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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A72487 it is the complementary color #58DB78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A72487. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A72487 shade: #AC2482, #BD3695, #CE48A8, #DF5ABB and #F06CCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A72487. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A72487 shade: #A72487, #961274, #850061, #74004E and #63003B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A72487 shade: #A82387, #A82364, #A82340 and #A82323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A72487 shade: #A82387, #A423A8, #8123A8, #5D23A8 and #3923A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A72487 shade matches the following richer shades: #A82387, #B81390 and #C90298

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A72487 shade: #A82387, #97347F, #874477, #76556E and #666566

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A72487 shade: #8023A8, #A323A8, #A82389, #A82366 and #A82342

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A72487 shade: #641550, #861C6C, #A82387, #CA2AA3 and #D746B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A72487 shade: #A72487, #A85D23 and #23A892

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A72487 shade: #A72487, #89A823 and #2389A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A72487 shade: #A72487, #A85D23, #23A842 and #236EA8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A72487 shade: #A72487, #A88423, #23A842 and #2347A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 19 / 35

HEX #A72487

RGB 167 36 135

HSL 314.66, 0.65%, 0.4%

LAB 39.96, 60.78, -24.31

 

Complementary color

CMYK 60 / 0 / 45 / 14

HEX #58DB78

RGB 88 219 120

HSL 134.66, 0.65%, 0.6%

LAB 78.52, -56.88, 38.11

 

CMYK 0 / 79 / 24 / 33

HEX #AC2482

RGB 172 36 130

HSL 318.53, 0.65%, 0.41%

LAB 40.64, 61.31, -20.09

 

CMYK 0 / 71 / 21 / 26

HEX #BD3695

RGB 189 54 149

HSL 317.78, 0.56%, 0.48%

LAB 46.48, 62.3, -22.4

 

CMYK 0 / 65 / 18 / 19

HEX #CE48A8

RGB 206 72 168

HSL 317.01, 0.58%, 0.55%

LAB 52.49, 62.61, -24.17

 

CMYK 0 / 60 / 16 / 13

HEX #DF5ABB

RGB 223 90 187

HSL 316.24, 0.68%, 0.61%

LAB 58.59, 62.49, -25.57

 

CMYK 0 / 55 / 14 / 6

HEX #F06CCE

RGB 240 108 206

HSL 315.45, 0.81%, 0.68%

LAB 64.73, 62.11, -26.7

 

CMYK 0 / 78 / 19 / 35

HEX #A72487

RGB 167 36 135

HSL 314.66, 0.65%, 0.4%

LAB 39.96, 60.78, -24.31

 

CMYK 0 / 88 / 23 / 41

HEX #961274

RGB 150 18 116

HSL 315.45, 0.79%, 0.33%

LAB 34.35, 58.74, -21.43

 

CMYK 0 / 100 / 27 / 48

HEX #850061

RGB 133 0 97

HSL 316.24, 1%, 0.26%

LAB 29.03, 55.55, -17.76

 

CMYK 0 / 100 / 33 / 55

HEX #74004E

RGB 116 0 78

HSL 319.66, 1%, 0.23%

LAB 24.52, 49.61, -12.4

 

CMYK 0 / 100 / 40 / 61

HEX #63003B

RGB 99 0 59

HSL 324.24, 1%, 0.19%

LAB 19.92, 43.55, -6.7

 

CMYK 0 / 79 / 20 / 34

HEX #A82387

RGB 168 35 135

HSL 314.89, 0.66%, 0.4%

LAB 40.04, 61.3, -24.16

 

CMYK 0 / 79 / 40 / 34

HEX #A82364

RGB 168 35 100

HSL 330.68, 0.66%, 0.4%

LAB 38.63, 57.12, -4.46

 

CMYK 0 / 79 / 62 / 34

HEX #A82340

RGB 168 35 64

HSL 346.92, 0.66%, 0.4%

LAB 37.66, 54.11, 17.13

 

CMYK 0 / 79 / 79 / 34

HEX #A82323

RGB 168 35 35

HSL 0, 0.66%, 0.4%

LAB 37.2, 52.68, 34.48

 

CMYK 0 / 79 / 20 / 34

HEX #A82387

RGB 168 35 135

HSL 314.89, 0.66%, 0.4%

LAB 40.04, 61.3, -24.16

 

CMYK 2 / 79 / 0 / 34

HEX #A423A8

RGB 164 35 168

HSL 298.2, 0.66%, 0.4%

LAB 41.09, 65.4, -42.55

 

CMYK 23 / 79 / 0 / 34

HEX #8123A8

RGB 129 35 168

HSL 282.41, 0.66%, 0.4%

LAB 35.39, 58.65, -52.01

 

CMYK 45 / 79 / 0 / 34

HEX #5D23A8

RGB 93 35 168

HSL 266.17, 0.66%, 0.4%

LAB 30.29, 52.56, -60.54

 

CMYK 66 / 79 / 0 / 34

HEX #3923A8

RGB 57 35 168

HSL 249.92, 0.66%, 0.4%

LAB 26.45, 47.91, -67.01

 

CMYK 0 / 79 / 20 / 34

HEX #A82387

RGB 168 35 135

HSL 314.89, 0.66%, 0.4%

LAB 40.04, 61.3, -24.16

 

CMYK 0 / 90 / 22 / 28

HEX #B81390

RGB 184 19 144

HSL 314.55, 0.81%, 0.4%

LAB 42.26, 69.38, -25.99

 

CMYK 0 / 99 / 24 / 21

HEX #C90298

RGB 201 2 152

HSL 314.77, 0.98%, 0.4%

LAB 45.26, 75.54, -25.92

 

CMYK 0 / 79 / 20 / 34

HEX #A82387

RGB 168 35 135

HSL 314.89, 0.66%, 0.4%

LAB 40.04, 61.3, -24.16

 

CMYK 0 / 66 / 16 / 41

HEX #97347F

RGB 151 52 127

HSL 314.55, 0.49%, 0.4%

LAB 38.84, 49.79, -21.33

 

CMYK 0 / 50 / 12 / 47

HEX #874477

RGB 135 68 119

HSL 314.33, 0.33%, 0.4%

LAB 38.93, 35.76, -16.45

 

CMYK 0 / 28 / 7 / 54

HEX #76556E

RGB 118 85 110

HSL 314.55, 0.16%, 0.4%

LAB 40.37, 18.13, -8.91

 

CMYK 0 / 1 / 0 / 60

HEX #666566

RGB 102 101 102

HSL 300, 0%, 0.4%

LAB 42.9, 0.6, -0.43

 

CMYK 24 / 79 / 0 / 34

HEX #8023A8

RGB 128 35 168

HSL 281.95, 0.66%, 0.4%

LAB 35.24, 58.47, -52.27

 

CMYK 3 / 79 / 0 / 34

HEX #A323A8

RGB 163 35 168

HSL 297.74, 0.66%, 0.4%

LAB 40.92, 65.2, -42.83

 

CMYK 0 / 79 / 18 / 34

HEX #A82389

RGB 168 35 137

HSL 313.98, 0.66%, 0.4%

LAB 40.14, 61.57, -25.25

 

CMYK 0 / 79 / 39 / 34

HEX #A82366

RGB 168 35 102

HSL 329.77, 0.66%, 0.4%

LAB 38.7, 57.33, -5.63

 

CMYK 0 / 79 / 61 / 34

HEX #A82342

RGB 168 35 66

HSL 346.02, 0.66%, 0.4%

LAB 37.7, 54.24, 15.91

 

CMYK 0 / 79 / 20 / 61

HEX #641550

RGB 100 21 80

HSL 315.19, 0.65%, 0.24%

LAB 23.08, 40.84, -16.24

 

CMYK 0 / 79 / 19 / 47

HEX #861C6C

RGB 134 28 108

HSL 314.72, 0.65%, 0.32%

LAB 31.76, 51.43, -20.6

 

CMYK 0 / 79 / 20 / 34

HEX #A82387

RGB 168 35 135

HSL 314.89, 0.66%, 0.4%

LAB 40.04, 61.3, -24.16

 

CMYK 0 / 79 / 19 / 21

HEX #CA2AA3

RGB 202 42 163

HSL 314.63, 0.66%, 0.48%

LAB 48.08, 70.89, -28.11

 

CMYK 0 / 67 / 16 / 16

HEX #D746B4

RGB 215 70 180

HSL 314.48, 0.64%, 0.56%

LAB 54.16, 67.4, -28.48

 

CMYK 0 / 78 / 19 / 35

HEX #A72487

RGB 167 36 135

HSL 314.66, 0.65%, 0.4%

LAB 39.96, 60.78, -24.31

 

CMYK 0 / 45 / 79 / 34

HEX #A85D23

RGB 168 93 35

HSL 26.17, 0.66%, 0.4%

LAB 47.33, 26.21, 44.66

 

CMYK 79 / 0 / 13 / 34

HEX #23A892

RGB 35 168 146

HSL 170.08, 0.66%, 0.4%

LAB 62.03, -39.52, 1.53

 

CMYK 0 / 78 / 19 / 35

HEX #A72487

RGB 167 36 135

HSL 314.66, 0.65%, 0.4%

LAB 39.96, 60.78, -24.31

 

CMYK 18 / 0 / 79 / 34

HEX #89A823

RGB 137 168 35

HSL 73.98, 0.66%, 0.4%

LAB 64.52, -28.33, 59.68

 

CMYK 79 / 18 / 0 / 34

HEX #2389A8

RGB 35 137 168

HSL 193.98, 0.66%, 0.4%

LAB 53.03, -17.47, -24.5

 

CMYK 0 / 78 / 19 / 35

HEX #A72487

RGB 167 36 135

HSL 314.66, 0.65%, 0.4%

LAB 39.96, 60.78, -24.31

 

CMYK 0 / 45 / 79 / 34

HEX #A85D23

RGB 168 93 35

HSL 26.17, 0.66%, 0.4%

LAB 47.33, 26.21, 44.66

 

CMYK 79 / 0 / 61 / 34

HEX #23A842

RGB 35 168 66

HSL 133.98, 0.66%, 0.4%

LAB 60.57, -55.81, 42.14

 

CMYK 79 / 35 / 0 / 34

HEX #236EA8

RGB 35 110 168

HSL 206.17, 0.66%, 0.4%

LAB 44.71, -1.87, -37.49

 

CMYK 0 / 78 / 19 / 35

HEX #A72487

RGB 167 36 135

HSL 314.66, 0.65%, 0.4%

LAB 39.96, 60.78, -24.31

 

CMYK 0 / 21 / 79 / 34

HEX #A88423

RGB 168 132 35

HSL 43.76, 0.66%, 0.4%

LAB 57.03, 4.32, 53.79

 

CMYK 79 / 0 / 61 / 34

HEX #23A842

RGB 35 168 66

HSL 133.98, 0.66%, 0.4%

LAB 60.57, -55.81, 42.14

 

CMYK 79 / 58 / 0 / 34

HEX #2347A8

RGB 35 71 168

HSL 223.76, 0.66%, 0.4%

LAB 33.33, 23.52, -55.76

 

Description

Color code: HEX #A72487 | qconv.com Color code: HEX #A72487 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 36 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 36 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 19 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 19% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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