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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A74DF3 it is the complementary color #58B20C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A74DF3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A74DF3 shade: #AC4DEE, #BD5FFF, #CE71FF, #DF83FF and #F095FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A74DF3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A74DF3 shade: #A74DF3, #963BE0, #8529CD, #7417BA and #6305A7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A74DF3 shade: #A74EF2, #D34EF2, #F24EE5, #F24EB9 and #F24E8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A74DF3 shade: #A74EF2, #7B4EF2, #4F4EF2 and #4E4EF2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A74DF3 shade matches the following richer shades: #A74EF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A74DF3 shade: #A74EF2, #A65DE3, #A46DD4, #A37CC4 and #A28BB5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A74DF3 shade: #4E4EF2, #7A4EF2, #A64EF2, #D14EF2 and #F24EE7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A74DF3 shade: #800FDF, #9427F0, #A74EF2, #BA75F5 and #CD9BF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A74DF3 shade: #A74DF3, #F24E7A and #4EF264

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A74DF3 shade: #A74DF3, #F2A64E and #4EF2A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A74DF3 shade: #A74DF3, #F24E7A, #9BF24E and #4EF2C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A74DF3 shade: #A74DF3, #F2544E, #9BF24E and #4EEDF2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 68 / 0 / 5

HEX #A74DF3

RGB 167 77 243

HSL 272.53, 0.87%, 0.63%

LAB 51.83, 65.21, -68.51

 

Complementary color

CMYK 51 / 0 / 93 / 30

HEX #58B20C

RGB 88 178 12

HSL 92.53, 0.87%, 0.37%

LAB 64.92, -51.33, 64.07

 

CMYK 28 / 68 / 0 / 7

HEX #AC4DEE

RGB 172 77 238

HSL 275.4, 0.83%, 0.62%

LAB 52.12, 65.1, -65.21

 

CMYK 26 / 63 / 0 / 0

HEX #BD5FFF

RGB 189 95 255

HSL 275.25, 1%, 0.69%

LAB 58.25, 64.18, -64.69

 

CMYK 19 / 56 / 0 / 0

HEX #CE71FF

RGB 206 113 255

HSL 279.3, 1%, 0.72%

LAB 63.47, 59.49, -56.22

 

CMYK 13 / 49 / 0 / 0

HEX #DF83FF

RGB 223 131 255

HSL 284.52, 1%, 0.76%

LAB 68.85, 54.91, -47.57

 

CMYK 6 / 42 / 0 / 0

HEX #F095FF

RGB 240 149 255

HSL 291.51, 1%, 0.79%

LAB 74.34, 50.5, -38.85

 

CMYK 31 / 68 / 0 / 5

HEX #A74DF3

RGB 167 77 243

HSL 272.53, 0.87%, 0.63%

LAB 51.83, 65.21, -68.51

 

CMYK 33 / 74 / 0 / 12

HEX #963BE0

RGB 150 59 224

HSL 273.09, 0.73%, 0.55%

LAB 45.63, 65.46, -67.96

 

CMYK 35 / 80 / 0 / 20

HEX #8529CD

RGB 133 41 205

HSL 273.66, 0.67%, 0.48%

LAB 39.55, 65.15, -67.05

 

CMYK 38 / 88 / 0 / 27

HEX #7417BA

RGB 116 23 186

HSL 274.23, 0.78%, 0.41%

LAB 33.71, 63.92, -65.56

 

CMYK 41 / 97 / 0 / 35

HEX #6305A7

RGB 99 5 167

HSL 274.81, 0.94%, 0.34%

LAB 28.25, 61.31, -63.26

 

CMYK 31 / 68 / 0 / 5

HEX #A74EF2

RGB 167 78 242

HSL 272.56, 0.86%, 0.63%

LAB 51.92, 64.55, -67.8

 

CMYK 13 / 68 / 0 / 5

HEX #D34EF2

RGB 211 78 242

HSL 288.66, 0.86%, 0.63%

LAB 57.76, 73.54, -58.11

 

CMYK 0 / 68 / 5 / 5

HEX #F24EE5

RGB 242 78 229

HSL 304.76, 0.86%, 0.63%

LAB 61.64, 78.14, -44.4

 

CMYK 0 / 68 / 24 / 5

HEX #F24EB9

RGB 242 78 185

HSL 320.85, 0.86%, 0.63%

LAB 59.73, 72.01, -22.41

 

CMYK 0 / 68 / 42 / 5

HEX #F24E8C

RGB 242 78 140

HSL 337.32, 0.86%, 0.63%

LAB 58.24, 66.99, 1.51

 

CMYK 31 / 68 / 0 / 5

HEX #A74EF2

RGB 167 78 242

HSL 272.56, 0.86%, 0.63%

LAB 51.92, 64.55, -67.8

 

CMYK 49 / 68 / 0 / 5

HEX #7B4EF2

RGB 123 78 242

HSL 256.46, 0.86%, 0.63%

LAB 47.07, 56.52, -75.91

 

CMYK 67 / 68 / 0 / 5

HEX #4F4EF2

RGB 79 78 242

HSL 240.37, 0.86%, 0.63%

LAB 43.54, 50.25, -81.83

 

CMYK 68 / 68 / 0 / 5

HEX #4E4EF2

RGB 78 78 242

HSL 240, 0.86%, 0.63%

LAB 43.48, 50.13, -81.93

 

CMYK 31 / 68 / 0 / 5

HEX #A74EF2

RGB 167 78 242

HSL 272.56, 0.86%, 0.63%

LAB 51.92, 64.55, -67.8

 

CMYK 31 / 68 / 0 / 5

HEX #A74EF2

RGB 167 78 242

HSL 272.56, 0.86%, 0.63%

LAB 51.92, 64.55, -67.8

 

CMYK 27 / 59 / 0 / 11

HEX #A65DE3

RGB 166 93 227

HSL 272.69, 0.71%, 0.63%

LAB 53.47, 53.75, -56.89

 

CMYK 23 / 49 / 0 / 17

HEX #A46DD4

RGB 164 109 212

HSL 272.04, 0.54%, 0.63%

LAB 55.67, 41.3, -44.94

 

CMYK 17 / 37 / 0 / 23

HEX #A37CC4

RGB 163 124 196

HSL 272.5, 0.38%, 0.63%

LAB 58.21, 28.94, -31.88

 

CMYK 10 / 23 / 0 / 29

HEX #A28BB5

RGB 162 139 181

HSL 272.86, 0.22%, 0.63%

LAB 61.21, 16.76, -18.78

 

CMYK 68 / 68 / 0 / 5

HEX #4E4EF2

RGB 78 78 242

HSL 240, 0.86%, 0.63%

LAB 43.48, 50.13, -81.93

 

CMYK 50 / 68 / 0 / 5

HEX #7A4EF2

RGB 122 78 242

HSL 256.1, 0.86%, 0.63%

LAB 46.97, 56.35, -76.07

 

CMYK 31 / 68 / 0 / 5

HEX #A64EF2

RGB 166 78 242

HSL 272.2, 0.86%, 0.63%

LAB 51.8, 64.35, -68.01

 

CMYK 14 / 68 / 0 / 5

HEX #D14EF2

RGB 209 78 242

HSL 287.93, 0.86%, 0.63%

LAB 57.48, 73.12, -58.57

 

CMYK 0 / 68 / 5 / 5

HEX #F24EE7

RGB 242 78 231

HSL 304.02, 0.86%, 0.63%

LAB 61.74, 78.45, -45.37

 

CMYK 43 / 93 / 0 / 13

HEX #800FDF

RGB 128 15 223

HSL 272.6, 0.87%, 0.47%

LAB 38.3, 74.75, -79.49

 

CMYK 38 / 84 / 0 / 6

HEX #9427F0

RGB 148 39 240

HSL 272.54, 0.87%, 0.55%

LAB 44.29, 75.45, -79.22

 

CMYK 31 / 68 / 0 / 5

HEX #A74EF2

RGB 167 78 242

HSL 272.56, 0.86%, 0.63%

LAB 51.92, 64.55, -67.8

 

CMYK 24 / 52 / 0 / 4

HEX #BA75F5

RGB 186 117 245

HSL 272.34, 0.86%, 0.71%

LAB 61.44, 50.31, -54.08

 

CMYK 17 / 38 / 0 / 3

HEX #CD9BF8

RGB 205 155 248

HSL 272.26, 0.87%, 0.79%

LAB 71.69, 35.74, -39.46

 

CMYK 31 / 68 / 0 / 5

HEX #A74DF3

RGB 167 77 243

HSL 272.53, 0.87%, 0.63%

LAB 51.83, 65.21, -68.51

 

CMYK 0 / 68 / 50 / 5

HEX #F24E7A

RGB 242 78 122

HSL 343.9, 0.86%, 0.63%

LAB 57.78, 65.38, 11.43

 

CMYK 68 / 0 / 59 / 5

HEX #4EF264

RGB 78 242 100

HSL 128.05, 0.86%, 0.63%

LAB 85.02, -69.71, 55.33

 

CMYK 31 / 68 / 0 / 5

HEX #A74DF3

RGB 167 77 243

HSL 272.53, 0.87%, 0.63%

LAB 51.83, 65.21, -68.51

 

CMYK 0 / 31 / 68 / 5

HEX #F2A64E

RGB 242 166 78

HSL 32.2, 0.86%, 0.63%

LAB 74, 20.05, 55.44

 

CMYK 68 / 0 / 31 / 5

HEX #4EF2A6

RGB 78 242 166

HSL 152.2, 0.86%, 0.63%

LAB 85.94, -59.26, 24.64

 

CMYK 31 / 68 / 0 / 5

HEX #A74DF3

RGB 167 77 243

HSL 272.53, 0.87%, 0.63%

LAB 51.83, 65.21, -68.51

 

CMYK 0 / 68 / 50 / 5

HEX #F24E7A

RGB 242 78 122

HSL 343.9, 0.86%, 0.63%

LAB 57.78, 65.38, 11.43

 

CMYK 36 / 0 / 68 / 5

HEX #9BF24E

RGB 155 242 78

HSL 91.83, 0.86%, 0.63%

LAB 87.5, -51.71, 67.75

 

CMYK 68 / 0 / 18 / 5

HEX #4EF2C6

RGB 78 242 198

HSL 163.9, 0.86%, 0.63%

LAB 86.6, -52.31, 9.01

 

CMYK 31 / 68 / 0 / 5

HEX #A74DF3

RGB 167 77 243

HSL 272.53, 0.87%, 0.63%

LAB 51.83, 65.21, -68.51

 

CMYK 0 / 65 / 68 / 5

HEX #F2544E

RGB 242 84 78

HSL 2.2, 0.86%, 0.63%

LAB 57.82, 60.12, 37

 

CMYK 36 / 0 / 68 / 5

HEX #9BF24E

RGB 155 242 78

HSL 91.83, 0.86%, 0.63%

LAB 87.5, -51.71, 67.75

 

CMYK 68 / 2 / 0 / 5

HEX #4EEDF2

RGB 78 237 242

HSL 181.83, 0.86%, 0.63%

LAB 86.31, -38.82, -14.48

 

Description

Color code: HEX #A74DF3 | qconv.com Color code: HEX #A74DF3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 77 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 77 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 68 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 68% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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