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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A71EA3 it is the complementary color #58E15C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A71EA3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A71EA3 shade: #AC1E9E, #BD30B1, #CE42C4, #DF54D7 and #F066EA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A71EA3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A71EA3 shade: #A71EA3, #960C90, #85007D, #74006A and #630057

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A71EA3 shade: #A91DA5, #A91D7F, #A91D59, #A91D34 and #A91D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A71EA3 shade: #A91DA5, #871DA9, #621DA9, #3C1DA9 and #1D1DA9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A71EA3 shade matches the following richer shades: #A91DA5 and #B90DB4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A71EA3 shade: #A91DA5, #982D95, #883E86, #784E77 and #685E68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A71EA3 shade: #611DA9, #861DA9, #A91DA6, #A91D81 and #A91D5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A71EA3 shade: #621160, #851782, #A91DA5, #CC24C7 and #DC3CD8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A71EA3 shade: #A71EA3, #A93C1D and #1DA973

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A71EA3 shade: #A71EA3, #A6A91D and #1DA6A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A71EA3 shade: #A71EA3, #A93C1D, #1DA920 and #1D8AA9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A71EA3 shade: #A71EA3, #A9651D, #1DA920 and #1D61A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 2 / 35

HEX #A71EA3

RGB 167 30 163

HSL 301.75, 0.7%, 0.39%

LAB 40.88, 66.47, -39.86

 

Complementary color

CMYK 61 / 0 / 59 / 12

HEX #58E15C

RGB 88 225 92

HSL 121.75, 0.7%, 0.61%

LAB 80.01, -62.83, 53.12

 

CMYK 0 / 83 / 8 / 33

HEX #AC1E9E

RGB 172 30 158

HSL 305.92, 0.7%, 0.4%

LAB 41.48, 66.72, -35.84

 

CMYK 0 / 75 / 6 / 26

HEX #BD30B1

RGB 189 48 177

HSL 305.11, 0.59%, 0.46%

LAB 47.11, 68.31, -38.06

 

CMYK 0 / 68 / 5 / 19

HEX #CE42C4

RGB 206 66 196

HSL 304.29, 0.59%, 0.53%

LAB 52.95, 69.07, -39.73

 

CMYK 0 / 62 / 4 / 13

HEX #DF54D7

RGB 223 84 215

HSL 303.45, 0.68%, 0.6%

LAB 58.91, 69.28, -41.01

 

CMYK 0 / 58 / 3 / 6

HEX #F066EA

RGB 240 102 234

HSL 302.61, 0.82%, 0.67%

LAB 64.94, 69.14, -42.02

 

CMYK 0 / 82 / 2 / 35

HEX #A71EA3

RGB 167 30 163

HSL 301.75, 0.7%, 0.39%

LAB 40.88, 66.47, -39.86

 

CMYK 0 / 92 / 4 / 41

HEX #960C90

RGB 150 12 144

HSL 302.61, 0.85%, 0.32%

LAB 35.52, 63.69, -37.04

 

CMYK 0 / 100 / 6 / 48

HEX #85007D

RGB 133 0 125

HSL 303.61, 1%, 0.26%

LAB 30.56, 59.37, -33.31

 

CMYK 0 / 100 / 9 / 55

HEX #74006A

RGB 116 0 106

HSL 305.17, 1%, 0.23%

LAB 26.02, 53.37, -28.58

 

CMYK 0 / 100 / 12 / 61

HEX #630057

RGB 99 0 87

HSL 307.27, 1%, 0.19%

LAB 21.36, 47.2, -23.66

 

CMYK 0 / 83 / 2 / 34

HEX #A91DA5

RGB 169 29 165

HSL 301.71, 0.71%, 0.39%

LAB 41.26, 67.4, -40.42

 

CMYK 0 / 83 / 25 / 34

HEX #A91D7F

RGB 169 29 127

HSL 318, 0.71%, 0.39%

LAB 39.32, 62.05, -20.33

 

CMYK 0 / 83 / 47 / 34

HEX #A91D59

RGB 169 29 89

HSL 334.29, 0.71%, 0.39%

LAB 37.91, 57.96, 1.5

 

CMYK 0 / 83 / 69 / 34

HEX #A91D34

RGB 169 29 52

HSL 350.14, 0.71%, 0.39%

LAB 37.04, 55.38, 24.01

 

CMYK 0 / 83 / 83 / 34

HEX #A91D1D

RGB 169 29 29

HSL 0, 0.71%, 0.39%

LAB 36.75, 54.48, 37.48

 

CMYK 0 / 83 / 2 / 34

HEX #A91DA5

RGB 169 29 165

HSL 301.71, 0.71%, 0.39%

LAB 41.26, 67.4, -40.42

 

CMYK 20 / 83 / 0 / 34

HEX #871DA9

RGB 135 29 169

HSL 285.43, 0.71%, 0.39%

LAB 35.78, 61.76, -51.94

 

CMYK 42 / 83 / 0 / 34

HEX #621DA9

RGB 98 29 169

HSL 269.57, 0.71%, 0.39%

LAB 30.25, 55.83, -61.18

 

CMYK 64 / 83 / 0 / 34

HEX #3C1DA9

RGB 60 29 169

HSL 253.29, 0.71%, 0.39%

LAB 25.87, 51.26, -68.55

 

CMYK 83 / 83 / 0 / 34

HEX #1D1DA9

RGB 29 29 169

HSL 240, 0.71%, 0.39%

LAB 23.69, 49.04, -72.24

 

CMYK 0 / 83 / 2 / 34

HEX #A91DA5

RGB 169 29 165

HSL 301.71, 0.71%, 0.39%

LAB 41.26, 67.4, -40.42

 

CMYK 0 / 93 / 3 / 27

HEX #B90DB4

RGB 185 13 180

HSL 301.74, 0.87%, 0.39%

LAB 44.09, 75.24, -44.68

 

CMYK 0 / 83 / 2 / 34

HEX #A91DA5

RGB 169 29 165

HSL 301.71, 0.71%, 0.39%

LAB 41.26, 67.4, -40.42

 

CMYK 0 / 70 / 2 / 40

HEX #982D95

RGB 152 45 149

HSL 301.68, 0.54%, 0.39%

LAB 39.11, 56.41, -34.38

 

CMYK 0 / 54 / 1 / 47

HEX #883E86

RGB 136 62 134

HSL 301.62, 0.37%, 0.39%

LAB 38.55, 41.96, -26.27

 

CMYK 0 / 35 / 1 / 53

HEX #784E77

RGB 120 78 119

HSL 301.43, 0.21%, 0.39%

LAB 39.2, 24.88, -16.21

 

CMYK 0 / 10 / 0 / 59

HEX #685E68

RGB 104 94 104

HSL 300, 0.05%, 0.39%

LAB 41.13, 6.03, -4.23

 

CMYK 43 / 83 / 0 / 34

HEX #611DA9

RGB 97 29 169

HSL 269.14, 0.71%, 0.39%

LAB 30.12, 55.68, -61.4

 

CMYK 21 / 83 / 0 / 34

HEX #861DA9

RGB 134 29 169

HSL 285, 0.71%, 0.39%

LAB 35.62, 61.59, -52.2

 

CMYK 0 / 83 / 2 / 34

HEX #A91DA6

RGB 169 29 166

HSL 301.29, 0.71%, 0.39%

LAB 41.32, 67.56, -40.93

 

CMYK 0 / 83 / 24 / 34

HEX #A91D81

RGB 169 29 129

HSL 317.14, 0.71%, 0.39%

LAB 39.41, 62.3, -21.43

 

CMYK 0 / 83 / 46 / 34

HEX #A91D5C

RGB 169 29 92

HSL 333, 0.71%, 0.39%

LAB 38, 58.23, -0.29

 

CMYK 0 / 83 / 2 / 62

HEX #621160

RGB 98 17 96

HSL 301.48, 0.7%, 0.23%

LAB 23.14, 44.29, -26.83

 

CMYK 0 / 83 / 2 / 48

HEX #851782

RGB 133 23 130

HSL 301.64, 0.71%, 0.31%

LAB 32.28, 56, -33.71

 

CMYK 0 / 83 / 2 / 34

HEX #A91DA5

RGB 169 29 165

HSL 301.71, 0.71%, 0.39%

LAB 41.26, 67.4, -40.42

 

CMYK 0 / 82 / 2 / 20

HEX #CC24C7

RGB 204 36 199

HSL 301.79, 0.7%, 0.47%

LAB 49.77, 77.76, -46.53

 

CMYK 0 / 73 / 2 / 14

HEX #DC3CD8

RGB 220 60 216

HSL 301.5, 0.7%, 0.55%

LAB 55.49, 77.26, -47.02

 

CMYK 0 / 82 / 2 / 35

HEX #A71EA3

RGB 167 30 163

HSL 301.75, 0.7%, 0.39%

LAB 40.88, 66.47, -39.86

 

CMYK 0 / 64 / 83 / 34

HEX #A93C1D

RGB 169 60 29

HSL 13.29, 0.71%, 0.39%

LAB 40.82, 43.26, 41.34

 

CMYK 83 / 0 / 32 / 34

HEX #1DA973

RGB 29 169 115

HSL 156.86, 0.71%, 0.39%

LAB 61.55, -48.24, 18.06

 

CMYK 0 / 82 / 2 / 35

HEX #A71EA3

RGB 167 30 163

HSL 301.75, 0.7%, 0.39%

LAB 40.88, 66.47, -39.86

 

CMYK 2 / 0 / 83 / 34

HEX #A6A91D

RGB 166 169 29

HSL 61.29, 0.71%, 0.39%

LAB 66.95, -16.62, 64.33

 

CMYK 83 / 2 / 0 / 34

HEX #1DA6A9

RGB 29 166 169

HSL 181.29, 0.71%, 0.39%

LAB 62, -32.47, -11.44

 

CMYK 0 / 82 / 2 / 35

HEX #A71EA3

RGB 167 30 163

HSL 301.75, 0.7%, 0.39%

LAB 40.88, 66.47, -39.86

 

CMYK 0 / 64 / 83 / 34

HEX #A93C1D

RGB 169 60 29

HSL 13.29, 0.71%, 0.39%

LAB 40.82, 43.26, 41.34

 

CMYK 83 / 0 / 81 / 34

HEX #1DA920

RGB 29 169 32

HSL 121.29, 0.71%, 0.39%

LAB 60.55, -60.04, 55.35

 

CMYK 83 / 18 / 0 / 34

HEX #1D8AA9

RGB 29 138 169

HSL 193.29, 0.71%, 0.39%

LAB 53.28, -18.26, -24.7

 

CMYK 0 / 82 / 2 / 35

HEX #A71EA3

RGB 167 30 163

HSL 301.75, 0.7%, 0.39%

LAB 40.88, 66.47, -39.86

 

CMYK 0 / 40 / 83 / 34

HEX #A9651D

RGB 169 101 29

HSL 30.86, 0.71%, 0.39%

LAB 49.29, 21.98, 49.07

 

CMYK 83 / 0 / 81 / 34

HEX #1DA920

RGB 29 169 32

HSL 121.29, 0.71%, 0.39%

LAB 60.55, -60.04, 55.35

 

CMYK 83 / 43 / 0 / 34

HEX #1D61A9

RGB 29 97 169

HSL 210.86, 0.71%, 0.39%

LAB 40.7, 6.06, -44.48

 

Description

Color code: HEX #A71EA3 | qconv.com Color code: HEX #A71EA3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 30 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 30 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 2 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 2% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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