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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A76E5C it is the complementary color #5891A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A76E5C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A76E5C shade: #AC6E57, #BD806A, #CE927D, #DFA490 and #F0B6A3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A76E5C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A76E5C shade: #A76E5C, #965C49, #854A36, #743823 and #632610

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A76E5C shade: #A76E5C and #A75C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A76E5C shade: #A76E5C, #A7825C, #A7965C, #A3A75C and #8FA75C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A76E5C shade matches the following richer shades: #A76E5C, #BB6448, #CF5934, #E44F1F and #F8440B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A76E5C shade: #A76E5C, #937970, #7F8384, #6A8E99 and #5698AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A76E5C shade: #A75C73, #A75C5F, #A76E5C, #A7825C and #A7965C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A76E5C shade: #734A3E, #8E5C4C, #A76E5C, #B58677 and #C49E92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A76E5C shade: #A76E5C, #87A75C and #5C69A7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A76E5C shade: #A76E5C, #5CA76E and #6E5CA7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A76E5C shade: #A76E5C, #87A75C, #5C96A7 and #7D5CA7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A76E5C shade: #A76E5C, #70A75C, #5C96A7 and #935CA7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 45 / 35

HEX #A76E5C

RGB 167 110 92

HSL 14.4, 0.3%, 0.51%

LAB 52, 20.49, 19.32

 

Complementary color

CMYK 46 / 11 / 0 / 36

HEX #5891A3

RGB 88 145 163

HSL 194.4, 0.3%, 0.49%

LAB 57.05, -13.73, -15.33

 

CMYK 0 / 36 / 49 / 33

HEX #AC6E57

RGB 172 110 87

HSL 16.24, 0.34%, 0.51%

LAB 52.52, 22.03, 23.02

 

CMYK 0 / 32 / 44 / 26

HEX #BD806A

RGB 189 128 106

HSL 15.9, 0.39%, 0.58%

LAB 59.25, 20.96, 21.51

 

CMYK 0 / 29 / 39 / 19

HEX #CE927D

RGB 206 146 125

HSL 15.56, 0.45%, 0.65%

LAB 65.87, 20.02, 20.16

 

CMYK 0 / 26 / 35 / 13

HEX #DFA490

RGB 223 164 144

HSL 15.19, 0.55%, 0.72%

LAB 72.4, 19.19, 18.94

 

CMYK 0 / 24 / 32 / 6

HEX #F0B6A3

RGB 240 182 163

HSL 14.81, 0.72%, 0.79%

LAB 78.83, 18.45, 17.82

 

CMYK 0 / 34 / 45 / 35

HEX #A76E5C

RGB 167 110 92

HSL 14.4, 0.3%, 0.51%

LAB 52, 20.49, 19.32

 

CMYK 0 / 39 / 51 / 41

HEX #965C49

RGB 150 92 73

HSL 14.81, 0.35%, 0.44%

LAB 45.11, 21.63, 20.91

 

CMYK 0 / 44 / 59 / 48

HEX #854A36

RGB 133 74 54

HSL 15.19, 0.42%, 0.37%

LAB 38.11, 22.97, 22.76

 

CMYK 0 / 52 / 70 / 55

HEX #743823

RGB 116 56 35

HSL 15.56, 0.54%, 0.3%

LAB 31.03, 24.52, 24.96

 

CMYK 0 / 62 / 84 / 61

HEX #632610

RGB 99 38 16

HSL 15.9, 0.72%, 0.23%

LAB 23.92, 26.26, 27.45

 

CMYK 0 / 34 / 45 / 35

HEX #A76E5C

RGB 167 110 92

HSL 14.4, 0.3%, 0.51%

LAB 52, 20.49, 19.32

 

CMYK 0 / 45 / 45 / 35

HEX #A75C5C

RGB 167 92 92

HSL 0, 0.3%, 0.51%

LAB 47.81, 30.54, 13.61

 

CMYK 0 / 34 / 45 / 35

HEX #A76E5C

RGB 167 110 92

HSL 14.4, 0.3%, 0.51%

LAB 52, 20.49, 19.32

 

CMYK 0 / 22 / 45 / 35

HEX #A7825C

RGB 167 130 92

HSL 30.4, 0.3%, 0.51%

LAB 57.03, 9.17, 25.99

 

CMYK 0 / 10 / 45 / 35

HEX #A7965C

RGB 167 150 92

HSL 46.4, 0.3%, 0.51%

LAB 62.34, -1.94, 32.81

 

CMYK 2 / 0 / 45 / 35

HEX #A3A75C

RGB 163 167 92

HSL 63.2, 0.3%, 0.51%

LAB 66.67, -12.7, 38.14

 

CMYK 14 / 0 / 45 / 35

HEX #8FA75C

RGB 143 167 92

HSL 79.2, 0.3%, 0.51%

LAB 65.16, -20.83, 35.93

 

CMYK 0 / 34 / 45 / 35

HEX #A76E5C

RGB 167 110 92

HSL 14.4, 0.3%, 0.51%

LAB 52, 20.49, 19.32

 

CMYK 0 / 47 / 61 / 27

HEX #BB6448

RGB 187 100 72

HSL 14.61, 0.46%, 0.51%

LAB 52, 32.37, 31.31

 

CMYK 0 / 57 / 75 / 19

HEX #CF5934

RGB 207 89 52

HSL 14.32, 0.62%, 0.51%

LAB 52.57, 44.57, 43.59

 

CMYK 0 / 65 / 86 / 11

HEX #E44F1F

RGB 228 79 31

HSL 14.62, 0.78%, 0.51%

LAB 54.22, 55.83, 56.11

 

CMYK 0 / 73 / 96 / 3

HEX #F8440B

RGB 248 68 11

HSL 14.43, 0.94%, 0.51%

LAB 56.2, 66.08, 65.32

 

CMYK 0 / 34 / 45 / 35

HEX #A76E5C

RGB 167 110 92

HSL 14.4, 0.3%, 0.51%

LAB 52, 20.49, 19.32

 

CMYK 0 / 18 / 24 / 42

HEX #937970

RGB 147 121 112

HSL 15.43, 0.14%, 0.51%

LAB 53, 8.62, 8.71

 

CMYK 4 / 1 / 0 / 48

HEX #7F8384

RGB 127 131 132

HSL 192, 0.02%, 0.51%

LAB 54.46, -1.27, -1.06

 

CMYK 31 / 7 / 0 / 40

HEX #6A8E99

RGB 106 142 153

HSL 194.04, 0.19%, 0.51%

LAB 56.79, -9.74, -9.89

 

CMYK 50 / 12 / 0 / 32

HEX #5698AD

RGB 86 152 173

HSL 194.48, 0.35%, 0.51%

LAB 59.39, -15.16, -17.48

 

CMYK 0 / 45 / 31 / 35

HEX #A75C73

RGB 167 92 115

HSL 341.6, 0.3%, 0.51%

LAB 48.4, 33.37, 0.62

 

CMYK 0 / 45 / 43 / 35

HEX #A75C5F

RGB 167 92 95

HSL 357.6, 0.3%, 0.51%

LAB 47.87, 30.88, 11.9

 

CMYK 0 / 34 / 45 / 35

HEX #A76E5C

RGB 167 110 92

HSL 14.4, 0.3%, 0.51%

LAB 52, 20.49, 19.32

 

CMYK 0 / 22 / 45 / 35

HEX #A7825C

RGB 167 130 92

HSL 30.4, 0.3%, 0.51%

LAB 57.03, 9.17, 25.99

 

CMYK 0 / 10 / 45 / 35

HEX #A7965C

RGB 167 150 92

HSL 46.4, 0.3%, 0.51%

LAB 62.34, -1.94, 32.81

 

CMYK 0 / 36 / 46 / 55

HEX #734A3E

RGB 115 74 62

HSL 13.58, 0.3%, 0.35%

LAB 35.77, 15.91, 14.33

 

CMYK 0 / 35 / 46 / 44

HEX #8E5C4C

RGB 142 92 76

HSL 14.55, 0.3%, 0.43%

LAB 44.13, 18.55, 17.63

 

CMYK 0 / 34 / 45 / 35

HEX #A76E5C

RGB 167 110 92

HSL 14.4, 0.3%, 0.51%

LAB 52, 20.49, 19.32

 

CMYK 0 / 26 / 34 / 29

HEX #B58677

RGB 181 134 119

HSL 14.52, 0.3%, 0.59%

LAB 60.07, 15.94, 15.12

 

CMYK 0 / 19 / 26 / 23

HEX #C49E92

RGB 196 158 146

HSL 14.4, 0.3%, 0.67%

LAB 68.22, 12.26, 11.59

 

CMYK 0 / 34 / 45 / 35

HEX #A76E5C

RGB 167 110 92

HSL 14.4, 0.3%, 0.51%

LAB 52, 20.49, 19.32

 

CMYK 19 / 0 / 45 / 35

HEX #87A75C

RGB 135 167 92

HSL 85.6, 0.3%, 0.51%

LAB 64.61, -23.97, 35.13

 

CMYK 45 / 37 / 0 / 35

HEX #5C69A7

RGB 92 105 167

HSL 229.6, 0.3%, 0.51%

LAB 45.86, 11.93, -34.91

 

CMYK 0 / 34 / 45 / 35

HEX #A76E5C

RGB 167 110 92

HSL 14.4, 0.3%, 0.51%

LAB 52, 20.49, 19.32

 

CMYK 45 / 0 / 34 / 35

HEX #5CA76E

RGB 92 167 110

HSL 134.4, 0.3%, 0.51%

LAB 62.54, -36.04, 22.42

 

CMYK 34 / 45 / 0 / 35

HEX #6E5CA7

RGB 110 92 167

HSL 254.4, 0.3%, 0.51%

LAB 43.89, 24.86, -37.94

 

CMYK 0 / 34 / 45 / 35

HEX #A76E5C

RGB 167 110 92

HSL 14.4, 0.3%, 0.51%

LAB 52, 20.49, 19.32

 

CMYK 19 / 0 / 45 / 35

HEX #87A75C

RGB 135 167 92

HSL 85.6, 0.3%, 0.51%

LAB 64.61, -23.97, 35.13

 

CMYK 45 / 10 / 0 / 35

HEX #5C96A7

RGB 92 150 167

HSL 193.6, 0.3%, 0.51%

LAB 58.86, -14.32, -14.85

 

CMYK 25 / 45 / 0 / 35

HEX #7D5CA7

RGB 125 92 167

HSL 266.4, 0.3%, 0.51%

LAB 45.36, 29.18, -35.5

 

CMYK 0 / 34 / 45 / 35

HEX #A76E5C

RGB 167 110 92

HSL 14.4, 0.3%, 0.51%

LAB 52, 20.49, 19.32

 

CMYK 33 / 0 / 45 / 35

HEX #70A75C

RGB 112 167 92

HSL 104, 0.3%, 0.51%

LAB 63.22, -32.48, 33.09

 

CMYK 45 / 10 / 0 / 35

HEX #5C96A7

RGB 92 150 167

HSL 193.6, 0.3%, 0.51%

LAB 58.86, -14.32, -14.85

 

CMYK 12 / 45 / 0 / 35

HEX #935CA7

RGB 147 92 167

HSL 284, 0.3%, 0.51%

LAB 47.81, 35.78, -31.49

 

Description

Color code: HEX #A76E5C | qconv.com Color code: HEX #A76E5C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 110 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 110 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 45 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 45% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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