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Color name
HEX #A71F9F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A71F9F it is the complementary color #58E060. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A71F9F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A71F9F shade: #AC1F9A, #BD31AD, #CE43C0, #DF55D3 and #F067E6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A71F9F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A71F9F shade: #A71F9F, #960D8C, #850079, #740066 and #630053

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A71F9F shade: #A81E9F, #A81E7A, #A81E55, #A81E30 and #A81E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A71F9F shade: #A81E9F, #8B1EA8, #661EA8, #411EA8 and #1E1EA8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A71F9F shade matches the following richer shades: #A81E9F and #B80EAE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A71F9F shade: #A81E9F, #972E91, #873F83, #774F75 and #675F67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A71F9F shade: #651EA8, #8A1EA8, #A81EA1, #A81E7C and #A81E58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A71F9F shade: #62125D, #85187E, #A81E9F, #CA25C1 and #DB3DD2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A71F9F shade: #A71F9F, #A8411E and #1EA878

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A71F9F shade: #A71F9F, #A1A81E and #1EA1A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A71F9F shade: #A71F9F, #A8411E, #1EA825 and #1E85A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A71F9F shade: #A71F9F, #A86A1E, #1EA825 and #1E5CA8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 5 / 35

HEX #A71F9F

RGB 167 31 159

HSL 303.53, 0.69%, 0.39%

LAB 40.73, 65.61, -37.69

 

Complementary color

CMYK 61 / 0 / 57 / 12

HEX #58E060

RGB 88 224 96

HSL 123.53, 0.69%, 0.61%

LAB 79.74, -62.01, 51.03

 

CMYK 0 / 82 / 10 / 33

HEX #AC1F9A

RGB 172 31 154

HSL 307.66, 0.69%, 0.4%

LAB 41.35, 65.89, -33.64

 

CMYK 0 / 74 / 8 / 26

HEX #BD31AD

RGB 189 49 173

HSL 306.86, 0.59%, 0.47%

LAB 47.02, 67.39, -35.85

 

CMYK 0 / 67 / 7 / 19

HEX #CE43C0

RGB 206 67 192

HSL 306.04, 0.59%, 0.54%

LAB 52.89, 68.08, -37.52

 

CMYK 0 / 62 / 5 / 13

HEX #DF55D3

RGB 223 85 211

HSL 305.22, 0.68%, 0.6%

LAB 58.87, 68.24, -38.82

 

CMYK 0 / 57 / 4 / 6

HEX #F067E6

RGB 240 103 230

HSL 304.38, 0.82%, 0.67%

LAB 64.91, 68.06, -39.84

 

CMYK 0 / 81 / 5 / 35

HEX #A71F9F

RGB 167 31 159

HSL 303.53, 0.69%, 0.39%

LAB 40.73, 65.61, -37.69

 

CMYK 0 / 91 / 7 / 41

HEX #960D8C

RGB 150 13 140

HSL 304.38, 0.84%, 0.32%

LAB 35.33, 62.95, -34.88

 

CMYK 0 / 100 / 9 / 48

HEX #850079

RGB 133 0 121

HSL 305.41, 1%, 0.26%

LAB 30.32, 58.78, -31.16

 

CMYK 0 / 100 / 12 / 55

HEX #740066

RGB 116 0 102

HSL 307.24, 1%, 0.23%

LAB 25.78, 52.77, -26.36

 

CMYK 0 / 100 / 16 / 61

HEX #630053

RGB 99 0 83

HSL 309.7, 1%, 0.19%

LAB 21.12, 46.61, -21.35

 

CMYK 0 / 82 / 5 / 34

HEX #A81E9F

RGB 168 30 159

HSL 303.91, 0.7%, 0.39%

LAB 40.83, 66.05, -37.53

 

CMYK 0 / 82 / 27 / 34

HEX #A81E7A

RGB 168 30 122

HSL 320, 0.7%, 0.39%

LAB 39, 60.95, -17.73

 

CMYK 0 / 82 / 49 / 34

HEX #A81E55

RGB 168 30 85

HSL 336.09, 0.7%, 0.39%

LAB 37.68, 57.09, 3.7

 

CMYK 0 / 82 / 71 / 34

HEX #A81E30

RGB 168 30 48

HSL 352.17, 0.7%, 0.39%

LAB 36.87, 54.64, 26.26

 

CMYK 0 / 82 / 82 / 34

HEX #A81E1E

RGB 168 30 30

HSL 0, 0.7%, 0.39%

LAB 36.64, 53.95, 36.75

 

CMYK 0 / 82 / 5 / 34

HEX #A81E9F

RGB 168 30 159

HSL 303.91, 0.7%, 0.39%

LAB 40.83, 66.05, -37.53

 

CMYK 17 / 82 / 0 / 34

HEX #8B1EA8

RGB 139 30 168

HSL 287.39, 0.7%, 0.39%

LAB 36.45, 62, -50.22

 

CMYK 39 / 82 / 0 / 34

HEX #661EA8

RGB 102 30 168

HSL 271.3, 0.7%, 0.39%

LAB 30.83, 55.83, -59.61

 

CMYK 61 / 82 / 0 / 34

HEX #411EA8

RGB 65 30 168

HSL 255.22, 0.7%, 0.39%

LAB 26.39, 51.05, -67.08

 

CMYK 82 / 82 / 0 / 34

HEX #1E1EA8

RGB 30 30 168

HSL 240, 0.7%, 0.39%

LAB 23.78, 48.29, -71.49

 

CMYK 0 / 82 / 5 / 34

HEX #A81E9F

RGB 168 30 159

HSL 303.91, 0.7%, 0.39%

LAB 40.83, 66.05, -37.53

 

CMYK 0 / 92 / 5 / 28

HEX #B80EAE

RGB 184 14 174

HSL 303.53, 0.86%, 0.39%

LAB 43.6, 74.08, -41.92

 

CMYK 0 / 82 / 5 / 34

HEX #A81E9F

RGB 168 30 159

HSL 303.91, 0.7%, 0.39%

LAB 40.83, 66.05, -37.53

 

CMYK 0 / 70 / 4 / 41

HEX #972E91

RGB 151 46 145

HSL 303.43, 0.53%, 0.39%

LAB 38.86, 55.12, -32.35

 

CMYK 0 / 53 / 3 / 47

HEX #873F83

RGB 135 63 131

HSL 303.33, 0.36%, 0.39%

LAB 38.45, 40.59, -24.59

 

CMYK 0 / 34 / 2 / 53

HEX #774F75

RGB 119 79 117

HSL 303, 0.2%, 0.39%

LAB 39.24, 23.52, -14.92

 

CMYK 0 / 8 / 0 / 60

HEX #675F67

RGB 103 95 103

HSL 300, 0.04%, 0.39%

LAB 41.29, 4.82, -3.4

 

CMYK 40 / 82 / 0 / 34

HEX #651EA8

RGB 101 30 168

HSL 270.87, 0.7%, 0.39%

LAB 30.69, 55.68, -59.84

 

CMYK 18 / 82 / 0 / 34

HEX #8A1EA8

RGB 138 30 168

HSL 286.96, 0.7%, 0.39%

LAB 36.29, 61.82, -50.49

 

CMYK 0 / 82 / 4 / 34

HEX #A81EA1

RGB 168 30 161

HSL 303.04, 0.7%, 0.39%

LAB 40.94, 66.36, -38.55

 

CMYK 0 / 82 / 26 / 34

HEX #A81E7C

RGB 168 30 124

HSL 319.13, 0.7%, 0.39%

LAB 39.09, 61.2, -18.84

 

CMYK 0 / 82 / 48 / 34

HEX #A81E58

RGB 168 30 88

HSL 334.78, 0.7%, 0.39%

LAB 37.77, 57.35, 1.91

 

CMYK 0 / 82 / 5 / 62

HEX #62125D

RGB 98 18 93

HSL 303.75, 0.69%, 0.23%

LAB 23.07, 43.46, -24.97

 

CMYK 0 / 82 / 5 / 48

HEX #85187E

RGB 133 24 126

HSL 303.85, 0.69%, 0.31%

LAB 32.14, 55.09, -31.43

 

CMYK 0 / 82 / 5 / 34

HEX #A81E9F

RGB 168 30 159

HSL 303.91, 0.7%, 0.39%

LAB 40.83, 66.05, -37.53

 

CMYK 0 / 82 / 4 / 21

HEX #CA25C1

RGB 202 37 193

HSL 303.27, 0.69%, 0.47%

LAB 49.17, 76.27, -44.02

 

CMYK 0 / 72 / 4 / 14

HEX #DB3DD2

RGB 219 61 210

HSL 303.42, 0.69%, 0.55%

LAB 55.12, 75.82, -44.19

 

CMYK 0 / 81 / 5 / 35

HEX #A71F9F

RGB 167 31 159

HSL 303.53, 0.69%, 0.39%

LAB 40.73, 65.61, -37.69

 

CMYK 0 / 61 / 82 / 34

HEX #A8411E

RGB 168 65 30

HSL 15.22, 0.7%, 0.39%

LAB 41.53, 40.6, 41.45

 

CMYK 82 / 0 / 29 / 34

HEX #1EA878

RGB 30 168 120

HSL 159.13, 0.7%, 0.39%

LAB 61.34, -46.61, 15.02

 

CMYK 0 / 81 / 5 / 35

HEX #A71F9F

RGB 167 31 159

HSL 303.53, 0.69%, 0.39%

LAB 40.73, 65.61, -37.69

 

CMYK 4 / 0 / 82 / 34

HEX #A1A81E

RGB 161 168 30

HSL 63.04, 0.7%, 0.39%

LAB 66.27, -18.26, 63.33

 

CMYK 82 / 4 / 0 / 34

HEX #1EA1A8

RGB 30 161 168

HSL 183.04, 0.7%, 0.39%

LAB 60.42, -30.29, -13.24

 

CMYK 0 / 81 / 5 / 35

HEX #A71F9F

RGB 167 31 159

HSL 303.53, 0.69%, 0.39%

LAB 40.73, 65.61, -37.69

 

CMYK 0 / 61 / 82 / 34

HEX #A8411E

RGB 168 65 30

HSL 15.22, 0.7%, 0.39%

LAB 41.53, 40.6, 41.45

 

CMYK 82 / 0 / 78 / 34

HEX #1EA825

RGB 30 168 37

HSL 123.04, 0.7%, 0.39%

LAB 60.26, -59.28, 53.52

 

CMYK 82 / 21 / 0 / 34

HEX #1E85A8

RGB 30 133 168

HSL 195.22, 0.7%, 0.39%

LAB 51.7, -15.78, -26.56

 

CMYK 0 / 81 / 5 / 35

HEX #A71F9F

RGB 167 31 159

HSL 303.53, 0.69%, 0.39%

LAB 40.73, 65.61, -37.69

 

CMYK 0 / 37 / 82 / 34

HEX #A86A1E

RGB 168 106 30

HSL 33.04, 0.7%, 0.39%

LAB 50.37, 18.77, 49.6

 

CMYK 82 / 0 / 78 / 34

HEX #1EA825

RGB 30 168 37

HSL 123.04, 0.7%, 0.39%

LAB 60.26, -59.28, 53.52

 

CMYK 82 / 45 / 0 / 34

HEX #1E5CA8

RGB 30 92 168

HSL 213.04, 0.7%, 0.39%

LAB 39.17, 9, -46.33

 

Description

Color code: HEX #A71F9F | qconv.com Color code: HEX #A71F9F | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 31 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 31 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 5 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 5% 35% C M Y K

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