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Color name
HEX #A75AC2

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A75AC2 it is the complementary color #58A53D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A75AC2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A75AC2 shade: #AC5ABD, #BD6CD0, #CE7EE3, #DF90F6 and #F0A2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A75AC2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A75AC2 shade: #A75AC2, #9648AF, #85369C, #742489 and #631276

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A75AC2 shade: #A75BC2, #C25BC1, #C25BA5, #C25B89 and #C25B6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A75AC2 shade: #A75BC2, #8B5BC2, #6F5BC2 and #5B5BC2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A75AC2 shade matches the following richer shades: #A75BC2, #B049D4, #B936E6 and #C124F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A75AC2 shade: #A75BC2, #9E6DB0, #967F9E, #8D918B and #84A379

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A75AC2 shade: #6F5BC2, #8B5BC2, #A65BC2, #C25BC2 and #C25BA6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A75AC2 shade: #7B3694, #9541B2, #A75BC2, #B779CD and #C797D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A75AC2 shade: #A75AC2, #C25B62 and #5BC27D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A75AC2 shade: #A75AC2, #C2A65B and #5BC2A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A75AC2 shade: #A75AC2, #C25B62, #76C25B and #5BC2BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A75AC2 shade: #A75AC2, #C2735B, #76C25B and #5BAAC2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 54 / 0 / 24

HEX #A75AC2

RGB 167 90 194

HSL 284.42, 0.46%, 0.56%

LAB 51.18, 48.32, -41.74

 

Complementary color

CMYK 47 / 0 / 63 / 35

HEX #58A53D

RGB 88 165 61

HSL 104.42, 0.46%, 0.44%

LAB 61.06, -43.34, 45.4

 

CMYK 9 / 52 / 0 / 26

HEX #AC5ABD

RGB 172 90 189

HSL 289.7, 0.43%, 0.55%

LAB 51.56, 48.67, -38.21

 

CMYK 9 / 48 / 0 / 18

HEX #BD6CD0

RGB 189 108 208

HSL 288.6, 0.52%, 0.62%

LAB 58.13, 47.96, -38.6

 

CMYK 9 / 44 / 0 / 11

HEX #CE7EE3

RGB 206 126 227

HSL 287.52, 0.64%, 0.69%

LAB 64.64, 47.2, -38.92

 

CMYK 9 / 41 / 0 / 4

HEX #DF90F6

RGB 223 144 246

HSL 286.47, 0.85%, 0.76%

LAB 71.07, 46.45, -39.19

 

CMYK 6 / 36 / 0 / 0

HEX #F0A2FF

RGB 240 162 255

HSL 290.32, 1%, 0.82%

LAB 77.03, 43.78, -34.68

 

CMYK 14 / 54 / 0 / 24

HEX #A75AC2

RGB 167 90 194

HSL 284.42, 0.46%, 0.56%

LAB 51.18, 48.32, -41.74

 

CMYK 14 / 59 / 0 / 31

HEX #9648AF

RGB 150 72 175

HSL 285.44, 0.42%, 0.48%

LAB 44.54, 48.97, -41.34

 

CMYK 15 / 65 / 0 / 39

HEX #85369C

RGB 133 54 156

HSL 286.47, 0.49%, 0.41%

LAB 37.89, 49.4, -40.74

 

CMYK 15 / 74 / 0 / 46

HEX #742489

RGB 116 36 137

HSL 287.52, 0.58%, 0.34%

LAB 31.3, 49.35, -39.8

 

CMYK 16 / 85 / 0 / 54

HEX #631276

RGB 99 18 118

HSL 288.6, 0.74%, 0.27%

LAB 24.93, 48.32, -38.24

 

CMYK 14 / 53 / 0 / 24

HEX #A75BC2

RGB 167 91 194

HSL 284.27, 0.46%, 0.56%

LAB 51.37, 47.8, -41.43

 

CMYK 0 / 53 / 1 / 24

HEX #C25BC1

RGB 194 91 193

HSL 300.58, 0.46%, 0.56%

LAB 54.87, 55.01, -35.12

 

CMYK 0 / 53 / 15 / 24

HEX #C25BA5

RGB 194 91 165

HSL 316.89, 0.46%, 0.56%

LAB 53.67, 50.33, -20.75

 

CMYK 0 / 53 / 29 / 24

HEX #C25B89

RGB 194 91 137

HSL 333.2, 0.46%, 0.56%

LAB 52.68, 46.28, -5.76

 

CMYK 0 / 53 / 44 / 24

HEX #C25B6D

RGB 194 91 109

HSL 349.51, 0.46%, 0.56%

LAB 51.9, 42.96, 9.75

 

CMYK 14 / 53 / 0 / 24

HEX #A75BC2

RGB 167 91 194

HSL 284.27, 0.46%, 0.56%

LAB 51.37, 47.8, -41.43

 

CMYK 28 / 53 / 0 / 24

HEX #8B5BC2

RGB 139 91 194

HSL 267.96, 0.46%, 0.56%

LAB 48.09, 40.33, -46.85

 

CMYK 43 / 53 / 0 / 24

HEX #6F5BC2

RGB 111 91 194

HSL 251.65, 0.46%, 0.56%

LAB 45.3, 33.34, -51.47

 

CMYK 53 / 53 / 0 / 24

HEX #5B5BC2

RGB 91 91 194

HSL 240, 0.46%, 0.56%

LAB 43.66, 28.89, -54.2

 

CMYK 14 / 53 / 0 / 24

HEX #A75BC2

RGB 167 91 194

HSL 284.27, 0.46%, 0.56%

LAB 51.37, 47.8, -41.43

 

CMYK 17 / 66 / 0 / 17

HEX #B049D4

RGB 176 73 212

HSL 284.46, 0.62%, 0.56%

LAB 50.39, 62.28, -53.25

 

CMYK 20 / 77 / 0 / 10

HEX #B936E6

RGB 185 54 230

HSL 284.66, 0.78%, 0.56%

LAB 50.29, 74.7, -63.57

 

CMYK 22 / 85 / 0 / 3

HEX #C124F8

RGB 193 36 248

HSL 284.43, 0.94%, 0.56%

LAB 51.12, 84, -72.28

 

CMYK 14 / 53 / 0 / 24

HEX #A75BC2

RGB 167 91 194

HSL 284.27, 0.46%, 0.56%

LAB 51.37, 47.8, -41.43

 

CMYK 10 / 38 / 0 / 31

HEX #9E6DB0

RGB 158 109 176

HSL 283.88, 0.3%, 0.56%

LAB 53.32, 31.53, -28.06

 

CMYK 5 / 20 / 0 / 38

HEX #967F9E

RGB 150 127 158

HSL 284.52, 0.14%, 0.56%

LAB 56.22, 14.69, -13.29

 

CMYK 3 / 0 / 4 / 43

HEX #8D918B

RGB 141 145 139

HSL 100, 0.03%, 0.56%

LAB 59.69, -2.62, 2.67

 

CMYK 19 / 0 / 26 / 36

HEX #84A379

RGB 132 163 121

HSL 104.29, 0.19%, 0.56%

LAB 63.74, -18.86, 18.39

 

CMYK 43 / 53 / 0 / 24

HEX #6F5BC2

RGB 111 91 194

HSL 251.65, 0.46%, 0.56%

LAB 45.3, 33.34, -51.47

 

CMYK 28 / 53 / 0 / 24

HEX #8B5BC2

RGB 139 91 194

HSL 267.96, 0.46%, 0.56%

LAB 48.09, 40.33, -46.85

 

CMYK 14 / 53 / 0 / 24

HEX #A65BC2

RGB 166 91 194

HSL 283.69, 0.46%, 0.56%

LAB 51.25, 47.53, -41.64

 

CMYK 0 / 53 / 0 / 24

HEX #C25BC2

RGB 194 91 194

HSL 300, 0.46%, 0.56%

LAB 54.91, 55.18, -35.62

 

CMYK 0 / 53 / 14 / 24

HEX #C25BA6

RGB 194 91 166

HSL 316.31, 0.46%, 0.56%

LAB 53.71, 50.48, -21.27

 

CMYK 17 / 64 / 0 / 42

HEX #7B3694

RGB 123 54 148

HSL 284.04, 0.47%, 0.4%

LAB 35.96, 45.23, -39.05

 

CMYK 16 / 63 / 0 / 30

HEX #9541B2

RGB 149 65 178

HSL 284.6, 0.47%, 0.48%

LAB 43.34, 52.72, -45.03

 

CMYK 14 / 53 / 0 / 24

HEX #A75BC2

RGB 167 91 194

HSL 284.27, 0.46%, 0.56%

LAB 51.37, 47.8, -41.43

 

CMYK 11 / 41 / 0 / 20

HEX #B779CD

RGB 183 121 205

HSL 284.29, 0.46%, 0.64%

LAB 60.02, 38.66, -34

 

CMYK 8 / 30 / 0 / 15

HEX #C797D8

RGB 199 151 216

HSL 284.31, 0.45%, 0.72%

LAB 68.92, 29.39, -26.25

 

CMYK 14 / 54 / 0 / 24

HEX #A75AC2

RGB 167 90 194

HSL 284.42, 0.46%, 0.56%

LAB 51.18, 48.32, -41.74

 

CMYK 0 / 53 / 49 / 24

HEX #C25B62

RGB 194 91 98

HSL 355.92, 0.46%, 0.56%

LAB 51.65, 41.87, 15.94

 

CMYK 53 / 0 / 36 / 24

HEX #5BC27D

RGB 91 194 125

HSL 139.81, 0.46%, 0.56%

LAB 71.07, -45.37, 25.84

 

CMYK 14 / 54 / 0 / 24

HEX #A75AC2

RGB 167 90 194

HSL 284.42, 0.46%, 0.56%

LAB 51.18, 48.32, -41.74

 

CMYK 0 / 14 / 53 / 24

HEX #C2A65B

RGB 194 166 91

HSL 43.69, 0.46%, 0.56%

LAB 69.11, 0.75, 42.24

 

CMYK 53 / 0 / 14 / 24

HEX #5BC2A6

RGB 91 194 166

HSL 163.69, 0.46%, 0.56%

LAB 71.93, -36.75, 5.02

 

CMYK 14 / 54 / 0 / 24

HEX #A75AC2

RGB 167 90 194

HSL 284.42, 0.46%, 0.56%

LAB 51.18, 48.32, -41.74

 

CMYK 0 / 53 / 49 / 24

HEX #C25B62

RGB 194 91 98

HSL 355.92, 0.46%, 0.56%

LAB 51.65, 41.87, 15.94

 

CMYK 39 / 0 / 53 / 24

HEX #76C25B

RGB 118 194 91

HSL 104.27, 0.46%, 0.56%

LAB 71.68, -42.7, 44.07

 

CMYK 53 / 0 / 4 / 24

HEX #5BC2BB

RGB 91 194 187

HSL 175.92, 0.46%, 0.56%

LAB 72.49, -31.52, -5.61

 

CMYK 14 / 54 / 0 / 24

HEX #A75AC2

RGB 167 90 194

HSL 284.42, 0.46%, 0.56%

LAB 51.18, 48.32, -41.74

 

CMYK 0 / 41 / 53 / 24

HEX #C2735B

RGB 194 115 91

HSL 13.98, 0.46%, 0.56%

LAB 56.57, 28.63, 26.57

 

CMYK 39 / 0 / 53 / 24

HEX #76C25B

RGB 118 194 91

HSL 104.27, 0.46%, 0.56%

LAB 71.68, -42.7, 44.07

 

CMYK 53 / 12 / 0 / 24

HEX #5BAAC2

RGB 91 170 194

HSL 193.98, 0.46%, 0.56%

LAB 65.65, -17.55, -19.73

 

Description

Color code: HEX #A75AC2 | qconv.com Color code: HEX #A75AC2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 90 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 90 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 54 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 54% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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