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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A716A4 it is the complementary color #58E95B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A716A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A716A4 shade: #AC169F, #BD28B2, #CE3AC5, #DF4CD8 and #F05EEB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A716A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A716A4 shade: #A716A4, #960491, #85007E, #74006B and #630058

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A716A4 shade: #A615A3, #A6157C, #A61555, #A6152E and #A61515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A716A4 shade: #A615A3, #8215A6, #5B15A6, #3415A6 and #1515A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A716A4 shade matches the following richer shades: #A615A3 and #B606B2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A716A4 shade: #A615A3, #972495, #883486, #794378 and #695269

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A716A4 shade: #5B15A6, #8215A6, #A615A4, #A6157D and #A61557

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A716A4 shade: #5D0C5C, #821080, #A615A3, #CB1AC7 and #E32BDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A716A4 shade: #A716A4, #A63515 and #15A66F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A716A4 shade: #A716A4, #A4A615 and #15A4A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A716A4 shade: #A716A4, #A63515, #15A618 and #1587A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A716A4 shade: #A716A4, #A66015, #15A618 and #155BA6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 2 / 35

HEX #A716A4

RGB 167 22 164

HSL 301.24, 0.77%, 0.37%

LAB 40.36, 68.3, -41.29

 

Complementary color

CMYK 62 / 0 / 61 / 9

HEX #58E95B

RGB 88 233 91

HSL 121.24, 0.77%, 0.63%

LAB 82.44, -65.74, 56.32

 

CMYK 0 / 87 / 8 / 33

HEX #AC169F

RGB 172 22 159

HSL 305.2, 0.77%, 0.38%

LAB 40.97, 68.5, -37.25

 

CMYK 0 / 79 / 6 / 26

HEX #BD28B2

RGB 189 40 178

HSL 304.43, 0.65%, 0.45%

LAB 46.38, 70.72, -39.81

 

CMYK 0 / 72 / 4 / 19

HEX #CE3AC5

RGB 206 58 197

HSL 303.65, 0.6%, 0.52%

LAB 52.04, 71.96, -41.75

 

CMYK 0 / 66 / 3 / 13

HEX #DF4CD8

RGB 223 76 216

HSL 302.86, 0.7%, 0.59%

LAB 57.86, 72.51, -43.23

 

CMYK 0 / 61 / 2 / 6

HEX #F05EEB

RGB 240 94 235

HSL 302.05, 0.83%, 0.65%

LAB 63.78, 72.62, -44.4

 

CMYK 0 / 87 / 2 / 35

HEX #A716A4

RGB 167 22 164

HSL 301.24, 0.77%, 0.37%

LAB 40.36, 68.3, -41.29

 

CMYK 0 / 97 / 3 / 41

HEX #960491

RGB 150 4 145

HSL 302.05, 0.95%, 0.3%

LAB 35.23, 64.87, -38.11

 

CMYK 0 / 100 / 5 / 48

HEX #85007E

RGB 133 0 126

HSL 303.16, 1%, 0.26%

LAB 30.62, 59.52, -33.84

 

CMYK 0 / 100 / 8 / 55

HEX #74006B

RGB 116 0 107

HSL 304.66, 1%, 0.23%

LAB 26.08, 53.52, -29.13

 

CMYK 0 / 100 / 11 / 61

HEX #630058

RGB 99 0 88

HSL 306.67, 1%, 0.19%

LAB 21.42, 47.35, -24.24

 

CMYK 0 / 87 / 2 / 35

HEX #A615A3

RGB 166 21 163

HSL 301.24, 0.78%, 0.37%

LAB 40.06, 68.14, -41.17

 

CMYK 0 / 87 / 25 / 35

HEX #A6157C

RGB 166 21 124

HSL 317.38, 0.78%, 0.37%

LAB 38.02, 62.72, -20.52

 

CMYK 0 / 87 / 49 / 35

HEX #A61555

RGB 166 21 85

HSL 333.52, 0.78%, 0.37%

LAB 36.55, 58.64, 2.03

 

CMYK 0 / 87 / 72 / 35

HEX #A6152E

RGB 166 21 46

HSL 349.66, 0.78%, 0.37%

LAB 35.68, 56.11, 25.98

 

CMYK 0 / 87 / 87 / 35

HEX #A61515

RGB 166 21 21

HSL 0, 0.78%, 0.37%

LAB 35.4, 55.29, 40.26

 

CMYK 0 / 87 / 2 / 35

HEX #A615A3

RGB 166 21 163

HSL 301.24, 0.78%, 0.37%

LAB 40.06, 68.14, -41.17

 

CMYK 22 / 87 / 0 / 35

HEX #8215A6

RGB 130 21 166

HSL 285.1, 0.78%, 0.37%

LAB 34.06, 62.36, -52.97

 

CMYK 45 / 87 / 0 / 35

HEX #5B15A6

RGB 91 21 166

HSL 268.97, 0.78%, 0.37%

LAB 28.15, 56.75, -62.86

 

CMYK 69 / 87 / 0 / 35

HEX #3415A6

RGB 52 21 166

HSL 252.83, 0.78%, 0.37%

LAB 23.74, 52.91, -70.3

 

CMYK 87 / 87 / 0 / 35

HEX #1515A6

RGB 21 21 166

HSL 240, 0.78%, 0.37%

LAB 21.76, 51.33, -73.64

 

CMYK 0 / 87 / 2 / 35

HEX #A615A3

RGB 166 21 163

HSL 301.24, 0.78%, 0.37%

LAB 40.06, 68.14, -41.17

 

CMYK 0 / 97 / 2 / 29

HEX #B606B2

RGB 182 6 178

HSL 301.36, 0.94%, 0.37%

LAB 43.2, 75.11, -44.95

 

CMYK 0 / 87 / 2 / 35

HEX #A615A3

RGB 166 21 163

HSL 301.24, 0.78%, 0.37%

LAB 40.06, 68.14, -41.17

 

CMYK 0 / 76 / 1 / 41

HEX #972495

RGB 151 36 149

HSL 301.04, 0.61%, 0.37%

LAB 37.86, 59.25, -36.36

 

CMYK 0 / 62 / 1 / 47

HEX #883486

RGB 136 52 134

HSL 301.43, 0.45%, 0.37%

LAB 36.76, 46.82, -29.07

 

CMYK 0 / 45 / 1 / 53

HEX #794378

RGB 121 67 120

HSL 301.11, 0.29%, 0.37%

LAB 36.81, 31.84, -20.5

 

CMYK 0 / 22 / 0 / 59

HEX #695269

RGB 105 82 105

HSL 300, 0.12%, 0.37%

LAB 37.95, 14, -9.6

 

CMYK 45 / 87 / 0 / 35

HEX #5B15A6

RGB 91 21 166

HSL 268.97, 0.78%, 0.37%

LAB 28.15, 56.75, -62.86

 

CMYK 22 / 87 / 0 / 35

HEX #8215A6

RGB 130 21 166

HSL 285.1, 0.78%, 0.37%

LAB 34.06, 62.36, -52.97

 

CMYK 0 / 87 / 1 / 35

HEX #A615A4

RGB 166 21 164

HSL 300.83, 0.78%, 0.37%

LAB 40.12, 68.3, -41.68

 

CMYK 0 / 87 / 25 / 35

HEX #A6157D

RGB 166 21 125

HSL 316.97, 0.78%, 0.37%

LAB 38.06, 62.84, -21.08

 

CMYK 0 / 87 / 48 / 35

HEX #A61557

RGB 166 21 87

HSL 332.69, 0.78%, 0.37%

LAB 36.61, 58.82, 0.83

 

CMYK 0 / 87 / 1 / 64

HEX #5D0C5C

RGB 93 12 92

HSL 300.74, 0.77%, 0.21%

LAB 21.44, 43.89, -26.95

 

CMYK 0 / 88 / 2 / 49

HEX #821080

RGB 130 16 128

HSL 301.05, 0.78%, 0.29%

LAB 31.06, 56.68, -34.44

 

CMYK 0 / 87 / 2 / 35

HEX #A615A3

RGB 166 21 163

HSL 301.24, 0.78%, 0.37%

LAB 40.06, 68.14, -41.17

 

CMYK 0 / 87 / 2 / 20

HEX #CB1AC7

RGB 203 26 199

HSL 301.36, 0.77%, 0.45%

LAB 48.96, 79.44, -47.83

 

CMYK 0 / 81 / 2 / 11

HEX #E32BDF

RGB 227 43 223

HSL 301.3, 0.77%, 0.53%

LAB 55.47, 84.12, -50.95

 

CMYK 0 / 87 / 2 / 35

HEX #A716A4

RGB 167 22 164

HSL 301.24, 0.77%, 0.37%

LAB 40.36, 68.3, -41.29

 

CMYK 0 / 68 / 87 / 35

HEX #A63515

RGB 166 53 21

HSL 13.24, 0.78%, 0.37%

LAB 39.08, 45.03, 43.34

 

CMYK 87 / 0 / 33 / 35

HEX #15A66F

RGB 21 166 111

HSL 157.24, 0.78%, 0.37%

LAB 60.41, -48.66, 18.68

 

CMYK 0 / 87 / 2 / 35

HEX #A716A4

RGB 167 22 164

HSL 301.24, 0.77%, 0.37%

LAB 40.36, 68.3, -41.29

 

CMYK 1 / 0 / 87 / 35

HEX #A4A615

RGB 164 166 21

HSL 60.83, 0.78%, 0.37%

LAB 65.92, -16.18, 65.24

 

CMYK 87 / 1 / 0 / 35

HEX #15A4A6

RGB 21 164 166

HSL 180.83, 0.78%, 0.37%

LAB 61.19, -33.01, -10.97

 

CMYK 0 / 87 / 2 / 35

HEX #A716A4

RGB 167 22 164

HSL 301.24, 0.77%, 0.37%

LAB 40.36, 68.3, -41.29

 

CMYK 0 / 68 / 87 / 35

HEX #A63515

RGB 166 53 21

HSL 13.24, 0.78%, 0.37%

LAB 39.08, 45.03, 43.34

 

CMYK 87 / 0 / 86 / 35

HEX #15A618

RGB 21 166 24

HSL 121.24, 0.78%, 0.37%

LAB 59.43, -60.39, 56.45

 

CMYK 87 / 19 / 0 / 35

HEX #1587A6

RGB 21 135 166

HSL 192.83, 0.78%, 0.37%

LAB 52.11, -18.32, -24.79

 

CMYK 0 / 87 / 2 / 35

HEX #A716A4

RGB 167 22 164

HSL 301.24, 0.77%, 0.37%

LAB 40.36, 68.3, -41.29

 

CMYK 0 / 42 / 87 / 35

HEX #A66015

RGB 166 96 21

HSL 31.03, 0.78%, 0.37%

LAB 47.66, 23.22, 50.42

 

CMYK 87 / 0 / 86 / 35

HEX #15A618

RGB 21 166 24

HSL 121.24, 0.78%, 0.37%

LAB 59.43, -60.39, 56.45

 

CMYK 87 / 45 / 0 / 35

HEX #155BA6

RGB 21 91 166

HSL 211.03, 0.78%, 0.37%

LAB 38.54, 8.07, -46.16

 

Description

Color code: HEX #A716A4 | qconv.com Color code: HEX #A716A4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 22 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 22 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 2 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 2% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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