 0 / 38 / 10

HEX #41E68E

RGB 65 230 142

HSL 148, 0.77%, 0.58%

LAB 81.66, -61.34, 31.05

 

CMYK 28 / 0 / 72 / 10

HEX #A6E641

RGB 166 230 65

HSL 83.27, 0.77%, 0.58%

LAB 84.53, -43.67, 69.59

 

CMYK 31 / 0 / 81 / 3

HEX #AAF730

RGB 170 247 48

HSL 83.22, 0.93%, 0.58%

LAB 89.52, -50.22, 79.4

 

CMYK 28 / 0 / 72 / 10

HEX #A6E641

RGB 166 230 65

HSL 83.27, 0.77%, 0.58%

LAB 84.53, -43.67, 69.59

 

CMYK 24 / 0 / 62 / 16

HEX #A2D552

RGB 162 213 82

HSL 83.36, 0.61%, 0.58%

LAB 79.54, -36.46, 57.79

 

CMYK 19 / 0 / 49 / 24

HEX #9EC364

RGB 158 195 100

HSL 83.37, 0.44%, 0.58%

LAB 74.33, -27.87, 43.44

 

CMYK 13 / 0 / 34 / 30

HEX #9AB275

RGB 154 178 117

HSL 83.61, 0.28%, 0.58%

LAB 69.47, -18.9, 28.52

 

CMYK 7 / 0 / 17 / 37

HEX #96A186

RGB 150 161 134

HSL 84.44, 0.13%, 0.58%

LAB 64.72, -8.92, 12.76

 

CMYK 0 / 11 / 72 / 10

HEX #E6CD41

RGB 230 205 65

HSL 50.91, 0.77%, 0.58%

LAB 82.31, -6.03, 68.96

 

CMYK 8 / 0 / 72 / 10

HEX #D3E641

RGB 211 230 65

HSL 66.91, 0.77%, 0.58%

LAB 87.4, -26.23, 73.37

 

CMYK 27 / 0 / 72 / 10

HEX #A7E641

RGB 167 230 65

HSL 82.91, 0.77%, 0.58%

LAB 84.58, -43.31, 69.66

 

CMYK 47 / 0 / 72 / 10

HEX #7BE641

RGB 123 230 65

HSL 98.91, 0.77%, 0.58%

LAB 82.48, -58.02, 66.87

 

CMYK 66 / 0 / 72 / 10

HEX #4FE641

RGB 79 230 65

HSL 114.91, 0.77%, 0.58%

LAB 81.09, -68.95, 65.01

 

CMYK 34 / 0 / 87 / 26

HEX #7DBC18

RGB 125 188 24

HSL 83.05, 0.77%, 0.42%

LAB 69.75, -42.53, 66.75

 

CMYK 34 / 0 / 87 / 12

HEX #95E11D

RGB 149 225 29

HSL 83.27, 0.77%, 0.5%

LAB 82.02, -49.23, 76.63

 

CMYK 28 / 0 / 72 / 10

HEX #A6E641

RGB 166 230 65

HSL 83.27, 0.77%, 0.58%

LAB 84.53, -43.67, 69.59

 

CMYK 22 / 0 / 57 / 8

HEX #B7EB65

RGB 183 235 101

HSL 83.28, 0.77%, 0.66%

LAB 87.2, -37, 58.51

 

CMYK 16 / 0 / 42 / 6

HEX #C8EF8A

RGB 200 239 138

HSL 83.17, 0.76%, 0.74%

LAB 89.79, -28.81, 44.66

 

CMYK 28 / 0 / 72 / 10

HEX #A6E641

RGB 166 230 65

HSL 83.27, 0.77%, 0.58%

LAB 84.53, -43.67, 69.59

 

CMYK 72 / 0 / 30 / 10

HEX #41E6A1

RGB 65 230 161

HSL 154.91, 0.77%, 0.58%

LAB 82, -57.61, 21.76

 

CMYK 1 / 72 / 0 / 10

HEX #E341E6

RGB 227 65 230

HSL 298.91, 0.77%, 0.58%

LAB 57.87, 79.36, -51.07

 

CMYK 28 / 0 / 72 / 10

HEX #A6E641

RGB 166 230 65

HSL 83.27, 0.77%, 0.58%

LAB 84.53, -43.67, 69.59

 

CMYK 72 / 27 / 0 / 10

HEX #41A7E6

RGB 65 167 230

HSL 202.91, 0.77%, 0.58%

LAB 65.34, -9.1, -40.17

 

CMYK 0 / 72 / 27 / 10

HEX #E641A7

RGB 230 65 167

HSL 322.91, 0.77%, 0.58%

LAB 55.48, 71.23, -18.67

 

CMYK 28 / 0 / 72 / 10

HEX #A6E641

RGB 166 230 65

HSL 83.27, 0.77%, 0.58%

LAB 84.53, -43.67, 69.59

 

CMYK 72 / 0 / 30 / 10

HEX #41E6A1

RGB 65 230 161

HSL 154.91, 0.77%, 0.58%

LAB 82, -57.61, 21.76

 

CMYK 44 / 72 / 0 / 10

HEX #8041E6

RGB 128 65 230

HSL 262.91, 0.77%, 0.58%

LAB 44.35, 60.54, -73.56

 

CMYK 0 / 72 / 42 / 10

HEX #E64186

RGB 230 65 134

HSL 334.91, 0.77%, 0.58%

LAB 54.37, 67.67, -0.84

 

CMYK 28 / 0 / 72 / 10

HEX #A6E641

RGB 166 230 65

HSL 83.27, 0.77%, 0.58%

LAB 84.53, -43.67, 69.59

 

CMYK 72 / 0 / 8 / 10

HEX #41E6D3

RGB 65 230 211

HSL 173.09, 0.77%, 0.58%

LAB 83.14, -45.77, -2.87

 

CMYK 44 / 72 / 0 / 10

HEX #8041E6

RGB 128 65 230

HSL 262.91, 0.77%, 0.58%

LAB 44.35, 60.54, -73.56

 

CMYK 0 / 72 / 63 / 10

HEX #E64154

RGB 230 65 84

HSL 353.09, 0.77%, 0.58%

LAB 53.22, 63.84, 27.38

 

Description

Color code: HEX #A6E641 | qconv.com Color code: HEX #A6E641 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 230 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 230 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 72 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 72% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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