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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A77610 it is the complementary color #5889EF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A77610. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A77610 shade: #AC760B, #BD881E, #CE9A31, #DFAC44 and #F0BE57

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A77610. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A77610 shade: #A77610, #966400, #855200, #744000 and #632E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A77610 shade: #A7760F, #A74D0F, #A7240F and #A70F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A77610 shade: #A7760F, #A79F0F, #87A70F, #5EA70F and #35A70F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A77610 shade matches the following richer shades: #A7760F and #B67B00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A77610 shade: #A7760F, #99711E, #8A6C2D, #7B663C and #6C614B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A77610 shade: #A7230F, #A74C0F, #A7750F, #A79D0F and #89A70F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A77610 shade: #5C4108, #825B0C, #A7760F, #CD9113 and #EAA81F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A77610 shade: #A77610, #23A70F and #380FA7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A77610 shade: #A77610, #0FA775 and #750FA7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A77610 shade: #A77610, #23A70F, #0F42A7 and #930FA7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A77610 shade: #A77610, #0FA729, #0F42A7 and #A70F8E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 90 / 35

HEX #A77610

RGB 167 118 16

HSL 40.53, 0.83%, 0.36%

LAB 53.18, 11.16, 56.31

 

Complementary color

CMYK 63 / 43 / 0 / 6

HEX #5889EF

RGB 88 137 239

HSL 220.53, 0.83%, 0.64%

LAB 58.22, 14.92, -56.34

 

CMYK 0 / 31 / 94 / 33

HEX #AC760B

RGB 172 118 11

HSL 39.88, 0.88%, 0.36%

LAB 53.76, 13.35, 58.09

 

CMYK 0 / 28 / 84 / 26

HEX #BD881E

RGB 189 136 30

HSL 40, 0.73%, 0.43%

LAB 60.36, 11.4, 59.32

 

CMYK 0 / 25 / 76 / 19

HEX #CE9A31

RGB 206 154 49

HSL 40.13, 0.62%, 0.5%

LAB 66.87, 9.75, 59.24

 

CMYK 0 / 23 / 70 / 13

HEX #DFAC44

RGB 223 172 68

HSL 40.26, 0.71%, 0.57%

LAB 73.29, 8.33, 58.5

 

CMYK 0 / 21 / 64 / 6

HEX #F0BE57

RGB 240 190 87

HSL 40.39, 0.84%, 0.64%

LAB 79.64, 7.11, 57.45

 

CMYK 0 / 29 / 90 / 35

HEX #A77610

RGB 167 118 16

HSL 40.53, 0.83%, 0.36%

LAB 53.18, 11.16, 56.31

 

CMYK 0 / 33 / 100 / 41

HEX #966400

RGB 150 100 0

HSL 40, 1%, 0.29%

LAB 46.44, 13.3, 53.96

 

CMYK 0 / 38 / 100 / 48

HEX #855200

RGB 133 82 0

HSL 36.99, 1%, 0.26%

LAB 39.62, 15.83, 48.39

 

CMYK 0 / 45 / 100 / 55

HEX #744000

RGB 116 64 0

HSL 33.1, 1%, 0.23%

LAB 32.66, 18.47, 42.74

 

CMYK 0 / 54 / 100 / 61

HEX #632E00

RGB 99 46 0

HSL 27.88, 1%, 0.19%

LAB 25.58, 21.19, 36.01

 

CMYK 0 / 29 / 91 / 35

HEX #A7760F

RGB 167 118 15

HSL 40.66, 0.84%, 0.36%

LAB 53.18, 11.14, 56.54

 

CMYK 0 / 54 / 91 / 35

HEX #A74D0F

RGB 167 77 15

HSL 24.47, 0.84%, 0.36%

LAB 43.59, 33.82, 49.24

 

CMYK 0 / 78 / 91 / 35

HEX #A7240F

RGB 167 36 15

HSL 8.29, 0.84%, 0.36%

LAB 36.95, 51.55, 44.33

 

CMYK 0 / 91 / 91 / 35

HEX #A70F0F

RGB 167 15 15

HSL 0, 0.84%, 0.36%

LAB 35.19, 56.56, 43.05

 

CMYK 0 / 29 / 91 / 35

HEX #A7760F

RGB 167 118 15

HSL 40.66, 0.84%, 0.36%

LAB 53.18, 11.14, 56.54

 

CMYK 0 / 5 / 91 / 35

HEX #A79F0F

RGB 167 159 15

HSL 56.84, 0.84%, 0.36%

LAB 64.2, -11.33, 65.1

 

CMYK 19 / 0 / 91 / 35

HEX #87A70F

RGB 135 167 15

HSL 72.63, 0.84%, 0.36%

LAB 64.02, -29.33, 63.9

 

CMYK 44 / 0 / 91 / 35

HEX #5EA70F

RGB 94 167 15

HSL 88.82, 0.84%, 0.36%

LAB 61.7, -45.03, 61.05

 

CMYK 68 / 0 / 91 / 35

HEX #35A70F

RGB 53 167 15

HSL 105, 0.84%, 0.36%

LAB 60.27, -56.34, 59.28

 

CMYK 0 / 29 / 91 / 35

HEX #A7760F

RGB 167 118 15

HSL 40.66, 0.84%, 0.36%

LAB 53.18, 11.14, 56.54

 

CMYK 0 / 32 / 100 / 29

HEX #B67B00

RGB 182 123 0

HSL 40.55, 1%, 0.36%

LAB 56.2, 14.92, 62.35

 

CMYK 0 / 29 / 91 / 35

HEX #A7760F

RGB 167 118 15

HSL 40.66, 0.84%, 0.36%

LAB 53.18, 11.14, 56.54

 

CMYK 0 / 26 / 80 / 40

HEX #99711E

RGB 153 113 30

HSL 40.49, 0.67%, 0.36%

LAB 50.31, 7.96, 48.86

 

CMYK 0 / 22 / 67 / 46

HEX #8A6C2D

RGB 138 108 45

HSL 40.65, 0.51%, 0.36%

LAB 47.39, 4.66, 38.78

 

CMYK 0 / 17 / 51 / 52

HEX #7B663C

RGB 123 102 60

HSL 40, 0.34%, 0.36%

LAB 44.29, 2.51, 26.75

 

CMYK 0 / 10 / 31 / 58

HEX #6C614B

RGB 108 97 75

HSL 40, 0.18%, 0.36%

LAB 41.6, 0.64, 14.17

 

CMYK 0 / 79 / 91 / 35

HEX #A7230F

RGB 167 35 15

HSL 7.89, 0.84%, 0.36%

LAB 36.84, 51.86, 44.25

 

CMYK 0 / 54 / 91 / 35

HEX #A74C0F

RGB 167 76 15

HSL 24.08, 0.84%, 0.36%

LAB 43.39, 34.34, 49.09

 

CMYK 0 / 30 / 91 / 35

HEX #A7750F

RGB 167 117 15

HSL 40.26, 0.84%, 0.36%

LAB 52.92, 11.7, 56.34

 

CMYK 0 / 6 / 91 / 35

HEX #A79D0F

RGB 167 157 15

HSL 56.05, 0.84%, 0.36%

LAB 63.64, -10.28, 64.66

 

CMYK 18 / 0 / 91 / 35

HEX #89A70F

RGB 137 167 15

HSL 71.84, 0.84%, 0.36%

LAB 64.15, -28.49, 64.07

 

CMYK 0 / 29 / 91 / 64

HEX #5C4108

RGB 92 65 8

HSL 40.71, 0.84%, 0.2%

LAB 29.6, 6.32, 35.81

 

CMYK 0 / 30 / 91 / 49

HEX #825B0C

RGB 130 91 12

HSL 40.17, 0.83%, 0.28%

LAB 41.62, 9.35, 46.33

 

CMYK 0 / 29 / 91 / 35

HEX #A7760F

RGB 167 118 15

HSL 40.66, 0.84%, 0.36%

LAB 53.18, 11.14, 56.54

 

CMYK 0 / 29 / 91 / 20

HEX #CD9113

RGB 205 145 19

HSL 40.65, 0.83%, 0.44%

LAB 64.38, 13.32, 66.16

 

CMYK 0 / 28 / 87 / 8

HEX #EAA81F

RGB 234 168 31

HSL 40.49, 0.83%, 0.52%

LAB 73.28, 13.83, 71.74

 

CMYK 0 / 29 / 90 / 35

HEX #A77610

RGB 167 118 16

HSL 40.53, 0.83%, 0.36%

LAB 53.18, 11.16, 56.31

 

CMYK 79 / 0 / 91 / 35

HEX #23A70F

RGB 35 167 15

HSL 112.11, 0.84%, 0.36%

LAB 59.92, -59.45, 58.83

 

CMYK 66 / 91 / 0 / 35

HEX #380FA7

RGB 56 15 167

HSL 256.18, 0.84%, 0.36%

LAB 23.58, 55.39, -71.15

 

CMYK 0 / 29 / 90 / 35

HEX #A77610

RGB 167 118 16

HSL 40.53, 0.83%, 0.36%

LAB 53.18, 11.16, 56.31

 

CMYK 91 / 0 / 30 / 35

HEX #0FA775

RGB 15 167 117

HSL 160.26, 0.84%, 0.36%

LAB 60.8, -48.08, 15.91

 

CMYK 30 / 91 / 0 / 35

HEX #750FA7

RGB 117 15 167

HSL 280.26, 0.84%, 0.36%

LAB 31.61, 61.84, -57.64

 

CMYK 0 / 29 / 90 / 35

HEX #A77610

RGB 167 118 16

HSL 40.53, 0.83%, 0.36%

LAB 53.18, 11.16, 56.31

 

CMYK 79 / 0 / 91 / 35

HEX #23A70F

RGB 35 167 15

HSL 112.11, 0.84%, 0.36%

LAB 59.92, -59.45, 58.83

 

CMYK 91 / 60 / 0 / 35

HEX #0F42A7

RGB 15 66 167

HSL 219.87, 0.84%, 0.36%

LAB 31.32, 24.94, -58.47

 

CMYK 12 / 91 / 0 / 35

HEX #930FA7

RGB 147 15 167

HSL 292.11, 0.84%, 0.36%

LAB 36.62, 66.45, -49.28

 

CMYK 0 / 29 / 90 / 35

HEX #A77610

RGB 167 118 16

HSL 40.53, 0.83%, 0.36%

LAB 53.18, 11.16, 56.31

 

CMYK 91 / 0 / 75 / 35

HEX #0FA729

RGB 15 167 41

HSL 130.26, 0.84%, 0.36%

LAB 59.8, -60.07, 51.64

 

CMYK 91 / 60 / 0 / 35

HEX #0F42A7

RGB 15 66 167

HSL 219.87, 0.84%, 0.36%

LAB 31.32, 24.94, -58.47

 

CMYK 0 / 91 / 15 / 35

HEX #A70F8E

RGB 167 15 142

HSL 309.87, 0.84%, 0.36%

LAB 38.74, 66.26, -30.51

 

Description

Color code: HEX #A77610 | qconv.com Color code: HEX #A77610 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 118 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 118 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 90 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 90% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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