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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A762CD it is the complementary color #589D32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A762CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A762CD shade: #AC62C8, #BD74DB, #CE86EE, #DF98FF and #F0AAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A762CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A762CD shade: #A762CD, #9650BA, #853EA7, #742C94 and #631A81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A762CD shade: #A660CC, #C360CC, #CC60B8, #CC609B and #CC607E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A762CD shade: #A660CC, #8860CC, #6B60CC and #6060CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A762CD shade matches the following richer shades: #A660CC, #AB4FDD and #AF3EEE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A762CD shade: #A660CC, #A171BB, #9C81AA, #97929A and #92A389

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A762CD shade: #6A60CC, #8760CC, #A460CC, #C160CC and #CC60BA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A762CD shade: #7D34A5, #9440C2, #A660CC, #B77FD6 and #C99EE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A762CD shade: #A762CD, #CC6072 and #60CC79

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A762CD shade: #A762CD, #CCA460 and #60CCA4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A762CD shade: #A762CD, #CC6072, #87CC60 and #60CCBA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A762CD shade: #A762CD, #CC6E60, #87CC60 and #60BECC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 52 / 0 / 20

HEX #A762CD

RGB 167 98 205

HSL 278.69, 0.52%, 0.59%

LAB 53.34, 46.49, -44.63

 

Complementary color

CMYK 44 / 0 / 68 / 38

HEX #589D32

RGB 88 157 50

HSL 98.69, 0.52%, 0.41%

LAB 58.43, -41.02, 47.31

 

CMYK 14 / 51 / 0 / 22

HEX #AC62C8

RGB 172 98 200

HSL 283.53, 0.48%, 0.58%

LAB 53.68, 46.78, -41.19

 

CMYK 14 / 47 / 0 / 14

HEX #BD74DB

RGB 189 116 219

HSL 282.52, 0.59%, 0.66%

LAB 60.27, 46, -41.44

 

CMYK 13 / 44 / 0 / 7

HEX #CE86EE

RGB 206 134 238

HSL 281.54, 0.75%, 0.73%

LAB 66.78, 45.21, -41.64

 

CMYK 13 / 40 / 0 / 0

HEX #DF98FF

RGB 223 152 255

HSL 281.36, 1%, 0.8%

LAB 73.13, 44.04, -40.87

 

CMYK 6 / 33 / 0 / 0

HEX #F0AAFF

RGB 240 170 255

HSL 289.41, 1%, 0.83%

LAB 78.75, 39.58, -32.03

 

CMYK 19 / 52 / 0 / 20

HEX #A762CD

RGB 167 98 205

HSL 278.69, 0.52%, 0.59%

LAB 53.34, 46.49, -44.63

 

CMYK 19 / 57 / 0 / 27

HEX #9650BA

RGB 150 80 186

HSL 279.62, 0.43%, 0.52%

LAB 46.67, 47.27, -44.4

 

CMYK 20 / 63 / 0 / 35

HEX #853EA7

RGB 133 62 167

HSL 280.57, 0.46%, 0.45%

LAB 39.95, 47.92, -44.04

 

CMYK 22 / 70 / 0 / 42

HEX #742C94

RGB 116 44 148

HSL 281.54, 0.54%, 0.38%

LAB 33.25, 48.27, -43.45

 

CMYK 23 / 80 / 0 / 49

HEX #631A81

RGB 99 26 129

HSL 282.52, 0.66%, 0.3%

LAB 26.67, 47.95, -42.41

 

CMYK 19 / 53 / 0 / 20

HEX #A660CC

RGB 166 96 204

HSL 278.89, 0.51%, 0.59%

LAB 52.77, 47.06, -44.97

 

CMYK 4 / 53 / 0 / 20

HEX #C360CC

RGB 195 96 204

HSL 295, 0.51%, 0.59%

LAB 56.41, 54.88, -38.97

 

CMYK 0 / 53 / 10 / 20

HEX #CC60B8

RGB 204 96 184

HSL 311.11, 0.51%, 0.59%

LAB 56.75, 53.93, -26.92

 

CMYK 0 / 53 / 24 / 20

HEX #CC609B

RGB 204 96 155

HSL 327.22, 0.51%, 0.59%

LAB 55.65, 49.53, -11.76

 

CMYK 0 / 53 / 38 / 20

HEX #CC607E

RGB 204 96 126

HSL 343.33, 0.51%, 0.59%

LAB 54.77, 45.84, 3.97

 

CMYK 19 / 53 / 0 / 20

HEX #A660CC

RGB 166 96 204

HSL 278.89, 0.51%, 0.59%

LAB 52.77, 47.06, -44.97

 

CMYK 33 / 53 / 0 / 20

HEX #8860CC

RGB 136 96 204

HSL 262.22, 0.51%, 0.59%

LAB 49.45, 39.26, -50.45

 

CMYK 48 / 53 / 0 / 20

HEX #6B60CC

RGB 107 96 204

HSL 246.11, 0.51%, 0.59%

LAB 46.78, 32.37, -54.88

 

CMYK 53 / 53 / 0 / 20

HEX #6060CC

RGB 96 96 204

HSL 240, 0.51%, 0.59%

LAB 45.92, 30.02, -56.3

 

CMYK 19 / 53 / 0 / 20

HEX #A660CC

RGB 166 96 204

HSL 278.89, 0.51%, 0.59%

LAB 52.77, 47.06, -44.97

 

CMYK 23 / 64 / 0 / 13

HEX #AB4FDD

RGB 171 79 221

HSL 278.87, 0.68%, 0.59%

LAB 51.23, 60.35, -57.06

 

CMYK 26 / 74 / 0 / 7

HEX #AF3EEE

RGB 175 62 238

HSL 278.52, 0.84%, 0.59%

LAB 50.37, 71.73, -68.02

 

CMYK 19 / 53 / 0 / 20

HEX #A660CC

RGB 166 96 204

HSL 278.89, 0.51%, 0.59%

LAB 52.77, 47.06, -44.97

 

CMYK 14 / 40 / 0 / 27

HEX #A171BB

RGB 161 113 187

HSL 278.92, 0.35%, 0.59%

LAB 55.05, 32.57, -31.69

 

CMYK 8 / 24 / 0 / 33

HEX #9C81AA

RGB 156 129 170

HSL 279.51, 0.19%, 0.59%

LAB 57.72, 18.12, -17.86

 

CMYK 2 / 5 / 0 / 40

HEX #97929A

RGB 151 146 154

HSL 277.5, 0.04%, 0.59%

LAB 61.19, 3.39, -3.57

 

CMYK 10 / 0 / 16 / 36

HEX #92A389

RGB 146 163 137

HSL 99.23, 0.12%, 0.59%

LAB 65.05, -10.95, 11.51

 

CMYK 48 / 53 / 0 / 20

HEX #6A60CC

RGB 106 96 204

HSL 245.56, 0.51%, 0.59%

LAB 46.7, 32.15, -55.01

 

CMYK 34 / 53 / 0 / 20

HEX #8760CC

RGB 135 96 204

HSL 261.67, 0.51%, 0.59%

LAB 49.35, 39.01, -50.62

 

CMYK 20 / 53 / 0 / 20

HEX #A460CC

RGB 164 96 204

HSL 277.78, 0.51%, 0.59%

LAB 52.53, 46.53, -45.36

 

CMYK 5 / 53 / 0 / 20

HEX #C160CC

RGB 193 96 204

HSL 293.89, 0.51%, 0.59%

LAB 56.15, 54.33, -39.4

 

CMYK 0 / 53 / 9 / 20

HEX #CC60BA

RGB 204 96 186

HSL 310, 0.51%, 0.59%

LAB 56.83, 54.25, -27.94

 

CMYK 24 / 68 / 0 / 35

HEX #7D34A5

RGB 125 52 165

HSL 278.76, 0.52%, 0.43%

LAB 36.99, 50.39, -47.66

 

CMYK 24 / 67 / 0 / 24

HEX #9440C2

RGB 148 64 194

HSL 278.77, 0.52%, 0.51%

LAB 44.03, 56.34, -53.29

 

CMYK 19 / 53 / 0 / 20

HEX #A660CC

RGB 166 96 204

HSL 278.89, 0.51%, 0.59%

LAB 52.77, 47.06, -44.97

 

CMYK 14 / 41 / 0 / 16

HEX #B77FD6

RGB 183 127 214

HSL 278.62, 0.51%, 0.67%

LAB 61.74, 37.26, -36.38

 

CMYK 10 / 29 / 0 / 12

HEX #C99EE0

RGB 201 158 224

HSL 279.09, 0.52%, 0.75%

LAB 71.05, 27.81, -27.38

 

CMYK 19 / 52 / 0 / 20

HEX #A762CD

RGB 167 98 205

HSL 278.69, 0.52%, 0.59%

LAB 53.34, 46.49, -44.63

 

CMYK 0 / 53 / 44 / 20

HEX #CC6072

RGB 204 96 114

HSL 350, 0.51%, 0.59%

LAB 54.47, 44.54, 10.62

 

CMYK 53 / 0 / 41 / 20

HEX #60CC79

RGB 96 204 121

HSL 133.89, 0.51%, 0.59%

LAB 74.22, -48.96, 32.12

 

CMYK 19 / 52 / 0 / 20

HEX #A762CD

RGB 167 98 205

HSL 278.69, 0.52%, 0.59%

LAB 53.34, 46.49, -44.63

 

CMYK 0 / 20 / 53 / 20

HEX #CCA460

RGB 204 164 96

HSL 37.78, 0.51%, 0.59%

LAB 69.64, 6.48, 40.57

 

CMYK 53 / 0 / 20 / 20

HEX #60CCA4

RGB 96 204 164

HSL 157.78, 0.51%, 0.59%

LAB 75.05, -40.61, 10.57

 

CMYK 19 / 52 / 0 / 20

HEX #A762CD

RGB 167 98 205

HSL 278.69, 0.52%, 0.59%

LAB 53.34, 46.49, -44.63

 

CMYK 0 / 53 / 44 / 20

HEX #CC6072

RGB 204 96 114

HSL 350, 0.51%, 0.59%

LAB 54.47, 44.54, 10.62

 

CMYK 34 / 0 / 53 / 20

HEX #87CC60

RGB 135 204 96

HSL 98.33, 0.51%, 0.59%

LAB 75.56, -40.8, 46.53

 

CMYK 53 / 0 / 9 / 20

HEX #60CCBA

RGB 96 204 186

HSL 170, 0.51%, 0.59%

LAB 75.59, -35.44, -0.49

 

CMYK 19 / 52 / 0 / 20

HEX #A762CD

RGB 167 98 205

HSL 278.69, 0.52%, 0.59%

LAB 53.34, 46.49, -44.63

 

CMYK 0 / 46 / 53 / 20

HEX #CC6E60

RGB 204 110 96

HSL 7.78, 0.51%, 0.59%

LAB 56.91, 35.68, 24.43

 

CMYK 34 / 0 / 53 / 20

HEX #87CC60

RGB 135 204 96

HSL 98.33, 0.51%, 0.59%

LAB 75.56, -40.8, 46.53

 

CMYK 53 / 7 / 0 / 20

HEX #60BECC

RGB 96 190 204

HSL 187.78, 0.51%, 0.59%

LAB 72.01, -23.94, -15.58

 

Description

Color code: HEX #A762CD | qconv.com Color code: HEX #A762CD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 98 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 98 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 52 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 52% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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