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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A78A85 it is the complementary color #58757A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A78A85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A78A85 shade: #AC8A80, #BD9C93, #CEAEA6, #DFC0B9 and #F0D2CC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A78A85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A78A85 shade: #A78A85, #967872, #85665F, #74544C and #634239

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A78A85 shade: #A78A85 and #A78585

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A78A85 shade: #A78A85, #A79385, #A79C85, #A7A585 and #9FA785

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A78A85 shade matches the following richer shades: #A78A85, #B87E74, #C97263, #D96652 and #EA5A42

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A78A85 shade: #A78A85, #969696, #85A2A7, #74AEB8 and #63BAC9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A78A85 shade: #A78593, #A7858A, #A78A85, #A79385 and #A79C85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A78A85 shade: #7E605B, #95736D, #A78A85, #B8A19D and #C9B8B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A78A85 shade: #A78A85, #9CA785 and #858EA7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A78A85 shade: #A78A85, #85A78A and #8A85A7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A78A85 shade: #A78A85, #9CA785, #85A2A7 and #9085A7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A78A85 shade: #A78A85, #91A785, #85A2A7 and #9A85A7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 20 / 35

HEX #A78A85

RGB 167 138 133

HSL 8.82, 0.16%, 0.59%

LAB 59.97, 10.16, 6.79

 

Complementary color

CMYK 28 / 4 / 0 / 52

HEX #58757A

RGB 88 117 122

HSL 188.82, 0.16%, 0.41%

LAB 47.24, -9.16, -6.17

 

CMYK 0 / 20 / 26 / 33

HEX #AC8A80

RGB 172 138 128

HSL 13.64, 0.21%, 0.59%

LAB 60.34, 11.36, 10.24

 

CMYK 0 / 17 / 22 / 26

HEX #BD9C93

RGB 189 156 147

HSL 12.86, 0.24%, 0.66%

LAB 67.05, 10.81, 9.29

 

CMYK 0 / 16 / 19 / 19

HEX #CEAEA6

RGB 206 174 166

HSL 12, 0.29%, 0.73%

LAB 73.64, 10.33, 8.41

 

CMYK 0 / 14 / 17 / 13

HEX #DFC0B9

RGB 223 192 185

HSL 11.05, 0.37%, 0.8%

LAB 80.12, 9.89, 7.59

 

CMYK 0 / 13 / 15 / 6

HEX #F0D2CC

RGB 240 210 204

HSL 10, 0.55%, 0.87%

LAB 86.49, 9.5, 6.81

 

CMYK 0 / 17 / 20 / 35

HEX #A78A85

RGB 167 138 133

HSL 8.82, 0.16%, 0.59%

LAB 59.97, 10.16, 6.79

 

CMYK 0 / 20 / 24 / 41

HEX #967872

RGB 150 120 114

HSL 10, 0.15%, 0.52%

LAB 53.09, 10.71, 7.72

 

CMYK 0 / 23 / 29 / 48

HEX #85665F

RGB 133 102 95

HSL 11.05, 0.17%, 0.45%

LAB 46.06, 11.35, 8.74

 

CMYK 0 / 28 / 34 / 55

HEX #74544C

RGB 116 84 76

HSL 12, 0.21%, 0.38%

LAB 38.86, 12.12, 9.9

 

CMYK 0 / 33 / 42 / 61

HEX #634239

RGB 99 66 57

HSL 12.86, 0.27%, 0.31%

LAB 31.45, 13.05, 11.26

 

CMYK 0 / 17 / 20 / 35

HEX #A78A85

RGB 167 138 133

HSL 8.82, 0.16%, 0.59%

LAB 59.97, 10.16, 6.79

 

CMYK 0 / 20 / 20 / 35

HEX #A78585

RGB 167 133 133

HSL 0, 0.16%, 0.59%

LAB 58.68, 12.99, 4.94

 

CMYK 0 / 17 / 20 / 35

HEX #A78A85

RGB 167 138 133

HSL 8.82, 0.16%, 0.59%

LAB 59.97, 10.16, 6.79

 

CMYK 0 / 12 / 20 / 35

HEX #A79385

RGB 167 147 133

HSL 24.71, 0.16%, 0.59%

LAB 62.32, 5.12, 10.13

 

CMYK 0 / 7 / 20 / 35

HEX #A79C85

RGB 167 156 133

HSL 40.59, 0.16%, 0.59%

LAB 64.71, 0.15, 13.5

 

CMYK 0 / 1 / 20 / 35

HEX #A7A585

RGB 167 165 133

HSL 56.47, 0.16%, 0.59%

LAB 67.14, -4.74, 16.89

 

CMYK 5 / 0 / 20 / 35

HEX #9FA785

RGB 159 167 133

HSL 74.12, 0.16%, 0.59%

LAB 67.05, -8.89, 16.67

 

CMYK 0 / 17 / 20 / 35

HEX #A78A85

RGB 167 138 133

HSL 8.82, 0.16%, 0.59%

LAB 59.97, 10.16, 6.79

 

CMYK 0 / 32 / 37 / 28

HEX #B87E74

RGB 184 126 116

HSL 8.82, 0.32%, 0.59%

LAB 58.39, 21.22, 14.54

 

CMYK 0 / 43 / 51 / 21

HEX #C97263

RGB 201 114 99

HSL 8.82, 0.49%, 0.59%

LAB 57.42, 32.67, 23.31

 

CMYK 0 / 53 / 62 / 15

HEX #D96652

RGB 217 102 82

HSL 8.89, 0.64%, 0.59%

LAB 56.94, 43.6, 32.78

 

CMYK 0 / 62 / 72 / 8

HEX #EA5A42

RGB 234 90 66

HSL 8.57, 0.8%, 0.59%

LAB 57.27, 54.37, 42.61

 

CMYK 0 / 17 / 20 / 35

HEX #A78A85

RGB 167 138 133

HSL 8.82, 0.16%, 0.59%

LAB 59.97, 10.16, 6.79

 

CMYK 0 / 0 / 0 / 41

HEX #969696

RGB 150 150 150

HSL 0, 0%, 0.59%

LAB 62.08, 0, -0.01

 

CMYK 20 / 3 / 0 / 35

HEX #85A2A7

RGB 133 162 167

HSL 188.82, 0.16%, 0.59%

LAB 64.66, -8.87, -5.93

 

CMYK 37 / 5 / 0 / 28

HEX #74AEB8

RGB 116 174 184

HSL 188.82, 0.32%, 0.59%

LAB 67.61, -16.25, -11.11

 

CMYK 51 / 7 / 0 / 21

HEX #63BAC9

RGB 99 186 201

HSL 188.82, 0.49%, 0.59%

LAB 70.86, -22.11, -15.66

 

CMYK 0 / 20 / 12 / 35

HEX #A78593

RGB 167 133 147

HSL 335.29, 0.16%, 0.59%

LAB 59.06, 15.32, -2.54

 

CMYK 0 / 20 / 17 / 35

HEX #A7858A

RGB 167 133 138

HSL 351.18, 0.16%, 0.59%

LAB 58.81, 13.8, 2.26

 

CMYK 0 / 17 / 20 / 35

HEX #A78A85

RGB 167 138 133

HSL 8.82, 0.16%, 0.59%

LAB 59.97, 10.16, 6.79

 

CMYK 0 / 12 / 20 / 35

HEX #A79385

RGB 167 147 133

HSL 24.71, 0.16%, 0.59%

LAB 62.32, 5.12, 10.13

 

CMYK 0 / 7 / 20 / 35

HEX #A79C85

RGB 167 156 133

HSL 40.59, 0.16%, 0.59%

LAB 64.71, 0.15, 13.5

 

CMYK 0 / 24 / 28 / 51

HEX #7E605B

RGB 126 96 91

HSL 8.57, 0.16%, 0.43%

LAB 43.59, 11.38, 7.55

 

CMYK 0 / 23 / 27 / 42

HEX #95736D

RGB 149 115 109

HSL 9, 0.16%, 0.51%

LAB 51.56, 12.43, 8.45

 

CMYK 0 / 17 / 20 / 35

HEX #A78A85

RGB 167 138 133

HSL 8.82, 0.16%, 0.59%

LAB 59.97, 10.16, 6.79

 

CMYK 0 / 13 / 15 / 28

HEX #B8A19D

RGB 184 161 157

HSL 8.89, 0.16%, 0.67%

LAB 68.1, 7.74, 5.17

 

CMYK 0 / 8 / 10 / 21

HEX #C9B8B5

RGB 201 184 181

HSL 9, 0.16%, 0.75%

LAB 76.09, 5.52, 3.7

 

CMYK 0 / 17 / 20 / 35

HEX #A78A85

RGB 167 138 133

HSL 8.82, 0.16%, 0.59%

LAB 59.97, 10.16, 6.79

 

CMYK 7 / 0 / 20 / 35

HEX #9CA785

RGB 156 167 133

HSL 79.41, 0.16%, 0.59%

LAB 66.82, -10.02, 16.31

 

CMYK 20 / 15 / 0 / 35

HEX #858EA7

RGB 133 142 167

HSL 224.12, 0.16%, 0.59%

LAB 59.09, 2.25, -14.26

 

CMYK 0 / 17 / 20 / 35

HEX #A78A85

RGB 167 138 133

HSL 8.82, 0.16%, 0.59%

LAB 59.97, 10.16, 6.79

 

CMYK 20 / 0 / 17 / 35

HEX #85A78A

RGB 133 167 138

HSL 128.82, 0.16%, 0.59%

LAB 65.33, -17.53, 11.22

 

CMYK 17 / 20 / 0 / 35

HEX #8A85A7

RGB 138 133 167

HSL 248.82, 0.16%, 0.59%

LAB 57.04, 9.08, -17.32

 

CMYK 0 / 17 / 20 / 35

HEX #A78A85

RGB 167 138 133

HSL 8.82, 0.16%, 0.59%

LAB 59.97, 10.16, 6.79

 

CMYK 7 / 0 / 20 / 35

HEX #9CA785

RGB 156 167 133

HSL 79.41, 0.16%, 0.59%

LAB 66.82, -10.02, 16.31

 

CMYK 20 / 3 / 0 / 35

HEX #85A2A7

RGB 133 162 167

HSL 188.82, 0.16%, 0.59%

LAB 64.66, -8.87, -5.93

 

CMYK 14 / 20 / 0 / 35

HEX #9085A7

RGB 144 133 167

HSL 259.41, 0.16%, 0.59%

LAB 57.55, 11.09, -16.5

 

CMYK 0 / 17 / 20 / 35

HEX #A78A85

RGB 167 138 133

HSL 8.82, 0.16%, 0.59%

LAB 59.97, 10.16, 6.79

 

CMYK 13 / 0 / 20 / 35

HEX #91A785

RGB 145 167 133

HSL 98.82, 0.16%, 0.59%

LAB 66.02, -14.13, 15.08

 

CMYK 20 / 3 / 0 / 35

HEX #85A2A7

RGB 133 162 167

HSL 188.82, 0.16%, 0.59%

LAB 64.66, -8.87, -5.93

 

CMYK 8 / 20 / 0 / 35

HEX #9A85A7

RGB 154 133 167

HSL 277.06, 0.16%, 0.59%

LAB 58.45, 14.5, -15.06

 

Description

Color code: HEX #A78A85 | qconv.com Color code: HEX #A78A85 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 138 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 138 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 20 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 20% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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