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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A76BD0 it is the complementary color #58942F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A76BD0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A76BD0 shade: #AC6BCB, #BD7DDE, #CE8FF1, #DFA1FF and #F0B3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A76BD0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A76BD0 shade: #A76BD0, #9659BD, #8547AA, #743597 and #632384

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A76BD0 shade: #A76BD0, #C26BD0, #D06BC3, #D06BA7 and #D06B8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A76BD0 shade: #A76BD0, #8C6BD0, #716BD0 and #6B6BD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A76BD0 shade matches the following richer shades: #A76BD0, #AA5CE0 and #AD4CEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A76BD0 shade: #A76BD0, #A47BC0, #A18BB1, #9E9AA1 and #9BAA91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A76BD0 shade: #706BD0, #8B6BD0, #A66BD0, #C16BD0 and #D06BC4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A76BD0 shade: #8038B1, #944CC6, #A76BD0, #BA8BDA and #CCAAE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A76BD0 shade: #A76BD0, #D06B81 and #6BD07E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A76BD0 shade: #A76BD0, #D0A66B and #6BD0A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A76BD0 shade: #A76BD0, #D06B81, #95D06B and #6BD0BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A76BD0 shade: #A76BD0, #D0746B, #95D06B and #6BC8D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 49 / 0 / 18

HEX #A76BD0

RGB 167 107 208

HSL 275.64, 0.52%, 0.62%

LAB 55.36, 42.32, -43.13

 

Complementary color

CMYK 41 / 0 / 68 / 42

HEX #58942F

RGB 88 148 47

HSL 95.64, 0.52%, 0.38%

LAB 55.54, -37.41, 45.51

 

CMYK 15 / 47 / 0 / 20

HEX #AC6BCB

RGB 172 107 203

HSL 280.63, 0.48%, 0.61%

LAB 55.68, 42.62, -39.75

 

CMYK 15 / 44 / 0 / 13

HEX #BD7DDE

RGB 189 125 222

HSL 279.59, 0.6%, 0.68%

LAB 62.3, 41.82, -39.92

 

CMYK 15 / 41 / 0 / 5

HEX #CE8FF1

RGB 206 143 241

HSL 278.57, 0.78%, 0.75%

LAB 68.84, 41.03, -40.08

 

CMYK 13 / 37 / 0 / 0

HEX #DFA1FF

RGB 223 161 255

HSL 279.57, 1%, 0.82%

LAB 75.08, 39.26, -37.85

 

CMYK 6 / 30 / 0 / 0

HEX #F0B3FF

RGB 240 179 255

HSL 288.16, 1%, 0.85%

LAB 80.73, 34.82, -28.98

 

CMYK 20 / 49 / 0 / 18

HEX #A76BD0

RGB 167 107 208

HSL 275.64, 0.52%, 0.62%

LAB 55.36, 42.32, -43.13

 

CMYK 21 / 53 / 0 / 26

HEX #9659BD

RGB 150 89 189

HSL 276.6, 0.43%, 0.55%

LAB 48.64, 43.17, -43.01

 

CMYK 22 / 58 / 0 / 33

HEX #8547AA

RGB 133 71 170

HSL 277.58, 0.41%, 0.47%

LAB 41.84, 43.98, -42.81

 

CMYK 23 / 65 / 0 / 41

HEX #743597

RGB 116 53 151

HSL 278.57, 0.48%, 0.4%

LAB 34.99, 44.66, -42.48

 

CMYK 25 / 73 / 0 / 48

HEX #632384

RGB 99 35 132

HSL 279.59, 0.58%, 0.33%

LAB 28.17, 44.96, -41.86

 

CMYK 20 / 49 / 0 / 18

HEX #A76BD0

RGB 167 107 208

HSL 275.64, 0.52%, 0.62%

LAB 55.36, 42.32, -43.13

 

CMYK 7 / 49 / 0 / 18

HEX #C26BD0

RGB 194 107 208

HSL 291.68, 0.52%, 0.62%

LAB 58.54, 49.88, -37.91

 

CMYK 0 / 49 / 6 / 18

HEX #D06BC3

RGB 208 107 195

HSL 307.72, 0.52%, 0.62%

LAB 59.77, 51.58, -28.49

 

CMYK 0 / 49 / 20 / 18

HEX #D06BA7

RGB 208 107 167

HSL 324.36, 0.52%, 0.62%

LAB 58.71, 47.11, -14.07

 

CMYK 0 / 49 / 33 / 18

HEX #D06B8C

RGB 208 107 140

HSL 340.4, 0.52%, 0.62%

LAB 57.86, 43.39, 0.33

 

CMYK 20 / 49 / 0 / 18

HEX #A76BD0

RGB 167 107 208

HSL 275.64, 0.52%, 0.62%

LAB 55.36, 42.32, -43.13

 

CMYK 33 / 49 / 0 / 18

HEX #8C6BD0

RGB 140 107 208

HSL 259.6, 0.52%, 0.62%

LAB 52.56, 35.02, -47.75

 

CMYK 46 / 49 / 0 / 18

HEX #716BD0

RGB 113 107 208

HSL 243.56, 0.52%, 0.62%

LAB 50.19, 28.3, -51.67

 

CMYK 49 / 49 / 0 / 18

HEX #6B6BD0

RGB 107 107 208

HSL 240, 0.52%, 0.62%

LAB 49.73, 26.92, -52.43

 

CMYK 20 / 49 / 0 / 18

HEX #A76BD0

RGB 167 107 208

HSL 275.64, 0.52%, 0.62%

LAB 55.36, 42.32, -43.13

 

CMYK 24 / 59 / 0 / 12

HEX #AA5CE0

RGB 170 92 224

HSL 275.45, 0.68%, 0.62%

LAB 53.58, 54.53, -55

 

CMYK 28 / 68 / 0 / 6

HEX #AD4CEF

RGB 173 76 239

HSL 275.71, 0.84%, 0.62%

LAB 52.16, 65.95, -65.71

 

CMYK 20 / 49 / 0 / 18

HEX #A76BD0

RGB 167 107 208

HSL 275.64, 0.52%, 0.62%

LAB 55.36, 42.32, -43.13

 

CMYK 15 / 36 / 0 / 25

HEX #A47BC0

RGB 164 123 192

HSL 275.65, 0.35%, 0.62%

LAB 57.91, 28.93, -30.08

 

CMYK 9 / 21 / 0 / 31

HEX #A18BB1

RGB 161 139 177

HSL 274.74, 0.2%, 0.62%

LAB 60.97, 15.57, -16.87

 

CMYK 2 / 4 / 0 / 37

HEX #9E9AA1

RGB 158 154 161

HSL 274.29, 0.04%, 0.62%

LAB 64.12, 2.8, -3.15

 

CMYK 9 / 0 / 15 / 33

HEX #9BAA91

RGB 155 170 145

HSL 96, 0.13%, 0.62%

LAB 67.85, -9.97, 11.12

 

CMYK 46 / 49 / 0 / 18

HEX #706BD0

RGB 112 107 208

HSL 242.97, 0.52%, 0.62%

LAB 50.11, 28.06, -51.8

 

CMYK 33 / 49 / 0 / 18

HEX #8B6BD0

RGB 139 107 208

HSL 259.01, 0.52%, 0.62%

LAB 52.46, 34.76, -47.91

 

CMYK 20 / 49 / 0 / 18

HEX #A66BD0

RGB 166 107 208

HSL 275.05, 0.52%, 0.62%

LAB 55.25, 42.04, -43.31

 

CMYK 7 / 49 / 0 / 18

HEX #C16BD0

RGB 193 107 208

HSL 291.09, 0.52%, 0.62%

LAB 58.42, 49.6, -38.11

 

CMYK 0 / 49 / 6 / 18

HEX #D06BC4

RGB 208 107 196

HSL 307.13, 0.52%, 0.62%

LAB 59.81, 51.75, -29

 

CMYK 28 / 68 / 0 / 31

HEX #8038B1

RGB 128 56 177

HSL 275.7, 0.52%, 0.46%

LAB 38.88, 51.9, -51.74

 

CMYK 25 / 62 / 0 / 22

HEX #944CC6

RGB 148 76 198

HSL 275.41, 0.52%, 0.54%

LAB 46.37, 51.49, -51.86

 

CMYK 20 / 49 / 0 / 18

HEX #A76BD0

RGB 167 107 208

HSL 275.64, 0.52%, 0.62%

LAB 55.36, 42.32, -43.13

 

CMYK 15 / 36 / 0 / 15

HEX #BA8BDA

RGB 186 139 218

HSL 275.7, 0.52%, 0.7%

LAB 64.94, 32.39, -33.61

 

CMYK 11 / 25 / 0 / 11

HEX #CCAAE4

RGB 204 170 228

HSL 275.17, 0.52%, 0.78%

LAB 74.31, 23, -24.54

 

CMYK 20 / 49 / 0 / 18

HEX #A76BD0

RGB 167 107 208

HSL 275.64, 0.52%, 0.62%

LAB 55.36, 42.32, -43.13

 

CMYK 0 / 49 / 38 / 18

HEX #D06B81

RGB 208 107 129

HSL 346.93, 0.52%, 0.62%

LAB 57.57, 42.07, 6.31

 

CMYK 49 / 0 / 39 / 18

HEX #6BD07E

RGB 107 208 126

HSL 131.29, 0.52%, 0.62%

LAB 75.91, -46.95, 31.84

 

CMYK 20 / 49 / 0 / 18

HEX #A76BD0

RGB 167 107 208

HSL 275.64, 0.52%, 0.62%

LAB 55.36, 42.32, -43.13

 

CMYK 0 / 20 / 49 / 18

HEX #D0A66B

RGB 208 166 107

HSL 35.05, 0.52%, 0.62%

LAB 70.69, 8.07, 36.28

 

CMYK 49 / 0 / 20 / 18

HEX #6BD0A6

RGB 107 208 166

HSL 155.05, 0.52%, 0.62%

LAB 76.67, -39.37, 11.87

 

CMYK 20 / 49 / 0 / 18

HEX #A76BD0

RGB 167 107 208

HSL 275.64, 0.52%, 0.62%

LAB 55.36, 42.32, -43.13

 

CMYK 0 / 49 / 38 / 18

HEX #D06B81

RGB 208 107 129

HSL 346.93, 0.52%, 0.62%

LAB 57.57, 42.07, 6.31

 

CMYK 28 / 0 / 49 / 18

HEX #95D06B

RGB 149 208 107

HSL 95.05, 0.52%, 0.62%

LAB 77.62, -36.46, 43.92

 

CMYK 49 / 0 / 11 / 18

HEX #6BD0BA

RGB 107 208 186

HSL 166.93, 0.52%, 0.62%

LAB 77.15, -34.85, 1.83

 

CMYK 20 / 49 / 0 / 18

HEX #A76BD0

RGB 167 107 208

HSL 275.64, 0.52%, 0.62%

LAB 55.36, 42.32, -43.13

 

CMYK 0 / 44 / 49 / 18

HEX #D0746B

RGB 208 116 107

HSL 5.35, 0.52%, 0.62%

LAB 58.94, 35.07, 20.94

 

CMYK 28 / 0 / 49 / 18

HEX #95D06B

RGB 149 208 107

HSL 95.05, 0.52%, 0.62%

LAB 77.62, -36.46, 43.92

 

CMYK 49 / 4 / 0 / 18

HEX #6BC8D0

RGB 107 200 208

HSL 184.75, 0.52%, 0.62%

LAB 75.44, -25.48, -12.55

 

Description

Color code: HEX #A76BD0 | qconv.com Color code: HEX #A76BD0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 107 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 107 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 49 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 49% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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