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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A75443 it is the complementary color #58ABBC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A75443. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A75443 shade: #AC543E, #BD6651, #CE7864, #DF8A77 and #F09C8A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A75443. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A75443 shade: #A75443, #964230, #85301D, #741E0A and #630C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A75443 shade: #A75442 and #A74242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A75443 shade: #A75442, #A76F42, #A78A42, #A7A542 and #8EA742

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A75443 shade matches the following richer shades: #A75442, #BA472F, #CD3A1C and #E02E09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A75443 shade: #A75442, #946055, #816D68, #6E797B and #5B868E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A75443 shade: #A74267, #A7424C, #A75342, #A76E42 and #A78942

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A75443 shade: #6C362B, #8A4537, #A75442, #BC6857 and #C88375

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A75443 shade: #A75443, #82A742 and #425AA7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A75443 shade: #A75443, #42A753 and #5342A7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A75443 shade: #A75443, #82A742, #4296A7 and #6742A7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A75443 shade: #A75443, #64A742, #4296A7 and #8642A7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 60 / 35

HEX #A75443

RGB 167 84 67

HSL 10.2, 0.43%, 0.46%

LAB 45.58, 32.55, 25.53

 

Complementary color

CMYK 53 / 9 / 0 / 26

HEX #58ABBC

RGB 88 171 188

HSL 190.2, 0.43%, 0.54%

LAB 65.62, -20.44, -16.45

 

CMYK 0 / 51 / 64 / 33

HEX #AC543E

RGB 172 84 62

HSL 12, 0.47%, 0.46%

LAB 46.26, 34.18, 29.45

 

CMYK 0 / 46 / 57 / 26

HEX #BD6651

RGB 189 102 81

HSL 11.67, 0.45%, 0.53%

LAB 52.86, 32.79, 27.33

 

CMYK 0 / 42 / 51 / 19

HEX #CE7864

RGB 206 120 100

HSL 11.32, 0.52%, 0.6%

LAB 59.41, 31.52, 25.49

 

CMYK 0 / 38 / 47 / 13

HEX #DF8A77

RGB 223 138 119

HSL 10.96, 0.62%, 0.67%

LAB 65.9, 30.36, 23.87

 

CMYK 0 / 35 / 43 / 6

HEX #F09C8A

RGB 240 156 138

HSL 10.59, 0.77%, 0.74%

LAB 72.32, 29.32, 22.42

 

CMYK 0 / 50 / 60 / 35

HEX #A75443

RGB 167 84 67

HSL 10.2, 0.43%, 0.46%

LAB 45.58, 32.55, 25.53

 

CMYK 0 / 56 / 68 / 41

HEX #964230

RGB 150 66 48

HSL 10.59, 0.52%, 0.39%

LAB 38.89, 33.97, 27.89

 

CMYK 0 / 64 / 78 / 48

HEX #85301D

RGB 133 48 29

HSL 10.96, 0.64%, 0.32%

LAB 32.23, 35.4, 30.63

 

CMYK 0 / 74 / 91 / 55

HEX #741E0A

RGB 116 30 10

HSL 11.32, 0.84%, 0.25%

LAB 25.75, 36.58, 33.24

 

CMYK 0 / 88 / 100 / 61

HEX #630C00

RGB 99 12 0

HSL 7.27, 1%, 0.19%

LAB 19.7, 36.85, 29.9

 

CMYK 0 / 50 / 60 / 35

HEX #A75442

RGB 167 84 66

HSL 10.69, 0.43%, 0.46%

LAB 45.56, 32.47, 26.1

 

CMYK 0 / 60 / 60 / 35

HEX #A74242

RGB 167 66 66

HSL 0, 0.43%, 0.46%

LAB 42.01, 41.64, 21.55

 

CMYK 0 / 50 / 60 / 35

HEX #A75442

RGB 167 84 66

HSL 10.69, 0.43%, 0.46%

LAB 45.56, 32.47, 26.1

 

CMYK 0 / 34 / 60 / 35

HEX #A76F42

RGB 167 111 66

HSL 26.73, 0.43%, 0.46%

LAB 51.81, 17.49, 33.79

 

CMYK 0 / 17 / 60 / 35

HEX #A78A42

RGB 167 138 66

HSL 42.77, 0.43%, 0.46%

LAB 58.78, 2.3, 41.95

 

CMYK 0 / 1 / 60 / 35

HEX #A7A542

RGB 167 165 66

HSL 58.81, 0.43%, 0.46%

LAB 66.15, -12.25, 50.19

 

CMYK 15 / 0 / 60 / 35

HEX #8EA742

RGB 142 167 66

HSL 74.85, 0.43%, 0.46%

LAB 64.79, -23.83, 48.14

 

CMYK 0 / 50 / 60 / 35

HEX #A75442

RGB 167 84 66

HSL 10.69, 0.43%, 0.46%

LAB 45.56, 32.47, 26.1

 

CMYK 0 / 62 / 75 / 27

HEX #BA472F

RGB 186 71 47

HSL 10.36, 0.6%, 0.46%

LAB 45.84, 45.1, 37.99

 

CMYK 0 / 72 / 86 / 20

HEX #CD3A1C

RGB 205 58 28

HSL 10.17, 0.76%, 0.46%

LAB 47.09, 56.33, 49.84

 

CMYK 0 / 79 / 96 / 12

HEX #E02E09

RGB 224 46 9

HSL 10.33, 0.92%, 0.46%

LAB 49.28, 65.62, 59.57

 

CMYK 0 / 50 / 60 / 35

HEX #A75442

RGB 167 84 66

HSL 10.69, 0.43%, 0.46%

LAB 45.56, 32.47, 26.1

 

CMYK 0 / 35 / 43 / 42

HEX #946055

RGB 148 96 85

HSL 10.48, 0.27%, 0.46%

LAB 46.07, 19.79, 15

 

CMYK 0 / 16 / 19 / 49

HEX #816D68

RGB 129 109 104

HSL 12, 0.11%, 0.46%

LAB 47.76, 7.01, 5.71

 

CMYK 11 / 2 / 0 / 52

HEX #6E797B

RGB 110 121 123

HSL 189.23, 0.06%, 0.46%

LAB 50, -3.65, -2.5

 

CMYK 36 / 6 / 0 / 44

HEX #5B868E

RGB 91 134 142

HSL 189.41, 0.22%, 0.46%

LAB 53.2, -12.62, -9.01

 

CMYK 0 / 60 / 38 / 35

HEX #A74267

RGB 167 66 103

HSL 338.02, 0.43%, 0.46%

LAB 42.9, 45.15, -0.08

 

CMYK 0 / 60 / 54 / 35

HEX #A7424C

RGB 167 66 76

HSL 354.06, 0.43%, 0.46%

LAB 42.21, 42.43, 15.67

 

CMYK 0 / 50 / 60 / 35

HEX #A75342

RGB 167 83 66

HSL 10.1, 0.43%, 0.46%

LAB 45.35, 33.01, 25.83

 

CMYK 0 / 34 / 60 / 35

HEX #A76E42

RGB 167 110 66

HSL 26.14, 0.43%, 0.46%

LAB 51.57, 18.05, 33.49

 

CMYK 0 / 18 / 60 / 35

HEX #A78942

RGB 167 137 66

HSL 42.18, 0.43%, 0.46%

LAB 58.51, 2.86, 41.65

 

CMYK 0 / 50 / 60 / 58

HEX #6C362B

RGB 108 54 43

HSL 10.15, 0.43%, 0.3%

LAB 29.41, 22.82, 17.73

 

CMYK 0 / 50 / 60 / 46

HEX #8A4537

RGB 138 69 55

HSL 10.12, 0.43%, 0.38%

LAB 37.73, 28, 21.83

 

CMYK 0 / 50 / 60 / 35

HEX #A75442

RGB 167 84 66

HSL 10.69, 0.43%, 0.46%

LAB 45.56, 32.47, 26.1

 

CMYK 0 / 45 / 54 / 26

HEX #BC6857

RGB 188 104 87

HSL 10.1, 0.43%, 0.54%

LAB 53.25, 31.83, 24.38

 

CMYK 0 / 35 / 42 / 22

HEX #C88375

RGB 200 131 117

HSL 10.12, 0.43%, 0.62%

LAB 61.48, 24.92, 18.53

 

CMYK 0 / 50 / 60 / 35

HEX #A75443

RGB 167 84 67

HSL 10.2, 0.43%, 0.46%

LAB 45.58, 32.55, 25.53

 

CMYK 22 / 0 / 60 / 35

HEX #82A742

RGB 130 167 66

HSL 81.98, 0.43%, 0.46%

LAB 63.98, -28.68, 47.02

 

CMYK 60 / 46 / 0 / 35

HEX #425AA7

RGB 66 90 167

HSL 225.74, 0.43%, 0.46%

LAB 40.02, 15.36, -44.3

 

CMYK 0 / 50 / 60 / 35

HEX #A75443

RGB 167 84 67

HSL 10.2, 0.43%, 0.46%

LAB 45.58, 32.55, 25.53

 

CMYK 60 / 0 / 50 / 35

HEX #42A753

RGB 66 167 83

HSL 130.1, 0.43%, 0.46%

LAB 61.15, -47.41, 34.71

 

CMYK 50 / 60 / 0 / 35

HEX #5342A7

RGB 83 66 167

HSL 250.1, 0.43%, 0.46%

LAB 35.05, 34.14, -52.22

 

CMYK 0 / 50 / 60 / 35

HEX #A75443

RGB 167 84 67

HSL 10.2, 0.43%, 0.46%

LAB 45.58, 32.55, 25.53

 

CMYK 22 / 0 / 60 / 35

HEX #82A742

RGB 130 167 66

HSL 81.98, 0.43%, 0.46%

LAB 63.98, -28.68, 47.02

 

CMYK 60 / 10 / 0 / 35

HEX #4296A7

RGB 66 150 167

HSL 190.1, 0.43%, 0.46%

LAB 57.81, -20.12, -16.54

 

CMYK 38 / 60 / 0 / 35

HEX #6742A7

RGB 103 66 167

HSL 261.98, 0.43%, 0.46%

LAB 37.06, 38.56, -48.89

 

CMYK 0 / 50 / 60 / 35

HEX #A75443

RGB 167 84 67

HSL 10.2, 0.43%, 0.46%

LAB 45.58, 32.55, 25.53

 

CMYK 40 / 0 / 60 / 35

HEX #64A742

RGB 100 167 66

HSL 99.8, 0.43%, 0.46%

LAB 62.29, -39.77, 44.65

 

CMYK 60 / 10 / 0 / 35

HEX #4296A7

RGB 66 150 167

HSL 190.1, 0.43%, 0.46%

LAB 57.81, -20.12, -16.54

 

CMYK 20 / 60 / 0 / 35

HEX #8642A7

RGB 134 66 167

HSL 280.4, 0.43%, 0.46%

LAB 40.82, 46.16, -42.64

 

Description

Color code: HEX #A75443 | qconv.com Color code: HEX #A75443 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 84 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 84 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 60 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 60% 35% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

29% - Metro tech, S.A.
Link: http://metrotech.gt

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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