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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A74E19 it is the complementary color #58B1E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A74E19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A74E19 shade: #AC4E14, #BD6027, #CE723A, #DF844D and #F09660

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A74E19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A74E19 shade: #A74E19, #963C06, #852A00, #741800 and #630600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A74E19 shade: #A84E19, #A82819 and #A81919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A74E19 shade: #A84E19, #A87519, #A89C19, #8EA819 and #67A819

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A74E19 shade matches the following richer shades: #A84E19 and #B84A09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A74E19 shade: #A84E19, #985228, #895638, #795A48 and #695E57

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A74E19 shade: #A81931, #A82719, #A84D19, #A87419 and #A89A19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A74E19 shade: #602D0E, #843D13, #A84E19, #CC5F1E and #E07433

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A74E19 shade: #A74E19, #57A819 and #191DA8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A74E19 shade: #A74E19, #19A84D and #4D19A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A74E19 shade: #A74E19, #57A819, #1974A8 and #6A19A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A74E19 shade: #A74E19, #2CA819, #1974A8 and #9519A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 85 / 35

HEX #A74E19

RGB 167 78 25

HSL 22.39, 0.74%, 0.38%

LAB 43.85, 33.54, 45.76

 

Complementary color

CMYK 62 / 23 / 0 / 10

HEX #58B1E6

RGB 88 177 230

HSL 202.39, 0.74%, 0.62%

LAB 68.92, -10.99, -34.54

 

CMYK 0 / 55 / 88 / 33

HEX #AC4E14

RGB 172 78 20

HSL 22.89, 0.79%, 0.38%

LAB 44.62, 35.44, 48.68

 

CMYK 0 / 49 / 79 / 26

HEX #BD6027

RGB 189 96 39

HSL 22.8, 0.66%, 0.45%

LAB 51.07, 33.53, 47.51

 

CMYK 0 / 45 / 72 / 19

HEX #CE723A

RGB 206 114 58

HSL 22.7, 0.6%, 0.52%

LAB 57.52, 31.78, 45.82

 

CMYK 0 / 41 / 65 / 13

HEX #DF844D

RGB 223 132 77

HSL 22.6, 0.7%, 0.59%

LAB 63.94, 30.2, 44.04

 

CMYK 0 / 38 / 60 / 6

HEX #F09660

RGB 240 150 96

HSL 22.5, 0.83%, 0.66%

LAB 70.3, 28.79, 42.31

 

CMYK 0 / 53 / 85 / 35

HEX #A74E19

RGB 167 78 25

HSL 22.39, 0.74%, 0.38%

LAB 43.85, 33.54, 45.76

 

CMYK 0 / 60 / 96 / 41

HEX #963C06

RGB 150 60 6

HSL 22.5, 0.92%, 0.31%

LAB 37.35, 35.51, 46.27

 

CMYK 0 / 68 / 100 / 48

HEX #852A00

RGB 133 42 0

HSL 18.95, 1%, 0.26%

LAB 30.98, 37.42, 42.99

 

CMYK 0 / 79 / 100 / 55

HEX #741800

RGB 116 24 0

HSL 12.41, 1%, 0.23%

LAB 24.85, 38.67, 36.46

 

CMYK 0 / 94 / 100 / 61

HEX #630600

RGB 99 6 0

HSL 3.64, 1%, 0.19%

LAB 19.15, 38.42, 29.27

 

CMYK 0 / 54 / 85 / 34

HEX #A84E19

RGB 168 78 25

HSL 22.24, 0.74%, 0.38%

LAB 44.01, 33.95, 45.96

 

CMYK 0 / 76 / 85 / 34

HEX #A82819

RGB 168 40 25

HSL 6.29, 0.74%, 0.38%

LAB 37.69, 50.77, 40.39

 

CMYK 0 / 85 / 85 / 34

HEX #A81919

RGB 168 25 25

HSL 0, 0.74%, 0.38%

LAB 36.16, 55.07, 39.02

 

CMYK 0 / 54 / 85 / 34

HEX #A84E19

RGB 168 78 25

HSL 22.24, 0.74%, 0.38%

LAB 44.01, 33.95, 45.96

 

CMYK 0 / 30 / 85 / 34

HEX #A87519

RGB 168 117 25

HSL 38.6, 0.74%, 0.38%

LAB 53.08, 12.4, 53.74

 

CMYK 0 / 7 / 85 / 34

HEX #A89C19

RGB 168 156 25

HSL 54.97, 0.74%, 0.38%

LAB 63.48, -9.07, 62.48

 

CMYK 15 / 0 / 85 / 34

HEX #8EA819

RGB 142 168 25

HSL 70.91, 0.74%, 0.38%

LAB 64.82, -26.6, 62.77

 

CMYK 39 / 0 / 85 / 34

HEX #67A819

RGB 103 168 25

HSL 87.27, 0.74%, 0.38%

LAB 62.47, -41.99, 59.82

 

CMYK 0 / 54 / 85 / 34

HEX #A84E19

RGB 168 78 25

HSL 22.24, 0.74%, 0.38%

LAB 44.01, 33.95, 45.96

 

CMYK 0 / 60 / 95 / 28

HEX #B84A09

RGB 184 74 9

HSL 22.29, 0.91%, 0.38%

LAB 45.78, 41.93, 53.74

 

CMYK 0 / 54 / 85 / 34

HEX #A84E19

RGB 168 78 25

HSL 22.24, 0.74%, 0.38%

LAB 44.01, 33.95, 45.96

 

CMYK 0 / 46 / 74 / 40

HEX #985228

RGB 152 82 40

HSL 22.5, 0.58%, 0.38%

LAB 42.56, 25.67, 36.6

 

CMYK 0 / 37 / 59 / 46

HEX #895638

RGB 137 86 56

HSL 22.22, 0.42%, 0.38%

LAB 41.63, 17.9, 26.1

 

CMYK 0 / 26 / 40 / 53

HEX #795A48

RGB 121 90 72

HSL 22.04, 0.25%, 0.38%

LAB 40.97, 10.14, 15.35

 

CMYK 0 / 10 / 17 / 59

HEX #695E57

RGB 105 94 87

HSL 23.33, 0.09%, 0.38%

LAB 40.73, 3.12, 5.62

 

CMYK 0 / 85 / 71 / 34

HEX #A81931

RGB 168 25 49

HSL 349.93, 0.74%, 0.38%

LAB 36.45, 55.93, 25.12

 

CMYK 0 / 77 / 85 / 34

HEX #A82719

RGB 168 39 25

HSL 5.87, 0.74%, 0.38%

LAB 37.56, 51.1, 40.28

 

CMYK 0 / 54 / 85 / 34

HEX #A84D19

RGB 168 77 25

HSL 21.82, 0.74%, 0.38%

LAB 43.8, 34.47, 45.78

 

CMYK 0 / 31 / 85 / 34

HEX #A87419

RGB 168 116 25

HSL 38.18, 0.74%, 0.38%

LAB 52.82, 12.96, 53.52

 

CMYK 0 / 8 / 85 / 34

HEX #A89A19

RGB 168 154 25

HSL 54.13, 0.74%, 0.38%

LAB 62.93, -8.01, 62.02

 

CMYK 0 / 53 / 85 / 62

HEX #602D0E

RGB 96 45 14

HSL 22.68, 0.75%, 0.22%

LAB 24.94, 20.86, 29.32

 

CMYK 0 / 54 / 86 / 48

HEX #843D13

RGB 132 61 19

HSL 22.3, 0.75%, 0.3%

LAB 34.58, 27.86, 38.01

 

CMYK 0 / 54 / 85 / 34

HEX #A84E19

RGB 168 78 25

HSL 22.24, 0.74%, 0.38%

LAB 44.01, 33.95, 45.96

 

CMYK 0 / 53 / 85 / 20

HEX #CC5F1E

RGB 204 95 30

HSL 22.41, 0.74%, 0.46%

LAB 53.08, 39.75, 53.95

 

CMYK 0 / 48 / 77 / 12

HEX #E07433

RGB 224 116 51

HSL 22.54, 0.74%, 0.54%

LAB 60.41, 37.65, 52.91

 

CMYK 0 / 53 / 85 / 35

HEX #A74E19

RGB 167 78 25

HSL 22.39, 0.74%, 0.38%

LAB 43.85, 33.54, 45.76

 

CMYK 48 / 0 / 85 / 34

HEX #57A819

RGB 87 168 25

HSL 93.99, 0.74%, 0.38%

LAB 61.74, -47.39, 58.89

 

CMYK 85 / 83 / 0 / 34

HEX #191DA8

RGB 25 29 168

HSL 238.32, 0.74%, 0.38%

LAB 23.38, 48.54, -72.15

 

CMYK 0 / 53 / 85 / 35

HEX #A74E19

RGB 167 78 25

HSL 22.39, 0.74%, 0.38%

LAB 43.85, 33.54, 45.76

 

CMYK 85 / 0 / 54 / 34

HEX #19A84D

RGB 25 168 77

HSL 141.82, 0.74%, 0.38%

LAB 60.56, -55.4, 36.8

 

CMYK 54 / 85 / 0 / 34

HEX #4D19A8

RGB 77 25 168

HSL 261.82, 0.74%, 0.38%

LAB 27.02, 54.31, -65.99

 

CMYK 0 / 53 / 85 / 35

HEX #A74E19

RGB 167 78 25

HSL 22.39, 0.74%, 0.38%

LAB 43.85, 33.54, 45.76

 

CMYK 48 / 0 / 85 / 34

HEX #57A819

RGB 87 168 25

HSL 93.99, 0.74%, 0.38%

LAB 61.74, -47.39, 58.89

 

CMYK 85 / 31 / 0 / 34

HEX #1974A8

RGB 25 116 168

HSL 201.82, 0.74%, 0.38%

LAB 46.34, -6.48, -34.93

 

CMYK 37 / 85 / 0 / 34

HEX #6A19A8

RGB 106 25 168

HSL 273.99, 0.74%, 0.38%

LAB 30.85, 58.04, -59.56

 

CMYK 0 / 53 / 85 / 35

HEX #A74E19

RGB 167 78 25

HSL 22.39, 0.74%, 0.38%

LAB 43.85, 33.54, 45.76

 

CMYK 74 / 0 / 85 / 34

HEX #2CA819

RGB 44 168 25

HSL 112.03, 0.74%, 0.38%

LAB 60.44, -57.97, 57.23

 

CMYK 85 / 31 / 0 / 34

HEX #1974A8

RGB 25 116 168

HSL 201.82, 0.74%, 0.38%

LAB 46.34, -6.48, -34.93

 

CMYK 11 / 85 / 0 / 34

HEX #9519A8

RGB 149 25 168

HSL 292.03, 0.74%, 0.38%

LAB 37.68, 65.05, -48.15

 

Description

Color code: HEX #A74E19 | qconv.com Color code: HEX #A74E19 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 78 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 78 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 85 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 85% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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