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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A70AD6 it is the complementary color #58F529. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A70AD6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A70AD6 shade: #AC0AD1, #BD1CE4, #CE2EF7, #DF40FF and #F052FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A70AD6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A70AD6 shade: #A70AD6, #9600C3, #8500B0, #74009D and #63008A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A70AD6 shade: #A70AD6, #D60ACE, #D60A97, #D60A60 and #D60A29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A70AD6 shade: #A70AD6, #700AD6, #390AD6 and #0A0AD6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A70AD6 shade matches the following richer shades: #A70AD6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A70AD6 shade: #A70AD6, #9D1CC4, #932EB1, #89409F and #80528D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A70AD6 shade: #390AD6, #700AD6, #A60AD6, #D60ACF and #D60A99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A70AD6 shade: #690687, #8808AE, #A70AD6, #C015F4 and #CB3DF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A70AD6 shade: #A70AD6, #D60A10 and #0AD654

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A70AD6 shade: #A70AD6, #D6A60A and #0AD6A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A70AD6 shade: #A70AD6, #D60A10, #39D60A and #0AD6CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A70AD6 shade: #A70AD6, #D6400A, #39D60A and #0A9FD6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 95 / 0 / 16

HEX #A70AD6

RGB 167 10 214

HSL 286.18, 0.91%, 0.44%

LAB 43.19, 78.27, -66.08

 

Complementary color

CMYK 64 / 0 / 83 / 4

HEX #58F529

RGB 88 245 41

HSL 106.18, 0.91%, 0.56%

LAB 85.78, -73.35, 76.54

 

CMYK 18 / 95 / 0 / 18

HEX #AC0AD1

RGB 172 10 209

HSL 288.84, 0.91%, 0.43%

LAB 43.64, 78.1, -62.44

 

CMYK 17 / 88 / 0 / 11

HEX #BD1CE4

RGB 189 28 228

HSL 288.3, 0.79%, 0.5%

LAB 48.57, 81.42, -65.19

 

CMYK 17 / 81 / 0 / 3

HEX #CE2EF7

RGB 206 46 247

HSL 287.76, 0.93%, 0.57%

LAB 53.8, 83.61, -67.29

 

CMYK 13 / 75 / 0 / 0

HEX #DF40FF

RGB 223 64 255

HSL 289.95, 1%, 0.63%

LAB 58.58, 83.01, -63.91

 

CMYK 6 / 68 / 0 / 0

HEX #F052FF

RGB 240 82 255

HSL 294.8, 1%, 0.66%

LAB 63.16, 80.44, -56.45

 

CMYK 22 / 95 / 0 / 16

HEX #A70AD6

RGB 167 10 214

HSL 286.18, 0.91%, 0.44%

LAB 43.19, 78.27, -66.08

 

CMYK 23 / 100 / 0 / 24

HEX #9600C3

RGB 150 0 195

HSL 286.15, 1%, 0.38%

LAB 38.59, 73.66, -62.66

 

CMYK 24 / 100 / 0 / 31

HEX #8500B0

RGB 133 0 176

HSL 285.34, 1%, 0.35%

LAB 34.23, 67.97, -58.65

 

CMYK 26 / 100 / 0 / 38

HEX #74009D

RGB 116 0 157

HSL 284.33, 1%, 0.31%

LAB 29.78, 62.17, -54.57

 

CMYK 28 / 100 / 0 / 46

HEX #63008A

RGB 99 0 138

HSL 283.04, 1%, 0.27%

LAB 25.22, 56.24, -50.4

 

CMYK 22 / 95 / 0 / 16

HEX #A70AD6

RGB 167 10 214

HSL 286.18, 0.91%, 0.44%

LAB 43.19, 78.27, -66.08

 

CMYK 0 / 95 / 4 / 16

HEX #D60ACE

RGB 214 10 206

HSL 302.35, 0.91%, 0.44%

LAB 50.65, 84.19, -49.05

 

CMYK 0 / 95 / 29 / 16

HEX #D60A97

RGB 214 10 151

HSL 318.53, 0.91%, 0.44%

LAB 47.94, 77.32, -20.97

 

CMYK 0 / 95 / 55 / 16

HEX #D60A60

RGB 214 10 96

HSL 334.71, 0.91%, 0.44%

LAB 46.12, 72.49, 10.03

 

CMYK 0 / 95 / 81 / 16

HEX #D60A29

RGB 214 10 41

HSL 350.88, 0.91%, 0.44%

LAB 45.18, 69.92, 42.25

 

CMYK 22 / 95 / 0 / 16

HEX #A70AD6

RGB 167 10 214

HSL 286.18, 0.91%, 0.44%

LAB 43.19, 78.27, -66.08

 

CMYK 48 / 95 / 0 / 16

HEX #700AD6

RGB 112 10 214

HSL 270, 0.91%, 0.44%

LAB 35.04, 72, -79.77

 

CMYK 73 / 95 / 0 / 16

HEX #390AD6

RGB 57 10 214

HSL 253.82, 0.91%, 0.44%

LAB 29.27, 68.53, -89.52

 

CMYK 95 / 95 / 0 / 16

HEX #0A0AD6

RGB 10 10 214

HSL 240, 0.91%, 0.44%

LAB 27.12, 67.53, -93.15

 

CMYK 22 / 95 / 0 / 16

HEX #A70AD6

RGB 167 10 214

HSL 286.18, 0.91%, 0.44%

LAB 43.19, 78.27, -66.08

 

CMYK 22 / 95 / 0 / 16

HEX #A70AD6

RGB 167 10 214

HSL 286.18, 0.91%, 0.44%

LAB 43.19, 78.27, -66.08

 

CMYK 20 / 86 / 0 / 23

HEX #9D1CC4

RGB 157 28 196

HSL 286.07, 0.75%, 0.44%

LAB 41.19, 70.76, -58.98

 

CMYK 17 / 74 / 0 / 31

HEX #932EB1

RGB 147 46 177

HSL 286.26, 0.59%, 0.44%

LAB 40.13, 60.06, -49.59

 

CMYK 14 / 60 / 0 / 38

HEX #89409F

RGB 137 64 159

HSL 286.11, 0.43%, 0.44%

LAB 40.39, 46.22, -38.52

 

CMYK 9 / 42 / 0 / 45

HEX #80528D

RGB 128 82 141

HSL 286.78, 0.26%, 0.44%

LAB 42.07, 29.89, -25.12

 

CMYK 73 / 95 / 0 / 16

HEX #390AD6

RGB 57 10 214

HSL 253.82, 0.91%, 0.44%

LAB 29.27, 68.53, -89.52

 

CMYK 48 / 95 / 0 / 16

HEX #700AD6

RGB 112 10 214

HSL 270, 0.91%, 0.44%

LAB 35.04, 72, -79.77

 

CMYK 22 / 95 / 0 / 16

HEX #A60AD6

RGB 166 10 214

HSL 285.88, 0.91%, 0.44%

LAB 43.03, 78.13, -66.35

 

CMYK 0 / 95 / 3 / 16

HEX #D60ACF

RGB 214 10 207

HSL 302.06, 0.91%, 0.44%

LAB 50.71, 84.33, -49.54

 

CMYK 0 / 95 / 29 / 16

HEX #D60A99

RGB 214 10 153

HSL 317.94, 0.91%, 0.44%

LAB 48.02, 77.54, -22.05

 

CMYK 22 / 96 / 0 / 47

HEX #690687

RGB 105 6 135

HSL 286.05, 0.91%, 0.28%

LAB 26.4, 55.35, -46.57

 

CMYK 22 / 95 / 0 / 32

HEX #8808AE

RGB 136 8 174

HSL 286.27, 0.91%, 0.36%

LAB 34.93, 66.96, -56.3

 

CMYK 22 / 95 / 0 / 16

HEX #A70AD6

RGB 167 10 214

HSL 286.18, 0.91%, 0.44%

LAB 43.19, 78.27, -66.08

 

CMYK 21 / 91 / 0 / 4

HEX #C015F4

RGB 192 21 244

HSL 286.01, 0.91%, 0.52%

LAB 49.83, 85.68, -72.16

 

CMYK 17 / 75 / 0 / 4

HEX #CB3DF5

RGB 203 61 245

HSL 286.3, 0.9%, 0.6%

LAB 54.69, 78.5, -64.78

 

CMYK 22 / 95 / 0 / 16

HEX #A70AD6

RGB 167 10 214

HSL 286.18, 0.91%, 0.44%

LAB 43.19, 78.27, -66.08

 

CMYK 0 / 95 / 93 / 16

HEX #D60A10

RGB 214 10 16

HSL 358.24, 0.91%, 0.44%

LAB 45.01, 69.44, 54

 

CMYK 95 / 0 / 61 / 16

HEX #0AD654

RGB 10 214 84

HSL 141.76, 0.91%, 0.44%

LAB 75.33, -70.02, 50.94

 

CMYK 22 / 95 / 0 / 16

HEX #A70AD6

RGB 167 10 214

HSL 286.18, 0.91%, 0.44%

LAB 43.19, 78.27, -66.08

 

CMYK 0 / 22 / 95 / 16

HEX #D6A60A

RGB 214 166 10

HSL 45.88, 0.91%, 0.44%

LAB 70.59, 5.86, 72.63

 

CMYK 95 / 0 / 22 / 16

HEX #0AD6A6

RGB 10 214 166

HSL 165.88, 0.91%, 0.44%

LAB 76.62, -54.87, 11.54

 

CMYK 22 / 95 / 0 / 16

HEX #A70AD6

RGB 167 10 214

HSL 286.18, 0.91%, 0.44%

LAB 43.19, 78.27, -66.08

 

CMYK 0 / 95 / 93 / 16

HEX #D60A10

RGB 214 10 16

HSL 358.24, 0.91%, 0.44%

LAB 45.01, 69.44, 54

 

CMYK 73 / 0 / 95 / 16

HEX #39D60A

RGB 57 214 10

HSL 106.18, 0.91%, 0.44%

LAB 75.44, -70.45, 72.58

 

CMYK 95 / 0 / 3 / 16

HEX #0AD6CF

RGB 10 214 207

HSL 177.94, 0.91%, 0.44%

LAB 77.68, -43.92, -8.88

 

CMYK 22 / 95 / 0 / 16

HEX #A70AD6

RGB 167 10 214

HSL 286.18, 0.91%, 0.44%

LAB 43.19, 78.27, -66.08

 

CMYK 0 / 70 / 95 / 16

HEX #D6400A

RGB 214 64 10

HSL 15.88, 0.91%, 0.44%

LAB 49.48, 56.76, 58.44

 

CMYK 73 / 0 / 95 / 16

HEX #39D60A

RGB 57 214 10

HSL 106.18, 0.91%, 0.44%

LAB 75.44, -70.45, 72.58

 

CMYK 95 / 26 / 0 / 16

HEX #0A9FD6

RGB 10 159 214

HSL 196.18, 0.91%, 0.44%

LAB 61.41, -14.75, -37.54

 

Description

Color code: HEX #A70AD6 | qconv.com Color code: HEX #A70AD6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 10 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 10 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 95 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 95% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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