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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A71AA5 it is the complementary color #58E55A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A71AA5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A71AA5 shade: #AC1AA0, #BD2CB3, #CE3EC6, #DF50D9 and #F062EC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A71AA5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A71AA5 shade: #A71AA5, #960892, #85007F, #74006C and #630059

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A71AA5 shade: #A71AA5, #A71A7F, #A71A59, #A71A33 and #A71A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A71AA5 shade: #A71AA5, #831AA7, #5D1AA7, #371AA7 and #1A1AA7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A71AA5 shade matches the following richer shades: #A71AA5 and #B70AB4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A71AA5 shade: #A71AA5, #972996, #883987, #784977 and #685868

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A71AA5 shade: #5C1AA7, #811AA7, #A71AA7, #A71A81 and #A71A5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A71AA5 shade: #600F5F, #831482, #A71AA5, #CB1FC8 and #DF34DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A71AA5 shade: #A71AA5, #A7361A and #1AA76F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A71AA5 shade: #A71AA5, #A7A71A and #1AA7A7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A71AA5 shade: #A71AA5, #A7361A, #1AA71A and #1A8BA7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A71AA5 shade: #A71AA5, #A7601A, #1AA71A and #1A60A7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 1 / 35

HEX #A71AA5

RGB 167 26 165

HSL 300.85, 0.73%, 0.38%

LAB 40.69, 67.67, -41.36

 

Complementary color

CMYK 62 / 0 / 61 / 10

HEX #58E55A

RGB 88 229 90

HSL 120.85, 0.73%, 0.62%

LAB 81.21, -64.46, 55.36

 

CMYK 0 / 85 / 7 / 33

HEX #AC1AA0

RGB 172 26 160

HSL 304.93, 0.74%, 0.39%

LAB 41.29, 67.88, -37.35

 

CMYK 0 / 77 / 5 / 26

HEX #BD2CB3

RGB 189 44 179

HSL 304.14, 0.62%, 0.46%

LAB 46.81, 69.79, -39.72

 

CMYK 0 / 70 / 4 / 19

HEX #CE3EC6

RGB 206 62 198

HSL 303.33, 0.6%, 0.53%

LAB 52.56, 70.78, -41.5

 

CMYK 0 / 64 / 3 / 13

HEX #DF50D9

RGB 223 80 217

HSL 302.52, 0.69%, 0.59%

LAB 58.45, 71.17, -42.87

 

CMYK 0 / 59 / 2 / 6

HEX #F062EC

RGB 240 98 236

HSL 301.69, 0.83%, 0.66%

LAB 64.42, 71.15, -43.95

 

CMYK 0 / 84 / 1 / 35

HEX #A71AA5

RGB 167 26 165

HSL 300.85, 0.73%, 0.38%

LAB 40.69, 67.67, -41.36

 

CMYK 0 / 95 / 3 / 41

HEX #960892

RGB 150 8 146

HSL 301.69, 0.9%, 0.31%

LAB 35.47, 64.51, -38.36

 

CMYK 0 / 100 / 5 / 48

HEX #85007F

RGB 133 0 127

HSL 302.71, 1%, 0.26%

LAB 30.69, 59.67, -34.37

 

CMYK 0 / 100 / 7 / 55

HEX #74006C

RGB 116 0 108

HSL 304.14, 1%, 0.23%

LAB 26.14, 53.67, -29.68

 

CMYK 0 / 100 / 10 / 61

HEX #630059

RGB 99 0 89

HSL 306.06, 1%, 0.19%

LAB 21.48, 47.51, -24.81

 

CMYK 0 / 84 / 1 / 35

HEX #A71AA5

RGB 167 26 165

HSL 300.85, 0.73%, 0.38%

LAB 40.69, 67.67, -41.36

 

CMYK 0 / 84 / 24 / 35

HEX #A71A7F

RGB 167 26 127

HSL 317.02, 0.73%, 0.38%

LAB 38.7, 62.29, -21.32

 

CMYK 0 / 84 / 47 / 35

HEX #A71A59

RGB 167 26 89

HSL 333.19, 0.73%, 0.38%

LAB 37.25, 58.17, 0.5

 

CMYK 0 / 84 / 69 / 35

HEX #A71A33

RGB 167 26 51

HSL 349.36, 0.73%, 0.38%

LAB 36.35, 55.51, 23.69

 

CMYK 0 / 84 / 84 / 35

HEX #A71A1A

RGB 167 26 26

HSL 0, 0.73%, 0.38%

LAB 36.04, 54.57, 38.3

 

CMYK 0 / 84 / 1 / 35

HEX #A71AA5

RGB 167 26 165

HSL 300.85, 0.73%, 0.38%

LAB 40.69, 67.67, -41.36

 

CMYK 22 / 84 / 0 / 35

HEX #831AA7

RGB 131 26 167

HSL 284.68, 0.73%, 0.38%

LAB 34.71, 61.49, -52.5

 

CMYK 44 / 84 / 0 / 35

HEX #5D1AA7

RGB 93 26 167

HSL 268.51, 0.73%, 0.38%

LAB 29.05, 55.68, -61.98

 

CMYK 67 / 84 / 0 / 35

HEX #371AA7

RGB 55 26 167

HSL 252.34, 0.73%, 0.38%

LAB 24.77, 51.49, -69.18

 

CMYK 84 / 84 / 0 / 35

HEX #1A1AA7

RGB 26 26 167

HSL 240, 0.73%, 0.38%

LAB 22.82, 49.67, -72.47

 

CMYK 0 / 84 / 1 / 35

HEX #A71AA5

RGB 167 26 165

HSL 300.85, 0.73%, 0.38%

LAB 40.69, 67.67, -41.36

 

CMYK 0 / 95 / 2 / 28

HEX #B70AB4

RGB 183 10 180

HSL 301.04, 0.9%, 0.38%

LAB 43.62, 75.2, -45.43

 

CMYK 0 / 84 / 1 / 35

HEX #A71AA5

RGB 167 26 165

HSL 300.85, 0.73%, 0.38%

LAB 40.69, 67.67, -41.36

 

CMYK 0 / 73 / 1 / 41

HEX #972996

RGB 151 41 150

HSL 300.55, 0.57%, 0.38%

LAB 38.49, 57.78, -35.97

 

CMYK 0 / 58 / 1 / 47

HEX #883987

RGB 136 57 135

HSL 300.76, 0.41%, 0.38%

LAB 37.68, 44.64, -28.25

 

CMYK 0 / 39 / 1 / 53

HEX #784977

RGB 120 73 119

HSL 301.28, 0.24%, 0.38%

LAB 38, 27.83, -18.04

 

CMYK 0 / 15 / 0 / 59

HEX #685868

RGB 104 88 104

HSL 300, 0.08%, 0.38%

LAB 39.45, 9.7, -6.74

 

CMYK 45 / 84 / 0 / 35

HEX #5C1AA7

RGB 92 26 167

HSL 268.09, 0.73%, 0.38%

LAB 28.91, 55.55, -62.2

 

CMYK 23 / 84 / 0 / 35

HEX #811AA7

RGB 129 26 167

HSL 283.83, 0.73%, 0.38%

LAB 34.39, 61.16, -53.04

 

CMYK 0 / 84 / 0 / 35

HEX #A71AA7

RGB 167 26 167

HSL 300, 0.73%, 0.38%

LAB 40.81, 67.98, -42.37

 

CMYK 0 / 84 / 23 / 35

HEX #A71A81

RGB 167 26 129

HSL 316.17, 0.73%, 0.38%

LAB 38.79, 62.54, -22.41

 

CMYK 0 / 84 / 45 / 35

HEX #A71A5C

RGB 167 26 92

HSL 331.91, 0.73%, 0.38%

LAB 37.35, 58.44, -1.29

 

CMYK 0 / 84 / 1 / 62

HEX #600F5F

RGB 96 15 95

HSL 300.74, 0.73%, 0.22%

LAB 22.5, 44.25, -27.23

 

CMYK 0 / 85 / 1 / 49

HEX #831482

RGB 131 20 130

HSL 300.54, 0.74%, 0.3%

LAB 31.66, 56.32, -34.71

 

CMYK 0 / 84 / 1 / 35

HEX #A71AA5

RGB 167 26 165

HSL 300.85, 0.73%, 0.38%

LAB 40.69, 67.67, -41.36

 

CMYK 0 / 85 / 1 / 20

HEX #CB1FC8

RGB 203 31 200

HSL 301.05, 0.74%, 0.46%

LAB 49.31, 78.72, -47.84

 

CMYK 0 / 77 / 1 / 13

HEX #DF34DD

RGB 223 52 221

HSL 300.7, 0.73%, 0.54%

LAB 55.45, 80.9, -49.89

 

CMYK 0 / 84 / 1 / 35

HEX #A71AA5

RGB 167 26 165

HSL 300.85, 0.73%, 0.38%

LAB 40.69, 67.67, -41.36

 

CMYK 0 / 68 / 84 / 35

HEX #A7361A

RGB 167 54 26

HSL 11.91, 0.73%, 0.38%

LAB 39.46, 45.08, 41.42

 

CMYK 84 / 0 / 34 / 35

HEX #1AA76F

RGB 26 167 111

HSL 156.17, 0.73%, 0.38%

LAB 60.79, -48.63, 19.2

 

CMYK 0 / 84 / 1 / 35

HEX #A71AA5

RGB 167 26 165

HSL 300.85, 0.73%, 0.38%

LAB 40.69, 67.67, -41.36

 

CMYK 0 / 0 / 84 / 35

HEX #A7A71A

RGB 167 167 26

HSL 60, 0.73%, 0.38%

LAB 66.46, -15.24, 64.69

 

CMYK 84 / 0 / 0 / 35

HEX #1AA7A7

RGB 26 167 167

HSL 180, 0.73%, 0.38%

LAB 62.21, -33.78, -10

 

CMYK 0 / 84 / 1 / 35

HEX #A71AA5

RGB 167 26 165

HSL 300.85, 0.73%, 0.38%

LAB 40.69, 67.67, -41.36

 

CMYK 0 / 68 / 84 / 35

HEX #A7361A

RGB 167 54 26

HSL 11.91, 0.73%, 0.38%

LAB 39.46, 45.08, 41.42

 

CMYK 84 / 0 / 84 / 35

HEX #1AA71A

RGB 26 167 26

HSL 120, 0.73%, 0.38%

LAB 59.83, -60.1, 56.32

 

CMYK 84 / 17 / 0 / 35

HEX #1A8BA7

RGB 26 139 167

HSL 191.91, 0.73%, 0.38%

LAB 53.47, -19.74, -23.27

 

CMYK 0 / 84 / 1 / 35

HEX #A71AA5

RGB 167 26 165

HSL 300.85, 0.73%, 0.38%

LAB 40.69, 67.67, -41.36

 

CMYK 0 / 43 / 84 / 35

HEX #A7601A

RGB 167 96 26

HSL 29.79, 0.73%, 0.38%

LAB 47.82, 23.8, 48.83

 

CMYK 84 / 0 / 84 / 35

HEX #1AA71A

RGB 26 167 26

HSL 120, 0.73%, 0.38%

LAB 59.83, -60.1, 56.32

 

CMYK 84 / 43 / 0 / 35

HEX #1A60A7

RGB 26 96 167

HSL 210.21, 0.73%, 0.38%

LAB 40.21, 5.63, -44.08

 

Description

Color code: HEX #A71AA5 | qconv.com Color code: HEX #A71AA5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 26 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 26 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 1 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 1% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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