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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A709C7 it is the complementary color #58F638. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A709C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A709C7 shade: #AC09C2, #BD1BD5, #CE2DE8, #DF3FFB and #F051FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A709C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A709C7 shade: #A709C7, #9600B4, #8500A1, #74008E and #63007B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A709C7 shade: #A709C7, #C709B4, #C70981, #C7094D and #C7091A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A709C7 shade: #A709C7, #7409C7, #4109C7, #0D09C7 and #0909C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A709C7 shade matches the following richer shades: #A709C7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A709C7 shade: #A709C7, #9C1AB6, #912BA5, #853C94 and #7A4D84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A709C7 shade: #3F09C7, #7209C7, #A409C7, #C709B7 and #C70985

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A709C7 shade: #650578, #8607A0, #A709C7, #C80BEF and #D32EF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A709C7 shade: #A709C7, #C70C09 and #09C758

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A709C7 shade: #A709C7, #C7A409 and #09C7A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A709C7 shade: #A709C7, #C70C09, #2CC709 and #09C4C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A709C7 shade: #A709C7, #C74509, #2CC709 and #098BC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 95 / 0 / 22

HEX #A709C7

RGB 167 9 199

HSL 289.89, 0.91%, 0.41%

LAB 42.05, 75.77, -59.25

 

Complementary color

CMYK 64 / 0 / 77 / 4

HEX #58F638

RGB 88 246 56

HSL 109.89, 0.91%, 0.59%

LAB 86.14, -72.92, 72.97

 

CMYK 11 / 95 / 0 / 24

HEX #AC09C2

RGB 172 9 194

HSL 292.86, 0.91%, 0.4%

LAB 42.55, 75.68, -55.48

 

CMYK 11 / 87 / 0 / 16

HEX #BD1BD5

RGB 189 27 213

HSL 292.26, 0.78%, 0.47%

LAB 47.5, 79.07, -58.36

 

CMYK 11 / 81 / 0 / 9

HEX #CE2DE8

RGB 206 45 232

HSL 291.66, 0.8%, 0.54%

LAB 52.76, 81.29, -60.56

 

CMYK 11 / 75 / 0 / 2

HEX #DF3FFB

RGB 223 63 251

HSL 291.06, 0.96%, 0.62%

LAB 58.23, 82.63, -62.25

 

CMYK 6 / 68 / 0 / 0

HEX #F051FF

RGB 240 81 255

HSL 294.83, 1%, 0.66%

LAB 63.04, 80.8, -56.64

 

CMYK 16 / 95 / 0 / 22

HEX #A709C7

RGB 167 9 199

HSL 289.89, 0.91%, 0.41%

LAB 42.05, 75.77, -59.25

 

CMYK 17 / 100 / 0 / 29

HEX #9600B4

RGB 150 0 180

HSL 290, 1%, 0.35%

LAB 37.44, 71.03, -55.69

 

CMYK 17 / 100 / 0 / 37

HEX #8500A1

RGB 133 0 161

HSL 289.57, 1%, 0.32%

LAB 33.05, 65.27, -51.56

 

CMYK 18 / 100 / 0 / 44

HEX #74008E

RGB 116 0 142

HSL 289.01, 1%, 0.28%

LAB 28.55, 59.38, -47.34

 

CMYK 20 / 100 / 0 / 52

HEX #63007B

RGB 99 0 123

HSL 288.29, 1%, 0.24%

LAB 23.94, 53.35, -43.03

 

CMYK 16 / 95 / 0 / 22

HEX #A709C7

RGB 167 9 199

HSL 289.89, 0.91%, 0.41%

LAB 42.05, 75.77, -59.25

 

CMYK 0 / 95 / 10 / 22

HEX #C709B4

RGB 199 9 180

HSL 306, 0.91%, 0.41%

LAB 46.49, 78.08, -40.7

 

CMYK 0 / 95 / 35 / 22

HEX #C70981

RGB 199 9 129

HSL 322.11, 0.91%, 0.41%

LAB 44.12, 72.01, -13.7

 

CMYK 0 / 95 / 61 / 22

HEX #C7094D

RGB 199 9 77

HSL 338.53, 0.91%, 0.41%

LAB 42.57, 67.85, 16.56

 

CMYK 0 / 95 / 87 / 22

HEX #C7091A

RGB 199 9 26

HSL 354.63, 0.91%, 0.41%

LAB 41.86, 65.9, 45.99

 

CMYK 16 / 95 / 0 / 22

HEX #A709C7

RGB 167 9 199

HSL 289.89, 0.91%, 0.41%

LAB 42.05, 75.77, -59.25

 

CMYK 42 / 95 / 0 / 22

HEX #7409C7

RGB 116 9 199

HSL 273.79, 0.91%, 0.41%

LAB 34.05, 69.31, -72.66

 

CMYK 67 / 95 / 0 / 22

HEX #4109C7

RGB 65 9 199

HSL 257.68, 0.91%, 0.41%

LAB 27.96, 65.37, -82.93

 

CMYK 93 / 95 / 0 / 22

HEX #0D09C7

RGB 13 9 199

HSL 241.26, 0.91%, 0.41%

LAB 24.97, 63.89, -88

 

CMYK 95 / 95 / 0 / 22

HEX #0909C7

RGB 9 9 199

HSL 240, 0.91%, 0.41%

LAB 24.88, 63.85, -88.14

 

CMYK 16 / 95 / 0 / 22

HEX #A709C7

RGB 167 9 199

HSL 289.89, 0.91%, 0.41%

LAB 42.05, 75.77, -59.25

 

CMYK 16 / 95 / 0 / 22

HEX #A709C7

RGB 167 9 199

HSL 289.89, 0.91%, 0.41%

LAB 42.05, 75.77, -59.25

 

CMYK 14 / 86 / 0 / 29

HEX #9C1AB6

RGB 156 26 182

HSL 290, 0.75%, 0.41%

LAB 39.89, 68.51, -52.87

 

CMYK 12 / 74 / 0 / 35

HEX #912BA5

RGB 145 43 165

HSL 290.16, 0.59%, 0.41%

LAB 38.66, 58.43, -44.81

 

CMYK 10 / 59 / 0 / 42

HEX #853C94

RGB 133 60 148

HSL 289.77, 0.42%, 0.41%

LAB 38.47, 44.87, -34.96

 

CMYK 8 / 42 / 0 / 48

HEX #7A4D84

RGB 122 77 132

HSL 289.09, 0.26%, 0.41%

LAB 39.77, 28.89, -23.29

 

CMYK 68 / 95 / 0 / 22

HEX #3F09C7

RGB 63 9 199

HSL 257.05, 0.91%, 0.41%

LAB 27.78, 65.27, -83.23

 

CMYK 43 / 95 / 0 / 22

HEX #7209C7

RGB 114 9 199

HSL 273.16, 0.91%, 0.41%

LAB 33.77, 69.1, -73.13

 

CMYK 18 / 95 / 0 / 22

HEX #A409C7

RGB 164 9 199

HSL 288.95, 0.91%, 0.41%

LAB 41.55, 75.33, -60.09

 

CMYK 0 / 95 / 8 / 22

HEX #C709B7

RGB 199 9 183

HSL 305.05, 0.91%, 0.41%

LAB 46.65, 78.49, -42.2

 

CMYK 0 / 95 / 33 / 22

HEX #C70985

RGB 199 9 133

HSL 320.84, 0.91%, 0.41%

LAB 44.28, 72.42, -15.92

 

CMYK 16 / 96 / 0 / 53

HEX #650578

RGB 101 5 120

HSL 290.09, 0.92%, 0.25%

LAB 24.42, 52.06, -40.32

 

CMYK 16 / 96 / 0 / 37

HEX #8607A0

RGB 134 7 160

HSL 289.8, 0.92%, 0.33%

LAB 33.47, 64.27, -50.25

 

CMYK 16 / 95 / 0 / 22

HEX #A709C7

RGB 167 9 199

HSL 289.89, 0.91%, 0.41%

LAB 42.05, 75.77, -59.25

 

CMYK 16 / 95 / 0 / 6

HEX #C80BEF

RGB 200 11 239

HSL 289.74, 0.91%, 0.49%

LAB 50.39, 87, -68.37

 

CMYK 14 / 81 / 0 / 4

HEX #D32EF5

RGB 211 46 245

HSL 289.75, 0.91%, 0.57%

LAB 54.44, 84.09, -65.1

 

CMYK 16 / 95 / 0 / 22

HEX #A709C7

RGB 167 9 199

HSL 289.89, 0.91%, 0.41%

LAB 42.05, 75.77, -59.25

 

CMYK 0 / 94 / 95 / 22

HEX #C70C09

RGB 199 12 9

HSL 0.95, 0.91%, 0.41%

LAB 41.88, 65.36, 52.88

 

CMYK 95 / 0 / 56 / 22

HEX #09C758

RGB 9 199 88

HSL 144.95, 0.91%, 0.41%

LAB 70.6, -64.91, 43.58

 

CMYK 16 / 95 / 0 / 22

HEX #A709C7

RGB 167 9 199

HSL 289.89, 0.91%, 0.41%

LAB 42.05, 75.77, -59.25

 

CMYK 0 / 18 / 95 / 22

HEX #C7A409

RGB 199 164 9

HSL 48.95, 0.91%, 0.41%

LAB 68.54, 0.27, 70.57

 

CMYK 95 / 0 / 18 / 22

HEX #09C7A4

RGB 9 199 164

HSL 168.95, 0.91%, 0.41%

LAB 71.95, -49.45, 5.94

 

CMYK 16 / 95 / 0 / 22

HEX #A709C7

RGB 167 9 199

HSL 289.89, 0.91%, 0.41%

LAB 42.05, 75.77, -59.25

 

CMYK 0 / 94 / 95 / 22

HEX #C70C09

RGB 199 12 9

HSL 0.95, 0.91%, 0.41%

LAB 41.88, 65.36, 52.88

 

CMYK 78 / 0 / 95 / 22

HEX #2CC709

RGB 44 199 9

HSL 108.95, 0.91%, 0.41%

LAB 70.46, -67.95, 68.5

 

CMYK 95 / 2 / 0 / 22

HEX #09C4C7

RGB 9 196 199

HSL 180.95, 0.91%, 0.41%

LAB 72, -38.28, -13.03

 

CMYK 16 / 95 / 0 / 22

HEX #A709C7

RGB 167 9 199

HSL 289.89, 0.91%, 0.41%

LAB 42.05, 75.77, -59.25

 

CMYK 0 / 65 / 95 / 22

HEX #C74509

RGB 199 69 9

HSL 18.95, 0.91%, 0.41%

LAB 47.52, 49.66, 56.12

 

CMYK 78 / 0 / 95 / 22

HEX #2CC709

RGB 44 199 9

HSL 108.95, 0.91%, 0.41%

LAB 70.46, -67.95, 68.5

 

CMYK 95 / 30 / 0 / 22

HEX #098BC7

RGB 9 139 199

HSL 198.95, 0.91%, 0.41%

LAB 54.71, -9.1, -39.63

 

Description

Color code: HEX #A709C7 | qconv.com Color code: HEX #A709C7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 9 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 9 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 95 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 95% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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