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Color name
HEX #A6E11D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A6E11D it is the complementary color #591EE2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A6E11D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A6E11D shade: #ABE118, #BCF32B, #CDFF3E, #DEFF51 and #EFFF64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A6E11D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A6E11D shade: #A6E11D, #95CF0A, #84BD00, #73AB00 and #629900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A6E11D shade: #A6E11D, #DBE11D, #E1B21D, #E17D1D and #E1481D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A6E11D shade: #A6E11D, #71E11D, #3CE11D, #1DE132 and #1DE167

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A6E11D shade matches the following richer shades: #A6E11D and #AEF608

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A6E11D shade: #A6E11D, #9ECD31, #96B846, #8DA35B and #858F6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A6E11D shade: #E1B31D, #DBE11D, #A6E11D, #72E11D and #3EE11D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A6E11D shade: #709813, #8BBD18, #A6E11D, #B4E641 and #C3EB66

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A6E11D shade: #A6E11D, #1DE17F and #CE1DE1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A6E11D shade: #A6E11D, #1DA6E1 and #E11DA6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A6E11D shade: #A6E11D, #1DE17F, #581DE1 and #E11D7F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A6E11D shade: #A6E11D, #1DE1BA, #581DE1 and #E11D44

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 87 / 12

HEX #A6E11D

RGB 166 225 29

HSL 78.06, 0.77%, 0.5%

LAB 82.94, -43, 77.78

 

Complementary color

CMYK 61 / 87 / 0 / 11

HEX #591EE2

RGB 89 30 226

HSL 258.06, 0.77%, 0.5%

LAB 35.09, 68.56, -86.67

 

CMYK 24 / 0 / 89 / 12

HEX #ABE118

RGB 171 225 24

HSL 76.12, 0.81%, 0.49%

LAB 83.22, -41.21, 78.98

 

CMYK 23 / 0 / 82 / 5

HEX #BCF32B

RGB 188 243 43

HSL 76.5, 0.89%, 0.56%

LAB 89.38, -42.09, 80.86

 

CMYK 20 / 0 / 76 / 0

HEX #CDFF3E

RGB 205 255 62

HSL 75.54, 1%, 0.62%

LAB 93.82, -40.17, 80.23

 

CMYK 13 / 0 / 68 / 0

HEX #DEFF51

RGB 222 255 81

HSL 71.38, 1%, 0.66%

LAB 95.01, -32.69, 75.57

 

CMYK 6 / 0 / 61 / 0

HEX #EFFF64

RGB 239 255 100

HSL 66.19, 1%, 0.7%

LAB 96.32, -24.89, 70.06

 

CMYK 26 / 0 / 87 / 12

HEX #A6E11D

RGB 166 225 29

HSL 78.06, 0.77%, 0.5%

LAB 82.94, -43, 77.78

 

CMYK 28 / 0 / 95 / 19

HEX #95CF0A

RGB 149 207 10

HSL 77.66, 0.91%, 0.43%

LAB 76.7, -42.01, 75.01

 

CMYK 30 / 0 / 100 / 26

HEX #84BD00

RGB 132 189 0

HSL 78.1, 1%, 0.37%

LAB 70.39, -40.8, 70.73

HEX #84BD00

CMYK 33 / 0 / 100 / 33

HEX #73AB00

RGB 115 171 0

HSL 79.65, 1%, 0.34%

LAB 63.97, -39.44, 65.39

HEX #73AB00

CMYK 36 / 0 / 100 / 40

HEX #629900

RGB 98 153 0

HSL 81.57, 1%, 0.3%

LAB 57.44, -38.05, 59.96

HEX #629900

CMYK 26 / 0 / 87 / 12

HEX #A6E11D

RGB 166 225 29

HSL 78.06, 0.77%, 0.5%

LAB 82.94, -43, 77.78

 

CMYK 3 / 0 / 87 / 12

HEX #DBE11D

RGB 219 225 29

HSL 61.84, 0.77%, 0.5%

LAB 86.5, -21.76, 82.16

 

CMYK 0 / 21 / 87 / 12

HEX #E1B21D

RGB 225 178 29

HSL 45.61, 0.77%, 0.5%

LAB 74.79, 4.61, 73.01

 

CMYK 0 / 44 / 87 / 12

HEX #E17D1D

RGB 225 125 29

HSL 29.39, 0.77%, 0.5%

LAB 62.31, 32.76, 63.08

 

CMYK 0 / 68 / 87 / 12

HEX #E1481D

RGB 225 72 29

HSL 13.16, 0.77%, 0.5%

LAB 52.65, 57.58, 55.43

 

CMYK 26 / 0 / 87 / 12

HEX #A6E11D

RGB 166 225 29

HSL 78.06, 0.77%, 0.5%

LAB 82.94, -43, 77.78

 

CMYK 50 / 0 / 87 / 12

HEX #71E11D

RGB 113 225 29

HSL 94.29, 0.77%, 0.5%

LAB 80.43, -60.87, 74.66

 

CMYK 73 / 0 / 87 / 12

HEX #3CE11D

RGB 60 225 29

HSL 110.51, 0.77%, 0.5%

LAB 78.98, -72.76, 72.84

 

CMYK 87 / 0 / 78 / 12

HEX #1DE132

RGB 29 225 50

HSL 126.43, 0.77%, 0.5%

LAB 78.66, -75.3, 67.24

 

CMYK 87 / 0 / 54 / 12

HEX #1DE167

RGB 29 225 103

HSL 142.65, 0.77%, 0.5%

LAB 79.09, -69.91, 46.79

 

CMYK 26 / 0 / 87 / 12

HEX #A6E11D

RGB 166 225 29

HSL 78.06, 0.77%, 0.5%

LAB 82.94, -43, 77.78

 

CMYK 29 / 0 / 97 / 4

HEX #AEF608

RGB 174 246 8

HSL 78.15, 0.94%, 0.5%

LAB 89.36, -49.29, 85.68

 

CMYK 26 / 0 / 87 / 12

HEX #A6E11D

RGB 166 225 29

HSL 78.06, 0.77%, 0.5%

LAB 82.94, -43, 77.78

 

CMYK 23 / 0 / 76 / 20

HEX #9ECD31

RGB 158 205 49

HSL 78.08, 0.61%, 0.5%

LAB 76.77, -36.49, 67.21

 

CMYK 18 / 0 / 62 / 28

HEX #96B846

RGB 150 184 70

HSL 77.89, 0.45%, 0.5%

LAB 70.32, -28.55, 52.61

 

CMYK 13 / 0 / 44 / 36

HEX #8DA35B

RGB 141 163 91

HSL 78.33, 0.28%, 0.5%

LAB 63.85, -19.71, 34.78

 

CMYK 7 / 0 / 22 / 44

HEX #858F6F

RGB 133 143 111

HSL 78.75, 0.13%, 0.5%

LAB 57.83, -9.54, 15.85

 

CMYK 0 / 20 / 87 / 12

HEX #E1B31D

RGB 225 179 29

HSL 45.92, 0.77%, 0.5%

LAB 75.04, 4.09, 73.21

 

CMYK 3 / 0 / 87 / 12

HEX #DBE11D

RGB 219 225 29

HSL 61.84, 0.77%, 0.5%

LAB 86.5, -21.76, 82.16

 

CMYK 26 / 0 / 87 / 12

HEX #A6E11D

RGB 166 225 29

HSL 78.06, 0.77%, 0.5%

LAB 82.94, -43, 77.78

 

CMYK 49 / 0 / 87 / 12

HEX #72E11D

RGB 114 225 29

HSL 93.98, 0.77%, 0.5%

LAB 80.47, -60.58, 74.71

 

CMYK 72 / 0 / 87 / 12

HEX #3EE11D

RGB 62 225 29

HSL 109.9, 0.77%, 0.5%

LAB 79.02, -72.45, 72.89

 

CMYK 26 / 0 / 88 / 40

HEX #709813

RGB 112 152 19

HSL 78.05, 0.78%, 0.34%

LAB 57.99, -31.63, 57.53

 

CMYK 26 / 0 / 87 / 26

HEX #8BBD18

RGB 139 189 24

HSL 78.18, 0.77%, 0.42%

LAB 70.84, -37.65, 67.98

 

CMYK 26 / 0 / 87 / 12

HEX #A6E11D

RGB 166 225 29

HSL 78.06, 0.77%, 0.5%

LAB 82.94, -43, 77.78

 

CMYK 22 / 0 / 72 / 10

HEX #B4E641

RGB 180 230 65

HSL 78.18, 0.77%, 0.58%

LAB 85.34, -38.44, 70.66

 

CMYK 17 / 0 / 57 / 8

HEX #C3EB66

RGB 195 235 102

HSL 78.05, 0.77%, 0.66%

LAB 87.96, -32.42, 59.13

 

CMYK 26 / 0 / 87 / 12

HEX #A6E11D

RGB 166 225 29

HSL 78.06, 0.77%, 0.5%

LAB 82.94, -43, 77.78

 

CMYK 87 / 0 / 44 / 12

HEX #1DE17F

RGB 29 225 127

HSL 150, 0.77%, 0.5%

LAB 79.41, -66.11, 35.57

 

CMYK 8 / 87 / 0 / 12

HEX #CE1DE1

RGB 206 29 225

HSL 294.18, 0.77%, 0.5%

LAB 51.19, 83.44, -59.12

 

CMYK 26 / 0 / 87 / 12

HEX #A6E11D

RGB 166 225 29

HSL 78.06, 0.77%, 0.5%

LAB 82.94, -43, 77.78

 

CMYK 87 / 26 / 0 / 12

HEX #1DA6E1

RGB 29 166 225

HSL 198.06, 0.77%, 0.5%

LAB 64.14, -13.78, -39.35

 

CMYK 0 / 87 / 26 / 12

HEX #E11DA6

RGB 225 29 166

HSL 318.06, 0.77%, 0.5%

LAB 51.43, 78.91, -24.37

 

CMYK 26 / 0 / 87 / 12

HEX #A6E11D

RGB 166 225 29

HSL 78.06, 0.77%, 0.5%

LAB 82.94, -43, 77.78

 

CMYK 87 / 0 / 44 / 12

HEX #1DE17F

RGB 29 225 127

HSL 150, 0.77%, 0.5%

LAB 79.41, -66.11, 35.57

 

CMYK 61 / 87 / 0 / 12

HEX #581DE1

RGB 88 29 225

HSL 258.06, 0.77%, 0.5%

LAB 34.78, 68.53, -86.61

 

CMYK 0 / 87 / 44 / 12

HEX #E11D7F

RGB 225 29 127

HSL 330, 0.77%, 0.5%

LAB 50, 74.99, -3.16

 

CMYK 26 / 0 / 87 / 12

HEX #A6E11D

RGB 166 225 29

HSL 78.06, 0.77%, 0.5%

LAB 82.94, -43, 77.78

 

CMYK 87 / 0 / 17 / 12

HEX #1DE1BA

RGB 29 225 186

HSL 168.06, 0.77%, 0.5%

LAB 80.55, -53.41, 6.54

 

CMYK 61 / 87 / 0 / 12

HEX #581DE1

RGB 88 29 225

HSL 258.06, 0.77%, 0.5%

LAB 34.78, 68.53, -86.61

 

CMYK 0 / 87 / 70 / 12

HEX #E11D44

RGB 225 29 68

HSL 348.06, 0.77%, 0.5%

LAB 48.64, 71.14, 30.97

 

Description

Color code: HEX #A6E11D | qconv.com Color code: HEX #A6E11D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 225 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 225 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 87 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 87% 12% C M Y K

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