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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A72EA9 it is the complementary color #58D156. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A72EA9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A72EA9 shade: #AC2EA4, #BD40B7, #CE52CA, #DF64DD and #F076F0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A72EA9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A72EA9 shade: #A72EA9, #961C96, #850A83, #740070 and #63005D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A72EA9 shade: #A62EA8, #A82E89, #A82E68, #A82E47 and #A82E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A72EA9 shade: #A62EA8, #852EA8, #642EA8, #432EA8 and #2E2EA8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A72EA9 shade matches the following richer shades: #A62EA8, #B61CB9 and #C70BCA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A72EA9 shade: #A62EA8, #953F96, #845085, #736274 and #637362

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A72EA9 shade: #642EA8, #852EA8, #A62EA8, #A82E89 and #A82E69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A72EA9 shade: #661C67, #862587, #A62EA8, #C537C8 and #CF57D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A72EA9 shade: #A72EA9, #A8442E and #2EA875

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A72EA9 shade: #A72EA9, #A8A62E and #2EA8A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A72EA9 shade: #A72EA9, #A8442E, #30A82E and #2E91A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A72EA9 shade: #A72EA9, #A8692E, #30A82E and #2E6DA8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 73 / 0 / 34

HEX #A72EA9

RGB 167 46 169

HSL 299.02, 0.57%, 0.42%

LAB 42.81, 62.85, -40.37

 

Complementary color

CMYK 58 / 0 / 59 / 18

HEX #58D156

RGB 88 209 86

HSL 119.02, 0.57%, 0.58%

LAB 75.04, -57.75, 50.06

 

CMYK 0 / 73 / 5 / 33

HEX #AC2EA4

RGB 172 46 164

HSL 303.81, 0.58%, 0.43%

LAB 43.37, 63.14, -36.46

 

CMYK 0 / 66 / 3 / 26

HEX #BD40B7

RGB 189 64 183

HSL 302.88, 0.49%, 0.5%

LAB 49.38, 63.72, -38

 

CMYK 0 / 60 / 2 / 19

HEX #CE52CA

RGB 206 82 202

HSL 301.94, 0.56%, 0.56%

LAB 55.5, 63.76, -39.16

 

CMYK 0 / 55 / 1 / 13

HEX #DF64DD

RGB 223 100 221

HSL 300.98, 0.66%, 0.63%

LAB 61.67, 63.48, -40.06

 

CMYK 0 / 51 / 0 / 6

HEX #F076F0

RGB 240 118 240

HSL 300, 0.8%, 0.7%

LAB 67.85, 63.01, -40.77

 

CMYK 1 / 73 / 0 / 34

HEX #A72EA9

RGB 167 46 169

HSL 299.02, 0.57%, 0.42%

LAB 42.81, 62.85, -40.37

 

CMYK 0 / 81 / 0 / 41

HEX #961C96

RGB 150 28 150

HSL 300, 0.69%, 0.35%

LAB 36.96, 61.48, -38.42

 

CMYK 0 / 92 / 2 / 48

HEX #850A83

RGB 133 10 131

HSL 300.98, 0.86%, 0.28%

LAB 31.45, 58.78, -35.67

 

CMYK 0 / 100 / 3 / 55

HEX #740070

RGB 116 0 112

HSL 302.07, 1%, 0.23%

LAB 26.4, 54.29, -31.86

 

CMYK 0 / 100 / 6 / 61

HEX #63005D

RGB 99 0 93

HSL 303.64, 1%, 0.19%

LAB 21.74, 48.13, -27.07

 

CMYK 1 / 73 / 0 / 34

HEX #A62EA8

RGB 166 46 168

HSL 299.02, 0.57%, 0.42%

LAB 42.59, 62.46, -40.13

 

CMYK 0 / 73 / 18 / 34

HEX #A82E89

RGB 168 46 137

HSL 315.25, 0.57%, 0.42%

LAB 41.35, 58.11, -23.36

 

CMYK 0 / 73 / 38 / 34

HEX #A82E68

RGB 168 46 104

HSL 331.48, 0.57%, 0.42%

LAB 40.05, 53.95, -4.89

 

CMYK 0 / 73 / 58 / 34

HEX #A82E47

RGB 168 46 71

HSL 347.7, 0.57%, 0.42%

LAB 39.13, 50.9, 14.66

 

CMYK 0 / 73 / 73 / 34

HEX #A82E2E

RGB 168 46 46

HSL 0, 0.57%, 0.42%

LAB 38.68, 49.38, 29.63

 

CMYK 1 / 73 / 0 / 34

HEX #A62EA8

RGB 166 46 168

HSL 299.02, 0.57%, 0.42%

LAB 42.59, 62.46, -40.13

 

CMYK 21 / 73 / 0 / 34

HEX #852EA8

RGB 133 46 168

HSL 282.79, 0.57%, 0.42%

LAB 37.42, 55.35, -48.7

 

CMYK 40 / 73 / 0 / 34

HEX #642EA8

RGB 100 46 168

HSL 266.56, 0.57%, 0.42%

LAB 32.9, 48.82, -56.24

 

CMYK 60 / 73 / 0 / 34

HEX #432EA8

RGB 67 46 168

HSL 250.33, 0.57%, 0.42%

LAB 29.35, 43.37, -62.2

 

CMYK 73 / 73 / 0 / 34

HEX #2E2EA8

RGB 46 46 168

HSL 240, 0.57%, 0.42%

LAB 27.74, 40.79, -64.89

 

CMYK 1 / 73 / 0 / 34

HEX #A62EA8

RGB 166 46 168

HSL 299.02, 0.57%, 0.42%

LAB 42.59, 62.46, -40.13

 

CMYK 2 / 85 / 0 / 27

HEX #B61CB9

RGB 182 28 185

HSL 298.85, 0.74%, 0.42%

LAB 44.63, 73.18, -46.78

 

CMYK 1 / 95 / 0 / 21

HEX #C70BCA

RGB 199 11 202

HSL 299.06, 0.9%, 0.42%

LAB 47.81, 81.05, -51.43

 

CMYK 1 / 73 / 0 / 34

HEX #A62EA8

RGB 166 46 168

HSL 299.02, 0.57%, 0.42%

LAB 42.59, 62.46, -40.13

 

CMYK 1 / 58 / 0 / 41

HEX #953F96

RGB 149 63 150

HSL 299.31, 0.41%, 0.42%

LAB 41.45, 48.16, -31.33

 

CMYK 1 / 40 / 0 / 48

HEX #845085

RGB 132 80 133

HSL 298.87, 0.25%, 0.42%

LAB 41.75, 30.68, -20.74

 

CMYK 1 / 16 / 0 / 55

HEX #736274

RGB 115 98 116

HSL 296.67, 0.08%, 0.42%

LAB 43.71, 10.33, -7.59

 

CMYK 14 / 0 / 15 / 55

HEX #637362

RGB 99 115 98

HSL 116.47, 0.08%, 0.42%

LAB 46.71, -9.53, 7.42

 

CMYK 40 / 73 / 0 / 34

HEX #642EA8

RGB 100 46 168

HSL 266.56, 0.57%, 0.42%

LAB 32.9, 48.82, -56.24

 

CMYK 21 / 73 / 0 / 34

HEX #852EA8

RGB 133 46 168

HSL 282.79, 0.57%, 0.42%

LAB 37.42, 55.35, -48.7

 

CMYK 1 / 73 / 0 / 34

HEX #A62EA8

RGB 166 46 168

HSL 299.02, 0.57%, 0.42%

LAB 42.59, 62.46, -40.13

 

CMYK 0 / 73 / 18 / 34

HEX #A82E89

RGB 168 46 137

HSL 315.25, 0.57%, 0.42%

LAB 41.35, 58.11, -23.36

 

CMYK 0 / 73 / 38 / 34

HEX #A82E69

RGB 168 46 105

HSL 330.98, 0.57%, 0.42%

LAB 40.08, 54.06, -5.46

 

CMYK 1 / 73 / 0 / 60

HEX #661C67

RGB 102 28 103

HSL 299.2, 0.57%, 0.26%

LAB 25.67, 42.61, -27.36

 

CMYK 1 / 73 / 0 / 47

HEX #862587

RGB 134 37 135

HSL 299.39, 0.57%, 0.34%

LAB 34.27, 52.7, -33.64

 

CMYK 1 / 73 / 0 / 34

HEX #A62EA8

RGB 166 46 168

HSL 299.02, 0.57%, 0.42%

LAB 42.59, 62.46, -40.13

 

CMYK 1 / 73 / 0 / 22

HEX #C537C8

RGB 197 55 200

HSL 298.76, 0.57%, 0.5%

LAB 50.42, 71.46, -46.13

 

CMYK 1 / 58 / 0 / 18

HEX #CF57D1

RGB 207 87 209

HSL 299.02, 0.57%, 0.58%

LAB 56.77, 63.06, -41.15

 

CMYK 1 / 73 / 0 / 34

HEX #A72EA9

RGB 167 46 169

HSL 299.02, 0.57%, 0.42%

LAB 42.81, 62.85, -40.37

 

CMYK 0 / 60 / 73 / 34

HEX #A8442E

RGB 168 68 46

HSL 10.82, 0.57%, 0.42%

LAB 42.24, 39.81, 33.7

 

CMYK 73 / 0 / 30 / 34

HEX #2EA875

RGB 46 168 117

HSL 154.92, 0.57%, 0.42%

LAB 61.54, -45.3, 17

 

CMYK 1 / 73 / 0 / 34

HEX #A72EA9

RGB 167 46 169

HSL 299.02, 0.57%, 0.42%

LAB 42.81, 62.85, -40.37

 

CMYK 0 / 1 / 73 / 34

HEX #A8A62E

RGB 168 166 46

HSL 59.02, 0.57%, 0.42%

LAB 66.36, -13.53, 58.6

 

CMYK 73 / 0 / 1 / 34

HEX #2EA8A6

RGB 46 168 166

HSL 179.02, 0.57%, 0.42%

LAB 62.79, -32.57, -8.53

 

CMYK 1 / 73 / 0 / 34

HEX #A72EA9

RGB 167 46 169

HSL 299.02, 0.57%, 0.42%

LAB 42.81, 62.85, -40.37

 

CMYK 0 / 60 / 73 / 34

HEX #A8442E

RGB 168 68 46

HSL 10.82, 0.57%, 0.42%

LAB 42.24, 39.81, 33.7

 

CMYK 71 / 0 / 73 / 34

HEX #30A82E

RGB 48 168 46

HSL 119.02, 0.57%, 0.42%

LAB 60.63, -55.88, 50.8

 

CMYK 73 / 14 / 0 / 34

HEX #2E91A8

RGB 46 145 168

HSL 191.31, 0.57%, 0.42%

LAB 55.74, -20.42, -20.31

 

CMYK 1 / 73 / 0 / 34

HEX #A72EA9

RGB 167 46 169

HSL 299.02, 0.57%, 0.42%

LAB 42.81, 62.85, -40.37

 

CMYK 0 / 38 / 73 / 34

HEX #A8692E

RGB 168 105 46

HSL 29.02, 0.57%, 0.42%

LAB 50.25, 20.02, 42.42

 

CMYK 71 / 0 / 73 / 34

HEX #30A82E

RGB 48 168 46

HSL 119.02, 0.57%, 0.42%

LAB 60.63, -55.88, 50.8

 

CMYK 73 / 35 / 0 / 34

HEX #2E6DA8

RGB 46 109 168

HSL 209.02, 0.57%, 0.42%

LAB 44.72, 0.18, -37.45

 

Description

Color code: HEX #A72EA9 | qconv.com Color code: HEX #A72EA9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 46 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 46 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 73 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 73% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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