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Color name
HEX #A77D47

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A77D47 it is the complementary color #5882B8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A77D47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A77D47 shade: #AC7D42, #BD8F55, #CEA168, #DFB37B and #F0C58E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A77D47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A77D47 shade: #A77D47, #966B34, #855921, #74470E and #633500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A77D47 shade: #A77D47, #A76347, #A74A47 and #A74747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A77D47 shade: #A77D47, #A79747, #9EA747, #84A747 and #6AA747

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A77D47 shade matches the following richer shades: #A77D47, #BB8034, #CE8221 and #E1850D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A77D47 shade: #A77D47, #947B5B, #81786E, #6D7682 and #5A7495

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A77D47 shade: #A74947, #A76347, #A77C47, #A79647 and #9FA747

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A77D47 shade: #6E522F, #8A683B, #A77D47, #BA925E and #C6A57B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A77D47 shade: #A77D47, #5FA747 and #5647A7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A77D47 shade: #A77D47, #47A77C and #7C47A7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A77D47 shade: #A77D47, #5FA747, #4773A7 and #8F47A7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A77D47 shade: #A77D47, #47A74C, #4773A7 and #A747A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 57 / 35

HEX #A77D47

RGB 167 125 71

HSL 33.75, 0.4%, 0.47%

LAB 55.42, 9.97, 35.44

 

Complementary color

CMYK 52 / 29 / 0 / 28

HEX #5882B8

RGB 88 130 184

HSL 213.75, 0.4%, 0.53%

LAB 53.49, 1.09, -32.83

 

CMYK 0 / 27 / 62 / 33

HEX #AC7D42

RGB 172 125 66

HSL 33.4, 0.45%, 0.47%

LAB 55.92, 11.77, 38.79

 

CMYK 0 / 24 / 55 / 26

HEX #BD8F55

RGB 189 143 85

HSL 33.46, 0.44%, 0.54%

LAB 62.61, 10.62, 37.33

 

CMYK 0 / 22 / 50 / 19

HEX #CEA168

RGB 206 161 104

HSL 33.53, 0.51%, 0.61%

LAB 69.19, 9.65, 35.91

 

CMYK 0 / 20 / 45 / 13

HEX #DFB37B

RGB 223 179 123

HSL 33.6, 0.61%, 0.68%

LAB 75.67, 8.82, 34.58

 

CMYK 0 / 18 / 41 / 6

HEX #F0C58E

RGB 240 197 142

HSL 33.67, 0.77%, 0.75%

LAB 82.06, 8.1, 33.32

 

CMYK 0 / 25 / 57 / 35

HEX #A77D47

RGB 167 125 71

HSL 33.75, 0.4%, 0.47%

LAB 55.42, 9.97, 35.44

 

CMYK 0 / 29 / 65 / 41

HEX #966B34

RGB 150 107 52

HSL 33.67, 0.49%, 0.4%

LAB 48.57, 11.21, 36.93

 

CMYK 0 / 33 / 75 / 48

HEX #855921

RGB 133 89 33

HSL 33.6, 0.6%, 0.33%

LAB 41.6, 12.74, 38.31

 

CMYK 0 / 39 / 88 / 55

HEX #74470E

RGB 116 71 14

HSL 33.53, 0.78%, 0.25%

LAB 34.5, 14.65, 39.07

 

CMYK 0 / 46 / 100 / 61

HEX #633500

RGB 99 53 0

HSL 32.12, 1%, 0.19%

LAB 27.29, 17, 37.54

 

CMYK 0 / 25 / 57 / 35

HEX #A77D47

RGB 167 125 71

HSL 33.75, 0.4%, 0.47%

LAB 55.42, 9.97, 35.44

 

CMYK 0 / 41 / 57 / 35

HEX #A76347

RGB 167 99 71

HSL 17.5, 0.4%, 0.47%

LAB 49, 24.65, 27.53

 

CMYK 0 / 56 / 57 / 35

HEX #A74A47

RGB 167 74 71

HSL 1.88, 0.4%, 0.47%

LAB 43.61, 38.08, 20.6

 

CMYK 0 / 57 / 57 / 35

HEX #A74747

RGB 167 71 71

HSL 0, 0.4%, 0.47%

LAB 43.03, 39.59, 19.84

 

CMYK 0 / 25 / 57 / 35

HEX #A77D47

RGB 167 125 71

HSL 33.75, 0.4%, 0.47%

LAB 55.42, 9.97, 35.44

 

CMYK 0 / 10 / 57 / 35

HEX #A79747

RGB 167 151 71

HSL 50, 0.4%, 0.47%

LAB 62.34, -4.43, 43.58

 

CMYK 5 / 0 / 57 / 35

HEX #9EA747

RGB 158 167 71

HSL 65.63, 0.4%, 0.47%

LAB 66.03, -16.75, 47.57

 

CMYK 21 / 0 / 57 / 35

HEX #84A747

RGB 132 167 71

HSL 81.88, 0.4%, 0.47%

LAB 64.16, -27.43, 44.94

 

CMYK 37 / 0 / 57 / 35

HEX #6AA747

RGB 106 167 71

HSL 98.13, 0.4%, 0.47%

LAB 62.64, -37.17, 42.8

 

CMYK 0 / 25 / 57 / 35

HEX #A77D47

RGB 167 125 71

HSL 33.75, 0.4%, 0.47%

LAB 55.42, 9.97, 35.44

 

CMYK 0 / 32 / 72 / 27

HEX #BB8034

RGB 187 128 52

HSL 33.78, 0.56%, 0.47%

LAB 58.27, 15.81, 48.72

 

CMYK 0 / 37 / 84 / 19

HEX #CE8221

RGB 206 130 33

HSL 33.64, 0.72%, 0.47%

LAB 60.95, 22.22, 59.67

 

CMYK 0 / 41 / 94 / 12

HEX #E1850D

RGB 225 133 13

HSL 33.96, 0.89%, 0.47%

LAB 64.01, 28.3, 68.13

 

CMYK 0 / 25 / 57 / 35

HEX #A77D47

RGB 167 125 71

HSL 33.75, 0.4%, 0.47%

LAB 55.42, 9.97, 35.44

 

CMYK 0 / 17 / 39 / 42

HEX #947B5B

RGB 148 123 91

HSL 33.68, 0.24%, 0.47%

LAB 53.19, 4.93, 21.12

 

CMYK 0 / 7 / 15 / 49

HEX #81786E

RGB 129 120 110

HSL 31.58, 0.08%, 0.47%

LAB 50.95, 1.63, 6.73

 

CMYK 16 / 9 / 0 / 49

HEX #6D7682

RGB 109 118 130

HSL 214.29, 0.09%, 0.47%

LAB 49.28, -0.68, -7.71

 

CMYK 40 / 22 / 0 / 42

HEX #5A7495

RGB 90 116 149

HSL 213.56, 0.25%, 0.47%

LAB 48.05, -0.66, -20.92

 

CMYK 0 / 56 / 57 / 35

HEX #A74947

RGB 167 73 71

HSL 1.25, 0.4%, 0.47%

LAB 43.41, 38.59, 20.34

 

CMYK 0 / 41 / 57 / 35

HEX #A76347

RGB 167 99 71

HSL 17.5, 0.4%, 0.47%

LAB 49, 24.65, 27.53

 

CMYK 0 / 26 / 57 / 35

HEX #A77C47

RGB 167 124 71

HSL 33.13, 0.4%, 0.47%

LAB 55.16, 10.53, 35.13

 

CMYK 0 / 10 / 57 / 35

HEX #A79647

RGB 167 150 71

HSL 49.38, 0.4%, 0.47%

LAB 62.07, -3.89, 43.27

 

CMYK 5 / 0 / 57 / 35

HEX #9FA747

RGB 159 167 71

HSL 65, 0.4%, 0.47%

LAB 66.11, -16.33, 47.68

 

CMYK 0 / 25 / 57 / 57

HEX #6E522F

RGB 110 82 47

HSL 33.33, 0.4%, 0.31%

LAB 37.03, 7.15, 24.9

 

CMYK 0 / 25 / 57 / 46

HEX #8A683B

RGB 138 104 59

HSL 34.18, 0.4%, 0.39%

LAB 46.47, 8.07, 30.36

 

CMYK 0 / 25 / 57 / 35

HEX #A77D47

RGB 167 125 71

HSL 33.75, 0.4%, 0.47%

LAB 55.42, 9.97, 35.44

 

CMYK 0 / 22 / 49 / 27

HEX #BA925E

RGB 186 146 94

HSL 33.91, 0.4%, 0.55%

LAB 63.18, 8.51, 33.2

 

CMYK 0 / 17 / 38 / 22

HEX #C6A57B

RGB 198 165 123

HSL 33.6, 0.4%, 0.63%

LAB 69.72, 6.23, 26.3

 

CMYK 0 / 25 / 57 / 35

HEX #A77D47

RGB 167 125 71

HSL 33.75, 0.4%, 0.47%

LAB 55.42, 9.97, 35.44

 

CMYK 43 / 0 / 57 / 35

HEX #5FA747

RGB 95 167 71

HSL 105, 0.4%, 0.47%

LAB 62.1, -40.88, 42.04

 

CMYK 49 / 57 / 0 / 35

HEX #5647A7

RGB 86 71 167

HSL 249.38, 0.4%, 0.47%

LAB 36.51, 31.72, -49.86

 

CMYK 0 / 25 / 57 / 35

HEX #A77D47

RGB 167 125 71

HSL 33.75, 0.4%, 0.47%

LAB 55.42, 9.97, 35.44

 

CMYK 57 / 0 / 26 / 35

HEX #47A77C

RGB 71 167 124

HSL 153.13, 0.4%, 0.47%

LAB 62.03, -38.65, 13.91

 

CMYK 26 / 57 / 0 / 35

HEX #7C47A7

RGB 124 71 167

HSL 273.13, 0.4%, 0.47%

LAB 40.54, 40.95, -43.16

 

CMYK 0 / 25 / 57 / 35

HEX #A77D47

RGB 167 125 71

HSL 33.75, 0.4%, 0.47%

LAB 55.42, 9.97, 35.44

 

CMYK 43 / 0 / 57 / 35

HEX #5FA747

RGB 95 167 71

HSL 105, 0.4%, 0.47%

LAB 62.1, -40.88, 42.04

 

CMYK 57 / 31 / 0 / 35

HEX #4773A7

RGB 71 115 167

HSL 212.5, 0.4%, 0.47%

LAB 47.48, 0.73, -32.45

 

CMYK 14 / 57 / 0 / 35

HEX #8F47A7

RGB 143 71 167

HSL 285, 0.4%, 0.47%

LAB 42.97, 45.95, -39.16

 

CMYK 0 / 25 / 57 / 35

HEX #A77D47

RGB 167 125 71

HSL 33.75, 0.4%, 0.47%

LAB 55.42, 9.97, 35.44

 

CMYK 57 / 0 / 54 / 35

HEX #47A74C

RGB 71 167 76

HSL 123.13, 0.4%, 0.47%

LAB 61.22, -47.2, 38.33

 

CMYK 57 / 31 / 0 / 35

HEX #4773A7

RGB 71 115 167

HSL 212.5, 0.4%, 0.47%

LAB 47.48, 0.73, -32.45

 

CMYK 0 / 57 / 3 / 35

HEX #A747A2

RGB 167 71 162

HSL 303.13, 0.4%, 0.47%

LAB 46.08, 51.52, -31.05

 

Description

Color code: HEX #A77D47 | qconv.com Color code: HEX #A77D47 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 125 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 125 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 57 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 57% 35% C M Y K

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Provide designers and agencies with accurate color values.

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