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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A77BF9 it is the complementary color #588406. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A77BF9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A77BF9 shade: #AC7BF4, #BD8DFF, #CE9FFF, #DFB1FF and #F0C3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A77BF9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A77BF9 shade: #A77BF9, #9669E6, #8557D3, #7445C0 and #6333AD

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A77BF9 shade: #A77BF8, #C97BF8, #EA7BF8, #F87BE4 and #F87BC3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A77BF9 shade: #A77BF8, #857BF8 and #7B7BF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A77BF9 shade matches the following richer shades: #A77BF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A77BF9 shade: #A77BF8, #AA86ED, #AD91E2, #B19CD7 and #B4A8CC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A77BF9 shade: #7B94F8, #837BF8, #A57BF8, #C67BF8 and #E87BF8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A77BF9 shade: #722CF5, #8C54F6, #A77BF8, #C1A2FA and #DBCAFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A77BF9 shade: #A77BF9, #F87BB5 and #83F87B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A77BF9 shade: #A77BF9, #F8A57B and #7BF8A5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A77BF9 shade: #A77BF9, #F87BB5, #CFF87B and #7BF8BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A77BF9 shade: #A77BF9, #F87B90, #CFF87B and #7BF8E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 51 / 0 / 2

HEX #A77BF9

RGB 167 123 249

HSL 260.95, 0.91%, 0.73%

LAB 60.98, 43.27, -57.14

 

Complementary color

CMYK 33 / 0 / 95 / 48

HEX #588406

RGB 88 132 6

HSL 80.95, 0.91%, 0.27%

LAB 50.2, -32.4, 53

 

CMYK 30 / 50 / 0 / 4

HEX #AC7BF4

RGB 172 123 244

HSL 264.3, 0.85%, 0.72%

LAB 61.19, 43.29, -54.01

 

CMYK 26 / 45 / 0 / 0

HEX #BD8DFF

RGB 189 141 255

HSL 265.26, 1%, 0.78%

LAB 67.34, 40.48, -50.2

 

CMYK 19 / 38 / 0 / 0

HEX #CE9FFF

RGB 206 159 255

HSL 269.38, 1%, 0.81%

LAB 72.98, 35.37, -41.23

 

CMYK 13 / 31 / 0 / 0

HEX #DFB1FF

RGB 223 177 255

HSL 275.38, 1%, 0.85%

LAB 78.67, 30.66, -32.29

 

CMYK 6 / 24 / 0 / 0

HEX #F0C3FF

RGB 240 195 255

HSL 285, 1%, 0.88%

LAB 84.37, 26.32, -23.43

 

CMYK 33 / 51 / 0 / 2

HEX #A77BF9

RGB 167 123 249

HSL 260.95, 0.91%, 0.73%

LAB 60.98, 43.27, -57.14

 

CMYK 35 / 54 / 0 / 10

HEX #9669E6

RGB 150 105 230

HSL 261.6, 0.71%, 0.66%

LAB 54.34, 44.31, -57.28

 

CMYK 37 / 59 / 0 / 17

HEX #8557D3

RGB 133 87 211

HSL 262.26, 0.58%, 0.58%

LAB 47.63, 45.4, -57.39

 

CMYK 40 / 64 / 0 / 25

HEX #7445C0

RGB 116 69 192

HSL 262.93, 0.49%, 0.51%

LAB 40.86, 46.49, -57.44

 

CMYK 43 / 71 / 0 / 32

HEX #6333AD

RGB 99 51 173

HSL 263.61, 0.54%, 0.44%

LAB 34.06, 47.47, -57.35

 

CMYK 33 / 50 / 0 / 3

HEX #A77BF8

RGB 167 123 248

HSL 261.12, 0.9%, 0.73%

LAB 60.92, 43.02, -56.68

 

CMYK 19 / 50 / 0 / 3

HEX #C97BF8

RGB 201 123 248

HSL 277.44, 0.9%, 0.73%

LAB 64.45, 51.71, -50.85

 

CMYK 6 / 50 / 0 / 3

HEX #EA7BF8

RGB 234 123 248

HSL 293.28, 0.9%, 0.73%

LAB 68.34, 60.46, -44.46

 

CMYK 0 / 50 / 8 / 3

HEX #F87BE4

RGB 248 123 228

HSL 309.6, 0.9%, 0.73%

LAB 69.27, 60.88, -31.87

 

CMYK 0 / 50 / 21 / 3

HEX #F87BC3

RGB 248 123 195

HSL 325.44, 0.9%, 0.73%

LAB 68.07, 55.92, -15.34

 

CMYK 33 / 50 / 0 / 3

HEX #A77BF8

RGB 167 123 248

HSL 261.12, 0.9%, 0.73%

LAB 60.92, 43.02, -56.68

 

CMYK 46 / 50 / 0 / 3

HEX #857BF8

RGB 133 123 248

HSL 244.8, 0.9%, 0.73%

LAB 57.97, 35.05, -61.57

 

CMYK 50 / 50 / 0 / 3

HEX #7B7BF8

RGB 123 123 248

HSL 240, 0.9%, 0.73%

LAB 57.23, 32.91, -62.8

 

CMYK 33 / 50 / 0 / 3

HEX #A77BF8

RGB 167 123 248

HSL 261.12, 0.9%, 0.73%

LAB 60.92, 43.02, -56.68

 

CMYK 33 / 50 / 0 / 3

HEX #A77BF8

RGB 167 123 248

HSL 261.12, 0.9%, 0.73%

LAB 60.92, 43.02, -56.68

 

CMYK 28 / 43 / 0 / 7

HEX #AA86ED

RGB 170 134 237

HSL 260.97, 0.74%, 0.73%

LAB 63.1, 34.94, -47.13

 

CMYK 23 / 36 / 0 / 11

HEX #AD91E2

RGB 173 145 226

HSL 260.74, 0.58%, 0.73%

LAB 65.46, 26.95, -37.33

 

CMYK 18 / 27 / 0 / 16

HEX #B19CD7

RGB 177 156 215

HSL 261.36, 0.42%, 0.73%

LAB 68.04, 19.45, -27.22

 

CMYK 12 / 18 / 0 / 20

HEX #B4A8CC

RGB 180 168 204

HSL 260, 0.26%, 0.73%

LAB 70.92, 11.33, -16.75

 

CMYK 50 / 40 / 0 / 3

HEX #7B94F8

RGB 123 148 248

HSL 228, 0.9%, 0.73%

LAB 63.48, 18.17, -52.81

 

CMYK 47 / 50 / 0 / 3

HEX #837BF8

RGB 131 123 248

HSL 243.84, 0.9%, 0.73%

LAB 57.82, 34.61, -61.82

 

CMYK 33 / 50 / 0 / 3

HEX #A57BF8

RGB 165 123 248

HSL 260.16, 0.9%, 0.73%

LAB 60.73, 42.53, -56.99

 

CMYK 20 / 50 / 0 / 3

HEX #C67BF8

RGB 198 123 248

HSL 276, 0.9%, 0.73%

LAB 64.12, 50.93, -51.4

 

CMYK 6 / 50 / 0 / 3

HEX #E87BF8

RGB 232 123 248

HSL 292.32, 0.9%, 0.73%

LAB 68.09, 59.93, -44.87

 

CMYK 53 / 82 / 0 / 4

HEX #722CF5

RGB 114 44 245

HSL 260.9, 0.91%, 0.57%

LAB 41.17, 71.01, -87.31

 

CMYK 43 / 66 / 0 / 4

HEX #8C54F6

RGB 140 84 246

HSL 260.74, 0.9%, 0.65%

LAB 50.18, 57.5, -73.01

 

CMYK 33 / 50 / 0 / 3

HEX #A77BF8

RGB 167 123 248

HSL 261.12, 0.9%, 0.73%

LAB 60.92, 43.02, -56.68

 

CMYK 23 / 35 / 0 / 2

HEX #C1A2FA

RGB 193 162 250

HSL 261.14, 0.9%, 0.81%

LAB 72.28, 28.85, -39.7

 

CMYK 13 / 20 / 0 / 1

HEX #DBCAFC

RGB 219 202 252

HSL 260.4, 0.89%, 0.89%

LAB 84.14, 15.36, -22.36

 

CMYK 33 / 51 / 0 / 2

HEX #A77BF9

RGB 167 123 249

HSL 260.95, 0.91%, 0.73%

LAB 60.98, 43.27, -57.14

 

CMYK 0 / 50 / 27 / 3

HEX #F87BB5

RGB 248 123 181

HSL 332.16, 0.9%, 0.73%

LAB 67.62, 54.03, -8.14

 

CMYK 47 / 0 / 50 / 3

HEX #83F87B

RGB 131 248 123

HSL 116.16, 0.9%, 0.73%

LAB 88.63, -57.02, 49.61

 

CMYK 33 / 51 / 0 / 2

HEX #A77BF9

RGB 167 123 249

HSL 260.95, 0.91%, 0.73%

LAB 60.98, 43.27, -57.14

 

CMYK 0 / 33 / 50 / 3

HEX #F8A57B

RGB 248 165 123

HSL 20.16, 0.9%, 0.73%

LAB 75.01, 26.23, 34.25

 

CMYK 50 / 0 / 33 / 3

HEX #7BF8A5

RGB 123 248 165

HSL 140.16, 0.9%, 0.73%

LAB 88.95, -52.75, 29.44

 

CMYK 33 / 51 / 0 / 2

HEX #A77BF9

RGB 167 123 249

HSL 260.95, 0.91%, 0.73%

LAB 60.98, 43.27, -57.14

 

CMYK 0 / 50 / 27 / 3

HEX #F87BB5

RGB 248 123 181

HSL 332.16, 0.9%, 0.73%

LAB 67.62, 54.03, -8.14

 

CMYK 17 / 0 / 50 / 3

HEX #CFF87B

RGB 207 248 123

HSL 79.68, 0.9%, 0.73%

LAB 92.5, -32.01, 55.19

 

CMYK 50 / 0 / 23 / 3

HEX #7BF8BE

RGB 123 248 190

HSL 152.16, 0.9%, 0.73%

LAB 89.42, -48.03, 17.33

 

CMYK 33 / 51 / 0 / 2

HEX #A77BF9

RGB 167 123 249

HSL 260.95, 0.91%, 0.73%

LAB 60.98, 43.27, -57.14

 

CMYK 0 / 50 / 42 / 3

HEX #F87B90

RGB 248 123 144

HSL 349.92, 0.9%, 0.73%

LAB 66.62, 49.71, 11.33

 

CMYK 17 / 0 / 50 / 3

HEX #CFF87B

RGB 207 248 123

HSL 79.68, 0.9%, 0.73%

LAB 92.5, -32.01, 55.19

 

CMYK 50 / 0 / 8 / 3

HEX #7BF8E3

RGB 123 248 227

HSL 169.92, 0.9%, 0.73%

LAB 90.27, -39.9, -0.63

 

Description

Color code: HEX #A77BF9 | qconv.com Color code: HEX #A77BF9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 123 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 123 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 51 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 51% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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