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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A75EE1 it is the complementary color #58A11E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A75EE1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A75EE1 shade: #AC5EDC, #BD70EF, #CE82FF, #DF94FF and #F0A6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A75EE1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A75EE1 shade: #A75EE1, #964CCE, #853ABB, #7428A8 and #631695

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A75EE1 shade: #A85FE1, #CB5FE1, #E15FD5, #E15FB2 and #E15F8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A75EE1 shade: #A85FE1, #855FE1, #615FE1 and #5F5FE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A75EE1 shade matches the following richer shades: #A85FE1 and #A950F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A75EE1 shade: #A85FE1, #A66ED2, #A47EC3, #A28DB3 and #A19CA4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A75EE1 shade: #615FE1, #845FE1, #A75FE1, #C95FE1 and #E15FD6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A75EE1 shade: #8025C9, #953CDB, #A85FE1, #BB82E8 and #CEA5EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A75EE1 shade: #A75EE1, #E15F80 and #5FE173

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A75EE1 shade: #A75EE1, #E1A75F and #5FE1A7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A75EE1 shade: #A75EE1, #E15F80, #9AE15F and #5FE1C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A75EE1 shade: #A75EE1, #E1665F, #9AE15F and #5FDBE1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 58 / 0 / 12

HEX #A75EE1

RGB 167 94 225

HSL 273.44, 0.69%, 0.63%

LAB 53.66, 53.03, -55.46

 

Complementary color

CMYK 45 / 0 / 81 / 37

HEX #58A11E

RGB 88 161 30

HSL 93.44, 0.69%, 0.37%

LAB 59.58, -44.04, 55.62

 

CMYK 22 / 57 / 0 / 14

HEX #AC5EDC

RGB 172 94 220

HSL 277.14, 0.64%, 0.62%

LAB 53.97, 53.13, -52.11

 

CMYK 21 / 53 / 0 / 6

HEX #BD70EF

RGB 189 112 239

HSL 276.38, 0.8%, 0.69%

LAB 60.46, 52.35, -52.29

 

CMYK 19 / 49 / 0 / 0

HEX #CE82FF

RGB 206 130 255

HSL 276.48, 1%, 0.75%

LAB 66.75, 50.89, -51.01

 

CMYK 13 / 42 / 0 / 0

HEX #DF94FF

RGB 223 148 255

HSL 282.06, 1%, 0.79%

LAB 72.29, 46.15, -42.19

 

CMYK 6 / 35 / 0 / 0

HEX #F0A6FF

RGB 240 166 255

HSL 289.89, 1%, 0.83%

LAB 77.89, 41.68, -33.36

 

CMYK 26 / 58 / 0 / 12

HEX #A75EE1

RGB 167 94 225

HSL 273.44, 0.69%, 0.63%

LAB 53.66, 53.03, -55.46

 

CMYK 27 / 63 / 0 / 19

HEX #964CCE

RGB 150 76 206

HSL 274.15, 0.57%, 0.55%

LAB 47.12, 53.77, -55.25

 

CMYK 29 / 69 / 0 / 27

HEX #853ABB

RGB 133 58 187

HSL 274.88, 0.53%, 0.48%

LAB 40.57, 54.31, -54.87

 

CMYK 31 / 76 / 0 / 34

HEX #7428A8

RGB 116 40 168

HSL 275.63, 0.62%, 0.41%

LAB 34.1, 54.42, -54.19

 

CMYK 34 / 85 / 0 / 42

HEX #631695

RGB 99 22 149

HSL 276.38, 0.74%, 0.34%

LAB 27.84, 53.66, -52.96

 

CMYK 25 / 58 / 0 / 12

HEX #A85FE1

RGB 168 95 225

HSL 273.69, 0.68%, 0.63%

LAB 53.97, 52.76, -54.96

 

CMYK 10 / 58 / 0 / 12

HEX #CB5FE1

RGB 203 95 225

HSL 289.85, 0.68%, 0.63%

LAB 58.34, 61.36, -47.74

 

CMYK 0 / 58 / 5 / 12

HEX #E15FD5

RGB 225 95 213

HSL 305.54, 0.68%, 0.63%

LAB 60.78, 64.88, -36.94

 

CMYK 0 / 58 / 21 / 12

HEX #E15FB2

RGB 225 95 178

HSL 321.69, 0.68%, 0.63%

LAB 59.35, 59.59, -19.21

 

CMYK 0 / 58 / 37 / 12

HEX #E15F8E

RGB 225 95 142

HSL 338.31, 0.68%, 0.63%

LAB 58.17, 55.06, -0.09

 

CMYK 25 / 58 / 0 / 12

HEX #A85FE1

RGB 168 95 225

HSL 273.69, 0.68%, 0.63%

LAB 53.97, 52.76, -54.96

 

CMYK 41 / 58 / 0 / 12

HEX #855FE1

RGB 133 95 225

HSL 257.54, 0.68%, 0.63%

LAB 50.22, 44.67, -61.17

 

CMYK 57 / 58 / 0 / 12

HEX #615FE1

RGB 97 95 225

HSL 240.92, 0.68%, 0.63%

LAB 47.19, 37.46, -66.23

 

CMYK 58 / 58 / 0 / 12

HEX #5F5FE1

RGB 95 95 225

HSL 240, 0.68%, 0.63%

LAB 47.04, 37.11, -66.47

 

CMYK 25 / 58 / 0 / 12

HEX #A85FE1

RGB 168 95 225

HSL 273.69, 0.68%, 0.63%

LAB 53.97, 52.76, -54.96

 

CMYK 30 / 67 / 0 / 5

HEX #A950F1

RGB 169 80 241

HSL 273.17, 0.85%, 0.63%

LAB 52.42, 63.82, -66.42

 

CMYK 25 / 58 / 0 / 12

HEX #A85FE1

RGB 168 95 225

HSL 273.69, 0.68%, 0.63%

LAB 53.97, 52.76, -54.96

 

CMYK 21 / 48 / 0 / 18

HEX #A66ED2

RGB 166 110 210

HSL 273.6, 0.53%, 0.63%

LAB 56, 40.85, -43.27

 

CMYK 16 / 35 / 0 / 24

HEX #A47EC3

RGB 164 126 195

HSL 273.04, 0.37%, 0.63%

LAB 58.75, 27.89, -30.48

 

CMYK 9 / 21 / 0 / 30

HEX #A28DB3

RGB 162 141 179

HSL 273.16, 0.2%, 0.63%

LAB 61.64, 15.2, -16.98

 

CMYK 2 / 5 / 0 / 36

HEX #A19CA4

RGB 161 156 164

HSL 277.5, 0.04%, 0.63%

LAB 64.99, 3.34, -3.53

 

CMYK 57 / 58 / 0 / 12

HEX #615FE1

RGB 97 95 225

HSL 240.92, 0.68%, 0.63%

LAB 47.19, 37.46, -66.23

 

CMYK 41 / 58 / 0 / 12

HEX #845FE1

RGB 132 95 225

HSL 257.08, 0.68%, 0.63%

LAB 50.13, 44.45, -61.33

 

CMYK 26 / 58 / 0 / 12

HEX #A75FE1

RGB 167 95 225

HSL 273.23, 0.68%, 0.63%

LAB 53.85, 52.52, -55.15

 

CMYK 11 / 58 / 0 / 12

HEX #C95FE1

RGB 201 95 225

HSL 288.92, 0.68%, 0.63%

LAB 58.07, 60.86, -48.17

 

CMYK 0 / 58 / 5 / 12

HEX #E15FD6

RGB 225 95 214

HSL 305.08, 0.68%, 0.63%

LAB 60.82, 65.04, -37.43

 

CMYK 36 / 82 / 0 / 21

HEX #8025C9

RGB 128 37 201

HSL 273.29, 0.69%, 0.47%

LAB 38.07, 64.84, -67.16

 

CMYK 32 / 73 / 0 / 14

HEX #953CDB

RGB 149 60 219

HSL 273.58, 0.69%, 0.55%

LAB 45.27, 63.76, -65.69

 

CMYK 25 / 58 / 0 / 12

HEX #A85FE1

RGB 168 95 225

HSL 273.69, 0.68%, 0.63%

LAB 53.97, 52.76, -54.96

 

CMYK 19 / 44 / 0 / 9

HEX #BB82E8

RGB 187 130 232

HSL 273.53, 0.69%, 0.71%

LAB 63.64, 40.7, -43.41

 

CMYK 13 / 31 / 0 / 7

HEX #CEA5EE

RGB 206 165 238

HSL 273.7, 0.68%, 0.79%

LAB 73.68, 28.44, -30.93

 

CMYK 26 / 58 / 0 / 12

HEX #A75EE1

RGB 167 94 225

HSL 273.44, 0.69%, 0.63%

LAB 53.66, 53.03, -55.46

 

CMYK 0 / 58 / 43 / 12

HEX #E15F80

RGB 225 95 128

HSL 344.77, 0.68%, 0.63%

LAB 57.8, 53.57, 7.55

 

CMYK 58 / 0 / 49 / 12

HEX #5FE173

RGB 95 225 115

HSL 129.23, 0.68%, 0.63%

LAB 80.47, -58.34, 43.07

 

CMYK 26 / 58 / 0 / 12

HEX #A75EE1

RGB 167 94 225

HSL 273.44, 0.69%, 0.63%

LAB 53.66, 53.03, -55.46

 

CMYK 0 / 26 / 58 / 12

HEX #E1A75F

RGB 225 167 95

HSL 33.23, 0.68%, 0.63%

LAB 72.54, 13.56, 45.1

 

CMYK 58 / 0 / 26 / 12

HEX #5FE1A7

RGB 95 225 167

HSL 153.23, 0.68%, 0.63%

LAB 81.33, -49.2, 17.82

 

CMYK 26 / 58 / 0 / 12

HEX #A75EE1

RGB 167 94 225

HSL 273.44, 0.69%, 0.63%

LAB 53.66, 53.03, -55.46

 

CMYK 0 / 58 / 43 / 12

HEX #E15F80

RGB 225 95 128

HSL 344.77, 0.68%, 0.63%

LAB 57.8, 53.57, 7.55

 

CMYK 32 / 0 / 58 / 12

HEX #9AE15F

RGB 154 225 95

HSL 92.77, 0.68%, 0.63%

LAB 82.67, -43.51, 55.54

 

CMYK 58 / 0 / 14 / 12

HEX #5FE1C1

RGB 95 225 193

HSL 165.23, 0.68%, 0.63%

LAB 81.91, -43.41, 4.95

 

CMYK 26 / 58 / 0 / 12

HEX #A75EE1

RGB 167 94 225

HSL 273.44, 0.69%, 0.63%

LAB 53.66, 53.03, -55.46

 

CMYK 0 / 55 / 58 / 12

HEX #E1665F

RGB 225 102 95

HSL 3.23, 0.68%, 0.63%

LAB 58.36, 47.42, 27.46

 

CMYK 32 / 0 / 58 / 12

HEX #9AE15F

RGB 154 225 95

HSL 92.77, 0.68%, 0.63%

LAB 82.67, -43.51, 55.54

 

CMYK 58 / 3 / 0 / 12

HEX #5FDBE1

RGB 95 219 225

HSL 182.77, 0.68%, 0.63%

LAB 81.03, -32.51, -13.35

 

Description

Color code: HEX #A75EE1 | qconv.com Color code: HEX #A75EE1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 94 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 94 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 58 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 58% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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