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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A75277 it is the complementary color #58AD88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A75277. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A75277 shade: #AC5272, #BD6485, #CE7698, #DF88AB and #F09ABE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A75277. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A75277 shade: #A75277, #964064, #852E51, #741C3E and #630A2B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A75277 shade: #A75277, #A75260 and #A75252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A75277 shade: #A75277, #A7528E, #A752A5, #9252A7 and #7B52A7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A75277 shade matches the following richer shades: #A75277, #BB3E74, #CF2A72, #E4156F and #F8016C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A75277 shade: #A75277, #93667A, #7E7A7C, #6A8F7F and #56A381

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A75277 shade: #A752A6, #A7528F, #A75278, #A75262 and #A75952

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A75277 shade: #703750, #8B4463, #A75277, #B66C8C and #C488A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A75277 shade: #A75277, #A79252 and #529AA7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A75277 shade: #A75277, #78A752 and #5278A7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A75277 shade: #A75277, #A79252, #52A781 and #5267A7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A75277 shade: #A75277, #A3A752, #52A781 and #5652A7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 29 / 35

HEX #A75277

RGB 167 82 119

HSL 333.88, 0.34%, 0.49%

LAB 46.42, 39.25, -4.7

 

Complementary color

CMYK 49 / 0 / 21 / 32

HEX #58AD88

RGB 88 173 136

HSL 153.88, 0.34%, 0.51%

LAB 64.76, -34.66, 11.19

 

CMYK 0 / 52 / 34 / 33

HEX #AC5272

RGB 172 82 114

HSL 338.67, 0.35%, 0.5%

LAB 47, 40.33, -0.73

 

CMYK 0 / 47 / 30 / 26

HEX #BD6485

RGB 189 100 133

HSL 337.75, 0.4%, 0.57%

LAB 53.63, 39.46, -2.08

 

CMYK 0 / 43 / 26 / 19

HEX #CE7698

RGB 206 118 152

HSL 336.82, 0.47%, 0.64%

LAB 60.2, 38.6, -3.23

 

CMYK 0 / 39 / 23 / 13

HEX #DF88AB

RGB 223 136 171

HSL 335.86, 0.58%, 0.7%

LAB 66.7, 37.76, -4.22

 

CMYK 0 / 36 / 21 / 6

HEX #F09ABE

RGB 240 154 190

HSL 334.88, 0.74%, 0.77%

LAB 73.12, 36.96, -5.11

 

CMYK 0 / 51 / 29 / 35

HEX #A75277

RGB 167 82 119

HSL 333.88, 0.34%, 0.49%

LAB 46.42, 39.25, -4.7

 

CMYK 0 / 57 / 33 / 41

HEX #964064

RGB 150 64 100

HSL 334.88, 0.4%, 0.42%

LAB 39.7, 40.02, -3.23

 

CMYK 0 / 65 / 39 / 48

HEX #852E51

RGB 133 46 81

HSL 335.86, 0.49%, 0.35%

LAB 32.99, 40.59, -1.34

 

CMYK 0 / 76 / 47 / 55

HEX #741C3E

RGB 116 28 62

HSL 336.82, 0.61%, 0.28%

LAB 26.42, 40.63, 1.27

 

CMYK 0 / 90 / 57 / 61

HEX #630A2B

RGB 99 10 43

HSL 337.75, 0.82%, 0.21%

LAB 20.22, 39.48, 5.05

 

CMYK 0 / 51 / 29 / 35

HEX #A75277

RGB 167 82 119

HSL 333.88, 0.34%, 0.49%

LAB 46.42, 39.25, -4.7

 

CMYK 0 / 51 / 43 / 35

HEX #A75260

RGB 167 82 96

HSL 350.12, 0.34%, 0.49%

LAB 45.76, 36.36, 8.34

 

CMYK 0 / 51 / 51 / 35

HEX #A75252

RGB 167 82 82

HSL 0, 0.34%, 0.49%

LAB 45.44, 34.91, 16.39

 

CMYK 0 / 51 / 29 / 35

HEX #A75277

RGB 167 82 119

HSL 333.88, 0.34%, 0.49%

LAB 46.42, 39.25, -4.7

 

CMYK 0 / 51 / 15 / 35

HEX #A7528E

RGB 167 82 142

HSL 317.65, 0.34%, 0.49%

LAB 47.24, 42.72, -17.33

 

CMYK 0 / 51 / 1 / 35

HEX #A752A5

RGB 167 82 165

HSL 301.41, 0.34%, 0.49%

LAB 48.22, 46.71, -29.49

 

CMYK 13 / 51 / 0 / 35

HEX #9252A7

RGB 146 82 167

HSL 285.18, 0.34%, 0.49%

LAB 45.55, 41, -35.06

 

CMYK 26 / 51 / 0 / 35

HEX #7B52A7

RGB 123 82 167

HSL 268.94, 0.34%, 0.49%

LAB 42.82, 34.46, -39.55

 

CMYK 0 / 51 / 29 / 35

HEX #A75277

RGB 167 82 119

HSL 333.88, 0.34%, 0.49%

LAB 46.42, 39.25, -4.7

 

CMYK 0 / 67 / 38 / 27

HEX #BB3E74

RGB 187 62 116

HSL 334.08, 0.5%, 0.49%

LAB 46, 54.67, -3.13

 

CMYK 0 / 80 / 45 / 19

HEX #CF2A72

RGB 207 42 114

HSL 333.82, 0.66%, 0.49%

LAB 47.15, 66.69, 0.2

 

CMYK 0 / 91 / 51 / 11

HEX #E4156F

RGB 228 21 111

HSL 333.91, 0.83%, 0.49%

LAB 49.71, 75.59, 6.25

 

CMYK 0 / 100 / 56 / 3

HEX #F8016C

RGB 248 1 108

HSL 334.01, 0.99%, 0.49%

LAB 53.02, 81.62, 13.3

 

CMYK 0 / 51 / 29 / 35

HEX #A75277

RGB 167 82 119

HSL 333.88, 0.34%, 0.49%

LAB 46.42, 39.25, -4.7

 

CMYK 0 / 31 / 17 / 42

HEX #93667A

RGB 147 102 122

HSL 333.33, 0.18%, 0.49%

LAB 48.4, 21.28, -3.87

 

CMYK 0 / 3 / 2 / 51

HEX #7E7A7C

RGB 126 122 124

HSL 330, 0.02%, 0.49%

LAB 51.62, 1.91, -0.56

 

CMYK 26 / 0 / 11 / 44

HEX #6A8F7F

RGB 106 143 127

HSL 154.05, 0.15%, 0.49%

LAB 56.33, -16.38, 4.36

 

CMYK 47 / 0 / 21 / 36

HEX #56A381

RGB 86 163 129

HSL 153.51, 0.31%, 0.49%

LAB 61.44, -32.04, 10.39

 

CMYK 0 / 51 / 1 / 35

HEX #A752A6

RGB 167 82 166

HSL 300.71, 0.34%, 0.49%

LAB 48.26, 46.89, -30.01

 

CMYK 0 / 51 / 14 / 35

HEX #A7528F

RGB 167 82 143

HSL 316.94, 0.34%, 0.49%

LAB 47.28, 42.89, -17.87

 

CMYK 0 / 51 / 28 / 35

HEX #A75278

RGB 167 82 120

HSL 333.18, 0.34%, 0.49%

LAB 46.45, 39.39, -5.26

 

CMYK 0 / 51 / 41 / 35

HEX #A75262

RGB 167 82 98

HSL 348.71, 0.34%, 0.49%

LAB 45.81, 36.59, 7.19

 

CMYK 0 / 47 / 51 / 35

HEX #A75952

RGB 167 89 82

HSL 4.94, 0.34%, 0.49%

LAB 46.93, 31.15, 18.4

 

CMYK 0 / 51 / 29 / 56

HEX #703750

RGB 112 55 80

HSL 333.68, 0.34%, 0.33%

LAB 31.25, 28.37, -3.66

 

CMYK 0 / 51 / 29 / 45

HEX #8B4463

RGB 139 68 99

HSL 333.8, 0.34%, 0.41%

LAB 38.77, 33.94, -4.17

 

CMYK 0 / 51 / 29 / 35

HEX #A75277

RGB 167 82 119

HSL 333.88, 0.34%, 0.49%

LAB 46.42, 39.25, -4.7

 

CMYK 0 / 41 / 23 / 29

HEX #B66C8C

RGB 182 108 140

HSL 334.05, 0.34%, 0.57%

LAB 54.62, 33.7, -4.84

 

CMYK 0 / 31 / 17 / 23

HEX #C488A2

RGB 196 136 162

HSL 334, 0.34%, 0.65%

LAB 63.3, 26.81, -4.5

 

CMYK 0 / 51 / 29 / 35

HEX #A75277

RGB 167 82 119

HSL 333.88, 0.34%, 0.49%

LAB 46.42, 39.25, -4.7

 

CMYK 0 / 13 / 51 / 35

HEX #A79252

RGB 167 146 82

HSL 45.18, 0.34%, 0.49%

LAB 61.12, -0.75, 36.56

 

CMYK 51 / 8 / 0 / 35

HEX #529AA7

RGB 82 154 167

HSL 189.18, 0.34%, 0.49%

LAB 59.61, -18.87, -13.76

 

CMYK 0 / 51 / 29 / 35

HEX #A75277

RGB 167 82 119

HSL 333.88, 0.34%, 0.49%

LAB 46.42, 39.25, -4.7

 

CMYK 28 / 0 / 51 / 35

HEX #78A752

RGB 120 167 82

HSL 93.18, 0.34%, 0.49%

LAB 63.54, -30.87, 38.69

 

CMYK 51 / 28 / 0 / 35

HEX #5278A7

RGB 82 120 167

HSL 213.18, 0.34%, 0.49%

LAB 49.52, 0.26, -29.24

 

CMYK 0 / 51 / 29 / 35

HEX #A75277

RGB 167 82 119

HSL 333.88, 0.34%, 0.49%

LAB 46.42, 39.25, -4.7

 

CMYK 0 / 13 / 51 / 35

HEX #A79252

RGB 167 146 82

HSL 45.18, 0.34%, 0.49%

LAB 61.12, -0.75, 36.56

 

CMYK 51 / 0 / 23 / 35

HEX #52A781

RGB 82 167 129

HSL 153.18, 0.34%, 0.49%

LAB 62.52, -34.94, 11.89

 

CMYK 51 / 38 / 0 / 35

HEX #5267A7

RGB 82 103 167

HSL 225.18, 0.34%, 0.49%

LAB 44.64, 10.65, -36.89

 

CMYK 0 / 51 / 29 / 35

HEX #A75277

RGB 167 82 119

HSL 333.88, 0.34%, 0.49%

LAB 46.42, 39.25, -4.7

 

CMYK 2 / 0 / 51 / 35

HEX #A3A752

RGB 163 167 82

HSL 62.82, 0.34%, 0.49%

LAB 66.55, -13.69, 43

 

CMYK 51 / 0 / 23 / 35

HEX #52A781

RGB 82 167 129

HSL 153.18, 0.34%, 0.49%

LAB 62.52, -34.94, 11.89

 

CMYK 49 / 51 / 0 / 35

HEX #5652A7

RGB 86 82 167

HSL 242.82, 0.34%, 0.49%

LAB 39.25, 24.85, -45.45

 

Description

Color code: HEX #A75277 | qconv.com Color code: HEX #A75277 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 82 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 82 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 29 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 29% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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